Bruce 
          ADOLPHE 
          (b.1955) Little 
          Red Riding Hood [17.52] Goldilocks 
          and the Three Bears [22.39] 
 
          An die Musik: (Robert Ingliss (oboe) Frank 
          Almond (violin) Richard Brice (viola) Daniel 
          Rothmuller (cello) Constance Emmerich (piano)) 
          Ruth Westheimer (narrator) Recorded at Recital 
          Hall at SUNY, Purchase, NY in 1998 (Goldilocks 
          and the Three Bears) and American Academy 
          of the Arts and Letters, New York (Little 
          Red Riding Hood) in 1998 
 
          NEWPORT CLASSICS NPD 85667 [40.31] [JW]
         
        
Two 
          more pleasurable invitations to sample An 
          die Musik’s thoughtful commissions. ... see 
          Full 
          Review 
        Jean-Louis 
          AGOBET (b. 
          1968) Génération 
          Concerto Grosso pour trois clarinettes et 
          orchestre [15:30] Phonal Pour grand 
          orchestre [12:01] Feuermann Grand duo 
          pour violoncello et orchestre [8:12] Ritratto 
          concertante Concerto pour piano et orchestre 
          [19:41] Michel Portal (clarinet) Paul Meyer 
          (clarinet) Alain Billard (clarinet) Xavier 
          Phillips (cello) Alexandre Paley (piano) 
 
          Orchestre Philharmonique de Strasbourg/François-Xavier 
          Roth rec. 28-29 October 2004, Palais de la 
          musique at des congrès, Salle Érasme, 
          Strasbourg. DDD 
 
          TIMPANI 1C1094 [55:50] [ABi]
        Complex 
          and demanding music delivered with resounding 
          confidence ... Supporters of contemporary 
          music should certainly give this a try ... 
          see Full Review 
          
         
          Tommaso 
          ALBINONI 
          (1671-1751) Concerto 
          in D minor for oboe and strings, Op. 9 No 
          2 (1722) [10:47] Concerto in C major for two 
          oboes and strings, Op. 7 No. 2* (1715) [4:51] 
          Concerto in D major for oboe and strings, 
          Op. 7 No. 6 (1715) [6:33] Concerto in C major 
          for two oboes and strings, Op. 9 No. 9* (1722) 
          [9:57] Concerto in D major for two oboes and 
          strings, Op. 7 No. 8* (1715) [6:01] Concerto 
          in C major for oboe and strings, Op. 9 No. 
          5 (1722) [8:25] Concerto in B flat major for 
          oboe and strings, Op. 7 No. 3 (1715) [7:02] 
          Concerto in F major for two oboes and strings, 
          Op. 9 No 3* (1722) [10:38] Concerto in b flat 
          major for oboe and strings, Op. 9 No. 11 (1722) 
          [10:02] Concerto in C major for two oboes 
          and strings, Op. 7 No. 11* (1715) [7:13] Concerto 
          in G minor for oboe and strings, Op. 9 No. 
          8 (1722) [9:43] Concerto in C major for two 
          oboes and strings, Op. 7 No. 5* (1715) [4:41] 
          Concerto in F major for oboe and strings, 
          Op. 7 No. 9 (1715) [5:49] Concerto in G major 
          for two oboes and strings, Op. 9 No. 6* (1722) 
          [9:00] Concerto in C major for two oboes and 
          strings, Op. 7 No. 12* (1715) [7:05] Concerto 
          in D major for two oboes and strings, Op. 
          9 No. 12* (1722) [6:48] Concerto in B flat 
          major for violin and strings, Op. 9 No. 1** 
          (1722) [7:26] Concerto in F major for violin 
          and strings, Op. 9 No. 10** (1722) [10:19] 
          Concerto in D major for violin and strings, 
          Op. 9 No. 7** (1722) [13:48] Concerto in A 
          major for violin and strings, Op. 9 No. 4** 
          (1722) [8:43] 
 
           Stefan Schilli (oboe), Giovanni Deangeli 
          (oboe)*, Tanja Becker-Bender (violin)**; Stuttgart 
          Chamber Orchestra/Nicholas Matt European Chamber 
          Soloists/Nicholas Matt** rec. Bauer Studios, 
          Ludwigsburg, Germany, 2005; Katholische Kirche, 
          Illingen, Germany, 2005** 
 
