Emil von Sauer
(1862-1942) Piano Works in Four volumes.
Oleg Marshev – Piano
Volume 1 Etudes de Concert
Concert-Etude; Vogelstimmen; Murmure du Vent; Octaven-Etüde; Près
du Ruisseau; Frisson de Feuilles; Flammes de Mer; Au Vol; Orage d’Avril;
Sylphes glissants; A Cheval; L’Eteuf; La Chasse; Prélude Erotique;
Tarantelle Fantastique; Etude en Trilles; Les Sirènes; Volubilité;
Vision; A la valse. DANACORD
DACD487 [77.21]
Volume 2 Etudes de Concert and other works
Etude chromatique; Le Vertige; Toccata; Les Pins de la Villa Medici;
Gebirgsbächlein; Preghiera; Walsdeszauber; Waldandacht; Staccato-Etüde;
Dialogo (Impromptu)
Other pieces Les Délices de Vienne; Le Retour; Couplet sans
Paroles; Scherzo Valse; Boîte a musique; Echo de Vienne.
DANACORD DACD488 [71.36]
Volume 3 Piano Sonata No 1 & other pieces
Propos de Bal; Konzert-Polka; Approche de Printemps; Valse Impromptu;
Quand vient l’été; Romance sans paroles; Scherzo Sonata
No.1 in D major DANACORD
DACD533 [67.34]
Volume 4 Piano Sonata No.2 & other pieces Courante und trio; Gavotte
et Musette; Le Luth; Sérénade française; Barcarolle;
Scherzo pastoral; Serenata veneziana; empre scherzando. Sonata No.2
in Eb major DANACORD
DACD534 [67.11]
Recorded at Mantzlos Garden, Birkerød, Denmark
Vol.1 Jan 1988; Vol. 2 October 1998; Vols. 3&4 September 1999;
This
is a treasure store of fine salon music. Yet salon music is not to be
despised. It is extremely well written, exceptionally well played and
altogether totally enjoyable. The two sonatas are both vital additions
to the repertoire. Well done Danacord!
Max
Von SCHILLINGS (1868-1933)
String
Quartet in E minor (1887) String Quintet Op. 32 in E flat major (1917)
Wiener String Quartet
with Martin Albrecht Rohde (vla) (Quintet) rec Vienna, 2001?
CPO 999 608-2 [73.14] Midprice
These
are gorgeous performances finely caught - if only all recordings of
unknown chamber music could be so well done. ….see Full
review
Franz
SCHUBERT
(1797 – 1828) Symphonies:
No 4 in C minor, D417 ‘Tragic’ [27.57] No 5 in B flat major, D485 [27.05]
No 8 in B minor, D759 ‘Unfinished* [23.54] No 9 in C major, D944 ‘Great’**
[52.41] Suite: ‘Rosamunde’ D797 [20.12] - Cologne Radio Symphony Orchestra
conducted by Gunther Wand
** NDR Symphony Orchestra conducted by Gunther Wand *** Chicago Symphony
Orchestra conducted by Fritz Reiner. Recorded between 1980 & 1991
(Wand) RCA RED SEAL
Artistes & Repertoires 74321 846 072 [151.49] [JQ]
This
is a very desirable compilation of four authoritative performances of
Schubert symphonies.
Franz
SCHUBERT
(1979-1828)
Symphony No. 9 in C, D944, ‘Great’. Igor
STRAVINSKY (1882-1971) Le Sacre du Printemps.
Vienna Philharmonic Orchestra/Zubin Mehta. Live
performance from the Grosses Festspielhaus, Salzburg on August 21st,
1985. [ADD]
ORFEO D'OR C566012B [two discs] [85.53] [CC]
Mehta's
Schubert Great C major is generally naturally-paced and decidedly dramatic.
Le Sacre is accorded an interesting reading. Good radio recordings.
