Vierne, best known as a writer of organ music - perhaps 
          remembered in a single sweep with Widor, was by no means an exclusively 
          'organ loft' composer. His Symphony and the song cycle Spléens 
          et Détresses were recorded by the ORTFSO conducted by Georges 
          Tzipine in the early 1970s. Those recordings are now accessible via 
          the Timpani label. 
        
        
This Pierre Vernay CD introduces us to his troubled 
          chamber music. It is no wonder that the Piano Quintet is as disturbing 
          as it is. It was written in the year after his seventeen year old son's 
          death. He had given parental consent to his son, Jacques, joining up 
          and he was racked with guilt when his son was killed inaction. He wrote 
          to a friend that he was writing a 'quintet of vast proportions to convey 
          the inspiration born of my tenderness and my child's tragic death.' 
          Its point of departure is surely Franck but the overlay is much more 
          personal with both caressing moments, anguish and anger. It is instructive 
          to compare this expression with Bliss's Morning Heroes and Frank 
          Bridge's Piano Sonata and Concerto Elegiaco - each works linked 
          with family deaths or the deaths of friends brought about by the Great 
          War. Vierne does not stray from tonality. At track 3 6.20 bereavement 
          and the ghostly joy of memory of summer's days is almost tangible. His 
          brother René was also killed during the last two years of the 
          war. 
        
        
The rich harmony and melodrama encountered in the Quintet 
          are also at work in the String Quartet. This was written while Vierne 
          was studying in Widor's class at the Conservatoire. It is a work of 
          pleasing promise. From this point of view it is good to have it here 
          as a way-marker for Vierne's development. It is however rather Mendelssohnian 
          with some inflections absorbed from knowledge of Franck's scores and 
          much more than a touch of Bach in the finale.
        
        
Vierne is a fascinating composer and I note that Arion 
          have two discs of his piano music in their catalogue. I plan reviewing 
          these at some stage alongside the Timpani CD. I last heard the symphony 
          when I borrowed that Erato (?) LP from Bristol's Central Library next 
          to the Cathedral back in 1972.
        
        
Rob Barnett