          BRILLIANT CLASSICS 92791 [3 CDs: 64:27 
          + 60:33 + 40:23] [GPu]
        An 
          abundance of enticing music, well performed 
          by all the soloists in good, modern-instrument 
          recordings ... see Full 
          Review 
         
          Claude Loyola ALLGÉN 
          (1920 
          – 1990) String 
          Quartet No. 2 (1942) 
 
          IORE Quartet rec. live, Academy of Arts, 
          Stockholm, 24 April 2005 
 
          NOSAG RECORDS CD 114 [55:21] [GF]
        Inquisitive 
          readers should give it a try. It’s no easy 
          journey. I can’t promise that you will like 
          what you hear but there are rewards to be 
          had. see Full Review
         
          William 
          ALWYN (1905-1985) 
          Film 
          Music Volume 3: The Magic Box (1951) 
          [14:50]; The Million Pound Note (1953) 
          [2:56]; The Way Ahead (1944) [2:03]; 
          Swiss Family Robinson (1960) [8:50]; 
          The Rocking Horse Winner (1949) [3:43]; 
          Geordie (1955) [17:08]; The Cure for 
          Love (1949) [3:15]; Penn of Pennsylvania 
          (1941) [10:56]; The True Glory 
          (1945) [2:37]; The Running Man (1963) 
          [10:25] 
 
          BBC Philharmonic Orchestra/Rumon Gamba rec. 
          New Broadcasting House, Manchester, 5-6 January 
          2005 
 
          CHANDOS CHAN 10349 [77:49] [IL]
        Workmanlike 
          but not up to the standard of the first 
          two volumes of film music by this composer. 
          Candidly, rather dull stuff. ... see Full 
          Review 
        Juan 
          Crisóstomo de ARRIAGA 
          (1806-1826) String 
          Quartet No. 1 in D minor (published 1824) 
          (I. Allegro [06:47]; II. Adagio con espressione 
          [05:48]; III. Menuetto - Allegro - Trio piu 
          moderato [02:53]; IV. Adagio - Allegretto 
          [07:30]) String Quartet No. 2 in A 
          major (published 1824) (I. Allegro con brio 
          [08:10]; II. Andante con variaciones [06:46]; 
          III. Menuetto - Scherzo - Trio [03:14]; IV. 
          Andante ma non troppo - Allegro [04:50]) String 
          Quartet No. 3 in E flat major (published 
          1824) (I. Allegro [07:53]; II. Pastorale - 
          Andantino [05:46]; III. Menuetto - Allegro 
          - Trio plus lent [03:08]; IV. Presto agitato 
          [06:18]) 
 
           Camerata Boccherini 
          Recorded at Santa Cruz Auditorium, Tenerife, 
          June 2003 
 
          NAXOS 8.557628 [69.05] [JW]
        Arriaga 
          has been so closely identified as a consummate follower of Mozart that 
          it can be difficult to adduce an infusion of individuality to his distinctly 
          classical quartets. ... see Full 
          Review 
         
          Johann 
          Sebastian BACH (1685-1750) 
          Concerto for violin, oboe, strings and basso continuo in D minor, 
          BWV 1060R (c.1735) [14.21] (trs 1-3) Concerto for flute, violin, harpsichord, 
          strings and basso continuo in A minor, BWV 1044 (1730) [23.06] (trs. 
          4-6) Concerto for harpsichord, strings and basso continuo in D minor, 
          BWV 1052 (1738) [23.08] (trs. 7-9) 
 
          Collegium Aureum: Franzjosef Maier, violin (trs. 1-6); Helmut Hucke, 
          oboe (trs. 1-3); Barthold Kuijken, flute (trs. 4-6); Bob van Asperen, 
          harpsichord (trs. 4-6); Gustav Leonhardt, harpsichord (trs. 7-9) rec. 
          April 1976, Schetzinger Schloss, Jagdsaal, Germany (trs. 1-6); 23 Nov 
          1965, Cedernsaal des Fuggerschlosses Kirchheim, Schwaben, Germany (trs. 
          7-9). ADD 
 DHM DEUTSCHE 
          HARMONIA MUNDI 82876 70044 2 [60.35][MC]
        Smooth, 
          elegant and thoughtful playing of these three Bach works from Collegium 
          Aureum. ... see Full Review
         
