Nineteenth 
          Century Organ and Choral Music  
          Theophil 
          FORCHHAMER (1847-1923) 
          Sonate Nr.2 in e-Moll, op.15 ‘Zur Todtenfeier’ 
          (pub. 1886) [25:04] Aus Acht Choralbearbeitungen, 
          op.11 (pub. 1887) Es ist gewisslich an 
          der Zeit [2:00] Jesus meine Zuversicht 
          [2:33] Theodor KIRCHNER 
          (1823-1903) Aus Orgelkompositionen, op.89 
          (pub. 1890) [14:33] Benedict 
          JUCKER (1811-1876) Aus Neun Choral-Vorspiele, 
          op.7 (1867) Mein Jesu den die Seraphinen 
          [2:43] O’ wie so gar sanftmüthig 
          [2:03] Ach bleib mit deiner Gnade [2:22] 
          Josef Gabriel RHEINBERGER 
          (1839-1901) Messe in f-Moll, op.159 für 
          Chor und Orgel (1889) [22:04] 
 
          Ursina Caflisch (organ) Cantus Firmus/Clau 
          Scherrer Rec. Katholische Pfarrkirche, Ilanz, 
          27-31 October 2004 
 
          GUILD GMCD 7290 [74:36] [WK] 
        
A 
          successful anthology of lesser-known Swiss 
          Nineteenth Century Organ and Choral Music 
          ... see Full 
          Review  
        
 
          7 ORGANS Samuel 
          SCHEIDT (1587-1654) 
          Cantico 
          Belgica [6'10] Fantasia super Io son ferito 
          lasso [10'25] Heinrich 
          SCHEIDEMANN (1596-1663) Galliarda 
          ex D [4'29] Johann 
          KRIEGER (1652-1735) Ricercar in 
          e [2'26] Adagio [1'36] J.S. 
          BACH (1685-1750) Praeludium et 
          Fuga in d BWV 539 [7'17] Wilhelm 
          Friedemann BACH (1710-1785) Fuga 
          in g [1'48] Fuga in c [4'16] W.A. 
          MOZART (1756-1791) Andante in F 
          [6'35] J.G. KREBS 
          (1713-1780) from Clavierubung: Jesu Meine 
          Freude [3'49] Christ Lag in Todesbanden [4'02] 
          Meinem Jesum lass ich nicht [3'07] 
 
          Naoko Imai, organs rec. historic instruments 
          in Sweden: Skokloster (1667), Morlanda (1604/1715), 
          Tjallmo (1710), Leufsta Bruk (1728), Jonsered 
          (1783), Yttergran (1776), Borstil (1783), 
          21 July-1 August 2003. DDD 
 
          MUSICA REDIVIVA MRACD 011 [57'56] [CB] 
           
        
Warmly 
          recommended for fabulous presentation, good 
          playing, and wonderful organs and music. Buy 
          it and be inspired to find out more about 
          these remarkable survivals. ... see Full 
          Review  
        
 
          Abendlied: 
          19th-century Romantic German part-songs and motets 
          Josef 
          RHEINBERGER (1839-1901) Abendlied [2:52] Johannes 
          BRAHMS (1833-1897) Warum ist das Licht gegeben [9:20]; Geistliches 
          Lied [4:52] * Felix MENDELSSOHN (1809-1847) 
          Sechs Sprüche, Op 79 (1841) [11:20]: Weihnachten (Christmas) ; Am Neujahrstage 
          (New Year's Day); Am Himmelfahrtstage (Ascension Day); In der Passionszeit 
          (Passiontide); Im Advent (Advent); Am Charfreitage (Whitsunday) Anton 
          BRUCKNER (1824-1896) Christus factus est [5:20]; Ave Maria 
          [3:09] Max REGER (1873-1916) Drei 
          sechsstimme Chöre, Op 39 [13:36]: Schweigen (Silence); Abendlied (Evening 
          song); Frühlingsblick (Springtime) Richard 
          WAGNER (1813-1883) An Webers Grabe [4:02] Hugo 
          WOLF (1860-1903) Sechs geistliche Lieder (1881) [13:50]: 
          Aufblick (Looking Upwards); Einklang (Harmony); Resignation (Resignation); 
          Letzte Bitte (Last Prayer); Ergebung (Submission); Erhebung (Exaltation) 
          Richard STRAUSS (1864-1949) Der 
          Abend (1897) [10:36] ** 
 
          The Rodolfus Choir/Ralph Allwood and Ben Parry ** Tom Winpenny (organ) 
          * rec. Eton College Chapel, December 2002. DDD. 
 
          HERALD HAVPCD 289 [79:40][ED]
        
Singing 
          of distinctive refinement, well paced, evenly 
          blended ... the altos are rich-toned, the 
          sopranos float their lines with melting ease. 
          The recording is beautifully atmospheric ... 
          see Full 
          Review
         
          Bandstand 
          in the Park Recordings 
          re-mastered from a variety of recorded sources 
          
 
          GUILD GLCD 5117 [76:52] 
        Pick 
          a few tracks and sit back with an ice cream 
          or real lemonade and think of days gone past 
          that somehow seemed simpler and summers that 
          were almost certainly warmer and sunnier. 
          ... see Full 
          Review 
         
          Bird’s Eye 
           
          Sergei PROKOFIEV (1891-1953) 
          Pensées, 
          Op. 62 No. 1 (1936) [12:17] Fugitive Vision 
          No. 1, Op 22 (1915) [1:22] Alexander 
          WUSTIN (b. 1948) Lamento (1984) 
          [2:58] Three Songs from Toropets (1972) 
          [5:27] Ivan SOKOLOV 
          (b. 1960) In the Clouds [4:49]; 
          Evening Birds [7:42] Nikolaj 
          KORNDORF (1947-2001) Yarilo 
          (1981) [25:23] 
 
           Ivan Sokolov (piano) rec. August 2004, 
          Moscow Radio House, Russia 
 
          MEGADISC MDC 7804 [63:19] [DB]
        An 
          intensely atmospheric and carefully chosen 
          program, sensitively and provocatively played. 
          ... see Full 
          Review 
        Julian 
          Bream – Music of Spain Luis 
          de MILÁN (c.1500-1561) From El Maestro 
          Pavana 1 [1.40]; Pavana V [1.25]; Pavana VI [2.14]; Fantasia XX11 
          [2.41]; Fantasia VIII [3.05]; Fantasia IX [2.04]; Tento I [7.25]; Pavana 
          IV [1.48];Fantasia XVI [3.07] Luys de NAVÁEZ 
          From Los seys libros del Delphin de Musica Book 1 – Fantasia 
          V [2.14]; Book II – Fantasia V [1.11]; Book III – La Cancion del Emperador 
          [3.24]; Book II – Fantasia VI [0.59]; Book V – Arde coracon arde [1.18]; 
          Book V – Ya se asiente el Rey Ramiro [1.57]; Book IV – O gloriosa Domina 
          (seys diferencias) [7.18]; Book VI – Conde claros [2.35]; Book VI – 
          Guardame las vacas [2.49]; Book VI – Tres diferencias por otra parte 
          [2.27]; Book VI – Baxa de contrapunto [1.15] Alonso 
          MUDARRA (c.1510-1580) Fantasia [2.01] Fernando 
          SOR (1778-1839) Fantasie Op.30 [13.40]; Fantasie Op.7 [19.55]; 
          Variations on a Theme by Mozart Op.9 [9.29] Dionisio 
          AGUADO (1784-1849) Pieces for Guitar Op.2 [22.01] Enrique 
          GRANADOS (1867-1916) Dedicatoria – from Cuentos para la juventud 
          [1.41]; La Maja de Goya (Tonadilla) [4.42]; Danzas españolas for piano 
          Op.37 – Villanesca [6.27]; Danzas españolas for piano Op.37 – Andaluza 
          [4.14]; Valses Poeticos [12.26] Isaac ALBENIZ 
          (1860-1909) Mallorca Op.202 [7.16]; Suite Espanola Op.47 [17.23]; 
          Cantos de Espana for piano Op.232 No.4 – Cordoba [7.16] Francisco 
          TÁRREGA (1852-1909) Mazurka in G [2.48]; Etude in A [1.57]; 
          Marieta [2.28]; Capricho arabe [5.22]; Prelude in A minor [1.42]; Recuerdos 
          de la Alhambra [3.49] Joaquin MALATS 
          (1872-1912) Serenata [3.51] Emilio PUJOL 
          (1886-1980) Tango espagnol [3.45]; Guajira [4.23] Miguel 
          LLOBET (1878-1938) Canciónes populares catalanas [16.38] 
          Joaquín TURINA (1882-1949) 
          Fandanguillo Op.36 [4.50]; Sevillana Op.29 [5.17]; Homanaje a Tarrega 
          Op.69 [4.06] Alonso MUDARRA (c.1510-1580) 
          Fantasia XIV [1.56] Luis de MILÁN (c.1500-1561) 
          Fantasia XXII [2.27] Luys de NAVÁEZ 
          Book III – La Cancion del Emperador [3.24]; Book VI – Conde claros 
          [2.39] Alonso MUDARRA (c.1510-1580) 
          Fantasia X [1.50] Santiago de MURCIA 
          Prelude and Allegro [2.16] Luigi BOCCHERINI 
          (1743 - 1805) Guitar Quintet G448 in D – Fandango [4.22] Fernando 
          SOR (1778-1839) Grand Solo Op.14 [10.10] Dionisio 
          AGUADO (1784-1849) 
          Rondo Op.2 No.3 in A minor [6.11] Fernando 
          SOR (1778-1839) Variations on a Theme by Mozart Op.9 [8.37]; 
          Fantasie Op.7 – Fantasie only [6.51]; Minuet from Sonata Op.25 [2.53] 
          Joaquin RODRIGO (1901-1999) Concierto 
          de Aranjuez [21.16]; Tres piezas Españolas [14.26]; Invocation and Dance 
          (Hommage a Manuel de Falla) [8.56]; Fantasia para un gentilhombre [23.19] 
          
