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Domenico SCARLATTI (1685-1757)
Complete Keyboard Sonatas - Volume 5 -
Sonatas in C K461; in F K82; in Bb K266 - in G K284 - in Eb K507 - in
D K214 - in A K404 - in G K124 - in A K 536 - in G K494 in G minor K546
- in A K113 - in B minor K227 - in A K26 in C K548 in C minor K37
Frith - extremely impressive. … see Full Review
A. Louis SCARMOLIN
(1890-1969) The
Caliph - An Arabian episode in one act (1948) based on 'An Arabian
Day' by Justin Huntly McCarthy to a libretto by Carleton Stevens Montayne
If you appreciate Arabian Nights entertainments played for sincerity rather than parody you will find plenty to enjoy in this. ... see Full Review Xaver
SCHARWENKA (1850-1924)
Piano
Concerto No. 2 in C minor Op. 56 (1880) [40.33] Piano Concerto No. 3 in
C sharp minor Op. 80 (1898) [37.57] Scharwenka at his proudest in display and symphonic reach ... see Full Review
Alfred SCHNITTKE
(1934-1998) String
Quartet No. 1 (1966) [16.02] String Quartet No. 3 (1983) [18.18] String
Quartet No. 4 (1989) [36.11] Canon in Memory of Igor Stravinsky (1971)
[4.28] Urgency and conviction in this often demanding music ... complete technical command ... see Full Review Schnittke/Shostakovich
Music
for cello and piano -
Alfred SCHNITTKE (1934- 1998) Cello
Sonata No. 1 (1978); Cello Sonata No. 2 (1993-4); Dmitri
SHOSTAKOVICH (1906-1975) Sonata Op. 147 arr.Daniil Shafran;
Moderato (1934) Adagio from Two pieces, Ballet Suite No. 2 (1951) And yet and yet … perhaps we are too close to it to judge. Something nags at me that this is probably great music and I am somehow missing the point. … see Full Review
Arnold SCHOENBERG
(1874-1951) Gurrelieder
(1901-1911) to a text by Jens Peter JACOBSEN in translation by Robert
Franz Arnold Gary Lakes (ten) - Waldemar, Eva Marton (sop) - Tove, Florence
Quivar (mezzo) - Waldtaube, John Cheek (bass) - Bauer, Jon Garrison (ten)
- Klaus the Jester, Hans Hotter (narrator) New York Choral Artists/Joseph
Flummerfelt A very well recorded version ... attractive at bargain price with a great Waldemar but a fallible Tove and Waldtaube ... see Full Review
Franz Peter SCHUBERT (1797-1828)
String
Quartet No.14 in D minor, D810, ‘Der Tod und das Madchen’ (1824)
[38’58] String Quartet No.10 in E flat, D87 (1813) [24’27]
Overall, the Henschel Quartet provides a fair amount of pleasure, without completely entering Schubert’s world. … see Full Review BARGAIN
OF THE MONTH Franz SCHUBERT
(1797-1828) Quintet
in A major for piano, violin, viola, cello and double bass D667 (1819)
Jan Panenka, piano and members of the Smetana Quartet: Jiří Novák,
violin; Milan Škampa, viola; Antonín Kohout, cello with František Pošta,
double bass; String Quartet No 12 in C minor, ‘Quartettsatz’ D 703 (1820)
Ludwig van BEETHOVEN (1770-1827) String
Quartet no. 1 in F major, Op. 18 No.1 (1798-1800) An unalloyed pleasure. The Smetanas renowned in their day as amongst the finest quartets in the world. An essential purchase … see Full Review
Franz
Peter SCHUBERT (1797-1828)
Goethe
Lieder Vol.2 - Sehnsucht, D310 (first version, 1815) [1’50]. Rastlöse
Liebe, D138 (1821) [1’17]. Nähe des Geliebten, D162 (1821)
[3’21]. Die Liebe, D210 (1815) [1’34]. Sehnsucht, D310 (c1816)
[2’03]. Gretchen am Spinnrade, D118 (1814) [3’20]. Szene aus
Faust, D126a (1814) [5’33]. Gretchen im Zwinger,
D564 (1817) [3’19]. Sehnsucht, D359 (1816) [2’30]. Suleika I,
D720 (1821) [5’36]. Suleika II, D717 (1821?) [3’56]. Sehnsucht,
D481 (1816) [2’10]. An Mignon, D161a (1815) [2’57].
