| 
 | Search the entire MusicWeb site Any review; Any Article | 
 
 |  
         
         
        Elliott CARTER 
        (b 1908) The 
        Music of Elliott Carter Volume Five; nine compositions 1994-2002 1 Sleep 
        Steps (2001) - 2 Two Diversions (1999) - 3 Oboe Quartet (2001) - 4 Figment 
        No 2 (Remembering Mr Ives) (2001) - 5 Au Quai (2002) - 6 Of Challenge 
        and of Love (1994) - 7 Figment No 1 (1994) - 8 Retrouvailles (2000) - 
        9 Hiyoku (2001)  Displays all Carter’s life-affirming complexity. … see Full Review  
        RECORDING OF THE MONTH John 
        CASKEN (b.1949) Darting the 
        Skiff (1993) [18’19] - Maharal Dreaming (1991) [12’33] - Cello 
        Concerto (1991) [20’13] - Vaganza (1985) [27’06]  
 Truly inventive and stimulating music … should be snapped up by anyone who cares about the modern British music scene. … see Full Review 
 Daniel 
        CATÁN 
        (b.1949) Florencia 
        en el Amazonas (1996) - An opera in two acts and seventeen scenes 
        to a libretto by Marcela Fuentes-Berain - Mark S Doss - Riolobo; Ana Maria 
        Martinez - Rosalba; Suzanna Guzmán - Paula; Hector Vasquez - Alvaro; 
        Oren Gradus - Capitán; Patricia Schuman - Florencia; Chad Shelton 
        - Arcadio; Houston Grand Opera Chorus  Potently Puccinian … mystery, grandeur and emotional staying power ... see Full Review  
         
         
        Gustave CHARPENTIER 
        (1860 - 1956) Louise (abridged) 
         
 An abridged version of the opera in a highly atmospheric recording with a fine French cast … see Full Review 
  