          Johann 
          Sebastian BACH (1685-1750) 
          Concerto in a after Vivaldi BWV 593 [12’02] Trio Sonata no 4 in 
          e BWV 528 Toccata, Adagio and Fugue in C BWV 564 [15’01] The Schűbler 
          Chorales: Wachet Auf, ruft uns die stimme BWV 645 [4’23]; Wo soll ich 
          fliehen hin, BWV 646 [1’45]; Wer nur den lieven Gott lässt walten BWV 
          647 [3’21]; Meine Seele erhebt den Herrn BWV 648 [2’05]; Ach bleib’ 
          bei uns, Herr Jesu Christ BWV 649 [2’39]; Kommst du nun, Jesu vom Himmel 
          herunter BWV 650 [3’33];Toccata and Fugue in F BWV 540 [14’45] Passacaglia 
          in c BWV 582 [13’17] Trio Sonata No 3 in d BWV 527 [12’56] Pastorella 
          in F BWV 590 [10’59] Five Chorales from the “Great Eighteen”: Komm, 
          Heiliger Geist, Herre Gott BWV 652 [9’25]; Herr Jesu Christ, dich zu 
          uns wend, BWV BWV 655 [4’11]; O Lamm Gottes unschuldig BWV 656 [8’20]; 
          Nun danket alle Gott BWV 657 [4’55]; Komm, Gott Schöpfer, Heiliger Geist 
          BWV 667 [2’10]; Pièce d’Orgue BWV 572 [9’06] 
 
          Robert Clark, organ rec: First Presbyterian Church, Springfield, Illinois, 
          10-14 October 2004. DDD 
 
          ARSIS SACD 405 
 
          [70’46 + 75’19][CB] 
        
Recommended 
          for the instrument. ... see Full Review 
        
Johann 
          Sebastian BACH (1685-1750) 
          The 
          Well-Tempered Clavier Book II (1744) CD 1: Preludes and fugues (BWV 
          870-877) CD 2: Preludes and fugues (BWV 878-884) CD 3: Preludes and 
          fugues (BWV 885-893) 
 
          Daniel Barenboim (piano) Recorded at Teldex Studio, Berlin, 26-29 December 
          2004. DDD 
 WARNER CLASSICS 
          2564 61940-2 [3 CDs: 49:30 + 50:53 + 66:44] [PB]
        An 
          occasionally disappointing but largely wonderful, 
          expressive and involving set ... see Full 
          Review 
        
RECORDING 
          OF THE MONTH Johann.Sebastian BACH 
          (1685-1750) 
          The 
          Sonatas and Partitas for Violin Solo (c. 1720) CD 1 [61:35] Sonata 
          No 1 in G minor, BWV 1001; Adagio [4:05]; Fuga [4:49];Siciliana [3:04]; 
          Presto [3:30]; Partita No.1 in B minor, BWV 1002; Allemanda [4:37];Double 
          [2:14]; Corrente [3:29]; Double.Presto [3:22]; Sarabande [3:15];.Double 
          [3:07];Temopo di Borea [3:30]; Double [3:22] Sonata No 2. in A minor, 
          BWV 1003; Grave [4:27];Fuga [7:56]; Andante [5:33];Allegro [5:16]. CD 
          2 [68:43] Partita No 2 in D minor, BWV 1004; Allemanda [4:22]; Courante 
          [2:26]; Sarabanda [3:28]; Giga [4:03]; Ciaccona [14:00]. Sonata No 3 
          in C major, BWV 1005;Adagio [3:22]; Fuga [9:06]; Largo [2:37]; Allegra 
          assasi [4:45]. Partita No. 3 in E major, BWV 1006; Preludio [3:18]; 
          Loure [3:45]; Gavotte en Rondeau [2:57]; Menuet I [1:38]; Minuet II 
          [2:26]; Bourée [1:16]; Gigue [1:49] 
 
           Gidon Kremer, violin rec: Partitas: 25-29 Sept. 2001, Lockenhaus, 
          Pfarrkirche St. Nikolaus; Sonatas: 10-15 March 2002, Riga, Recording 
          Studio. 
 ECM NEW SERIES 
          1926/27 4767291 [61:35 + 68:43] [ZT]
        For 
          aficionados a significant void will exist 
          in their collection if this fine recording 
          is not included. ... see Full 
          Review 
        