Mignon und der Harfner, D877 No. 1a (1826) [2’54]. Mignon
I, D726 (1821) [2’32]. Mignon II, D727 (1821) [3’04]. Wonne
der Wehmut, D260 (1815) [0’47]. Schweizerlied, D559 (1817)
[1’15]. Die Spinnerin, D247 (1815) [2’51]. Die Liebende schreibt,
D673 (1819) [2’16]. Lied der Mignon, D877 No. 4 (1826) [3’28].
Lied der Mignon, D877 No. 2 (1826) [3’29]. Lied der Mignon,
D877 No. 3 (1826) [2’58]. Mignon, D321 (1815) [4’17]
Well, was the wait for Volume 2 worth it?. Alas, no. … see Full Review
Franz Peter SCHUBERT (1797-1828)
Piano Sonatas – No.
4 in A minor, D537 (1817) [19’37] - No. 12 in A, D664 (1819?) [20’55]
- Four Impromptus, D899 [26’12]
Imbued with the golden glow of the sunset of a life filled with dedication to great music. … see Full Review RECORDING
OF THE MONTH - Franz Peter SCHUBERT (1797-1828)
Lieder
with Orchestra: Rosamunde – Romanze, D797 No. 3a (1823)
[3’17] - Die Forelle, D550a (orch. Britten) [2’21] -
Ellens Zweiter Gesang, D838a (orch. Brahms) [3’07] -
Gretchen am Spinnrade, D118a (arr. Reger) [3’26] - An
Silvia, D891a (orch. anon) [2’59] - Im Abendrot,
D799a [3’45] - Nacht und Träume, D827a
[3’44] - Gruppe aus Tartarus, D583a [3’04] (all arr.
Reger) - Erlkönig, D328a (arr. Berlioz) [4’02]
- Die junge Nonne, D828a [4’45] (arr. Liszt) - Die
schöne Müllerin, D795 – No. 10, Tränenregenb.
Die Winterreise, D911 – No. 20, Der Wegweiserb. Du bist
die Ruh’, D776b. Schwanengesang, D957 – No. 9, Ihr
Bildb (all arr. Webern) - Prometheus, D674b
(arr. Reger) - Memnon, D541b. An Schwager Kronos,
D369b (both arr. Brahms) - An die Musik, D547b.
Erlkönig, D328b (both arr. Reger) - Geheimes,
D719a (arr. Brahms) - Schwanengesang, D957 – No. 4,
Stänchenb (arr. Offenbach) This is a fascinating endeavour … A disc to return to many, many times. … see Full Review
Franz
Peter SCHUBERT (1797-1828)
String
Quartets: No. 14 in D minor, D810, ‘Der Tod und das Madchen’ (1824)
- [39’13]; No. 10 in E flat, D87 (1813) [21’43]
Taken as a whole, this makes a rewarding hour’s listening. … see Full Review
Robert
SCHUMANN (1810-1953)
Symphony
no. 1 in B flat major, op. 38 – "Spring", Symphony no. 4 in
D minor, op. 120 Summary: Keep away! . … see Full Review BARGAIN
OF THE MONTH Robert SCHUMANN (1810-1856)
Kinderszenen
(Scenes from Childhood), Op. 15 (1838) Superb pianism and a complete immersion in Schumann’s most extreme psychology.… see Full Review Robert
SCHUMANN (1810-1856)
Paganini
Etüden Op.10 - Allegro Op.8 - Sonate Op.118/2 - Faschingsschwank
Aus Wien Op.26
A bold undertaking. Thorofon have matched an exceptional artist with a composer whose music appears to course through his veins. … see Full Review Jean
SIBELIUS (1865-1957)
Symphonies:
1 in e, op. 39, 2 in D, op. 43, 3 in C, op. 52, 4 in a, op. 63, 5 in E
flat, op. 82, 6 in d, op. 104, 7 in C, op. 105, Luonnotar, op. 70*, Pohjola’s
Daughter, op. 49 A magnificent bargain, with playing of great intensity and conviction and only one symphony about which serious reservations have to be expressed. … see Full Review
Nikos SKALKOTTAS
(1904-1949) Thirty-Six
Greek Dances (1933-49): Series I (1933-35) [26.45]; II (1936-49) [48.29];
III (1936-49) [35.07] - Alternative Versions of Dances II/8, II/9; III/6
(1949) [6.45] - The Return of Ulysses - Overture for Orchestra