         
        Fryderyk CHOPIN 
        (1810-1849) Four 
        Rondos Rondo in C minor Op. 1 (1825) - Rondo à la Mazur in F minor 
        Op. 5 (1827) - Rondo in E flat Op. 16 (1834) - Rondo in C major Op. 73 
        (1828) - Four Ballades Ballade in G minor Op. 23 (1836) - Ballade in F 
        minor Op. 38 (1840) - Ballade in A flat Op. 47 (1842) - Ballade in F minor 
        Op. 52 (1843)  Directness, straightforwardness, a distillation of experience entirely at the service of the music. A real achievement. … see Full Review Frédéric 
        CHOPIN (1810-1849) 
        24 
        Preludes, Op. 28 (complete) - 7 Etudes: Op. 25, No. 1 in A flat major; 
        No. 2 in F minor; No. 6 in G sharp minor; No. 12 in C minor - Op. 10, 
        No. 6 in E flat minor; No. 4 in C sharp minor; No. 5 in G flat major  
 Lympany’s natural poetry combined with superb detail and projection of inner voices makes for an attractive addition to one’s Chopin library. … see Full Review 
 Frederic 
        CHOPIN (1810-1849) 
        Preludes, Op. 28 (complete) [41:54] 
        - Etudes, Op. 25 - No. 1 in A-flat [2:55] - No. 2 in f minor [1:35] - 
        No. 6 in g-sharp minor [2:24] - No. 12 in c minor [2:45] - Etudes, Op. 
        10 - No. 6 in e-flat minor [3:46] - No. 4 in c-sharp minor [2:16] - No. 
        5 in G-flat [1:53]  Definitely a top choice if this is your first go at these works. If you already own them by someone else, this is worth the duplication. First rate. Highly recommended. … see Full Review Fryderik 
        CHOPIN (1810 
        - 1849) Ballade 
        #1 in g, Op 23 (1835) [5.36] - Ballade #2 in F, Op 38 (1839) [8.24] - 
        Ballade #3 in Ab, Op 47 (1841) [9.40] - Ballade #4 in f, Op 52 
        (1842) [4.59] - Anita Chang, piano  A fine version of the Ballades, in four high resolution audio versions, all of them stunning sound, and a video track to boot … see Full Review  
        Eugen D'ALBERT (1864-1932) 
        Die 
        Toten Augen (1912-13) - Drama in one act with a prelude and a postlude 
        by Hanns Heinz Ewers after Marc Henry - Dagmar Schellenberger (sop) - 
        Myrtocle, wife of Arcesius - Hartmut Welker (bar) - Arcesius, Roam ambassador 
        in Jerusalem - Norbert Orth (ten) - Galba, a Roman captain, friend of 
        Arcesius - Margaret Chalker (sop) - Arsinoe, Myrtocle's slave woman - 
        Anne Gjevang (alto) - Maria von Magdala - Eberhard Büchner (ten) 
        - Ktesiphar, an Egyptian miracle healer  
 For devotees of glorious verismo bathed in Hollywood radiance. You will want to luxuriate in this fine score. ... see Full Review  
         Claude 
        DEBUSSY 
        (1862-1918) Pelléas et Mélisande 
        Pelléas 
        – Camille Maurane (tenor) - Mélisande – Erna Spoorenberg (soprano) 
        - Golaud – George London (baritone) - Arkel – Guus Hoekman (bass) - Geneviève 
        – Josephine Veasey (mezzo soprano) - Yniold – Rosine Brédy (soprano) 
        - Le Médecin– John Shirley-Quirk (bass-baritone) - Un Berger – 
        Gregore Kubrack (bass)  
 Spoorenberg –exceptionally adept and impressive. … see Full Review   
        Frederick DELIUS (1862-1934) 
        North 
        Country Sketches (1914) - In a Summer Garden – Rhapsody (1908) - Appalachia 
        (1902)  This disc is an obvious recommendation for Delius enthusiasts. … see Full Review Frederick 
        DELIUS (1862-1934) 
        Eventyr 
        (Once upon a time) (1917) - Arabesque for baritone, chorus and orchestra 
        (1911) - Hassan – Incidental music (1920-1923) - Koanga (Closing Scene) 
        (1897)  
 Another admirable volume in Sony’s reissued series of Beecham Delius recordings … see Full Review Frederick 
        DELIUS (1862-1934) 
        Over 
        the Hills and Far Away – Fantasy Overture (1897) - Sea Drift (1904) - 
        Paris (The Song of a Great City) (1899) - Bruce Boyce, baritone; BBC Chorus 
         
 
 Given the more than acceptable sound and the special status of these performances. Beecham, in a class of his own, is not to be missed. … see Full Review  
        Gaetano DONIZETTI 
        (1797-1848) L’Elisir D’Amore (The 
        Elixir of Love) Comic Opera in Two Acts - First performed in Milan 
        on 12 May 1832 - Adina - Valeria Esposito - Nemorino - Aquiles Machado 
        - Belcore - Enrico Marrucci - Dulcamara - Erwin Schrott - Gianetta - Roberta 
        Canzian - Coro Lirico Marchigiano "V. Bellini"  A joyous, sparkling, imaginative production that will appeal to admirers of Donizetti - and the additional ‘behind the scenes’ documentaries are above average too. … see Full Review  
        Richard DUBUGNON 
        (b.1968) Chamber Music Piano 
        Quartet (1998) Viv McLean, Piano; Illka Lehtonen, Violin, Julia Knight, 
        viola, Matthew Sharp, Cello ‘Incantatio’ for Cello and piano (1996/2000) 
        Matthew Sharp, cello and Dominic Harlan, piano ‘Trois evocations finlandaises’ 
        (1991) for solo double bass played by Richard Dubugnon ‘Cinq Masques’ 
        (1994-5) for solo oboe – Nicholas Daniel, oboe Canonic Verses for 
        oboe, cor anglais and oboe d’amore (1997) Nicholas Daniel, Emma Fielding, 
        Cor Anglais and Sai Kai, Oboe d’amore Frenglish Suite for wind quintet 
        -  A sort of ‘carde de visite’ for the young composer, stretching across the first ten years of his fully creative life. … see Full Review  
        Jacques DUPHLY (1715-1789) 
        Harpsichord Works La 
        de Vaucanson La Forqueray - Menuet - La de Drummond - Chaconne - Médée 
        - Rondeau - La Victoire - La Félix - La de Redemond - La Pothouin 
         