 Julian Bream (guitar, lute) 
          The Chamber Orchestra of Europe/John Eliot Gardiner (Concierto de Aranjuez) 
          RCA Victor Chamber Orchestra/Leo Brouwer (Fantasia para un gentilhombre) 
          Recorded 1962-84 
 BMG-RCA 
          RED SEAL 82876 67889-2 [6 CDs: 56.46 + 64.39 + 62.35 + 62.50 + 54.50 
          + 68.54][JW] 
        
Performances 
          are consistently elevated, the music-making 
          revealing technically impeccable command, 
          and colourful expressivity lends distinction 
          to everything Bream plays. ... see Full 
          Review
        
 
          British 
          Trumpet Concertos  
          John 
          CARMICHAEL (b.1930) Trumpet Concerto 
          (1972) [21:51] (I Andante maestoso; II Lento; 
          III Allegro vivace) Iain 
          HAMILTON (1922-2000) Concerto for 
          jazz trumpet, Op.37 (1958) [12:50] (I Medium 
          blues; II Allegro: Quick bounce; III Lento; 
          IV Allegro) Rutland 
          BOUGHTON (1878-1960) Trumpet Concerto 
          (1943) [20:33] (I Poco adagio; Allegretto; 
          Allegro; Largo sostenuto; Allegro; II Lento 
          espressivo; Allegro spiritoso; Largo)Tony 
          HEWITT-JONES (1926-1989) Concerto 
          for trumpet and strings (1986) [18:18] (I 
          Fanfare and Scherzo; II Air and Variations; 
          III Moto perpetuo) 
 
           John Wallace (trumpet) BBC Scottish Symphony 
          Orchestra/Simon Wright World premiere recordings 
          apart from Carmichael rec. no details given.
 
          WHITE LINE CD CDWHL2159 [73:55] [RB]
        Four 
          extremely accessible concertos full of mercurial 
          moodiness and dazzle, succulent jazziness, 
          clarion delight and emotional gravitas. The 
          best of the Sanctuary concerto collections 
          ... see Full 
          Review 
        The 
          5 Browns Nikolai 
          RIMSKY-KORSAKOV (1844-1908) 
           Flight of the Bumble Bee [1:24] Leonard 
          BERNSTEIN (1918-1990) 
          Scenes from West Side Story [7:04] Paul 
          DUKAS (1865-1935) 
           The Sorcerer’s Apprentice [8:38] Maurice 
          RAVEL (1875-1937) 
          La Valse (poème choréographique) [11:26] Ignaz 
          FRIEDMAN (1882-1948) Tabatière á Musique, 
          Op. 33, No. 3 [2:46] Sergei RACHMANINOV (1873-1943) 
          Moments Musicaux Op. 1, No. 4 [2:56] Elégie from 
          Morceaux de fantasies, Op. 3 [6:03] Claude 
          DEBUSSY (1862-1918) 
          L’Isle Joyeuse [5:31] Sergei PROKOFIEV 
          (1891-1953) 
           Sonata No. 3 in A minor, Op. 28 [7:21] York 
          BOWEN (1884-1961) 
          Toccata Op. 15 [4:16] Edvard GRIEG 
          (1843-1907) 
          In the Hall of the Mountain King from Peer Gynt, Op. 23 
          [2:25] 
 The Five 
          Browns: Desirae, Deondra, Gregory, Melody, Ryan (pianos) Rec. 23-27 
          Aug 2004, Right Track Studio, New York City. DDD 
 
          RCA RED SEAL (SONY BMG) 82876 66008 2 [59:58] [ABi]  
        
 
        
Despite 
          some minor faults this is a disc that I would 
          wholly recommend. I look forward to hearing 
          much more from this group in the future. ... 
          see Full 
          Review
        
 
          Original 
          Works and Classics for Cello and Double Bass Ignaz 
          Joseph PLEYEL (1757-1831) Rondeau in C major [2:34] Theme 
          and Variations in G major [8:41] Franz BENDA 
          (1709-1786) Sonata in F major [5:38] Luigi 
          BOCCHERINI (1743-1805) 3 Fugues [6:20] Jules 
          MASSENET (1842-1912) Duo in D major [1:26] Giorgio 
          ANTONIOTTI (1692-1776) Sonata No. 9 in C minor [9:55] 
          Georg Philipp TELEMANN (1681-1767) 
          2 Canons in F major [3:19] Johann Michael 
          HAYDN (1737-1806) Polonaise in C major [3:35] Joseph 
          HAYDN (1732-1809) Andantine and Tempo di minuetto [9:06] 
          Anton KRAFT (1749-1820) Sonata 
          No. 1 in B flat major* (14:16) Jean Louis 
          DUPORT (1749-1819) Adagio in E flat major* [5:42] Joseph 
          HAYDN (1732-1809) Divertimento in D major* [7:19] Luigi 
          BOCCHERINI (1743-1805) Sonata No.3 in G major* [9:31] Gotthelf 
          Heinrich KUMMER (1774-1857) Variations in C major, Op. 12* 
          [7:36] Franz Christoph NEUBAUER (1750-1795) 
          Sonata No.1 in C major* [8:58] 
 
          Jörg Baumann (cello), Klaus Stoll (double bass) rec. Teldec Studio, 
          Berlin, 25-28 February 1980; 8-10 October 1984. 
 
          WARNER APEX 2564 62298-2 [50:45 + 54:25][GPu] 
        
A 
          historically fascinating survey of rare repertoire, most of which is 
          musically rewarding and all of which is well played ... see Full 
          Review 
        
Classical 
          Music in the Forties: Instruments 
          of the Orchestra The Crown Film Unit’s film of Sir Malcolm Sargent 
          (1895-1967) conducting the London Symphony Orchestra in a performance 
          of the Benjamin BRITTEN (1913-1976) 
          The Young Person’s Guide to the Orchestra (Variations 
          and Fugue on a Theme of Purcell) (1946) Steps of the Ballet 
          Robert Helpmann (1909-1986) goes through the steps of creating 
          a ballet to music by Arthur BENJAMIN 
          (b. 1960) Dame Myra Hess (1890-1965) performs the first movement 
          of Ludwig van BEETHOVEN (1770-1827) 
          Appassionata (Sonata in F minor, Op 57) (1894-5) and an extract from 
          Wolfgang Amadeus MOZART (1756-1791) 
          Piano Concerto No 17 
          in G K453 (1784). Dennis Brain 
          (1921-1957) explains his instrument, the French Horn, and plays 
          excerpts from Ludvig van BEETHOVEN’s 
          Sonata in F for horn and piano with Denis Matthews (1919-1988) Performances 
          recorded on film in the 1940s – no specific dates given. 
BEULAH 
          DVD YB35 [75:00] [IL]  
        
An 
          absorbing nostalgic trip back to the 1940s; 
          but more than that it is a very good tutorial 
          for newcomers to orchestral music and to the 
          ballet ... see Full 
          Review 
        
 
          Larry 
          Combs (clarinet) 
          Miklós 
          RÓZSA (1907-1995) Sonata for Clarinet Solo* 
          (1986) [15:18] Sonatina for Clarinet Solo (1951) [9:27] George 
          ROCHBERG (1918-2005) Trio for Clarinet, Horn and Piano (1980) 
          [19:27] Gunther SCHULLER (b.1925) Romantic 
          Sonata for Clarinet, Horn and Piano (1983) 
 
          Larry Combs (clarinet), Gail Williams (horn), Mary Ann Covert (piano) 
          Recorded: 1986 and *2004 
 
          CRYSTAL RECORDS CD731 [55:07][GPu] 
        
A 
          valuable and largely enjoyable programme, with striking music for solo 
          clarinet by Rózsa and a subtle trio piece by Schuller … see Full 
          Review
        Concertos 
          for Four Horns Robert SCHUMANN (1810-1856) 
          Konzertstück 
          for Four Horns and Orchestra, Op. 86 (1849) [17'12]. George 
          Frederic HANDEL (1685-1759) Concerto in F (c1746) [6'16]. 
          Georg Philipp TELEMANN (1681-1767) Overture 
          in F (1725) [23'46]. Franz Joseph HAYDN 
          (1732-1809) Symphony No. 31 in D, Hornsignal (1765) [28'07]. 
          
 American Horn Quartet 
          (Kerry Turner, Charles Putnam, David Johnson, Geoffrey Winter) Sinfonia 
          Varsovia/Dariusz Wisniewski. rec. Polish Studios, Warsaw, Poland, 18-20 
          July 2003. DDD 
 NAXOS 
          8.557747 [75'40] [CC]  
        
An 
          interesting record, although perhaps of greatest 
          interest to horn players despite the programmer's 
          attempts at variety. ... see Full 
          Review  
        
 
          Dance 
          of the Hours Wolfgang 
          Amadeus MOZART (1756-1791) Overture from Le Nozze di Figaro 
          (1786) [4:26] Camille SAINT-SAËNS 
          (1835-1921) Bacchanale from Samson et Dalila (1877) 
          [7:32] Pyotr TCHAIKOVSKY (1840-1893) 
          Pas de deux from The Nutcracker (1891) [5:32] Jules 
          MASSENET (1842-1912) The Last Sleep of the Virgin from 
          La Vierge (1880) [4:49] Amilcare PONCHIELLI 
          (1834-1886) Dance of the Hours from La Gioconda (1876) 
          [9:16] Giuseppe VERDI (1813-1901) 
          Ballet Music from Aida (1871) [4:47] Prelude to Act I from 
          La Traviata (1853) [3:59] Overture from La Force du Destin 
          (1862) [8:05] Gioachino ROSSINI (1792-1868) 
          Overture from La Cenerentola (1817) [7:54] Pietro 
          MASCAGNI (1863-1945) Intermezzo from Cavalleria 
          Rusticana (1890) [3:39] Wolfgang Amadeus 
          MOZART (1756-1791) Overture from Der Schauspieldirektor 
          (1786) [4:31] Jean-Philippe RAMEAU 
          (1683-1764) Overture from Naïs (1749) (arranged by Divall) 
          [3:54] 
 Orchestra Victoria/Richard 
          Divall Recorded South Melbourne Town Hall, October 2001 
 