(c.1942) [28.23] The gargantuan overture will appeal most immediately to out and out Schoenberg enthusiasts. The dances have great potential for popularity. I recommend this set strongly. ... see Full Review
Padre Antonio SOLER (1729-1783)
Sonata
No. 86 in D major,Sonata No. 84 in D major, Sonata No. 72 in F minor,
Sonata No. 132 in B flat major, Sonata No. 119 in B flat major, Sonata
No. 24 in D minor, Sonata No. 25 in D minor, Sonata No. 12 in G major
‘De La Codorniz’ (The Quail), Sonata No. 13 in G major, Sonata No. 14
in G major, Sonata No. 99 in C major Op. 8, No.3 (1783): Andantino;
Minuets I and II; Rondo pastoril (Allegretto); Allegro
A really fine performance from Gilbert Rowland who was an inspired choice by Naxos for this cycle … see Full Review
Luka
SORKOČEVIĆ (1734-1789)
Overture
in G [04:28] - Symphony nr 1 in D [06:27] - Symphony nr 2 in G [04:28]
- Symphony nr 3 in D [05:46] - Symphony nr 4 in F [05:48] - Symphony nr
5 in D [06:17] - Symphony nr 6 in D [05:50] - Symphony nr 7 in G [05:50]
- Sinfonia in G [05:13] - Eroica Staccato (with Trio) [03:24] - Sonata
for violin and bc in A [06:03] - Trio for flute, violin and bc in G [05:16]
Music by an unknown composer from 18th century Croatia: more entertainment than deep thoughts, but nice to listen to and well played. … see Full Review
Alexander
SCRIABIN (1872-1915)
Complete Symphonies, Piano Concerto, Prometheus, Poem of Ecstasy , Reverie
Symphony
No.1 in E major, Op.26 (1899-1900) - Prometheus, the Poem of Fire,
Op.60 (Symphony No.5 in F sharp major)(1908-10) - Symphony No.2 in C minor,
Op.29 (1902) - Piano Concerto in F sharp minor, Op.20 (1897) - Reverie,
prelude for orchestra, Op.24 (1898) - Symphony No.3, Op.43 ’The Divine
Poem’ (1902-03) - The Poem of Ecstasy, Op.54 (Symphony No.4
in C major) (1905-08)
Richly colourful, imaginative, expressive, often sumptuous … wonderfully performed and recorded. … see Full Review Charles
Villiers STANFORD (1852-1924)
Morning
Service in C, op. 115 (1909): Te Deum, Benedictus, Three Latin
Motets, op. 38 (before 1891), Evening Service in C, op. 115 (1909), Communuin
Service in C, op. 115 (1909) (including Kyrie in Latin arr. C.S. Phillips
and C.E.S Littlejohn from op. 81 and Benedictus and Agnus Dei in F), Prelude
in G major (not minor as given on the cover), op. 105/3 (1908), Evening
Service in G, op. 81 (1902), Postlude in D minor, op. 105/6 (1908), For
lo, I raise up, op. 145 (1914)
Unfortunately this disc contains nothing that has not been done better elsewhere. … see Full Review Richard
STRAUSS (1864-1949)
Music for Wind Instruments, Volume 1. Sonatina
in E flat, AV143, ‘Fröhliche Werkstatt’ (1943) [39’38] - Till
Eulenspiegels lustige Streiche, Op. 28 (arr. Carp) (1895) [15’47]
There is plenty of energy in the Ensemble Villa Musica’s playing: they project a youthful vigour and enthusiasm … Volume 2 is to be eagerly awaited. … see Full Review Richard
STRAUSS
(1864-1949) Sinfonia
Domestica Op. 53 [43.20] (1923) - Parergon Op. 73 [22.04] (1924)
Zinman’s approach: refreshing, highlighting the invention and vivacity … a clean, clear interpretation with a by no means leisurely beat that neatly evades pomposity. … see Full Review Richard
STRAUSS (1864-1949)
Eine
Alpensinfonie, Op.64 (1915) Festliches Präludium, Op.61