 An appealing and most melodic selection, expertly performed with a very decent sound. Highly recommendable listening. … see Full Review RECORDING 
        OF THE MONTH - Pascal DUSAPIN (b.1955) 
        Watt 
        (1994)a - Galim (1998)b - Celo (1996)c 
        - Sonia Wieder-Atherton (cello)c; Juliette Hurel (flute)b; 
        Alain Trudel (trombone)a  Major works by a most distinguished composer whose often gripping music will never leave you unmoved or indifferent. … see Full Review  
        Henri DUTILLEUX 
        (b. 1916) Symphony 
        No. 1 (1951) [29.25] Symphony No. 2 Le Double (1959) [28.27]  A tranced commitment unlikely to be bettered elsewhere. ... see Full Review  
         Antonín 
        DVOŘÁK (1841-1904) 
        String 
        Quartet in F, Op. 96, ‘American’ (1893) [25’44] Johannes 
        BRAHMS (1833-97) String Quartet in C minor, Op. 51 No. 1 (1865-73) 
        [31’04]  
 The Škampa Quartet is quite an ensemble … Unhesitatingly recommended. ...see Full Review Antonín 
        DVOŘÁK 
        (1841-1904) Rusalka 
        (1901)  
 An excellent version though it must, by a shading, give way to the Fleming/Mackerras version on Decca … see Full Review 
 Antonín 
        DVOŘÁK 
        (1841-1904) Symphonic 
        Poems The Water Sprite, Opus 107 (1896) The Noonday Witch, Opus 108 (1896) 
        The Golden Spinning Wheel, Opus 109 (1896) The Wild Dove, Opus 110 (1896) 
         Harnoncourt's pointing of rhythm and shaping of phrase generates an excellent balance and cogency … see Full Review Antonín 
        DVOŘÁK (1841-1904) Rusalka 
        - opera in three Acts (sung in German) (1900) - Rusalka, Elfride Trotschel 
        (sop); Prince, Helmut Schindler (ten); Princess, Ruth Lange (m.sop); Vodnik, 
        Gottlob Frick (bass); Jezibaba, Helena Rott (m.sop); Kitchen boy, Lisa 
        Otto (sop)  This issue will be of interest to those wanting the opera in German, or hearing particular singers, notably Gottlob Frick … see Full Review  
         
         George 
        DYSON 
        (1883-1964) St 
        Paul's Voyage to Melita for tenor, chorus and orchestra (1933) [30.03] 
        Agincourt for chorus and orchestra (1956) [25.03] - Nocturne 
        from Quo Vadis for tenor, solo viola, strings, harp and organ 
        (1939) [10.29]  
 Vintage splendour from Dyson the magnificent ... see Full Review Edward 
        ELGAR (1857-1934) 
        David Owen Norris plays Elgar: Vol. 1 Solo Piano Music Five 
        Improvisations (1929): No. 1 in G major; No. 2 in G minor; No. 3 in G 
        major; No. 4 in D major; No. 5 in D minor - A flat major - Skizze (1901) 
        - Presto (1889) - Enina: valse (1886) - Chantant (1872) - Griffinesque 
        (1884) - Sonatina (1889 rev.1930) - Imperial March (1897) - In Smyrna 
        (1905) - Three Bavarian Dances (1895-1897) - Serenade (1932) - Concert 
        Allegro Op. 46 (1901) - Adieu (1932)  An 
        illuminating disc for all Elgarians. It will surely appeal to a far greater 
        audience. Highly recommendable [MC] George 
        ENESCU (1881-1955) 
        Piano 
        Quintet, Op.29 (1940?) [35:12] - Piano Quartet, No.2, Op.30 (1944) [27:47] 
         