          ABC CLASSICS 476 8366 [68:24][GPu]
        
An 
          enjoyable, well-recorded anthology of familiar theatrical music in accomplished, 
          but unspectacular, performances … see Full 
          Review
        Electric 
          Cello Carl VINE (b. 1954) Inner 
          World for cello and sampled cello (1994) [13:03] Roger 
          SMALLEY (b. 1943) Echo II for cello and two digital 
          delays (1978) [9:18] Martin WESLEY-SMITH 
          (b. 1945) Welcome to the Hotel Turismo for cello and CD (2000) 
          [13:00] Andrew FORD (b. 1957) Memorial 
          for solo cello with digital delay (1994) [10:22] igel 
          WESTLAKE (b. 1958) Onomatopoeia for solo cello and 
          delay (1984) [9:11] 
 
           David Pereira (cello) Christo Curtis (sound engineer) Rec. May-June 
          2005, Tapitallee West Studio, Kangaroo Valley 
 
          TALL POPPIES TP180 [54:04] [DC]  
        
The 
          freshness and energy of this production leap 
          at you from your loudspeakers. ... see Full 
          Review
        
RECORDING 
          OF THE MONTH Echoes 
          of the East John 
          WILLIAMS arr. Christian 
          JENKINS Olympic Spirit (1998) 
          [2:55] Karl JENKINS 
          arr. Tony SMALL 
          The Armed Man – A Mass for Peace [20:07] 
          * Traditional arr. 
          John IVESON Londonderry 
          Air [2:56] # Vittorio 
          MONTI arr. Steve 
          YORK Czardas [3:46] + Martin 
          BUNCE arr. Steve 
          BRODIE Marianne [3:12] § 
          
          Herman BELLSTEDT 
          arr. Robert CHILDS 
          Napoli [5:47] * Rodney 
          NEWTON Echoes of the East 
          [12:41] Jim WEBB 
          arr. Barrie FORGIE 
          MacArthur Park [9:04] Traditional 
          arr. Barrie FORGIE 
          Scarborough Fair [4:24] Harry 
          JAMES arr. Bill 
          GELDARD Trumpet Blues and Cantabile 
          [2:36] Igor STRAVINSKY 
          arr. Ray FARR 
          Infernal Dance and Finale from 
          The Firebird (1910) [7:35] David Childs 
          (euphonium) * Chris Thomas (trombone) # 
          Owen Farr. (tenor horn) +, Joanne Deane (flugel 
          horn) §. 
 
          Buy As You View Band/Dr Robert Childs 
          Rec. St Teilo Arts Centre, Wales, 17 July 
          2005. DDD 
 
          DOYEN DOYCD195 [75:51] [TP] 
        
All 
          in all a splendid disc of light brass band 
          fare. Buy and enjoy. ... see Full 
          Review 
        
 Esperar 
            Sentir Morir - 
            Songs and Dances from the Hispanic Baroque Juan 
            HIDALGO (1612-1685) Esperar, sentir, morir [4:31] 
            Kah-Ming NG and 
            Clara SANABRAS Quiero, y no saben que quiero [9:06] 
            Lucas Ruiz de RIBAYAZ (b. 1626) 
            Espanoletas [4:58] Sebastian 
            DURON (1660-1716) Corazon, causeteneis [4:32] Francisco 
            ESCALADA (17th century) Canten dos jilguerillos 
            [2:18] ANONYMOUS Solo, triste 
            y ausente [5:00] Differenzias sobre la Gayta [3:38] Clemente 
            IMANA (17th century) Filis yo tengo [3:32] 
            ANONYMOUS Ay, mi Dios! Que 
            fuera de mi sin vos? [3:59] Chacona [2:24] Juan 
            BARTER (1648-1706) Hazo, Anton! [8:29] ANONYMOUS 
            San Juan de Lima [6:43] Francisco 
            de SANTIAGO (1578-1644) Que se ausenta [4:25] Francesc 
            VALLS (1671-1747) Gilguerillo que el ayre [7:57] 
            ANONYMOUS Tarambote para 
            duas charamelinhas [2:39] Kah-Ming 
            NG Canarios [4:30] 
 
            Charivari Agréable: Clara Sanabras (soprano), Rodrigo del Pozo (tenor), 
            Kah-Ming Ng (director) rec. St Andrew’s Church, Toddington, Gloucestershire, 
            22-24 September 2004. DDD 
 
            SIGNUM CLASSICS SIGCD069 [78.42][EM]
        This 
          is delightful music, well performed, and the disc comes well-recommended. 
          ... see Full Review
        Every 
          Violinist’s Guide - Thirty Four Traditional Caprices, Etudes and 
          Studies Rudolf KREUTZER (1766-1831) Etude 
          No. 2 Op. 16 [0.46] Etude No. 35 Op. 16 [2.49] Etude No. 8 Op. 16 [1.16] 
          Pierre RODE (1774-1830) Caprice 
          No. 21 Op. 22 [2.58] Caprice No. 17 Op. 22 [1.39] Caprice No. 2 Op. 
          22 [1.30] Caprice No. 8 Op. 22 [1.53] 
          Federigo 
          FIORILLO (1755-1823) Caprice No. 14 
          Op 3 [1.54] Caprice No. 28 Op. 3 [1.58] Caprice No. 3 Op. 3 [1.08] Niccolo 
          PAGANINI (1782-1840) Caprice No. 19 Op. 1 [2.38] Caprice 
          No. 9 Op. 1 [2.36] Caprice No. 14 Op. 1 [1.06] Caprice No. 16 Op. 1 
          [1.25] Caprice No. 21 Op. 1 [3.20] Caprice No. 20 Op. 1 [3.05] Caprice 
          No. 5 Op. 1 [2.18] Caprice No. 24 Op. 1 [4.38] Henryk 
          WIENIAWSKI (1835-1880) Etude No. 7 Op. 10 [4.10] Etude No. 
          1 Op. 10 [0.36] Etude No. 5 Op. 10 [1.43] Jakob 
          DONT (1815-1888) Caprice No. 2 Op. 35 [1.28] E. 
          POLO (1869-1953) 30 Double Stops Studies No. 4 [1.19] Otakar 
          SEVCIK (1852-1934) Variation Nos 21-24 Op. 2 Part 2 [2.14] 
          Variation No. 34 Op. 3 [0.37] Charles DANCLA 
          (1817-1902) Caprice Mo.9 Op. 52 [1.06] Caprice No. 16 Op. 52 [1.35] 
          J.F. MAZAS (1782-1849) Study No. 
          8 Op. 36 [2.30] H.E. KAYSER (1815-1888) 
          Study No. 4 Op. 20 [1.09] Franz SCHUBERT 
          (1808-1878) L’Abeille (The Bee) No. 9 Op. 13 [1.09] Pietro 
          LOCATELLI (1695-17640 Caprice No. 2 Op. 3 [3.29] Caprice 
          No. 20 Op. 3 [1.56] Caprice No,23 Op. 3 [3.35] H. 
          SCHRADIECK (1846-1918) Section 3 No. 12 [1.11] 
 
          Steven Staryk (violin) Recorded in 1963, 1969 and 2003 
 
          CENTAUR CRC 2744 [69.54] [JW]  
        
A 
          master class in "how it’s done" 
          and a fine resource for the young player; 
          let’s just hope it doesn’t put them off. ... 
          see Full 
          Review 
        
 
          Amelia Farrugia: Joie de vivre! 
          Charles-François 
          GOUNOD (1811-1893) Ah! Je veux vivre! from Roméo 
          et Juliette [3.25] Jacques OFFENBACH 
          (1819-1880) Conduisez-moi vers celui que j'adore from Robinson 
          Crusoe [3.44] Ambroise THOMAS (1811-1896) 
          Oui, pour ce soir je suis reine ... Je suis Titania from Mignon 
          [5.41] Jules MASSENET (1842-1912) 
          Suis-je gentille ainsi? ... Obeissons   quand leur voix appelle 
          (Gavotte) from Manon [5.13] Charles-François 
          GOUNOD (1811-1893) O Dieu! que de bijoux! ... Ah! je ris 
          de me voir! from Faust [4.35] Giacomo 
          MEYERBEER (1791-1864) Ombre légère from 
          Dinorah [7.04] Daniel-François-Esprit 
          AUBER (1782- 1871) C'est l'histoire amoureuse from 
          Manon Lescaut [4.09] Giacomo PUCCINI 
          (1858-1924) Quando m'en vo from La bohème 
          [2.31] Giacomo PUCCINI (1858-1924) 
          Ore dolci e divine from La Rondine [4.48] Johann 
          STRAUSS II (1825-1899) Tales from the Vienna Woods [4.38] 
          Carl ZELLER (1842-1898) Schenkt 
          man sich Rosen in Tirol from Der Vogelhandler [2.38] Johann 
          STRAUSS II (1825-1899) Mein Herr Marquis from Die 
          Fledermaus [3.21] Johann STRAUSS II 
          (1825-1899) Voices of Spring [6.46] Ivor 
          NOVELLO (1893-1951) Waltz of My Heart from The 
          Dancing Years [2.42] Richard MILLS 
          (1949-) Love's Coming [3.19] ANON. 
          (arr. MILLS) Until 
          We Meet Again [2.24] 
 
          Amelia Farrugia (soprano) BBC Symphony Orchestra/Alexander Briger 
          rec. BBC Maida Vale Studios, London; 26, 27, 29 September 2005. DDD. 
          