The listener is swept along by the colour and even the sheer grandeur of the music, though rival versions have greater opulence. … see Full Review
Igor
STRAVINSKY
(1882-1971) The
Firebird (1910 version - full) [45.46] - The Rite of Spring (1910)
[32.12]
Resoundingly recorded ... generous to a fault. Outstandingly strong interpretations ... see Full Review
RECORDING OF THE MONTH Ronald STEVENSON
(b.1928)
A'e Gowden Lyric: Songs by Ronald Stevenson Capture the wideness of Stevenson’s imagination and its charm and punch; depth and thoughtfulness, amplifying, refracting and complementing the poets’ lines in a way that enriches and moves. … see Full Review
Lepo SUMERA
(1950-2000) Cello
Concerto (1998-99) [28.20] Musica Profana (1997) [12.25] Symphony
No. 6 (2000) [24.32] Sumera's last phase reflected in tension, elation and in the hard-won contentment of the symphony ... see Full Review
Johan SVENDSEN (1840-1911)
Symphony
No. 1 in D major, Op. 4 (1866) - Symphony No. 2 in B flat major, Op. 15
(1876)
A terrific sweep of powerfully imaginative, genuinely symphonic material. Scoring is masterly… the rich toned strings do Svendsen proud. … see Full Review Franz
SYBERG
(1904-55) Sinfonietta
(1935) [22.44] - Adagio for Strings (1938) [10.10] - Symphony (1939)
[29.46] Syberg's highly rated music here presented in all its Hindemith and Nielsen accented finery … brilliant and committed performances. ... see Full Review Giuseppe
TARTINI
(1692-1770) Violin
Concertos: Concerto for violin and strings in A major, D.96; Concerto
for violin and strings in B minor, D.125; Concerto for violin and strings
in C major, D.2; Concerto for violin and strings; in A minor, D.115 'A
Lunardo Venier'; Concerto for violin and strings in F major, D.67
This would not be my first choice if I desired a recording of a sample of Tartini’s violin concertos. … see Full Review
Peter
Ilyich TCHAIKOVSKY
(1840-1893) Piano
Concerto No.1 in B flat minor, Op.23 (1874) - Allegro non troppo e
molto maestoso – Allegro con spirito - Andantino semplice – Prestissimo
– Tempo I - Allegro con fuoco Felix MENDELSSOHN
(1809-1847) Piano Concerto No.1 in G minor, Op.25 (1830) - Molto
allegro con fuoco - Andante - Presto – Molto allegro e vivace
Solid but uncharacteristically detached accounts of two popular concertos which conspicuously miss the electricity of a live occasion… see Full Review Piotr
Ilyich TCHAIKOVSKY (1840-1893)
The
Slippers, (also known as ‘Cherevichki’). opera in 4 Acts
As good as we are likely to get … a very welcome addition to the catalogue. I commend it to all those interested in the genre and the composer’s works. … see Full Review Peter
Ilyich TCHAIKOVSKY (1840
- 1893) Capriccio
Italien, Op 45 (1789) [16.16] - Romeo and Juliet Overture-Fantasia, Op
45 (1789) [20.22] - Marche Slav, Op 31 (1789) [9.16] - Snow Maiden: Dance
of the Tumblers, Op 45 (1873) [4.24] - 1812 Overture, Op 49 (1789) [15.33]
A very fine traversal of Tchaikovsky’s Greatest Hits well played and recorded. You can pay a lot more but you can only do a very little bit better … see Full Review
Piotr
Ilyich TCHAIKOVSKY (1840-1893)
Pique
Dame, (Queen of Spades) - opera in three Acts. Extracts from Pushkin’s
poem read by Alla Demidova with brief interspersed scenes from the opera