Franz SCHUBERT (1797-1828)
String Quartet in D minor D810 "Death and the
Maiden"
Gabrieli Quartet Piano Quintet in A D667 "The Trout"
Moura Lympany piano Principals of the London Symphony Orchestra; John
Brown violin Alexander Taylor viola Douglas Cummings cello Thomas Martin
double bass Recorded Conway Hall, London 1971 (String Quartet) and March
1974 (Piano Quintet)
EMI Classics for Pleasure 724357488624 [77.07] [JW]
This
very well filled disc, at super-budget price, commands real interest,
especially for the Gabrieli’s Quartet performance. ...see Full
Review
Leif
SEGERSTAM (b.1944)
Symphony No. 15 Ecliptic Thoughts
(1990) [23.32] Waiting For ...... - Orchestral Diary Sheet
No. 30 (1990) [22.12]
Tampere PO/Leif Segerstam (Symphony) Avanti! Chamber Orchestra/Leif
Segerstam (Waiting For ...) rec YLE 1991/1992
KONTRAPUNKT 32125 [45.50] [RB]
Experience
Segerstam's Bergian 'freepulsativity'. Playing duration short but a
disc very satisfying in its own right. ...see Full
Review
Dmitri SHOSTAKOVICH The
Tale about a Priest and his Labourer Balda, op 36 (tale by Alexander
Pushkin)
The Choir and Symphony Orchestra of the St Petersburg Small Opera and
Theatre/Valentin Kozhin The Story about a Silly Baby Mouse,
op 56 (tale by Samuel Marshak)
Symphony Orchestra of the Opera Class of the St Petersburg Conservatoire/Boris
Tiles All recorded in the St Petersburg Recording Studio: the dating
is unclear. BOHEME MUSIC
CDBMR 012192 [60:22] [AAS]
Splendidly
performed and recorded, this disc is a must for Shostakovich-lovers....see
Full Review
Dmitri
SHOSTAKOVICH
(1906-1975) Complete
String Quartets, Volume 3 String Quartet No. 8, Opus 110, String
Quartet No. 9, Opus 117, String Quartet No. 7, Opus 78
Sorrel Quartet Rec 28-30 March 2001, Snape Maltings Concert Hall
CHANDOS CHAN9955 [72.22] [TB]
The
deeply committed, skilful performances of the Sorrel Quartet serve Shostakovich
well, confirming his contribution among the major composers of music
for the string quartet medium.
Jean
SIBELIUS (1865-1957)
Tapiola,
En Saga, The Swan of Tuonela, Finlandia, The Oceanides
Royal Stockholm Philharmonic Orchestra/Sir Andrew Davis Rec February
- March 1996, Stockholm Concert Hall
APEX 09274 06202 [75.48] [TB]
Sometimes
the orchestral balances have a pallid feel but these are overall the
thoughtful and sensitive performances of a true Sibelian. ...see Full
Review
Roger
SMALLEY (b.1943)
Symphony and Piano Concerto, Piano Concerto (1985)
Roger Smalley (piano)/West Australian SO/Diego Masson rec ABC Basil
Kirke Studio, Perth Australia 19 Feb 1987
Symphony (1981) Sydney SO/Patrick Thomas Rec ABC Studio 225, Sydney,
Australia, 7-14 Feb 1985
VOX AUSTRALIS VAST 003-2 [57.10] [RB]
The
Concerto is an extremely exciting and cogent piece of writing alive
with barbed and thunderous life. The Symphony is much more rugged going.
Award-winning stuff - especially the Concerto.
Gaspare
SPONTINI (1774-1851)
Li
Puntigli delle Donne (1796)
Johanna Hansen (Giannina, soprano), Giampiero Ruggeri (Conte Brontolone),
Guido Boesi (Dottore Mangiacarte, baritone), Patrizio Saudelli (Valerio,
tenor), Paola Antonucci (Rosimene, soprano), José Medina (Cavaliere
del Ciufolo, tenor), Charlotte Zeiher (Lisetta, soprano), Putbus Festival
Orchestra/Wilhelm Keitel Recorded 5-6/1998, Marstall zu Putbus, Rügen
ARTE NOVA CLASSICS 74321
59198 2 [2 CDs, 67.59, 59.13] [CH]
As
ephemera go, this opera is a classy product. It does everything a comic
opera is expected to do – but don’t think you’re going to get Mozart
or even Rossini. …. For full review
Johann
STRAUSS II
(1825 – 1899) Die
Fledermaus Operetta in three acts
Rosalinde Elizabeth Schwarzkopf (soprano) Adele Rita
Streich (soprano)
Gabriel von Eisenstein Nicolai Gedda (tenor) Alfred Helmut
Krebs (tenor)
Dr. Falke Erich Kunz (baritone) Orlofsky Rudolph Christ
(tenor) With Karl Dönch, Erich Majkut, Franz Böheim and Luise
Martini Philharmonia Orchestra and Chorus/Herbert von Karajan Recorded
26-30.IV.1955 Kingsway Hall London. Digitally remastered 1999 ADD
EMI Classics CMS 567074 [CD1: 41.11 CD2: 68.52] [RM]
A
vocal delight. If you do not have it, buy it; and if you do have it
then buy it again and give it to a younger person who will not forget
your thoughtfulness
Richard
STRAUSS (1864-1949)
Der Liebe der Danae.