 DECCA 987 5237 [67.47] 
          [ED]  
        
It 
          pains me to say it but this disc is a total 
          artistic disaster. ... see Full 
          Review 
        
 Favourite 
          German Opera Choruses Carl Maria von WEBER 
          (1786-1826) Der Freischütz: Was gleicht 
          wohl auf Erden (Huntsmen’s Chorus) Act III; Otto 
          NICOLAI (1810-1849) Die lustigen Weiber von Windsor (The 
          Merry Wives of Windsor): O süsser Mond (Moon Chorus) Act III; Wolfgang 
          Amadeus MOZART (1756-1791) Die Zauberflöte (The Magic Flute): 
          O Isis und Osiris (Chorus of the Priests) Act II; Ludwig 
          van BEETHOVEN (1770-1827) Fidelio: O welche Lust (Chorus 
          of the Prisoners) Act I; Richard WAGNER (1813-1883) Der fliegende Holländer 
          (The Flying Dutchman): Summ und brumm (Spinning Chorus) Act II; Steuermann! 
          Lass die Wacht! (Sailors’ Chorus) Act III; Die Meistersinger von Nürnberg 
          (The Mastersingers of Nuremberg): Wach auf, es nahet gen den Tag (Awake 
          Chorus) – Ehrt eure deutschen Meister (final chorus) Act III; Tannhäuser: 
          Freudig begrüssen wir (Entry of the Guests) Act II; Beglückt darf nun 
          dich (Pilgrims’ Chorus) – Der Gnade heil’ (final chorus) Act III; Lohengrin: 
          Treulich geführt (Bridal Chorus) Act III; Gesegnet soll sie schreiten 
          (Procession to the Cathedral) Act II; Parsifal: Wein und Brot (Grail 
          Chorus) Act I 
 
          Leipzig Radio Chorus, Dresdner Kapellknaben (Parsifal) Staatskapelle 
          Dresden/Silvio Varviso Recorded in Lukaskirche, Dresden, Germany 
          in November 1988 
 PHILIPS 
          ELOQUENCE 464 645-2 [62:20][GF] 
        
The 
          whole recital gave me a lot of pleasure and 
          with some twiddling of the knobs I was able 
          to tame the wide dynamics. ... see Full 
          Review
        
           
            Figs, 
            Fiddles and fine play – a musical taste of the 
            14th century ALFONSO 
            X (c.1280) Quen polo amor (Cantiga de Santa Maria, 
            nr 203) [3:13] Muito faz grand’ero (CSM 209) [2:56] 
            ANONYMOUS (c.1350) Sia laudato 
            san Francesco [4:11] ANONYMOUS (c.1380) 
            Istampitta Ghaetta [4:25] ALFONSO 
            X (c.1280) Como Deus fez (CSM 23) / A Virgen 
            (CSM 8) [3:59] Guillaume de MACHAUT 
            (1300-1377) Je vivroie liement [3:30] Liement 
            me deport [2.12] Dame, a vous sans retollir, Danse Real [3.53] 
            Francesco LANDINI (1325-1397) Ne 
            la piu cara parte [2.02] ANONYMOUS 
            (c.1280) Questa fanciulla amour [2.48] ALFONSO 
            X (c.1280) Laudar vollio per amore [5.54] Prijon 
            forte (CSM 106) / Tan beeyta (Cantiga de Fiestras nr 
            5) [2.38] Ali u a pedanca [4.07] En a que Deus [3.01] 
            
 Falsobordone: Erik 
            Ask-Upmark (harp, bagpipes, organetto, voice), Anna Rynefors (rebec, 
            bagpipes, harp, percussion, voice), Sven Jansson (percussion), Stefan 
            Wikstrom (trombone), Karin Strinnholm Lagergren (voice), Anders Adin 
            (hurdy-gurdy, lute), Goran Hallmarken (hurdy-gurdy, percussion) rec. 
            Bosarps Kyrka, 8-10 March 2003. DDD 
 
            FALSOBORDONE ACACD 0043 [49.20][EM]
         
        Extremely 
          well-performed ... pleasantly raucous and 
          riotous. ... see Full 
          Review
        
 
          Tormod Flaten - Norwegian Euphonium 
          David GILLINGHAM 
          Vintage Edvard 
          GRIEG arr. Aamodt 
          Ved Rundarne Frode 
          THINGNÆS Daydream Craig 
          FARR Sonata de Camera Traditional/Knut 
          BUEN arr. Giske 
          I Himmelen Martin 
          ELLERBY Euphonium Concerto Sigvart 
          DAGSLAND arr. Rydland 
          Michelangelo Ermanno 
          PICCHI / Simone MANTIA arr. Antrobus 
          Fantaisie Originale 
 
          Tormod Flaten (euphonium) Eikanger-Bjørsvik 
          Bands/Reid Gilje Bergen Symphonic Band/Martin 
          Winter rec. St. Pauls, Huddersfield, 22-23 
          March 2005 and Biskopshavn Kirke, Bergen, 
          23-24 September 2005. DDD 
 
          DOYEN DOY CD190 [72:38] [CT]
         
        
A 
          fascinating and varied disc of music showcasing 
          the talents of Norwegian euphonium virtuoso 
          Tormod Flaten. ... see Full 
          Review 
        
Flute 
          Agréable  Philip LASSER (b.1963) 
          Sonata* (1986) [14:51]  Henri DUTILLEUX 
          (b.1916) Sonatine (1943) [9:41] Jean FRANÇAIX 
          (1912-1997) Sonata (1996) [14:52] Pierre 
          SANCAN (b.1916) Sonatine* (1946) [9:59] Eugene 
          BOZZA (1905-1991) Agrestide (1942) 
 
          April Clayton (flute) J.Y. Song (piano); Philip Lasser (piano)* 
          rec. American Academy of Arts and Letters, New York, 8-9 June 2004. 
          DDD 
 CRYSTAL RECORDS 
          CD714 [58:16] [GPu]
        A 
          well-chosen, well-played programme, featuring 
          a good flautist and two excellent pianists. 
          Recommended to all who like the modern French 
          repertoire for the flute ... see Full 
          Review 
         Sounds 
          of Fotheringhay 
          Christian RITTER (c.1648-1717) 
          Sonatina in d [4’59] John STANLEY 
          (1712-1786) Voluntary in D [6’46] John 
          TRAVERS (c.1703-1758) Voluntary in C [3’08]  
          Francois COUPERIN (1688-1733) From Messe pour les Couvents: 
          Plein jeu [1’16] Fugue sur la Trompette [1’40] Elevation, (Tierce en 
          Taille) [3’28] Dialogue sur les grands jeux [1’47] Jan 
          Pieterszoon SWEELINCK (1562-1621) Unter der Linden Grűne 
          [5’43] Dietrich BUXTEHUDE (c.1637-1707) 
          Ciaccona in e [5’39] Chorale Prelude, Ein Feste Burg [3’50] Chorale 
          Prelude, Komm, Heiliger Geist, Herre Gott [4’23] Johann 
          Sebastian BACH (1685-1750) Fugue in G BWV 577 [3’25] Chorale 
          Prelude, ‘O Mensch bewein’ [6’00] Prelude and Fugue in Eb – St Anne 
          (sic) [14’34] 
 Malcolm 
          Archer, organ, rec. St Mary and All Saints Church, Fotheringhay, 26 
          July 2005. DDD 
 LAMMAS 
          LAMM 191D [66’44][CB]
         
          In 
            general the surprisingly fine organ makes this an interesting release, 
            and Archer’s playing, whatever my small gripes, presents it well enough 
            ... see Full Review
         
          Frottole 
          Marco 
          CARA (1470-1525) Ostinato vo seguire [3.19]; 
          Per fuggir d’amor le punte [2.45]; Io non compro piu speranze [2.23] 
          Bartolomeo Tromboncio ( 1470-1535) Su, su leva, alza le ciglia [ 3.24]; 
          per dolor me bagno el viso [4.20]; Ave Maria [ 1.43]; Vegene bella [5.39]; 
          Filippo AZZAIOLO (d. 1569) Chi passa 
          par ‘sts strada [1.56} Antonio STRINGARI 
          (XVI century) Non piu saetta Amor (1.55); Antonio 
          CAPRIOLI (XVI century) Sotto un verde e alto cipresso (4.34); 
          Guido MORINI (b.1959) ‘Per dolor- 
          instrumental (1.51); Jacobo FOGLIANO 
          (1468-1548) L’amor donna, ch’io te porto [1.47]; Orlando 
          LASSUS (1532-1594) Madonna mia pieta [5.45]; Guglielmo 
          il GIUGGIOLA (fl. c.1515) Canto di Lantze Pellegrino [2.48]; 
          Paolo SCOTO (XVI c) Capra moza sonemus 
          et cantemus [1.05}; Gio. Ambrogio DALZA 
          (d.1508) Saltarello e piva [ 5.35]; Filippo 
          de LURANO (1475-1520) Se m’e grato eltuo tomare [2.44]; Pietro 
          BORRONO (c.1490-c.1563) Pavana e salterello " della 
          Millanese"[2.33}; Marco BEASLEY 
          (b. 1957) Tu dormi [2.58]; ANON 
          (c.1500) Pan de miglio caldo [ 2.50]; Pavan e gagliardo " della 
          Traditora" [3.50]; Staralla ben cusi [1.39] 
 
          Marco Beasley (tenor); Guido Morini, organ; Stefano Rocco, lute and 
          renaissance guitar; Franco Pavan, lute; Fabio accuro lute "a plettro"; 
          Bruce Dickey, cornetto rec. Tibor Varga Foundation Studio, Sion, Switzerland, 
          28 April-1 May 2005 
 