 
          Johann 
          Sebastian BACH (1685-1750) 
          Cantata 
          Ich habe genug, BWV 82 [23:42] Cantata 
          Mein Herze schwimmt im Blut, BWV 199 
          [27:00] 
 
          Loraine Hunt Lieberson (mezzo) The Orchestra 
          of Emmanuel Music/Craig Smith rec. 13-16 May 
          2002, Emmanuel Church, Boston, MA. DDD 
 
          NONESUCH 79692-2 [50:42] [JQ]
        Quite 
          simply, one of the finest Bach discs I’ve 
          heard in a very long time ... I don’t expect 
          it to be surpassed for some considerable time. 
          ... see Full 
          Review 
        Osvaldas 
          BALAKAUSKAS (b. 
          1937) Symphony No. 4 (1998) [32:22] Symphony 
          No. 5 (2001) [29:33] 
 
          Lithuanian National Symphony Orchestra/Juozas Domarkas rec. National 
          Philharmonic Hall, Vilnius, Lithuania, 21-23 May 2003 (No. 4); 7-9 September 
          2004 (No. 5) 
 NAXOS 8.557605 
          [63:14][GF]
         
          A 
            very distinctive voice in today’s symphonic world. I would urge readers 
            as yet unfamiliar with his music to lend this disc an ear. ... see 
            Full Review
         
         Bela 
          BARTÓK (1881-1945) For Children, Sz42 (1908-1909) 
 
          Dezsö Ránki (piano) Rec. Teldec Studio, Berlin in October 1976. ADD 
          
 
          WARNER APEX 2564 62188-2 [73:29][CC] 
        
 
        
 
        
 
        
 
        
 
        
 
          Warner 
            Apex has done Bartók a great service in 
            reissuing these performances, each one a 
            little jewel. ... see Full 
            Review
           
            Marion 
            BAUER (1882-1955) 
            A 
            Lament on an American Theme, Op. 20a 
            (1927) [5:21] Concertino for Oboe, Clarinet 
            and Strings Op. 32b (1939-43) [9:28] Trio 
            Sonata No. 1 for Flute, Cello and Piano, 
            Op. 40 (1944) [8:11] Symphonic Suite 
            for Strings, Op. 33 (1940) [11:16] Duo 
            for Oboe and Clarinet, Op. 25 (1932) [8:30] 
            American Youth Concerto, Op. 36 (1943) 
            [15:59] 
 
            Ambache Chamber Orchestra and Ensemble/Diana 
            Ambache Rec. 21-22 October 2004, St Silas 
            Church, Kentish Town, London. DDD 
 
            NAXOS 8.559253 [58:45] [ABi]
           
          
Not 
            instantly recognisable this music moves 
            between impressionism and a typically American 
            optimism: spacious and open-air in quality 
            ... see Full 
            Review  
        
 
          
Ludwig 
          van BEETHOVEN (1770-1827) 
          Symphony 
          No. 7 in A major, Op. 92 [36:07] Johannes 
          BRAHMS (1833-1897) Symphony No. 
          3 in F major, Op. 90* [35:48] 
 
          London Philharmonic Orchestra/Klaus Tennstedt 
          rec. Royal Festival Hall, London, 22 November 
          1989; *7 April 1983. ADD 
 
          BBC LEGENDS BBCL 4167-2 [73:20] [JQ]
        The 
          relationship between Tennstedt and the LPO 
          at its best. An invaluable addition to Tennstedt’s 
          all-too-small discography. An excellent Christmas 
          present for a discerning collector. ... see 
          Full 
          Review 
         
          Ludwig van 
          BEETHOVEN (1770-1827) 
          Piano 
          Concerto No. 5 in E flat major, Op. 73 ‘Emperor’ 
          [37.19] Sergei RACHMANINOV 
          (1873-1943) Piano Concerto No. 3 in D 
          minor, Op. 30 [37.29] 
 
          Vladimir Horowitz (piano) RCA Victor Symphony 
          Orchestra/ Fritz Reiner rec. Carnegie Hall, 
          New York. Op. 73, 26 April 1952; Op. 30, 8-10 
          May 1951. ADD 
 