Lauren Flanigan (soprano) Danae; Peter Coleman-Wright (baritone) Jupiter;
Hugh Smith (tenor) Midas; William Lewis (tenor) Pollux; Lisa Saffer
(soprano) Xanthe; Michael Hendrick (tenor) Merkur; Tamara Mesic (soprano)
Semele; Jane Jennings (soprano) Europa; Mary Philips (mezzo) Alkmene;
Elisabeth Canis (mezzo) Leda; Rodne Brown, James Archie Worley, William
Berges, Richard Crist (singers) Kings;
American Symphony Orchestra/Leon Botstein. Recorded live in the Avery
Fisher Hall, Lincoln Centre, New York City on January 16th, 2000. [DDD]
TELARC CD-80570 [three
discs] [177'23] [CC]
The
American Symphony Orchestra plays with a combination of lyricism, playfulness
and precision for Leon Botstein. Strauss’s complex score only delivers
more and more as time goes on.
Richard
STRAUSS (1864-1949)
Der Rosenkavalier
Elizabeth Schwarzkopf (Feldmarschallin), Otto Edelmann (Ochs), Christa
Ludwig (Octavian), Eberhard Wächter (Faninal), Teresa Stich-Randall
(Sophie), Ljuba Welitsch (Marianne), Paul Klein (Valzacchi), Kerstin
Meyer (Annina), Nicolai Gedda (Italian tenor), Philharmonia Chorus,
Children’s Chorus from Loughton High School and Bancroft’s School, Philharmonia
Orchestra/Herbert von Karajan Recorded in Kingsway Hall, London, 10-15,
17-22.12.1956 Producer: Walter Legge
EMI CLASSICS CMS 5 67605 2 [3 CDs, 70.08, 59.48, 61.38] [CH]
This
set ushered in a new era of personalised interpretations. Karajan finally
loses himself in the music in the great Act 3 trio.
Richard
STRAUSS
(1864-1949) Seduction: Songs by Richard
Strauss
Steve Davislim
(tenor) State Orchestra of Victoria/Simone Young
Rec. August 1999 Iwaki Auditorium, Melbourne, Australia
MELBA 301081 [70.26] [RW]
Davislim
sings confidently and with clarity: his tone is appealing and he is
sensitive to the dynamics of the material. In some of the songs there
are particularly which test the breath control of the singer: whilst
others are taxing to the singer’s. Davislim handles the taxing demands
of long phrases and registration with ease and grace.
Richard
STRAUSS
(1864-1949) Piano Music Piano
Sonata in B minor Op. 5 (1881) Five Piano Pieces Op. 3 (1881-82)
Stimmungsbilder (Mood Paintings) Op. 9 (1882-84)
Oleg Marshev - piano Recorded at Cultural Institute, Milan, September
1996 OlegDANACORD DACOCD
440 [73.53] [JF]
A
fascinating insight into early Richard Strauss. Do no hunt the intimations
of future masterpieces - just enjoy this eye-catching music. Tuneful,
harmonically attractive and formally satisfying. An excellent disc.
….see Full Review
Igor STRAVINSKY (1882
– 1971) Rite
of Spring – complete ballet (197) Alexander
SCRIABIN (1872 – 1915) The Poem of Ecstasy, Op.54
(1907) Kirov Orchestra/Valery
Gergiev recorded in the Festspielhaus, Baden Baden, 24-27 July 1999
- DDD PHILIPS 468 035-2
[55.20] [JP]
The
Rite should sound as though there has been a struggle in putting the
score in front of the audience. In this performance this struggle is
presented as raw power. An absolutely magnificent Rite of Spring – well
worth buying and enjoying.