          CYPRES CYP 1643 [69.03] [GH]
         Bruce 
          Dickey makes a haunting contribution but the 
          other instrumentalists are equally superb 
          in ensemble skills, ornamentation and balance 
          created also by the very natural recording. 
          ... see Full 
          Review
        The 
          Golden Age of Light Music – Buried Treasures Kenneth 
          ESSEX (real name Rufus Isaacs) Castles In The Air 
          [2:32] Celebrity Symphony Orchestra, 1952 Robert 
          FARNON Swing-Hoe [2:34] Danish State Radio Orchestra/Robert 
          Farnon, 1951 Stanford ROBINSON Valse 
          Serenade [4:30] BBC Theatre Orchestra (leader Alfred Barker)/Stanford 
          Robinson, 1946 Larry COLEMAN, Alfredo CORENZO 
          Venezuela [2:30] Wally Stott and his orchestra, 1954 Ray 
          MARTIN Parlour Game [2:59] Harmonic Orchestra/Wal-Berg, 
          1950 Leroy ANDERSON Penny Whistle 
          Song [2:25] Sidney Torch and his orchestra, 1953 George 
          MELACHRINO London - March [4:27] Melachrino Orchestra/George 
          Melachrino, 1947 Philip GREEN Song 
          of Soho: Rhapsody for Piano and Orchestra [6:27] – from the film 
          "Murder Without Crime". Associated British Picture Corporation Orchestra/Philip 
          Green; pianist William McGuffie, 1950 John 
          HOLLIDAY Dickon O'Devon [2:15] Queen's Hall Light 
          Orchestra/Charles Williams, 1946 Edward WHITE 
          Effervescence [2:49] Dolf van der Linden and his orchestra, 
          1954 Malcolm LOCKYER Pizzicato 
          Rag [3:01] Malcolm Lockyer and his orchestra, 1954 Trevor 
          DUNCAN Rhythm For Romance [2:42] New Concert Orchestra/Frederic 
          Curzon , 1953 Leighton LUCAS Target 
          For Tonight - Theme from the Film [2:18] Leighton Lucas and his 
          orchestra, 1947 Hugo de GROOT Automation 
          [2:11] 
          Celebrity Symphony Orchestra/Hugo De Groot 
          , 1953 arr. George 
          MELACHRINO There Is A Tavern 
          In The Town – Juke Box Fantasy [4:03] 
          Melachrino Orchestra/George Melachrino, 1947 
          William HILL-BOWEN 
          The Girl From Cuba [2:51] William 
          Hill-Bowen and his orchestra, 1953 Anita 
          MISHELL Serbian Sunset [3:56] 
          Mischa Michaeloff and his orchestra, 1951 
          Edward STANELLI, 
          real name Edward Stanley 
          de GROOT Atlantis [8:22] 
          Sidney Torch and his orchestra, 1948 Charles 
          ANCLIFFE Secrets [3:07] 
          Harry Davidson and his orchestra, 1952 Lambert 
          WILLIAMSON This Is The Business 
          [2.26] Queen's Hall Light Orchestra/Sidney 
          Torch, 1948 Robert 
          STOLZ Selection of Popular Melodies: 
          Don't Ask Me Why, Springtime In 
          Vienna, White Horse Inn, Hallo! 
          Sweet Fairy Doll, Hallo You, The 
          Woods Of Vienna Are Calling, White 
          Horse Inn, Little Melody From Vienna, 
          Spring Parade. [8:12] 
 
          The Tonhalle Orchestra, Zurich/Robert 
          Stolz, 1949 
 
          GUILD GLCD 5118 [77.44] [RW]
        Generally 
          dreamy background music interspersed with 
          lively numbers. Much of it meanders but then 
          one comes across something really attractive, 
          scintillating and rhythmic - try De Groot, 
          Ancliffe and Holliday and Melachrino. ... 
          see Full 
          Review 
        
 
          The Great 
          Mass - a Ballet by Uwe Scholz. Wolfgang 
          Amadeus MOZART (1756-1791) Mass 
          in C minor, K427/K417a, 'Great Mass' (1782/83) 
          [56'25]; Adagio and Fugue in C minor, K546 
          (1788) [10'03]; Ave verum corpus in D, K618 
          (1791) [4'14] ANONYMOUS 
          Gregorian Chant: Gaudeamus omnes; 
          Credo in unum Deum (Mass for the Feast of 
          St Thomas of Canterbury) [3'54]. Thomas 
          JAHN (b. 1940) Orte und Zeiten 
          – No. 2, Zeit und Zeiten [2'41]; Interludium: 
          Viele Länder durchfuhr ich [5'04]. Gyorgy 
          KURTÁG (b. 1926) Flowers 
          we are, mere flowers [1'01]. Aus tiefer Not 
          schrei ich zu dir, BWV687 (Bach, arr. Kurtag) 
          [5'23]; Play with overtones [0'50]; ... and 
          once more: Flower we are ... [0'40]; Beating 
          – Quarreling [1'04]; Gottes Zeit ist die allerbeste 
          Zeit, BWV106 (Bach, arr. Kurtag) [2'20]; Furious 
          Chorale [0'50]; Palm Stroke [0'32]; Aus der 
          Ferne [2'12]. Arvo 
          PÄRT (b. 1935) Credo (1968) 
          [12'39]. 
 
          Leipzig Ballet; Eunyee You, Marie-Claude Chappuis 
          (sopranos); Werner Güra (tenor); Friedemann 
          Röhlig (bass); Chorus of the Leipzig 
          Opera; Leipzig Gewandhaus Orchestra/Balázs 
          Kocsár. Includes readings of Paul Celan. 
          Rec. live at Leipzig Opera on June 28th, 
          2005. 
          Director Hans Hulscher. Producers Günter 
          Attein and Paul Smaczny. NTSC. 16:9. PCM Stereo. 
          Dolby Digital 5.1. DTS 5.1. Region Code: 0. 
          DVD 9. 
EUROARTS 
          2054608 [130'00] [CC]
        Massively 
          thought-provoking, no greater tribute to Uwe 
          Scholz could be envisaged. ... see Full 
          Review 
         
          Guildhall 
          Horn Soloists Richard 
          BISSILL (b.1960) 
          Corpendium 
          1, for six horns (2004-05?) [3:16] Guildhall 
          School Horn Ensemble: Timothy Thorpe (principal), 
          Elizabeth Chell, Angela Barnes, Andrew Budden, 
          Michael Bailey, Eleanor Reed, directed by 
          Hugh Seenan Robert 
          SCHUMANN (1810-1856) Adagio 
          and Allegro, for horn and piano (1849) 
          [8:33] 
          Jeffrey Bryant (horn), Robin Bowman (piano) 
          Richard BISSILL 
          (b.1960) Lone Hall Call and Charge 
          (1994) [3:21] Richard Bissill (horn) Camille 
          SAINT-SAËNS (1835-1921) 
          Romance in E, for horn and piano (arranged 
          from Cello Suite, Op. 16) (1866) [6:42] 
          Jeffrey Bryant (horn), Caroline Palmer (piano) 
          Gioacchino ROSSINI 
          (1792-1868) 
          Le Rendezvous de Chasse (1828) [4:51] 
          Guildhall School Natural Horn Ensemble: Ursuala 
          Monberg (soloist), Paul Cott, Elizabeth Chell, 
          Stephen Nicholls, Alastair Rycroft, Heather 
          Swinney, Heidi Martinsen, Michael Bailey, 
          directed by Andrew Clark Luigi 
          CHERUBINI (1760-1842) Sonata 
          No. 2, for horn and piano [6:55] Andrew 
          Clark (natural horn), Caroline Palmer (piano) 
          Johann Sebastian 
          BACH (1685-1750) Bourrée 
          1 and 2, from Cello Suite No. 3 [3:11] 
          Paul DUKAS 
          (1865-1935) Villanelle, for horn 
          and piano (1906) [6:06] Hugh Seenan (horn), 
          Robin Bowman (piano) Richard 
          BISSILL (b.1960) Time and Space, 
          for 2 horns and piano (2001) [8:42] David 
          Pyatt, Hugh Seenan (horns), Richard Bissill 
          (piano) Eugene BOZZA 
          (1905-1991) En Forêt, for 
          horn and piano (1941) [6:32] Richard Bissill 
          (horn), Caroline Palmer (piano) Richard 
          BISSILL (b.1960) Three Portraits, 
          for 8 horns 
 
           Guildhall School Horn Ensemble: Angela 
          Barnes (soloist), Rebecca Hill, Timothy Thorpe, 
          Alastair Rycroft, Charlotte Lines, Christopher 
          Lund, Andrew Budden, Eleanor Reed, directed 
          by Richard Bissill 
          Recorded: The Guildhall School of Music & 
          Drama Music Hall, March-April 2004, March-April 
          2005, June-July 2005 
 
          CALA CACD1036 [71:28] [GPu]
        A 
          thoroughly enjoyable, well-programmed CD, 
          more various than might have been expected 
          ... see Full 
          Review 
         Music 
          for Hammers and Sticks Alex 
          SHAPIRO (b. 1962) At the Abyss 
          [14:00] Alvin SINGLETON 
          (b. 1940) Greed 
          Machine [6:46] Steve MACKEY 
          (b.1956) Busted [7:47] Belinda 
          REYNOLDS (no birth-date given) Play [6:43] Joseph 
          HARCHANKO (no birth-date given) Heavy Circles [6:37] 
          Zhou LONG (no birth-date given) Wu Ji (1987 rev. 
          1991) [10:29] 
 Teresa McCollough, 
          piano Peggy Benkeser and Tom Burritt, percussion rec. July 2004, Santa 
          Clara, CA and Corpus Christi, TX. 
 