          NAXOS HISTORICAL 8.110787 [74.49] 
          [AD]
        Some 
          of Horowitz’s last concerto recordings before 
          his nervous collapse in 1953 ...listening 
          to the highly-strung performance of Rachmaninov 
          3 one wonders if the signs were already there. 
          ... see Full 
          Review 
         
            
          Ludwig van BEETHOVEN 
          (1770-1827) Violin 
          Concerto in D major Op.61 (1806) [42.13] Giovanni 
          Battista VIOTTI (1755-1824) Violin Concerto No.22 in A minor 
          (c.1790s) [27.44] 
 
          Arthur Grumiaux (violin) New Philharmonia Orchestra/Alceo Galliera (Beethoven, 
          recorded in London, 1966) Concertgebouw/Edo de Waart (Viotti, recorded 
          in Amsterdam, 1970) 
 
          PHILIPS ELOQUENCE 476 8477 [70.04][JW]
        Playing 
          of elevation and finesse. ... see Full 
          Review
        
RECORDING 
          OF THE MONTH Ludwig 
          van BEETHOVEN (1770-1827) 
          Sonata 
          in G major, Op. 31, No 1 (1801-2) [24:39] 
          Sonata in d minor, Op. 31, No. 2 "Tempest" 
          (1801-2) [24:31] Sonata in E-flat major, Op. 
          31, No. 3 (1802) [24:24] 
 
          Paul Lewis, piano rec. April 2005, Teldex 
          Studio, Berlin 
 
          HARMONIA MUNDI HMC901902 [73:55] [KS]
         
        
Paul 
          Lewis is a talent for posterity, a pianist 
          of such refinement that he is certain to make 
          a mark in the world that will long outlast 
          his time on the planet ... see Full 
          Review 
        
 
          Ludwig Van BEETHOVEN (1770-1827) 
          Fidelio 
          (1803-1814) Leonore - Elisabeth Söderström (soprano) Rocco 
          - Curt Appelgren (bass) Marzelline - Elizabeth Gale (soprano) Jaquino 
          - Ian Caley (tenor) Don Pizarro - Robert Allman (bass-bar) Florestan 
          - Anton de Ridder (tenor) Don Fernando - Michael Langdon (bass) 
Glyndebourne 
          Chorus London Philharmonic Orchestra/Bernard Haitink rec. 1979 Glyndebourne 
          Festival Opera Peter Hall (stage director) Directed by David Heather 
          
ARTHAUS 
          MUSIK DVD101099 [120.00] [CF]
         
        
Söderström 
          is the lynchpin ... a supreme artist ...her 
          ‘Abscheulicher’ nothing short of a consummate 
          triumph, inspiring the LPO horns to great 
          playing ... a fine performance ... see 
          Full Review 
        
 
          Hector 
          BERLIOZ (1803-1869) 
          Symphonie 
          fantastique Op.14 (1830) [50:02] 
 
          Hungarian Radio and Television Orchestra/Charles 
          Munch rec. Hungary, 1966, ADD. 
 
          PHILIPS ELOQUENCE 476 7962 [50:02] [TP] 
          
        
Avid 
          Berlioz collectors and Munch completists will 
          find much here to catch their interest. ... 
          see Full 
          Review  
        
 
          Hector 
          BERLIOZ 
          (1803-1869) 
          Les nuits d'été, op.7 (1840-41) [31.58] Maurice 
          RAVEL (1875-1937) Shéhérazade (1903) [20.49] Henri 
          DUPARC (1848-1933) Chanson triste (1868, orch. 1902) [3.30]; 
          L'invitation au voyage (1870) [4.39] Claude 
          DEBUSSY (1862-1915) La damoiselle élue (1890) [20.11] 
 
          Hildegard Behrens (soprano)/Wiener Symphoniker/Francis Travis (Berlioz) 
          Janice Taylor (mezzo)/Women of the San Francisco Symphony Chorus (Debussy) 
          Elly Ameling (soprano)/San Francisco Symphony Orchestra/Edo de Waart 
          (Ravel, Duparc, Debussy) Recorded in the Sofiensaal, Vienna, October 
          1983 (Berlioz); Davies Hall, San Francisco, October 1981 (Ravel, Duparc, 
          Debussy). DDD. 
 PHILIPS 
          ELOQUENCE 476 7982 [77.36][ED]
        An 
          infuriating mix of artistic results. With alternative Berlioz recordings 
          easy to come by, what’s wrong with ignoring him here and enjoying the 
          rest? ... see Full Review
        Hector 
          BERLIOZ 
          (1803-1869) La 
          damnation de Faust (1828 and 1845/6) Performed in concert 
 
          Marguérite ... Anne Sofie Von Otter Faust ... Keith Lewis Méphistophélès 
          ... José Van Dam Brander ... Peter Rose Chicago Symphony Chorus Chicago 
          Symphony Orchestra/Sir Georg Solti rec. live, 1989 Promenade Concert, 
          Royal Albert Hall, London. 
 