Peter
Ilyich TCHAIKOVSKY
(1840-1893) Piano
Concerto No.1 in B flat minor Op.23 Sergei
RACHMANINOV (1873-1943) Piano Concerto No.2 in C minor
Op.18 Alexei Sultanov (piano)
London Symphony Orchestra/Maxim Shostakovich Recorded at Snape Maltings
Concert Hall, Suffolk in November 1989
TELDEC APEX 0927 408352
2 [68.48] [CF]
The
strength of these performances is their freshness and immediacy. One
gets the impression that this collaboration was all happy music-making.
Pyotr
TCHAIKOVSKY
(1840-1893) Piano
Concerto No. 1 Piano Concerto No. 2 ed. Siloti Chanson Triste Op.
40. No. 2 Benno Moiseiwitsch
(piano) No. 1: Philharmonia/George Weldon rec Friends Meeting House,
London, 30-31 Aug 1945 No. 2: Liverpool Philharmonic/George Weldon rec
Liverpool Philharmonic Hall, 29 Aug 1944 - partly Abbey Rd, 19 Oct 1944
NAXOS Historical 8.110655
[67.52] [RB]
Moiseiwitsch
has an unemphatic and grave way with these two concertos quite at odds
with today's Barnum and Bailey benchmark.
Georg
Philipp TELEMANN (1681-1767) Suite
(Ouverture) in A minor for recorder, strings, and basso continuo TWV55:a2
*** Concerto in E minor for recorder, transverse flute, strings and
basso continuo * Concerto in G for viola, strings and basso continuo
** Ouverture des Nations ancient et modernes in G, for strings and continuo
TWV55:G4 * Frans Brüggen (recorder) Frans Vester (transverse flute)
Gustav Leonhardt (harpsichord) Chamber Orchestra of Amsterdam * André
Rieu (conductor) * Concerto Amsterdam ** Frans Brüggen (conductor)
** Südwestdeutsches Kammerorchester ***
Friedrich Tilegant (conductor) *** Recorded at Bennebroek, Netherlands
in December 1967 and May 1968
TELDEC APEX 0927 40843 2 [68.51] [CF]
Ably
supported by the various Dutch or German orchestras this is an excellent
compilation of music by an under-exposed composer, who, judging by this
music, was a lot more significant than perhaps we have thought hitherto.
Georg
Philipp TELEMANN
(1681-1767) Recorder Concertos Suite
in A minor, Recorder Concerto in F major, Recorder Concerto in C major,
Sinfonia in F major Peter Holtslag, treble recorder
The Parley of Instruments, Peter Holman Rec: December 1989.
HYPERION HELIOS CDH55091 [65.43] [KM]
This
disc shows that Telemann could, indeed, compose in a variety of idioms,
even when using a specific instrument as central. This recording is
delightful: the music is wonderful, the performance excellent and the
sound exquisite.
Eduard
TUBIN (1905-1982)
The Complete Piano Music
Vardo Rumessen (piano) Rec Sept-Oct 1988, Danderyd Grammar School, Sweden
BIS-CD-414/416 [180.10]
[RB]
No
collection already including the piano music of Shostakovich, Prokofiev,
Marek, Stevenson or Sorabji is complete without this set. The music
ranges through various gradations from pleasantrie to a hard-eyed and
intelligent romanticism. ...see Full Review
Mark-Anthony
TURNAGE (b.1960)
Music
to Hear: Chamber Music
Martin Robertson (saxophone); The Nash Ensemble Recorded: Gateway Studios,
London, February 2001-10-11
BLACK BOX BBM 1065 [58:30] [HC]
Turnage’s
chamber music has a restrained confessional tone far from Turnage’s
"public" statements. His chamber music communicates directly
through simplicity, subtlety and sincerity. Highly accessible and communicative
music.
Louis
VARNEY
(1844-1908) Les
Mousquetaires au Couvent (The Musketeers in the Convent) (1880)
Operetta (complete, with dialogue in French)
Mady Mesplé (Marie), Michèle Command (Simone), Christiane
Chateau (Louise), Michel Trempont (Brissac), Charles Burles (Gontran),
Jules Bastin (Bridaine) Choirs of the RTBF and Théâtre
Royal de la Monnaie Orchestre Symphonique of RTBF/Edgard Doneux Rec.