- The Countess, Irina Arkhipova (m. sop); Yeletsky, Dmitri Hvorostovsky
(bar); Surin, Alexander Vedernikov (bass); Hermann, Vitaly Tarashchenko
(ten); Count Tomsky, Grigory Gritsuk (bar); Lisa, Natalia Datsko (sop);
Pauline, Nina Romanova (cont); Vesna Children’s Choir Caught with the tension of a live performance, but without the disadvantage of stage movement, this well sung and played idiomatic performance is a worthy addition to the catalogue. … see Full Review
Georg Philipp TELEMANN (1681-1767)
The
Messiah, for chorus and orchestra TWV 6:4 (circa.1750s) [32:54]: Part
1 TWV 6:4a [13:09]; Part 2 TWV 6:4b [19:45] - Partie, in A minor
for 2 recorders, 2 oboes, 2 violins and basso continuo (bassoon, cello,
violone, harpsichord) TWV 44:42 [6:47] - Sonata, in F major for
2 violins, 2 violas, and basso continuo (cello, violone, organ) TWV 44:21
[8:40] - Concerto, in E flat major for strings (2 violins, viola)
and basso continuo (bassoon, cello, violone, harpsichord) TWV 43:Es 1
[9:06]
The Messiah does not show Telemann at his best and there are some strange sounds on one of the instrumental works. … see Full Review Georg
Philipp TELEMANN
(1681 - 1767) Oboe Concertos A lovely selection of Telemann's oboe concertos in winning performances from a distinguished Swiss oboist. … see Full Review
BARGAIN OF THE MONTH Eduard TUBIN (1905-1982)
Complete
symphonies, Toccata, Suite from the ballet ‘Kratt’ (‘The Goblin’) This set, offered by BIS as five CDs for the price of three, represents an outstanding bargain and I recommend it wholeheartedly. … see Full Review
Pēteris VASKS
(b.1946) Symphony
No. 2 (1998-99) [38.28] Violin Concerto Tālā gaisma (1996-97)
[33.43] Two rewarding lyrical works written during the last decade, generously coupled, passionately performed and luminously recorded ... see Full Review
Pēteris VASKS
(b.1946) Three
Poems by Czesław Milosz (1994) [18.17] Zemgale (1988)
[12.53] Māte saule (Mother sun) (1975) [5.25] Madrigāls
(1975) [3.44] Litene (1993) [9.14] Dona Nobis Pacem (1996)
[14.43] Sincerity itself ... meditative, full of a steady undazzling light ... the silken thread back to folk melody and rhythmic life. ... see Full Review
Pēteris VASKS
(b.1919) Piano
Quartet (2001) [35.40] Tālivaldis ĶENIŅ
(b.1943) Piano Quartet No. 1 (1958) [18.59] Two Latvian works: one brilliant but bearing sombre cargo; the other alive with folk elements and rhythmic vitality. ... see Full Review
INESSA GALANTE: Arias from Verdi’s
late works Giuseppe VERDI (1813-1901) Un
ballo in maschera (1858): Ma dall’arido stelo divulsa, Morrò,
ma prima in grazia La forza del destino (1862): La Vergine
degli angeli, Pace, pace mio Dio Aida (1871): Ritorna vincitor,
O patria mia Don Carlo (1867 rev. 1884): Tu che le vanità
Otello (1887): Salce, salce, Ave Maria Falstaff (1893):
Sul fil d’un soffio esteso Requiem (1874): Libera
me A splendid voice, warm and rich, but she has some way to go before she can match the greats of the past. … see Full Review
Henry VIEUXTEMPS (1820
- 1881) Violin
Concerto No.5 in A minor, 'Grétry', Op. 37 † Violin Concerto
No.6 in G major, Op. 47 † Violin Concerto No.7 in A minor, Op. 49 *
Ears jaded by over-exposure to the Mendelssohn and "the" Bruch? Liven them up with Keylin’s Vieuxtemps - benefits both your ears and your back pocket! … see Full Review