          ARTHAUS DVD 102 023 
[134:00][IL] 
          
        A 
          glorious performance full of dramatic intensity with the three soloists 
          at the their peak. ... see Full Review 
          
          
          Leonard 
          BERNSTEIN (1918-1990) 
          Serenade for Solo Violin, Strings, Harp and Percussion* (1954) 
          [31:18]; Facsimile – Choreographic Essay for Orchestra (1944) 
          [18:38]; Divertimento for Orchestra (1980) [18:09] 
 
          Philippe Quint (violin)* Bournemouth Symphony Orchestra/Marin Alsop 
          rec. Concert Hall, Lighthouse, Poole, UK, 12-13 January 2005. DDD 
 
          NAXOS 8.559245 [65:04][GF]
        A 
          fine tribute to “without question the greatest musician America has 
          ever produced” ... see Full 
          Review
         
          Luigi 
          BOCCHERINI 
          (1743-1805) Six Duets for Two Violins, Op. 5 
          (1761): No. 1 [13:33]; No. 2 [10:42]; No. 3 [9:55]; No. 4 [12:21]; No. 
          5 [9:55]; No. 6 [9:26] 
 
          Marco Rogliano, Gianfranco Ianneta (violins) rec. Oratorio di San Giovanni 
          Evangelista, Gaggio Montana, Bologna, June 2000 
 
          TACTUS TC 740204 [66:03][GPu] 
        
Wonderfully 
          intimate music, very well played and ideal for home listening … see 
          Full Review 
        
William 
          BOLCOM (b. 
          1938) Recuerdos 
          (1991) [13:22] Frescoes for two pianos, harmonium, and harpsichord 
          (arr. 2 pianos) (1971) [28:18] Sonata for Two Pianos in One Movement 
          (1993) [15:40] Interlude (1963, rev. 1965) [4:03] The Serpent’s 
          Kiss (Ragtime) (1969, arr. 1994) [5:37] Through Eden’s Gates 
          (Cakewalk) (1969, arr. 1994) [5:13] 
 
          Elizabeth and Marcel Bergmann (pianos) rec. 7-10 January, 2005, Rolston 
          Recital Hall, The Banff Centre for the Arts, Banff, Canada. DDD 
 
          NAXOS 8.559244 [72:15][ABi]
        Bolcom 
          is clearly at home writing for two pianos 
          and is able to work convincingly in both a 
          light and a serious vein. ... see Full 
          Review
         
          Claude BOLLING 
          (b. 1930) Suite 
          for Flute and Jazz Piano Trio (1973) [35:26] 
          Suite No.2 for Flute and Jazz Piano (1987) 
          [51:11] 
 
           Laurel Zucker (flute, alto flute, bass 
          flute); Joe Gilman (piano); Jeff Neighbor 
          (bass); David Rokeach (percussion) rec. Skywalker 
          Sound, San Rafael, California, no date given. 
          
 
          CANTILENA 66025-2 [35:26 + 51:11] [GPu]
        Chamber 
          music of a distinctive, intelligent subtlety, 
          full of twists and turns, which reveals more 
          with every hearing … see Full 
          Review 
        Johannes 
          BRAHMS (1833-1897) Piano Sonata No. 1 in C 
          major, Op. 1 (1852-3) [29:07] Variations on a Theme by Robert Schumann 
          in F sharp minor, Op. 9 (1854) [19:00] Ballades, Op. 10 (1854) [23:22] 
          