Brussels, 1979 EMI
574 0822 [CD1 60.25 CD2 60.11] [RW]
Louis
Varney is a name forgotten now but in his day he wrote a number
of successful opéra comiques, of which Les Mousquetaires au Couvent
is the most celebrated. The score is energetic, full of colour and sparklingly
bright. With this mid price French issue, brief notes in French and
English are included.
Ralph
VAUGHAN WILLIAMS (1872-1958)
CHORAL
WORKS
Motets;
Lord, Thou hast been our refuge ; Prayer to the Father of Heaven ; O
Vos Omnes ; O Clap you hands ; O taste and see ; O how amiable are thy
dwellings; Hymn ‘Come down O Love divine’. Mass in G minor
Elora Festival Singers directed by Noel Edison with organist Thomas
Fitches Recorded February 2000, St. Mary Magdalen's Church Toronto
NAXOS 8.554826 [56.11] [GH]
As
good and moving, as this Elora Mass is it does not supplant most others.
What might attract you to this recording might be the accompanying items
which are interesting and not normally found in the context of the Mass.
...see Full Review
Giuseppe
VERDI (187
– 1901) Aida
- Opera in four acts
Aida Montserrat Caballé (soprano) Radamès Placido
Domingo (tenor) Amneris Fiorenza Cossotto (mezzo-soprano) Ramfis Nicolai
Ghiaurov (bass) Amonasro Piero Cappuccilli (baritone) Il re d’Egitto Luigi
Roni (bass) New Philharmonia Orchestra / Riccardo Muti Recorded 2-9
and 11 July 1974 Walthamstow Assembly Halls London Digital Remastering
at Abbey Road Studios 2001 ADD
EMI Classics CMS 5 6767 2 [CD1: 39.44 CD2: 41.16 CD3: 65.27] [KM]
This
is a distinctive recording with Caballé and Cossotto rising to
compelling vocal heights.
Giuseppe
VERDI
(1813-1901) Aida
- opera (1871)
Maria Caniglia (Aida),
Beniamino Gigli (Radames), Italo Tajo (King), Ebe Stignani (Amneris),
Tancredi Pasero (Ramfis) Chorus and Orchestra of the Opera House, Rome/Tulio
Serafin Rec. July 1946 ADD
NAXOS HISTORICAL 8.110156/57 [CD1 78.07 CD2 62.34] [RF]
For
those interested in singing, given the low price, this is an issue to
hear.
see ... Full Review
Giuseppe
VERDI
(1813-1901) Aida
Aida - Christina Gallardo-Domâs (soprano) Radames - Vincenzo La
Scola (tenor) Amneris - Olga Borodina (mezzo soprano) Amonasro - Thomas
Hampson (baritone) Il Re - Laszló Polgár (bass) Ramfis
- Matti Salminen (bass) A Messenger - Kurt Streit (tenor) A Priestess
- Dorothea Röschmann (soprano) Arnold Schoenberg Chorus Vienna
Philharmonic Orchestra/Nikolaus Harnoncourt Recorded in the Musikverein,
Vienna, January to April 2001
TELDEC 8573-85402- 2 [159.01] [CF]
On
balance this is an excellent recording, some occasional vocal reservations
amongst some of the men maybe, but all worthwhile for the singing of
the two principal women, and for the fine orchestral work throughout.
...see Full Review
Giuseppe
VERDI (187-1901)
Aroldo Aroldo
- Neil Shicoff (tenor)
Mina - Carol Vaness (soprano) Egberto - Anthony Michaels-Moore (baritone)
Briano - Roberto Scandiuzzi (bass) Godvino - Julian Gavin (tenor) Enrico
- Sergio Spina (tenor) Elena - Marina Comparato (mezzo-soprano)
Orchestra and Chorus of the Maggio Musicale Fiorentino Fabio Luisi (conductor)
Recorded in 2001
PHILIPS 462 512- 2 [126.41]
There
is glorious music here. Carol Vaness is proving herself to be a Verdian
of the highest dramatic colour. Fine singing and playing.