 The Solomon Ensemble is a clearly committed advocate of this music and that makes for powerfully felt performances. … see Full Review Andrei 
        ESHPAI (1925-) 
        vol. 1. Symphonic 
        Dances on Mari Themes (1952) * Violin Concerto No. 4 (1993) 
        ** Symphony No. 2 Praise To Light (1962) ***  No-one who loves the modern Russian romantics will want to miss this disc … and there are three other Eshpai volumes to explore. ...see Full Review  
        Andrei ESHPAI (1925-) 
        vol. 2 Concerto for Orchestra with Solo Trumpet, Piano, Vibraphone and 
        Double Bass (1966) [13.22] Anatoly 
        Maksimenko (trumpet) Piotr Meshaninov (piano) Boris Stepanov (vibraphone) 
        Rodion Azarhin (double bass) USSR State Large Symphony Orchestra/Evgeny 
        Svetlanov Moscow 1974 Concerto No. 2 for Piano and Orchestra (1972) 
        [16.13] Andrei Eshpai (piano) USSR State Large Symphony Orchestra/Evgeny 
        Svetlanov Grand Hall, Moscow Conservatory, 18 Sept 1972, premiere. mono 
        Symphony No. 7 (1992) [33.19]  If you like dramatic, driven and neon-lit music this is for you. ... see Full Review  
        Andrei ESHPAI (1925-) 
        vol. 3 Concerto for Flute and Orchestra (1992) [18.01] Vitaly 
        Shapkin, flute Chaikovsky Large Symphony Orchestra/Alexander Vedernikov, 
        conductor Re. Grand Hall, Moscow Conservatory, 4 Nov 1994, premiere Songs 
        of the Mountain and Meadow Mari (1983) [15.28] USSR State Large 
        Symphony Orchestra/Vasily Sinaisky Rec. Moscow 1983 Concerto for Double 
        Bass and String Orchestra (1994-95) [15.41] Rifat Komachkov, double 
        bass Moscow Conservatory Orchestra/Gennady Cherkasov Rec. Moscow 1996 
        Symphony No. 1 (1959) [16.53]  The brilliant early symphony which helped make his name together with three works from the 1980s and 1990s ... see Full Review  
        Andrei ESHPAI (1925-) 
        vol. 4 The 
        Circle – Apocalypse - A ballet-symphony (1970)  A startling and enigmatic work which may disconcert Western listeners. A far from subtle recording of a far from subtle work. ... see Full Review  
        Manuel de FALLA (1876 
        - 1946) El 
        Sombrero de tres picos (3 exc.) (1908) [9.59] El Amor Brujo (5 exc.) [16.23] 
        Homenaje ‘Le tombeau de Claude Debussy’ (1920) [3.01] Homenaje ‘Pour le 
        tombeau de Paul Dukas’ (1935) [3.48] (4) Obras Españolas (1908) 
        [15.16] Fantasía Bética (1919) [13.02] Tres Obras de Juventud 
        (1898) [12.01]  A well played and recorded single disk anthology of Falla’s piano pieces including some unfamiliar and worthwhile works as well as many of the Greatest Hits … see Full Review  
        Ernest FANELLI 
        (1860-1917) Symphonic 
        Pictures: ‘The Romance of the Mummy’ (1883/86) [49:44]:- I 
        Thebes1. In front of the Tahoser palace * 2. On the Nile 3. Triumphant 
        return of the Pharaoh II. Festivities at the Pharaoh’s Palace 1. 
        In a room at the palace - Naked jugglers 2. Grotesque dance of the Egyptian 
        jesters 3. Triumphant hymns - Orgy Louis-Albert 
        BOURGAULT-DUCOUDRAY (1840-1910) Cambodian Rhapsody: Khnenh 
        Preavossa ‘The Feast of Water’ (1882) [17:09] 1 Introduction 
        - The tale 2 The Feast of Water  Well worth buying for this fascinating and influential Fanelli work alone. Essential listening. … see Full Review  
         Antoine 
        FORQUERAY (1672-1745) 
        Suite 
        #2 in G (1745) [20.21) Suite #4 in g (1745) [30.12) - from Suite #1 in 
        d (1745): I La Laborde, Allemande [4.59] - from Suite #3 
        in D (1745): VII La Morangis ou la Plissay [7.31] - from 
        Suite #5 in c (1745): I La Rameau [3.46] II La Guignon [4.43] 
        III La Léon, Sarabande [4.34]  
 Excellent performances of unfamiliar harpsichord music … see Full Review Lukas 
        FOSS (1922 
        - 1987) Time 
        Cycle (1960) [31.03]  An excellent memoir of one of the 20th Century’s prominent musical figures … see Full Review  
        Alexander GLAZUNOV 
        (1865-1936) Orchestral Works Volume 17 
        Triumphal 
        March, Op. 40 (1892) - Serenade No.1 Op. 7 (1883) - Overture No. 1 on 
        Three Greek Themes, Op. 3 (1881-1884) -Serenade No. 2 Op. 11 (1884) - 
        Overture No. 2 on Three Greek Themes, Op.6 (circa.1884) - Chopiniana Op. 
        46 (1892)  
 Russian music passionately played with boundless energy and bristling with character. … see Full Review Alexander 
        Konstantinovich GLAZUNOV (1865-1936) 
        Symphony 
        No. 1 in E major, Op. 5 (1881-82) [34’48"] - Symphony No. 6 in C 
        minor, Op. 58, (1896)* [37’27"]  
 Glazunov’s symphonies may not be out and out masterpieces but these two are very enjoyable and are well served by this release. Recommended … see Full Review 
  