          INNOVA 630 [52:04][KS]
        Highly 
          recommended to both the adventuresome and the timid alike. Take the 
          plunge and check this one out. ... see Full 
          Review
         
          Harmonia 
          Caelestis - A ray of sunshine piercing the shadows 
          Gregorio 
          STROZZI (c1615-c1687)/arr. Kah-Ming Ng Mascara sonata e ballata 
          da più Cavalieri Napolitani nel Regio Palazzo [02:11] Kah-Ming 
          NG Ciaccona mosaica - A pastiche of ciaccone by Antonio  
          Bertali, Andrea Falconieri, Girolamo Frescobaldi, Tarquinio Merula and 
          Claudio Monteverdi [05:49] Carlo Francesco 
          POLLAROLO (c.1653-1723) Toccata in g minor [01:39] Alessandro 
          STRADELLA (1639-1682) Sinfonia No 22 in d minor [08:15] Carlo 
          FARINA (c.1604-1639) Balletto primo à 3 [02:30] Giovanni 
          Paolo CIMA (c.1570-1630) Sonata a tre per cornetto, violino 
          and basso continuo [03:25] Alessandro PICCININI 
          (1566-c.1638)/arr. Lynda Sayce Chiaccona Cappona alla vera Spagnola 
          [04:00] Francesco CAVALLI (1602-1676) 
          Canzon à 3 in a minor [00:51] Giulio MUSSI 
          (1589-1623) Canzona l'Amaltea per sonar 'a doi Canti in ecco' [03:32] 
          Carlo FARINA Sinfonia per sonare 
          con doi violini over cornetti à 3 [01:43] Giovanni 
          Antonio TERZI (fl. c.1580-1600) Contraponto sopra Vestiva 
          i colli per sonar a duoi liutti in quarta o in concerto [05:39] Giovanni 
          PICCHI (fl. 1600-1625)/arr. Kah-Ming Ng Ballo alla Polacha 
          [04:54] Giovanni BASSANO (1561-1617) 
          Diminuzioni per basso and canto sopra Veni, veni, dilecte mi da 
          G.P. da Palestrina [04:22] Kah-Ming NG 
          Ciaccona mosaica - A pastiche of bergamasche by Girolamo Frescobaldi, 
          Bernardo Gianoncelli, Bernardo Pasquini, Salamone Rossi, Giovanni Salvatore 
          and Giovanni Battista Vitali 
 
          Charivari Agréable: Jamie Savan (cornett, cornetto muto), Oliver Webber 
          (violin, viola), Susanne Heinrich (treble viol, bass viol, violone), 
          Lynda Sayce (lute, bass lute, guitar, chitarrone), Kah-Ming Ng (harpsichord, 
          organ) rec. May 2004, St Andrew's Church, Toddington, Gloucestershire, 
          UK. DDD 
 SIGNUM SIGCD049 
          [60:11][JV] 
        
This 
          disc gives some idea of the variety in the performance practice of music 
          in 17th-century Italy - even though some arrangements are not entirely 
          convincing, the ensemble gives excellent performances ... see Full 
          Review
        THE 
          ITALIAN DRAMATIC LAMENT Claudio 
          MONTEVERDI (1567 - 1643) Lamento d’Arianna [10.47]; Si 
          dolce e il tormento [4.25] Jacopo PERI 
          (1561 - 1633) Al fonte al prato [1.44]; 
          Lungi dal vostro lume [2.54]; Se 
          tu parti da me [4.14]; Uccidimi 
          dolore [9.38] Giovanni Girolamo KAPSBERGER 
          (c.1575 – c.1661) Sferraina (from Libro Quarto) [3.37]; 
          Capona (from Libro Quarto) [3.21]; Passacaglia 
          (from Libro Quarto) [9.13] Giulio 
          CACCINI (1545 - 1618) Vedro ‘l mio sol [4.01]; 
          Amarilli [3.16]; Amor ch’attendi 
          [1.56] Richardo ROGNIONO (died c.1620) 
          – Ancor che partire [2.56] 
          
 The Catacoustic Consort: 
          Annalisa Pappano (lirone and treble viola da gamba), Artistic Director; 
          Catherine Webster (soprano); Michael Leopold (theorbo); Becky Baxter 
          (baroque triple harp) rec. St. John Chrysostom Church, Newmarket, Ontario, 
          Canada, 28 Apr–2 May 2004 
 
          NAXOS 8.557538 [62.03] [RH]
        The 
          Catacoustic Consort display a fine sense of 
          spontaneity and they convey a fine sense of 
          four artists playing chamber music in a responsive 
          manner. I hope to hear more of them... see 
          Full 
          Review
         Jerusalem: 
          British Choral Classics 
          Sir Charles 
          Hubert Hastings PARRY (1848-1918) I 
          was Glad [7:28] Long since in Egypt’s plenteous Land [4:27] Blest Pair 
          of Sirens [10:45] Jerusalem [2:52] Sir 
          Edward BAIRSTOW (1874-1946) Blessed City, Heavenly Salem 
          [8:18] Sir Edward ELGAR 
          (1857-1934) Great is the Lord [10:04] O 
          hearken Thou [4:07] Give unto the Lord [9:28] Sir 
          Charles Villiers STANFORD (1852-1924) Te 
          Deum in B-flat [6:11] Magnificat in B-flat [3:10] Nunc dimittis in B-flat 
          [3:14] Patrick HADLEY (1848-1918) My Beloved Spake [3:33] 
 
          Choir of Winchester Cathedral Waynflete Singers Bournemouth Symphony 
          Orchestra/David Hill Recorded in Winchester Cathedral, June 1990 
 
          DECCA ELOQUENCE 4762443 [74:29][KS]
        In 
          all, a nice representation some of the core 
          Anglican repertoire but these ears would have 
          appreciated much more variety ... see Full 
          Review 
         
          Kinga! plays flute 
          music George 
          ENESCU (1881 – 1955) Cantabile 
          et Presto [6:07]; César 
          FRANCK (1822 – 1890) Sonate (transcription 
          of Sonata in A major for violin and piano) 
          [28:14]; Samuel BARBER 
          (1910 – 1981) Canzone [3:28]; Franz 
          DOPPLER (1821 – 1883) Fantasie 
          Pastorale Hongroise [12:17]; Jules 
          Auguste Edouard DEMERSSEMANN (1833 
          – 1866) Solo de Concert #6 [12:22] 
 
          Kinga Práda (flute) Ilona Jánky 
          Práda (piano) rec. Lilla Akademien, 
          Stockholm, 14 Oct 1999; Studio 2 Swedish Radio, 
          Stockholm, 9 March 2003 (Barber) 
 
          NOSAG RECORDS CD 082 [62:36] [GF]
        The 
          main reason for acquiring this disc is the 
          superb playing. Some of the repertoire is 
          rather lightweight but interesting for readers 
          on the look-out for musical byways. ... see 
          Full Review
        
         
        
A 
          fabulous DVD and one that will please and entertain all. Fans of the 
          group will be delighted and new initiates will be entertained, no matter 
          what their musical background. ... see Full 
          Review
        Maria 
          Kliegel: Virtuoso Cello Encores Gaspar 
          CASSADÓ (1897-1966) Dance of the Green 
          Devil [4:04] David POPPER (1843-1913) 
          Fantasy on Little Russian Songs [11:38] Serenade Op.54 No.2 [3:58] 
          Johann Sebastian BACH (1685-1750) 
          Air from Suite No.3 (transcribed by Leonard Rose) [5:28] Franz 
          SCHUBERT (1797-1828) Ständchen (transcribed by Henri Marteau) 
          [4:07] Franz SCHUBERT (1808-1878) 
          Die Biene (transcribed by Werner Thomas-Mifune) [1:17] Enrique 
          GRANADOS (1867-1916) Intermezzo from Goyescas (transcribed 
          by Gaspar Cassadó) [4:57] Dmitry SHOSTAKOVICH 
          (1906-1975) Tarantella from The Gadfly Op.97b (transcribed 
          by Jusas Tschelkauskas) [3:04] Maurice RAVEL 
          (1875-1937) Habanera (transcribed by Paul Bazelaire) [2:58] Claude 
          DEBUSSY (1862-1918) The Girl with Flaxen Hair (transcribed 
          by L-R. Feuillard) [2:24] Jean Baptiste SENAILLÉ 
          (1687-1730) Allegro spiritoso (transcribed by J. Salmon) [2:29] 
          Henri VIEUXTEMPS (1820-1881) Cantilena 
          (transcribed by Jénö Hubay) [6:36] Siegfried 
          BARCHET (1918-1982) Boulevard de Garavan [1:37] Jacques 
          OFFENBACH (1819-1880) Danse bohémienne Op.28 [10:19] 
          Sergey RACHMANINOV (1873-1943) Vocalise 
          Op.34 No.14 (transcribed by Leonard Rose) [6:53] George 
          GERSHWIN (1898-1937) Short Story (transcribed by Samuel 
          Dushkin) [2:59] 
 Maria Kliegel 
          (cello); Raimund Havenith (piano) Rec. Tonstudio van Geest, Heidelberg, 
          Germany in November 1990 DDD 
 
          NAXOS 8.557943 [75:14][PCW] 
        
A 
          disc for lovers of the cello and amateur cellists learning the repertoire 
          ... see Full Review
        Knots 
          Fraser 
          TRAINER (b. 1967) Knots for 
          solo violin and ensemble (2003)* [25:38] BETWEEN 
          THE NOTES Tangerine Dance (1997) [7:57] Fraser 
          TRAINER (b. 1967) ID (2001) [16:14] BETWEEN 
          THE NOTES Lucky (2001-4) [15:09] Philip 
          OAKEY/Ian BURDEN – (THE HUMAN LEAGUE) Love Action 
          (1981) (arr. Trainer, 2003, for solo violin and ensemble)* [5:27] 
 
          Viktoria Mullova (violin)* Between the Notes: Matthew Barley (cello 
          and director); Paul Griffiths (guitar); Fraser Trainer (keyboards); 
          Sam Walton (percussion); Peter Whyman (clarinet, saxophone) rec. 7-8 
          February 2005 (Knots and Love Action) and 2-4 October 
          2004 (Tangerine Dance, ID and Lucky), The Music 
          Room, Champs Hill, Pulborough, Sussex. DDD 
 