Giuseppe
VERDI
(1813-1901)Otello
(sung in English).
Charles Craig (tenor) Otello; Rosalind Plowright (soprano) Desdemona;
Neil Howlett (baritone) Iago; Bonaventura Bottone (tenor) Cassio; Stuart
Kale (tenor) Rodrigo; Shelagh Squires (mezzo) Emilia; Sean Rea (bass)
Lodovico; Malcolm Rivers (baritone) Montano; Gordon Taylor (baritone)
Herald; Chorus and Orchestra of English National Opera/Mark Elder. Recorded
at performances in the London Coliseum, January 6th-28th, 1983. [DDD]
CHANDOS OPERA IN ENGLISH
CHAN3068 [138.06] [CC]
There
is much to celebrate in Mark Elder’s Otello, not least the resplendent
Rosalind Plowright. Theatrically, everything gels in the final act,
from Elder’s elucidation of Verdi’s extraordinary scoring to Plowright’s
rising to Verdi’s operatic challenges. Having heard this set, I would
not willingly be without it. ...
see Full Review
Giuseppe
VERDI
(187-1901) Messa
da Requiema. Gian Carlo MENOTTI
(b 1911) The Death of the Bishop of Brindisib.
Arnold SCHOENBERG (1874-1951) Gurre-Liederc
– Interlude; Song of the Wood-Dove.
aBirgit Nilsson (soprano); Lili Chookasian (mezzo); aCarlo
Bergonzi (tenor); aEzio Flagello, bGeorge London
(basses); aBoston Pro Musica; bNew England Conservatory
Chorus; bMembers of the Catholic Memorial and St. Joseph’s
High School Glee Clubs; Boston Symphony Orchestra/Erich Leinsdorf. Recorded
October a5th-6th, 1964 and April 5th,
1965, bcOctober 19th, 1964 [ADD]
RCA VICTOR LIVING STEREO 09026 63747-2 [two discs] [70.35] [CC]
Certainly,
despite impressive moments, Leinsdorf’s Verdi Requiem could in no circumstances
be a top recommendation. Indeed, the Menotti may well provide the impetus
for the curious at heart to purchase this set.
Giuseppe
VERDI (187-1901)
Requiem
Mass (1874)
Maria Caniglia (soprano) Ebe Stignani (mezzo soprano) Beniamino Gigli
(tenor) Ezio Pinza (bass) Chorus and orchestra of the Rome Opera House/Tullio
Serafin. Digital transfer of a performance recorded in 1939 at the Royal
Opera House, Rome (ADD)
NAXOS 8.110159 [72.47] [RBr]
Reiner's
treasured 1959 Vienna interpretation shows clearly how much is lost
by the rashly fast speeds encouraged by Serafin. Surely Verdi would
not have wanted to hear his masterpiece performed under a conductor
who seems to have forgotten that it is intended for a cathedral, not
an opera house.
Louis VIERNE (1870-1937)
Piano Quintet
(1918) String Quartet (1894) - Gabriel Tachino (piano)
Quatuor Athenaeum Enesco, rec Salle Adyar, Paris, Sept 1999
PIERRE VERANY PV700011 [47.04] [RB]
Well
worth having for a tragic Piano Quintet and a polished string quartet;
the former is yet another memento mori of the Great War.
Antonio
VIVALDI (1678-1741)
The
Four Seasons Op 8. Recorded in Conway Hall, London, November
1972 - Oboe Concerto in A minor RV461 - Oboe Concerto in D minor RV454
- Tomaso ALBINONI (1671-1751) - Oboe Concerto in D Op 7 no 4
- Oboe Concerto In Bb Op 7 no 3. Recorded in Barking Town Hall, April
1971 Kenneth Sillito (Violin)
Sidney Sutcliffe (oboe) - Virtuosi of England directed by Arthur Davison
EMI CLASSICS FOR PLEASURE
7243 5 74887 2 3 [77.20] [GH]
We
played the entire CD over at a dinner party and delightfully apt it
was.