Heitor
VILLA-LOBOS
(1887-1959)
String
Quartets: Volume 1 String Quartet No. 1 (1915) String Quartet No. 6 (1938)
String Quartet No. 17 (1957) A fine start to a much neglected body of work. Documentation and recording are both excellent. There are five more volumes to come and I’ll be reviewing them all with the greatest interest. … see Full Review
Heitor VILLA-LOBOS
(1887-1959) String
Quartets: Volume 2 String Quartet No. 3 (1916) String Quartet No. 8 (1944)
String Quartet No. 14 (1953) I found the Latin American Quartet sensitive and thoughtful interpreters well deserving of your time. … see Full Review
Heitor VILLA-LOBOS
(1887-1959) String
Quartets: Volume 3 String Quartet No. 7 (1942) String Quartet No. 15 (1954)
Admiration undimmed for these inventive, life-enhancing works we now reach Volume 3. … see Full Review
Heitor VILLA-LOBOS
(1887-1959) String
Quartets: Volume 4 String Quartet No. 2 (1915) String Quartet No. 12 (1950)
String Quartet No. 16 (1955) Once again this is a thoroughly convincing traversal in a natural acoustic … see Full Review
Heitor VILLA-LOBOS
(1887-1959) String
Quartets: Volume 5: String Quartet No. 5 (1931) String Quartet No. 10
(1946) String Quartet No. 13 (1951) Latin American Quartet are acute and sensitive guides to this literature and they play with imagination and affection. … see Full Review
Heitor VILLA-LOBOS
(1887-1959) String
Quartets: Volume 6 String Quartet No. 4 (1917) String Quartet No. 9 (1945)
String Quartet No. 11 (1948) The sensitivity and understanding of the Latin American Quartet are palpable … see Full Review
Carl VINE
(b. 1954) Chamber Music Volume 2 Piano
Sonata No. 2 (1997) Sonata for Flute and Piano (1992) String Quartet No.
3 (1994) Five Bagatelles (1994) Inner World (1994) Volume Two of Tall Poppies’ useful anthology of Australian Carl Vine’s chamber music in strong, committed performances. … see Full Review
Antonio VIVALDI
(1678 - 1741) - The Four Seasons Concerto
in E major, Opus 8 No. 1, 'Spring' Concerto in G minor, Opus 8 No. 2,
'Summer' - Concerto in F major, Opus 8 No.3, 'Autumn' - Concerto in F
minor, Opus 8 No. 4 'Winter' - Flute Concerto in D major, Opus 10 No.
3 'Il Gardellino' - Concerto for 2 Trumpets in C major A disappointing version of the familiar classics … see Full Review Antonio
VIVALDI
(1678-1741) Seven Violin Concertos Satisfying however there are many exciting newer recordings available that are guaranteed to please. … see Full Review
Antonio VIVALDI (1678-1741)
Concertos for Flute and Orchestra Concerto
for flute and orchestra, in F major Op. 10, No. 1 RV 433 ’La tempesta
di mare’ (A storm at sea) Concerto for flute and orchestra, in G minor
Op. 10, No. 2 RV 439 ’La Notte’ (The night) Concerto for flute and orchestra,
in D major Op. 10, No. 3 RV 428 ‘Il Cardellino’ (The Goldfinch) Concerto
for flute and orchestra, in G major Op. 10, No. 4 RV 435 Concerto for
flute and orchestra, in F major Op. 10, No. 5 RV 434 Concerto for flute
and orchestra, in G major Op. 10, No. 6 RV 437 Concerto for flute and
orchestra, in D major RV 427 Concerto for flute and orchestra, in G major
RV 414 A re-release from Apex of tired sounding and rather uninspiring performances of eight Vivaldi flute concertos … see Full Review