 
          Oleg Marshev (piano) Recorded Symfonien, Aalborg, Denmark, January 2005 
          
 
          DANACORD DACOCD 643 [71:44][GPu]
        A 
          valuable survey of some of Brahms’ most interesting early works for 
          the piano, perceptively performed and well recorded ... see Full 
          Review
        Johannes 
          BRAHMS 
          (1833-1897) Three pieces – piano, Op.117 (1892) 
          No. 1: Intermezzo in E flat [4:37] No. 2: Intermezzo in 
          B flat minor [4:14] No. 3: Intermezzo in C sharp minor [6:09] 
          Panayiotis DEMOPOULOS (b.1977) Farewells 
          for piano (2004) I. Summer farewell [1:35] II. Spring farewell 
          [2:51] III. Winter farewell [1:07] IV. Autumn farewell 
          [1:38] Modest MUSSORGSKY (1839-1881) 
          Pictures at an exhibition (1874) (Original version edited 
          by Paul Lamm) [30:55] 
 Panayiotis 
          Demopoulos (piano) rec. The Sir Jack Lyons Concert Hall, Music Dept., 
          University of York, Heslington, York, 20-21 July 2005. DDD 
 
          DUNELM DRD0251 [53:06][IM]
        This 
          CD is extremely highly recommended, especially to all interested in 
          young pianists! ... see Full 
          Review
         
          Johannes 
          BRAHMS 
          (1833-1897) Balladen, Op.10 (1854) [27:12] Intermezzi, 
          Op.117 (1892) [17:06] Klavierstücke, Op.118 (1892) [26:08] 
 Marc Pantillon (piano) 
          rec. Salle de Musique, La Chaux-de-Fonds, Switzerland, 9-11 April 2005. 
          DDD 
 CLAVES CD 50-2508 
          [70:34][GPu]
        Very 
          good, individual and interesting performances, 
          in excellent recorded sound, which deserve 
          to find many listeners ... see Full 
          Review
        
 
          Johannes BRAHMS 
          (1833-1897) 
          Violin 
          Sonata No. 2 in A major Thun, Op. 100 
          (1886) [20.08] Robert 
          SCHUMANN (1810-1856) Violin Sonata 
          No. 1 in A minor, Op. 105 (1851) [16.24] César 
          FRANCK (1822-1890) Violin Sonata 
          in A major (1886) [28.52] Rudens Turku, violin 
          Milana Chernyavska, piano rec. 20-22 July 
          2005, Grosser Saal, Hochschule für Musik 
          und Theater, Munich, Germany. DDD 
AVIE 
          RECORDS SACD AV2080 [65.29] [MC]
        Sensitive 
          and thoughtful readings with no dearth of 
          vitality or high enthusiasm. ... see Full 
          Review 
        Benjamin 
          BRITTEN 
          (1913 – 1976) Albert 
          Herring - A comic opera in three acts (1947) Lady Billows, an 
          elderly autocrat ... Patricia Johnson (mezzo) Florence Pike, her housekeeper 
          ... Felicity Palmer (mezzo) Miss Wordsworth, Head Teacher ... Elizabeth 
          Gale (soprano) Mr Gedge, the Vicar ... Derek Hammond-Stroud (baritone) 
          Mr Upfold, the Mayor ... Alexander Oliver (tenor) Superintendent Budd 
          ... Richard Van Allan (bass) Sid, a butcher’s assistant ... Alan Opie 
          (baritone) Albert Herring, from the greengrocer’s ... John Graham-Hall 
          Nancy, from the bakery ... Jean Rigby (mezzo) Mrs Herring, Albert’s 
          mother ... Patricia Kern (mezzo) Emmie, village child ... Maria Bovino 
          (soprano) Cis, village child ... Bernadette Lord (soprano) Harry, village 
          child ... Richard Peachey (treble) 
 
          The Glyndebourne Chorus soloists of London Philharmonic Orchestra/Bernard 
          Haitink Recorded without audience at Glyndebourne theatre 19-20 Aug 
          1985. 
 