        Eugène GOOSSENS (1893-1962) 
        Violin 
        Sonata No. 1 in E minor Op. 21 (1918) [23.40] William 
        HURLSTONE (1876-1906) Violin Sonata in D minor (1896-97) 
        [20.19] Percy TURNBULL (1902-1978) 
        Violin Sonata in E minor (1925) [18.54]  
 Three forthrightly romantic sonatas from the first quarter of the last century ... see Full Review Eugène 
        GOOSSENS (1893-1962) 
        Sonata 
        No. 1 in E minor for Violin and Piano (1918) - William 
        HURLSTONE (1876-1906) Sonata in D minor for Violin and Piano 
        (1896?) - Percy TURNBULL (1902-1976) Sonata 
        in E minor for Violin and Piano (1925)  
 Three gorgeously, lyrical, romantic British violin sonatas played with great affection … see Full Review  
         
        Georges Charles GOUNOD (1818-1893) 
        Roméo 
        et Juliette, Opera in five Acts  
 Those used to recordings of this period will find this issue to be eminently listenable and the performance captivating. … see Full Review 
 Georges 
        Charles GOUNOD 
        (1818-1893) La 
        Colombe, Opéra Comique in two acts  An intriguing curiosity but not musically commanding … see Full Review Enrique 
        GRANADOS (1867-1916) 12 Spanish Dances Op. 
        5 Minueto; 
        Oriental; Zarabanda; Villanesca; Andaluza; Jota (Rondalla Aragonesa; Valenciana; 
        Asturiana; Mazurca; Danza Triste; Zambra; Arabesca  ... It all adds up to a curiously pallid performance from players with so high a reputation for interpreting their country’s music. ...see Full Review  
         