          BLACK BOX BBM1095 [70:28][AB]
        An 
          intimate and clear recorded sound makes this 
          disc an eclectic triumph that is definitely 
          worth a listen ... see Full 
          Review
        Kreisler 
          plays Kreisler Fritz KREISLER (1879-1951) 
          Caprice 
          Viennois [3:46] Tambourin Chinois [3:29] Liebesfreud [3:15] 
          Liebesleid [3:37] Schön Rosmarin [1:59] La gitana 
          [3:11] Johann Sebastian BACH (1685-1750) 
          (arr. KREISLER) Gavotte (from 
          Partita No.3 in E) [3:18] Wolfgang Amadeus 
          MOZART (1756-1791) (arr. KREISLER) 
          Rondo (from the Haffner Serenade) [7:35] Fritz 
          KREISLER (1879-1951) Rondino on a theme of Beethoven [2:30] 
          Fryderyk CHOPIN (1810-1849) (arr. 
          KREISLER) Mazurka in A minor, Op. 67, No.4 [3:43] 
          Johannes BRAHMS (1833-1897) (arr. 
          HOCHSTEIN) Waltz in A, Op.39, No.15 [2:48] Antonín 
          DVOŘÁK (1841-1904) (arr. KREISLER) 
          Humoresque from Humoresques, Op.101, No.7 [3:43] Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) (arr. KREISLER) 
          Andante cantabile (from String Quartet No.1) [4:34] Nikolay 
          Andreyevich RIMSKI-KORSAKOV (1844-1908) Hymn to the Sun 
          (from The Golden Cockerel) [4:04] Chant Hindou (from 
          Sadko) [3:17] Manuel de FALLA 
          (1876-1946) (arr. KREISLER) Spanish 
          dance from La vida breve [3:22] Ede 
          POLDINI (1869-1957) (arr. 
          KREISLER) Dancing Doll [2:28] Cyril 
          SCOTT (1879-1970) (arr. KREISLER) 
          Lotus land [4:06] TRADITIONAL 
          (arr. KREISLER) Londonderry Air 
          [3:45] 
 Fritz 
          Kreisler (violin), Franz Rupp (piano) rec. Tracks 1-2, Electrola Studios, 
          Berlin, 28 February 1936; Tracks 3-19, EMI Abbey Road Studios, 14-15 
          February 1938. ADD 
 NAXOS 
          GREAT VIOLINISTS 8.110992 [67.08] [EM]
        Kreisler’s 
          ease and intimacy, and his exceptional charm, 
          intelligence and wit shine through this warm, 
          sensitive playing. An utterly delightful disc. 
          ... see Full 
          Review 
         
          L’Ecole 
          Lazare-Lévy François 
          COUPERIN (1668-1733) Pièces pour clavecin 
          3ème Livre, 13ème ordre Les lis naissans [1.34] Les Rozeaux [2.40] 
          Wolfgang Amadeus MOZART (1756-1791) 
          Sonata No.10 in C K330 [16.25] Sonata No.11 in A K331 [15.22] Ludwig 
          van BEETHOVEN (1770-1827) Piano Sonata in G Op.14 No.2 – 
          First movement [7.48] Piano Sonata in D Op.10 No.3  - Second movement 
          [4.47] Fryderyk CHOPIN (1810-1849) 
          Mazurka Op.7 No.3 [1.56] Mazurka Op.6 No.2 [1.45] Mazurka Op.17 
          No.4 [3.34] Mazurka Op.50 No.2 [2.29] Nocturne No.13 Op.48 No.1 [6.27] 
          Emmanuel CHABRIER (1841-1894) Pièces 
          pittoresques Sous-bois [3.59] Idylle [3.25] Scherzo-Valse [3.38] 
          Claude DEBUSSY (1862-1918) Estampes 
          Livre II - La soirée dans Grenade [4.31] Robert 
          SCHUMANN (1810-1856) Kreisleriana Op.16 – incomplete [20.25] 
          Paul DUKAS (1865-1935) La plainte 
          au loin, du faune [3.55] 
 
          Lazare-Levy (piano) Recorded commercially and live, 1931-55 Wolfgang 
          Amadeus MOZART (1756-1791) Piano Concerto No.9 K271 Jeunehomme 
          [30.17] Clara Haskil (piano)/Cologne Radio Symphony Orchestra/Otto Ackermann, 
          recorded 1954 Claude DEBUSSY (1862-1918) 
          Preludes Book 1 No.10 - La cathédrale engloutie [6.44] François 
          COUPERIN (1668-1733) Pièces pour clavencin 3eme Livre, 
          14eme ordre Le carillon de Cithère [2.30] Domenico 
          SCARLATTI (1685-1757) Sonata L384 [3.20] Deodat 
          de SÉVERAC (1872-1921) Petites pièces romantiques Ou 
          l’on entend une vielle boîte à Musique [1.09] Louis-Claude 
          DAQUIN (1694-1772) Pièces pour clavecin 1er Livre Le 
          coucou [1.53] Johannes BRAHMS (1833-1897) 
          Piano Concerto No.1 Op.15 [45.27]* Solomon (piano) Berlin Philharmonic 
          Orchestra/Eugen Jochum, recorded live November 1954* Béla 
          BARTÓK (1881-1945) Piano Concerto No.3 [24.25] Monique Haas 
          (piano)/Bavarian Radio Symphony Orchestra/Eugen Jochum, recorded live 
          January 1951 
 TAHRA 
          556-558 [74.39 + 77.25 + 70.16][JW]
         
          Tahra’s 
            devotion to Lazare-Lévy pays rich rewards. ... see Full 
            Review
         
        Karl 
          Leister: 
          Classic Sonatas for Clarinet 
          Charles 
          BOCHSA (d. 1821) Grand Sonata for Clarinet 
          and Piano** (?1808) [26:52] Johann Baptist 
          VANHAL (1739-1813) Sonata No. 3 in B flat major* (?1801) 
          [14:30] Jean Baptiste Edouard DUPUY 
          (c. 1770-1822) Introduction and Polonaise** (?1810) [5:59] Anton 
          EBERL (1765-1807) Sonata in B flat major, Op.10 No. 2* (1800) 
          [22:09] 
 Karl Leister 
          (clarinet), Ferenc Bognár (piano) rec.: Konservatoriumsaal, Feldkirch, 
          Austria, 8-9 Feb 2003 (*),13-14 Feb 2004 (**). DDD 
 
          CAMERATA CM-28060 [69:30][GPu] 
        
A 
          valuable historical survey of music which 
          deserves to be better known, excellently played 
          ... see Full 
          Review
         
          Let Go: New 
          Music for Three Guitars Bruce 
          MACCOMBIE Tango Amoroso (2004) 
          [8:05] Ned BENNETT 
          Strange Dreams (2004) [7:48]; Food for 
          Fish (2004) [6:42] Paulo 
          BELLINATI Baião de Gude 
          (1989) [5:26]; Maracatu da Pipa (2004) [7:43] 
          Hayley SAVAGE 
          Storm in a Teacup (2004) [9:20] Benjamin 
          VERDERY (arr. Amanda 
          COOK) Start Now (2004) [2:10]; 
          Let Go (2004) [3:43]; Now You See It, Now 
          You Don’t, Now You Do (2004) [2:10] Gary 
          RYAN Cabaret (Showgirls) (2005) 
          [5:55] 
 
          Appassionata Guitar Trio (Rebecca Baulch, 
          Amanda Cook, and Hayley Savage) rec. February 
          and April 2005, St. Thomas a Becket Church, 
          Pagham, West Sussex, UK. 
 
          BGS RECORDS BGS111 [59:05] [BB]
        Interested 
          in contemporary music that is easy on the 
          ears and may cause you to tap your feet then 
          I commend this to your attention ... see Full 
          Review 
         
          James 
          Levine’s 25th Anniversary Metropolitan 
          Opera Gala Wolfgang 
          Amadeus MOZART (1756-1791) Don 
          Giovanni ‘Di 
          molte faci il lume…Sola, in buio loco’ 
          Renée Fleming (Donna Anna), 
          Kiri Te Kanawa (Donna Elvira), Hei-Kyung Hong 
          (Zerlina), Jerry Hadley (Don Ottavio), Bryn 
          Terfel (Leporello) and Julien Robbins (Massetto); 
          ‘In quali eccessi , o numi…Mi tradi quell’alma 
          ingrata’ Kiri Te Kanawa (Donna Elvira) Le 
          Nozze di Figaro – ‘esito dunque…Nemico 
          della patria’ Sherrill Milnes (Gerard); Cosi 
          fan tutte – ‘Sorella, cosa dici?...Prendero 
          quell brunettino’ Carol Vaness (Fiordiligi) 
          and Susanne Mentzer (Dorabella) Giuseppe 
          VERDI (1813-1901) Don Carlo 
          - ‘Restarte!...O Signor, di fiandra arrivo’ 
          Thomas Hampson (Rodrigo) and Roberto Scandiuzzi 
          (Filippo II); ‘Ah, più non vedrò…O 
          don fatale’ Dolora Zajick (Eboli); Luisa 
          Miller - ‘O! Fede negar potessi agl’occhi 
          miei!…Quando lesere al placido’ Carlo Bergonzi 
          (Rodolfo); Un ballo in maschera 
          - ‘Ahime! S’appressa alcun’ Ghena Dimitrova 
          (Amelia), Franco Farina (Riccardo) and Juan 
          Pons (Renato); ‘Morrò, ma prima in 
          grazia’ Aprile Millo (Amelia) Ernani – ‘Cessaro 
          I suoni’ Deborah Voight (Elvira), Placido 
          Domingo (Ernani) and Roberto Scandiuzzi (Silva) 
          I Lombardi – ‘Qui pos ail fianco…Qual 
          voluttà trascorrere’ June Anderson 
          (Giselda), Carlo Bergonzi (Oronte), Ferruccio 
          Furlanetto (Pagano) and Raymond Gniewek (violin 
          solo) Richard WAGNER 
          (1813-1883) Rienzi 
          Overture; Tannhäuser – 
          ‘Dich, teure Halle’ Deborah Voigt (Elisabeth); 
          Tristan und Isolde – ‘Wie lachend 
          sie mir Lieder singen’ Waltraud Meier (Isolde); 
          Götterdämmerung – 
          ‘Starke Scheite schchtet mir dort’ – Jane 
          Eaglen (Brünnhilde); Die Meistersinger 
          von Nürnberg – ‘Wach auf!’ Metropolitan 
          Opera Chorus Jacques 
          OFFENBACH (1819-1880) La 
          Périchole – ‘Ah! Quelle diner 
          je viens de faire’ Frederica Von Stade (Périchole); 
          Les Contes d’Hoffmann – ‘Hélas, 
          mon coeur s’égare encore’ Florence 
          Quivar (Giulietta), Rosalind Elias (Niklausse), 
          Alfredo Krauss (Hoffmann), Charles Anthony 
          (Pitichinaccio), James Courtney (Schlémil), 
          Paul Plishka (Dapartutto) and The Metropolitan 
          Opera Chorus Peter 
          Ilyich TCHAIKOVSKY (1840-1893) Eugene 
          Onegin ‘O! Kalk mnye tyazhelo!’ (Final 
          Scene) Catherine Malfitano (Tatyana) and Dwayne 
          Croft (Onegin). Richard 
          STRAUSS (1864-1949) Der Rosenkavalier 
          ‘Hab mir’s gelobt’ Renée Fleming (Marschallin), 
          Anne Sofie Von Otter (Octavian) and Heidi 
          Grant Murphy (Sophie). Johann 
          STRAUSS II (1825-1899) Die 
          Fledermaus ‘ Dieser Anstand, so manierlich’ 
          Karita Mattila (Rosalinde) and Håkan 
          Hagegård (Eisenstein) Camille 
          SAINT-SAËNS 
          (1835-1921) Samson et Dalila – ‘Mon Coeur 
          s’ouvre à ta voix’ Grace Bumbry (Dalila). 
          Charles GOUNOD 
          (1818-1893) Roméo et Juliette 
          – ‘Je veux vivre dans ce rêve’ Ruth 
          Ann Swenson (Juliette); Faust 
          – Mais ce Dieu, que peut-il pour moi?) Plácido 
          Domingo (Faust) and Samuel Ramey (Méphistophélès) 
          Gustav CHARPENTIER 
          (1860-1956) Louise ‘Depuis 
          le jour où je me suis donnée’ 
          Renée Fleming (Louise) Pietro 
          MASCAGNI (1863-1945) L’Amico 
          Fritz – ‘Suzel, buon di’ Angela Gheorghiu 
          (Suzel) and Roberto Alagna (Fritz) Franz 
          LEHÁR (1870-1948) Giuditta 
          – ‘Ich weiss es selber nicht…Meine Lippen, 
          sie küsseen so heiss’ Ileana Cotrubas 
          (Giuditta); Georges 
          BIZET (1838-1893) Les 
          Pêcheurs de perles – ‘Au 
          fond du temple saint’ Roberto Alagna (Nadir) 
          and Bryn Terfel (Zurga) John 
          CORIGLIANO (b. 1936) The 
          Ghosts of Versailles – ‘Cherubino…’ 
          ‘Now we go back in time’ Hei-Kyung Hong (Rosina), 
          Wendy White (Cherubino), Christine Goerke 
          (Marie Antoinette) and Håkan Hagegård 
          (Beaumarchais); Antonín 
          DVOŘÁK (1841-1904) Rusalka 
          – ‘Song to the moon’ Gabriella Benačková 
          (Rusalka), Gaetano 
          DONIZETTI Don Pasquale 
          – ‘Don Pasquale?...Cheti, cheti immantiente’ 
          Mark Oswald (Malatesta) and Paul Plishka (Pasquale); 
          Umberto GIORDANO 
          (1867-1948) Andrea Chénier – ‘Esito 
          dunque?...Nemico della patria’ Sherrill Milnes 
          (Gérard) PLUS: a Tribute 
          to James Levine by Birgit Nilsson 
 