Antonio VIVALDI (1678-1741)
Magnificat
R. 611 [21:32] Gloria R. 589 [29:37] Perhaps fine for its day, but its day has long passed … time for this to be retired … see Full Review
Amadeo VIVES (1871-1932)
Doña
Francisquita (1923) - a lyrical comedy zarzuela in three acts
Vives' score is fresh and exciting, full of colour and the music flows well … an excellent feel for harmony and rhythm … see Full Review Leopold
Stokowski conducts the music of Richard
WAGNER (1813-1883)
CD 1 – 74.09 Comprehensive and alluring example of Stokowski’s art at its most ardent and will revel in the sound of the Philadelphia’s Wagnerian passion … see Full Review Richard
WAGNER
(1813-1883) Tristan und Isolde Isolde
– Nanny Larsen-Todsen (soprano) Tristan – Gunnar Graarud (tenor) Brangäne
– Anny Helm, Kurwenal – Rudolf Bockelmann, King Marke - Ivar Andrésen,
Melot – Joachim Sattler, Ein Junger Seemann – Gustav Rodin, Ein Hirt –
Hans Beer, Bayreuth Festival Orchestra and Chorus/Karl Elmendorff Recorded
in the Wagner Theatre, Bayreuth, August 1928 Excerpts from Act III
Isolde – Göta Ljungberg (soprano) Tristan – Walter Widdop (tenor)
Brangäne – Genia Guszalalewicz, Kurwenal – Howard Fry, Charles Victor
and Edward Habich, King Marke - Ivar Andrésen, Melot – Marcel Noë
, Ein Hirt – Kennedy McKenna Singing with considerable intensity … a love duet of real depth … see Full Review
Robin WALKER
(b.1953) I
Thirst – instrumental and chamber works Dance/Still (1982)
- Dances with Chant and Chorales (1986) - Mr Gilbert dines at
the Modern Hindu Hotel (1994) - Invention (1994) - I Thirst
(1994) - Halifax (1995) - At the Grave of William Baines
(1999) - His Master’s Voice (2001)
Walker is Robert Simpson’s natural successor in his command of large organic structure juxtaposing vitality with stasis … see Full Review Peter
WARLOCK (1894-1930)
‘The
Curlew’** (1920-22) [22’12"] ‘Lillygay’* (1922) 6’52"] ‘Peter
Warlock’s Fancy’* (1924) [2’10"] ‘Peterisms’, first set (1922) [4’20"]
‘My gostly fader’* (1918) [2’02"] ‘Bright is the ring of words’*
(1918) [1’42"] ‘Saudades’* (1916-17) [7’23"] ‘The cloths of
Heaven’ (1916) [2’10"] ‘The frostbound wood’* (1929) [3’10"]
‘Bethlehem Down’* (1927/1930) [4’33"] ‘Sweet and twenty’ (1924) [2’00"]
‘And wilt thou leave me thus?’* (1928) [2’03"] ‘Mr. Belloc’s Fancy’*
(1921) [1’33"] ‘Peterisms’, second set (1922) [3’55"] ‘The Bachelor’
(1922) [0’50"] ‘Away to Twiver’ (1926) [1’54"] ‘Captain Stratton’s
Fancy’* [1’47"] A
most useful introduction to the songs of Peter Warlock … see Full
Review
Anton WEBERN
(1883-1945) Chamber Music for Strings
Slow Movement for String Quartet, Op. Posth. (1905) [9’39]
- String Quartet, Op. Posth. (1905) [17’13] - Rondo for String
Quartet, Op. Posth. (1906) [7’31] - Five Movements for String Quartet,
Op.5 (1909) [11’47] - Four Pieces for Violin and Piano, Op.7
(1910-14) [5’16] - Six Bagatelles for String Quartet, Op.9 (1911-13)
[4’20] - Sonata for Cello and Piano, Op.Posth. (1914) [1’24] -
Three Little Pieces for Cello and Piano, Op.11 (1914) [2’46] -
String Trio, Op.20 (1926-7) [10’22] - String Quartet, Op.28
(1936-38) [8’50]
Recommended, even if you still find Webern hard work. … see Full Review Error processing SSI file
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