 
          NVC ARTS [Warner] 5050467-8790-2-7 [145:00] [RMk]
         
        
If 
          you want to dip your toe into Britten’s operatic 
          world, you can do no better than this. If 
          you are an aficionado you should add it to 
          your collection. This is an outstanding production. 
          ... see Full 
          Review  
        
Mel 
          BROOKS (b.1926) 
          The 
          Producers 
 Max Bialystock 
          – Nathan Lane Leo Bloom – Matthew Broderick Ulla – Uma Thurman Franz 
          Liebkind – Will Ferrell Roger de Bris – Gary Beach Carmen Ghia  - Roger 
          Bart Lead Tenor – John Barrowman Usherettes – Bryn Dowling and Meg Gillentine 
          Music and lyrics by Mel Brooks, Music Director and Vocal Arranger Patrick 
          Brady, Dance and Incidental Music Arranger Glen Kelly, Orchestrations 
          Doug Besterman and Larry Blank Recorded at Right Track Recordings, New 
          York 2005 
 SONY CLASSICAL 
          82876 75980 2 [67.31][JW]
         
          The 
            trick is to amuse, excite and titillate the audience and in those 
            spheres Brooks has few peers. ... see Full 
            Review
           
            Nicolaus 
            BRUHNS 
            (1665-1697) Praeludium in e (larger) played 
            in d [8’25] Praeludium in G [7’32] Adagio in D played in C [1’51] 
            Nun komm, der Heiden Heiland [9’47] Praeludium in g [3’49] Praeludium 
            in e (smaller) played in d [4’31] Georg 
            Dietrich LEYDING (1664-1710) Praeludium in C [5’35] Wie 
            schön leuchtet der Morgenstern [4’10] Praeludium in B flat [7’51] 
            Von Gott will ich nicht lassen [7’41] Praeludium in E flat [5’14] 
            
 Friedhelm Flamme, 
            organ rec. St Petri-Kirche, Melle, (Germany) 19-20 October 2004. DDD 
            
 CPO 777123-2 
 
            [66’28][CB]
          Buy 
            this to acquaint yourself with the very interesting music of Georg 
            Dietrich Leyding. ... see Full 
            Review
           
            Dietrich 
            BUXTEHUDE (c. 
            1637-1707) Praeludium in C BuxWV 138 [4'02] 
            Ein feste Burg ist unser Gott BuxWV 184 [3'38] Es spricht der Unweisen 
            Mund wohl BuxWV 187 [3'06] Erhalt uns, Herr, bei deinem Wort BuxWV 
            185 [2'01] Praeludium in g BuxWV 163 [7'26] Praeambulum in a BuxWV 
            158 [4'45] Durch Adams Fall ist ganz verdebt BuxWV 183 [4'04] Herr 
            Christ, der einig Gottes sohn BuxWV 191 [2'55] Herr Christ, der einig 
            Gottes sohn BuxWV 192 [3'08] Es ist das Heil, uns kommen her BuxWV 
            186 [3'01] Canzonetta in G BuxWV 172 [2'06] Canzonetta in a BuxWV 
            225 [2'06] Canzona in g BuxWV 173 [1'73] Praeludium in g BuxWV 150 
            [6'55] Kommt her zu mir, spricht Gottes Sohn BuxWV 201 [3'12] Herr 
            Jesu Christ, ich weiss gar wohl BuxWV 193 [3'26] Vater unser im Himmelreich 
            BuxWV 219 [3'11] Toccata in F BuxWV 156 [7'59] 
 
            Bine Bryndorf, organ rec. St Mary's Helsingborg, 17-18 November 2003. 
            DDD 
 DA CAPO 8.226023 
            [71'32][CB]
           
            Bryndorf's 
              Buxtehude set, when complete, will be 
              highly recommendable - she plays with 
              great beauty and insight on organs of 
              high quality ... see Full 
              Review
             
              William 
              BYRD (1539/40-1623) 
              O 
              Lord, make they servant Elizabeth 
              [3.01] Matins: Venite [5.02]; Te 
              Deum [8.34]; Benedictus [8.40]; 
              Kyrie [1.01]; Creed [5.45] 
              
              Prevent us, O lord [2.33] Voluntary 
              for my Lady Nevell [4.04] Evensong: 
              How long shall mine enemies? [3.23]; 
              Magnificat [9.25]; Nunc Dimittis 
              [4.54]; Out of the Deep [5.26] 
              
              Fancy for my Lady Nevell [5.32] 
              Christ rising again from the dead [5.51] 
              Sing joyfully [3.00] 
 
              The Choir of Westminster Abbey/James O’Donnell 
              Robert Quinney (organ) rec. Westminster 
              Abbey, 25-27 January, 3-4 February 2005. 
              DDD 
 
              HYPERION CDA 67533 [76.15] [EM]
            A 
              beautiful performance that needs a little 
              more brightness and liveliness. ... see 
              Full 
              Review