          Metropolitan Opera Orchestra and Chorus/James 
          Levine 
          Bonuses: Picture gallery and an interview 
          with James Levine Rec. live from the Metropolitan 
          Opera House, New York , 27 April 1996 
 
          
DEUTSCHE 
          GRAMMOPHON 00440 073 2319 [2 DVDs: 142:20 
          + 151:38][IL]
        A 
          Gala of Galas. A host of operatic stars celebrate 
          25 years of Levine at the Met in grand style. 
          ... see Full 
          Review 
         
          Yundi Li: Vienna 
          Recital Domenico 
          SCARLATTI (1685-1757) Sonatas 
          – E, Kk380 [5'18]; G, Kk13 [4'28]. Wolfgang 
          Amadeus MOZART (1756-1791) Piano 
          Sonata in C, K330/K300h (1781/3) [17'57]. 
          Robert SCHUMANN 
          (1810-1856)Carnaval, Op. 9 (1833-1835) 
          [29'43]. Franz LISZT 
          (1811-1886) Rapsodie espagnole, 
          S254 (c1863) [13'58]. 
 
          Yundi Li (piano) Rec. Grosser Saal, Musikverein, 
          Vienna, June 2005. DDD 
 
          DEUTSCHE GRAMMOPHON 477 5571 [71'30] [CC]
         
        
Not 
          enough to justify a full-price release here. 
          Lavish booklet (fourteen pictures of Li) + 
          Musikverein + excellent recording does not 
          equal rewarding musical experience. ... see 
          Full Review  
        
 Love 
          Bade Me Welcome Robert 
          JONES (fl.1597-1615) Though your strangeness 
          [4:06] My complaining is but feigning [1:33]  
          George Herbert (1593-1633) Love* [1:12] Robert 
          JONES (fl.1597-1615) Once did I serve a cruel heart [2:24] 
          Robert JOHNSON (c.1583-c.1633) Lady 
          Hatton’s Almain [1:35] Robert JONES 
          (fl.1597-1615) Sweet Kate [1:42] William 
          SHAKESPEARE (1564-1616) When in disgrace with fortune and 
          men’s eyes* [1:09] Robert JONES (fl.1597-1615) 
          What if I seek for love of thee?¶ [1:55] Sir 
          Walter RALEIGH (c.1554-1618) In the grace of wit, of tongue, 
          and face* [1:20] John DOWLAND (1563-1626) 
          Flow, my tears¶ [3:39] William Shakespeare (1564-1616) When 
          to the sessions of sweet silent thought* [1:13] Robert 
          JONES (fl.1597-1615) Lie down, poor heart¨ 
          [6:26] Ben JONSON (1572-1637) Slow, 
          slow, fresh fount* [1:00] Anonymous Zouch his march [2:14] 
          John DOWLAND (1563-1626) Say love, 
          if ever thou didst find¶ [1:46] Lachrimæ [5:13] Francis 
          QUARLES (1592-1644) Sighs* [7:48] John 
          DOWLAND (1563-1626) Me, me and none but me¨ [3:15] Come again: sweet 
          love¶ [3;43] Thomas CAMPION (1567-1620) 
          Now winter nights enlarge* [1:18] Robert 
          JONES (fl.1597-1615) And is it night?¨ 
          [5:30] Grief of my best love’s absenting¶ [4:49] William 
          SHAKESPEARE (1564-1616) So am I as the rich whose 
          blessed key* [1:11] Robert JOHNSON (?) 
          (c.1583-33) The Second Witches Dance [1:51] Thomas 
          CAMPION (1567-1620) Follow thy fair sun* [1:13] Robert 
          JONES (fl.1597-1615) Hark! Wot ye what? [4:19] Abraham 
          COWLEY (1618-1667) The given heart* [1:23] 
 
          Theatre of Early Music: James Bowman (counter-tenor, solo on tracks 
          marked ¶), Daniel Taylor (counter-tenor, solo on tracks marked ¨), 
          Frances Kelly (harp), Elizabeth Kenny (lute), Mark Levy (gamba). * Ralph 
          Fiennes (recitation) Recorded St. Silas church, London, February-March 
          2004 
 BIS CD-1446 
          [75:51][GPu]
        An 
          interesting miscellany, well-played and sung, 
          especially valuable for the music by Robert 
          Jones, but with too much time is given over 
          to inadequately integrated readings ... see 
          Full Review
         
          Lullabyes 
          and Goodbyes  Billy 
          JOEL Lullaby 
          (Goodnight, My Angel) [3:16] Engelbert 
          HUMPERDINCK Evening Prayer* [4:20] 
          Jacques OFFENBACH 
          Barcarolle* [2:47] Richard 
          M. SHERMAN and Robert B. SHERMAN Hushbye 
          Mountain* [2:58] 
          Johannes BRAHMS Wiegenlied* 
          [2:51] J.R.R. TOLKIEN/Donald 
          SWANN Bilbo’s Last Song* [3:51] 
          George GERSHWIN Lullaby 
          [3:41] Traditional/SCOTT/KAIHAU 
          Haere Rä [1:48] Malcolm 
          SARGENT Hawaiian Lullaby* [2:17] 
          Irving BERLIN Moonshine 
          Lullaby [3:34] Xavier 
          MONTSALVATGE Cancion de Cuna para 
          dormer a un Negrito* [2:47] Traditional/CAMPBELL 
          My Lagan Love [3:23] Hugo 
          WOLF Schlafendes Jesuskind* [3:18] 
          George SHEARING Lullaby 
          of Birdland*[2:54] Claudio 
          MONTEVERDI Oblivion [3:31] Daniel 
          AUBER Discendi, O Sonno Vago [4:30] 
          CANTABILE Lullaby 
          (Hush Macushla)* [2:24] Franz 
          SCHUBERT Nacht und Träume* 
          [3:29] J.R.R. TOLKIEN/Stephen 
          OLIVER Bilbo’s Last Song* 3:02] 
          Richard M. SHERMAN 
          & Robert B. SHERMAN Stay Awake 
          [2:27] Antonín 
          DVOŘÁK Goin’ Home* [6:40] 
          John DANKWORTH Our 
          Revels Now Are Ended* 
          [2:55] David 
          CULLEN Counting Up My Toes [1:52] 
          
 
          Cantabile: Richard Bryan (counter-tenor); 
          Robin Green (tenor); Mark Fleming (tenor); 
          Michael Steffan (baritone) *with Malcolm Martineau 
          (piano) Recorded at Angel Studios, London, 
          England, 24-26 February and 28 July 2004 
 
          SIGNUM CLASSICS SIGCD055 [74:40] [JQ]
        Restful 
          and enjoyable late evening listening, with 
          the fire burning gently and a glass of something 
          warming at your elbow. Something a bit different! 
          ... see Full 
          Review 
         
          
        Detailed listing (last two days)]
          [Part 1 New]  [Part 
          2 A-B] [Part 3 
          C-L]
          [Part 4 M-R]  
          [Part 5 S-Z]
          [Part 6 Misc A-L]  
          [Part 7 Misc M-Z]