Richard
WAGNER
(1813-1883) Götterdämmerung
(1869-1874)
Alan Woodrow (Siegfried),
Eva Silberbauer (Brunhilde), Herbert Adami (Gunther), Duccio dal Monte
(Hagen), Gertrud Ottenthal (Gutrune), Ewa Polak (Waltraute), Andrea
Martin (Alberich), Julia Oesch (1st Norn), Sabine Willeit
(2nd Norn), Eva Maria Tersson (3rd Norn), Hiroko
Kouda (Woglinde), Junko Saito (Wellgunde), Taeka Hino (Flosshilde).
Chor and Orchester der Tiroler Festpiele, Singers of the Accademia di
Montegral Conducted by Gustav Kühn (Recorded live at the Tiroler
Festspiele, Erl, Austria on July 15 & 22 2000)
Arte Nova 74321 80775 2 [4 CDs: 238.17] [TD]
Those
who are collecting Gustav Kühn’s bargain Ring cycle will be pleased
to know this is certainly up to the standard of the Siegfried but, though
I enjoyed it well enough, I doubt I will return often to it. ... see
Full Review
Richard
WAGNER (187-1883)
Tannhäuser,
opera [Paris version]
Sigismund Pilinszky (ten)
(Tannhäuser), Maria Müller (sop) (Elisabeth), Ruth Jost-Arden
(sop) (Venus), Ivar Andrésen (bass) (Wolfram) Bayreuth Festival
Choir and Orchestra/Karl Elmendorff Rec. Wagner Theatre, Bayreuth; August
1930 NAXOS HISTORICAL
8.110094/95 ADD [CD1 74.04 CD2 78.20] [RF]
The
orchestral music in particular is superbly caught, being well balanced
with the voices; the whole in a forward clear acoustic that in many
ways belies its age. Elmendorff, without undue haste, allows the music
to unfold with full dramatic impact; long phrases encompassed with elegance
and no lack of vitality.
Christoph Ernst Friedrich WEYSE
(1774-1842) Christmas
Cantata No. 3 (B. S. Ingemann) Jubler, o jubler i salige toner
DF 26 (1821) Easter Cantata No. 1 (Thomas Thaarup) Hil
dig, hill dig, livets morgenrøde. DF 15 (1836)
Bodil Arnesen (sop), Dorthe Elsebet Larsen (sop), Kirsten Dolberg (alto),
Peter Grønlund (tenor), Stephen Milling (bass) Tivoli Concert
Choir, Tivoli Symphony Orchestra/Michael Schönwandt Rec. The Tivoli
Concert Hall, Copenhagen, Denmark, 1997
MARCO POLO 8.224049 [51.42] [RW]
Splendid
performances and recording. Appreciation should be handed to Da Capo
for bringing about a revival of exciting works of Weyse and recognising
the importance of their heritage. ...see Full Review
Graham
WHETTAM (b.1927)
Concerto Drammatico; Sinfonia contra timore
Martin Rummel (vlc); Sinfonia da Camera, Urbana, Illinois/Ian Hobson;
Leipzig Radio Symphony Orchestra/Günter Blumhagen (British Orchestral
Music Vol 2) REDCLIFFE
RECORDINGS RR 017 [60.00]
These
pieces are gloomy and harsh. Whettam’s is a striking musical world.
Arthur WILLS (b.
1926) Wondrous
Machine! - Organ Works by Arthur WILLS
Played by Jeremy Filsell on the organ of Tonbridge School Chapel
*With Arthur Wills, narrator. Recording date 24 October 2000
GUILD GMCD 7225 [77.37] [JQ]
Splendid
birthday tribute to Arthur Wills. Recorded sound first rate. This disc
will give great pleasure to "organ buffs" and to a wider audience,
too, I hope. Recommended. ...see Full Review
Hugh
WOOD (born
1932) Symphony
Op.21 (1982) Scenes from Comus Op.6 (1962/5)²
Geraldine McGreevy (soprano)²;
Daniel Norman (tenor)²; BBC Symphony Orchestra; Sir Andrew Davis Recorded:
BBC Studio 1, Maida Vale, London, September 1999
NMC D 070 [69:16] [HC]
A
superb release coupling two substantial pieces by a most distinguished
composer whose music is still all too rarely heard. In my Top Ten list
and heartily recommended
[Part 1
New] [Part 2 A-B] [Part
3 C-L]
[Part 4 M-R] [Part
5 S-Y] [Part 6 Misc]