         
        Edvard GRIEG (1843 
        - 1907) In 
        Autumn Concert Overture Op. 11 - (1866) - Piano Concerto in A Minor 
        Op.16 (1868) - Symphony in C Minor (1864)  
 This well filled disc will give buyers immense pleasure. If this particular repertoire is required the disc is well worth purchasing. … see Full Review 
 Pelle 
        GUDMUNDSEN-HOLMGREEN (b.1932) 
        Organ Music - Mirror III (1974) [13.39] - 1. 
        I [5.21] - 2. II [3.07] - 3. III [3.48] - 4. IV [1.22] - Still. 
        Leben (1999) [8.15] - 5. Still [5.28] -6. Leben [2.47] - Countermove 
        I-III (1999) [15.57] - 7. I [6.15] - 8. II [4.54] - 9. III [4.48] 
        - In triplum I-III (1999) [3.53] - 10. I [1.22] - 11. II 
        [1.07] - 12. III [1.24] - 13. Der er så favrt I Jelling at 
        hvile (2000) [7.16] - 14. Arkaisk procession (2002) 
        [2.33] - 15. Spejlkabinet (2002) [7.34]  Pelle Gudmundsen-Holmgreen’s organ music is original and pushes the organ to its limits … see Full Review  
         George 
        Frideric HANDEL 
        (1685 - 1759) Solomon  
 A rather old-fashioned performance, marred poor choral sound and the misguided transposition of the title role to a bass. … see Full Review George 
        Frideric HANDEL 
        (1685 - 1759) Concerti Grossi, Opus 3 Franz 
        Liszt Chamber Orchestra/Jànos Rolla Recorded 1984, Hungaroton Concerti 
        a due Cori  Some of Handel's most infectious music in performances that are more than acceptable if a little old-fashioned. … see Full Review  
        George Frideric HANDEL 
        (1685 - 1759) Jephtha 
        - oratorio in three acts HWV 790 Jephtha - John Mark Ainsley (tenor) 
        Zebul - Michael George (bass) Storge - Catherine Denley (mezzo-soprano) 
        Iphis - Christiane Oelze (soprano) Hamor - Axel Köhler (counter-tenor) 
        Angel - Julia Gooding  A welcome addition to the small roster of Jephthas in the catalogue…see Full Review  
        George Frideric HANDEL 
        (1685 - 1759) Judas Maccabeus Israelite 
        woman - Heather Harper (soprano) Israelite man - Helen Watts (contralto) 
        Judas Maccabaeus - Alexander Young (tenor) Simon - John Shirley-Quirk 
        (baritone) Amor Artis Chorale  A rather old-fashioned performance, marred by cuts and poor choral sound but with a superb group of stylish Handelian soloists. … see Full Review  
        George Frederick HANDEL (1685-1759) 
        Rinaldo 
        (1711) [163’] Opera Seria in Three Acts Handel the Entertainer 
        [54’] Goffredo - David Walker Almirena - Deborah York Rinaldo - David 
        Daniels Eustazio - Alex Köhler Argante - Eglis Silins Armida - Noëmi 
        Nadelmann  A mixed bag, a recording with good and bad … see Full Review  
        Joseph HAYDN (1732-1809) 
        Cello 
        Concerto No. 1 in C, Hob. VIIb:1 (c.1765) Cello Concerto No. 2 in D, Hob. 
        VIIb:2 (1783) * Luigi BOCCHERINI (1743-1805) 
        Cello Concerto in B flat (c.1770, arr. Grützmacher in 1895)  Technical wizardry and great passion with a Romantic era orientation. … see Full Review  
        Franz Joseph HAYDN (1732-1809) 
        Piano Trios – Complete Edition Vol. 5 Trio 
        in D (H XV,24) [12:17] Trio in G (H XV,25) [14:27] Trio in f sharp minor 
        (H XV,26) [17:41] Trio in E flat minor (H XV,31) [12:54] Trio in G (H 
        XV,32) [16:44]  A good and commendable recording, which includes the famous ‘Rondo al’Ongharese’ – generally well played but not always as sparkling as Haydn’s music asks for. … see Full Review  
         
