Comparison recordings:  
              
Artur Rubinstein, piano ADD RCA/BMG CD "Rubinstein 
                Collection" Vol.18 
                Miguel Baselga, piano BIS 500773 
              
 
              
Jean-François Heisser plays clearly, precisely 
                and effectively and receives very good digital stereo recording. 
                Since this is originally an Erato release some of the titles of 
                the works are given in French. 
              
 
              
The Rubinstein recordings are monophonic, from 
                the 1940s, and sound somewhat rough by modern standards, although 
                they have been lovingly restored, including some hand retouching 
                of the dynamic range. I do it myself; if it’s OK for art restorers 
                it’s OK for music restorers! I just hope I’m a little more subtle 
                about it. 
              
 
              
Rubinstein’s unerring theatrical instincts project 
                this music most effectively in spite of dated sound, and if all 
                you want are the Three Cornered Hat and the Love is 
                a Sorcerer excerpts Rubinstein is your best choice. That disk 
                also includes ‘Nights in the Gardens of Spain’ with Golschmann 
                conducting, a superb (monophonic) recording by two masters of 
                concerto repertoire, as well as some music by other Spanish composers. 
                The Baselga recording contains only the complete solo piano music, 
                not any theater music transcriptions. 
              
 
              
I don’t mean to say Heisser isn’t quite good 
                on the theatre piece transcriptions, it’s just that he respects 
                them musically and declines to make sacrifices for effect. Nor 
                does he have quite the heart of deLarrocha or the roiling sensuality 
                of Miguel Baselga. He plays the unfamiliar solo works, the Fantasía 
                Bética and the anthologies of short pieces, quite effectively, 
                although his technique is just a little strained here and there 
                in the fantastically difficult Fantasía (commissioned, 
                incidentally, by Rubinstein). 
              
 
              
The theatre piece transcriptions were apparently 
                written out after the orchestral works were composed, and the 
                Homenajes were eventually orchestrated, that for Debussy 
                being originally a guitar work. 
              
 
              
As with Naxos releases, the track list is only 
                on the back of the jewelcase and is not repeated in the program 
                booklet (although a page of advertising is included) which makes 
                for two-handed reading during listening. 
              
 
              
Paul Shoemaker