        Franz Joseph HAYDN 
        (1732-1809) Historical 
        Recordings, 1961-76 - Keyboards Sonatas – C, HobXVI:1 (c1750-55) [7’18] 
        - C, HobXVI:3 (1767) [8’45] - D, HobXVI4 (1766) [5’35] - C, HobXVI:7 (before 
        1766) [4’43] - G, HobXVI:8 (before 1766) [4’34] - E minor, HobXVI:34 (1780) 
        [10’’45] - D, HobXVI:37 (1780) [9’46] - G minor (1778) [8’26] - A flat, 
        HobXVI:46 (1778) [14’59]  
 A box of delights, and one can only hope fervently for more Bergmann from Haenssler. … see Full Review Vagn 
        HOLMBOE 
        (1909-1996) Concerto 
        No. 8 Sinfonia Concertante Op. 38 M.148 (1945) [19.07] Concerto 
        No. 10 Træ Messing og Tarm (Wood, Brass and Gut) Op. 
        40 M.150 (1945-46) [17.46] Concerto Giocondo e Severo Op. 132 M.288 
        (1977) [10.40] Den Galsindede Tyrk (The Ill-Tempered Turk) 
        ballet suite Op. 32b M.242 (1944-45) [19.28]  Not necessarily the place to start but those who already like the music of this Danish master will want to add these works to their 'singing in the bath' repertoire. ... see Full Review  
        Alan HOVHANESS (1911-2000) 
        Symphony 
        No. 2 Mysterious Mountain Op. 132 (1955) [19.23] Symphony No. 50 
        Mount St Helens Op. 360 (1981) [29.16] Symphony No. 66 Hymn 
        to Glacier Peak Op. 428 (1991) [18.38] Storm on Mount Wildcat Op. 
        2 No. 2 (1931) [3.37]  An exceptional performance of the Mysterious Mountain and a very fine Mt. St. Helens Symphonies in SACD surround sound...… see Full Review  
        Aled JONES ‘Aled’ 
        Éric LEVI ‘I 
        Believe’ Robert PRIZEMAN ‘Vespera’ John 
        RUTTER (b 1945) ‘Pie Jesu’ George 
        Frederick HANDEL (1685-1759) arr. Arthur Somervell ‘Did 
        You Not Hear My Lady’ Franz SCHUBERT (1797-1828) 
        ‘Ave Maria’ N REGENCY and G 
        SHAYNE ‘Did You Hear What I Hear’ César 
        FRANCK (1822-1890) ‘Panis Angelicus’ Geoffrey 
        BURGON (b 1941) ‘Nunc Dimittis’ C.H. 
        PURDY ‘Lead Kindly Light’ Adolphe 
        ADAM (1803-1856) ‘O Holy Night’ TRADITIONAL 
        ‘My Life Flows On’; ‘Suo-Gân’; ‘How Great Thou Art’; ‘All Through 
        The Night’ (Ar Hyd Y Nos)  
 Definitely one for those with long memories who were seduced by a boy soprano from Wales … see Full Review Viktor 
        KALABIS (b.1923) 
        Concerto 
        for Harpsichord and Strings Op. 42 (1975) [27.25] Concerto for Violin 
        and Orchestra No. 1 Op. 17 (1959) [21.38] Five Romantic Love Songs 
        to words by Rainer Maria Rilke Op. 38 (1974) [15.26] Symphonic 
        Variations for large Orchestra Op. 24 (1964) [13.01]  Discover Kalabis through this generous collection ... see Full Review  
        Tikhon KHRENNIKOV 
        (b.1913) Violin 
        Concerto No. 1 in C major Op. 14 (1965) [18.55] Violin Concerto No. 2 
        in C major Op. 23 (1974) [15.35] Piano Concerto No. 2 in C major Op. 21 
        (1972) [16.25] Piano Concerto No. 3 in C major Op. 28 (1983) [20.03]  Showy but not without tenderness. Tends to be more vinegary than Kabalevsky. Closer to Rawsthorne... see Full Review  
        August KLUGHARDT 
        (1847-1902) Konzert-Ouverture 
        G-Dur fur Orchester Op. 45 (1884) [11.07] Konzerstück for 
        Oboe und Orchester Op. 18 (1870) [9.13] Cello Concerto in A minor 
        Op. 59 (1894) [18.09] Auf der wanderschaft - Suite for Orchester 
        Op. 67 (1896) [16.56]  Undemanding rural fare with a woodland romantic accent sometimes glancing eastwards towards Bohemia. ... see Full Review 
 Not essential Korngold unless the lighter Viennese palette appeals in all its frothy caramel. ... see Full Review 
 Johann 
        Ludwig KREBS (1713-1780) 
        Chorale 
        Preludes; ‘O Ewigheit du Donnerwort ; Herrich habe missgehandelt; Wo sol 
        lich flichen hin; Heut triumphiret Gottes Sohn; Wir glaudben all an einem 
        Gott; Jesu, meine Freude; Praeludium and Charale on ‘Wer nur der lieben 
        Gott lasst walten; Praeludium and Chorale on ‘Auf supra Auf meinen lieben 
        Gott’ (from Clavierübung) Praeludium in C minor; Fuga in C minor; 
        in G minor, in Eb major, in F major; Trio in F; Trio in C minor, Trio 
        in E minor; Fantasia in G and Fantasia sopra ‘Herr Jesu Christ dich zu 
        uns wend’.  Recording and general presentation of the disc is exemplary and John Kitchen is an ideal and expert advocate of this little known repertoire. … see Full Review Rudolf KUBÍN (1909-1973) String Quartet No. 1 (1927) [15.07] Humoresques for violin, viola, cello and clarinet (1961) [16.47] Concertino for double bass and octet [7.28] Kubín Quartet Valter Vítek (cl); Kětoslav Borovička (double bass) Akademia Quintet rec. DDD ARCO DIVA UP 0051-2 131 [39.34] [RB] Kubín's language softened from the dissonance of the 1920s to the caramel and salt style of his full maturity ... see Full Review  
        Friedrich Ludwig Aemilius KUNZEN 
        (1761-1817) 
        Music for Piano - 
        Musical Pastime for the Fair Sex (1798): Variations in F minor from "Erik 
        Ejegod"; Minuet and Two Trios in C major; Poco Adagio in F major; 
        Vivace in F major; Scherzando in G major; Scherzando in C major from "The 
        Mandrake" - Sonata in C sharp minor (1789-1991): (Allegro moderato); 
        Minuet: Allegretto; Adagio; Presto - Musical New Year’s Gift for the Fair 
        Sex (1799): Variations in B flat major from "The Secret"; Variations 
        in A major from "The Wine Harvest"; Minuet and Trio in A major; 
        Vivace in A major; Andante in B flat major; Scherzando in B flat major; 
        Divertimento in A major (1788); Scherzando in G major (1789); Larghetto 
        in G major (1794)  Trondhejm certainly has his pulse on the music of Kunzen, fully conveying its lift and exuberance. Just don’t expect to hear another Haydn or Mozart … see Full Review 
 They do not sound like Malcolm Arnold but they are surely similar. Beautifully recorded. Thoroughly recommendable. ... see Full Review  
         
        Benjamin LEES (b.1924) 
        Symphony 
        No. 2 (1957) [26.09] - Symphony No. 3 (1968) [28.27] - Symphony No. 5 
        Kalmar Nyckel (1998) [28.23] - Etudes for piano and orchestra 
        (1974) [23.41]  
 Heroically conceived and consummated. Tonal, gritty, lucidly scored, terse, not inclined to long singing lines. The Fifth is an outstanding piece. ... see Full Review Jón 
        LEIFS (1899-1968) 
        Complete Songs  Songs that are restive, angry, volatile, imploring and generally not greatly in touch with the more yielding emotions. ... see Full Review 
 
  
        Franz LISZT (1811-1886) 
        †Hungarian 
        Rhapsody # 6, S 244/f (1853) [7.12] - †Hungarian Rhapsody #15, S 244/o 
        (1871) [4.58] - †Valse Impromptu, S 213 (1852) [5.53] - †Consolation 
        #2, S 172/b (1850) [2.57] - †Consolation #3, S 172/c (1850) [4.21] - †Rigoletto 
        Concert Paraphrase, S 434 (1859) [6.53] - †La Campanella, S 420 
        (1834) [4.52] - ‡Don Juan Fantasy, S 418 (1843) [17.34] - ‡Polonaise 
        #2 in E, S 223/b (1851) [9.01] - §St. Francis of Paola Striding Upon 
        the Tides, S 175/b (1863) [8.50] - §Paganini Etude #2 in Eb, 
        S 140/b (1838) [4.50]  An excellent one disk collection of Liszt’s ‘Greatest Hits’ for solo piano very well played, probably very much as they were often heard in Liszt’s lifetime. A must for Liszt specialists and piano students … see Full Review 
 A rare outing for one of Lortzing's non-operatic works in a convincing performance by West German Radio forces. … see Full Review 
 Error processing SSI file 
 
 |