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Camille SAINT-SAENS (1835-1921)
Requiem,
op. 54 (1878) * Alfred BRUNEAU (1857-1934)
Requiem (1886) ** Charles GOUNOD (1818-1893)
Ave Maria (after Bach), Mors et Vita: Beati qui lavant Georges
BIZET (1838-1875)
Agnus Dei (arr. from "L’Arlesiènne": Intermezzo),
Te Deum: Te ergo César FRANCK (1822-1890)
Messe à 3 voix: Panis angelicus, Rebecca: Encore
un jour qui fuit Jules MASSENET (1842-1912)
Marie-Magdeleine: O bien aimée, La Vierge, légende
sacrée: Souvenez-vous, Vierge Marie, Extase de la Vierge
Gabriel FAURE (1845-1924) En prière
GOUNOD Rédemption: Pentecôte,
Repentir, Gallia
Forget CD 2 and buy this for the neglected Requiems of Saint-Saëns and Bruneau. … see Full Review
Erik SATIE
(1866-1925) 3
Sarabandes (1887) - 3 Gymnopédies (1889) - Gnossiennes 1-3 (1890)
- Gnossiennes 4-6 (1889-1897) - 2 Préludes du Nazaréen (1892)
- Prélude de la Porte Héroique du Ciel (1894) - 2 Pièces
Froides (1897) - Petite Ouverture à Danser (1900) Exemplary performances of music with far more substance than it is often given credit for … see Full Review Alessandro SCARLATTI (1660 - 1725) Il Trionfo dell’Onore ovvero Il Dissoluto Penitito
(1718) (82.17) - Libretto: Francisco Antoinio Tullio. Sung in Neapolitan
dialect Italian - Amedeo Berdini, Riccardo; Amalia Pini, Leonora;
Mario Borriello, Erminio - Rossana Zerbini, Doralice; Sante
Messina, Flamino; Ornella Rovero, Cornelia; Eugenia Zareska,
Rosina; Afro Poli, Capitan Rodamarte Bombard
If you know Italian and like Neapolitan comedies, you will likely enjoy this beautiful 1950s restoration from the Cetra catalogue. … see Full Review
Franz
Xaver SCHARWENKA (1850-1924)
Piano
Concerto No. 1 in B flat minor Op. 32 (1876) [31.52] - Piano Concerto
No. 2 in B flat minor Op. 56 (1881) [40.29] Incendiary tendencies and a proclivity for Chopin's soliloquising (No. 1) meet Brahmsian breadth and tenderness (No. 2) ... see Full Review
Arnold SCHOENBERG (1874-1951)
Verklärte
Nacht, opus 4. (1899) 31:15 - Jean SIBELIUS (1865-1957)
Andante Festivo (1922) [4:33] - Giacomo PUCCINI
(1858-1924) I Crisantemi (1890) [6:53] - Dmitri
SHOSTAKOVICH (1906-1975) Chamber Symphony for String Orchestra,
op.110a (1960) [23:02]
Warmth and romantic abandon … firm, precise articulation in the more technical passages … see Full Review
Franz
Peter SCHUBERT (1797-1828)
Mayrhofer Lieder:Vol.2 Am
See (second version), D124 (1814) [5:11] - Augenlied, D297 (1817?) [2:35]
- Liane, D298 (1815) [2:20] - Abendlied der Furstin, D495 [2:19] (1816)
- Sehnsucht, D516 (1816?) [2:51] - Schlaflied (Schlummerlied) (First version),
D527 (1817) [2:17] - Am Strome, D539 (1817) [2:22] - Uraniens Flucht,
D554 (1817) [18:29] - Iphigenia (Second Version), D573 (1817) [2:24] -
Atys, D585 (1817) [3:52] - Erlafsee, D586 (1817) [3:43] - Biem Winde,
D669 (1819) [3:56] - Die Sternennachte, D670 (1819) [2:24] - Abendstern,
D806 (1824) [2:18] - Auflosung, D807 (1824) [2:45]
Intimacy in music encapsulated on a small circle of plastic – remarkable and breathtaking! … see Full Review
Franz Peter SCHUBERT
(1797-1828)
Winterreise
– Gute Nacht (arr. Godowsky) [6’45] - Der Lindenbaum (arr.
Liszt, S561 No. 7, 1839) - Der stürmische Morgen (arr. Liszt,
S561 No. 11, 1839), Im Dorfe [5’59] (arr. Liszt, S561 No. 11, 1839)
[5’59]. Waltzes (arr. Prokofiev, 1920) [8’59]. Die schöne Müllerin
– Morgengruss (arr. Godowsky) [4’23]. Erlkönig (arr. Liszt,
S557a, c1837) [4’38]. Overture in D (arr. Busoni) [19’30]. Leopold
GODOWSKY (1870-1938) Passacaglia (based on the first
eight bars of Schubert’s Unfinished Symphony) - (1928) [19’30])
A stimulating release, of that there is no doubt. And yes, I would be interested to hear more of this young gentleman. … see Full Review
Sparse details about performer and music, but; at bargain price, an interesting addition to any Schubert collection. … see Full Review
Franz SCHUBERT (1797-1828)
Piano
Sonata in B flat major, D960 - Wanderer Fantasy in C major, D760 - Gretchen
am Spinnrad, D118 (trans. Liszt) - Erlkönig, D328 (trans. Liszt)
Well and thoughtfully played …will not disappoint collectors exploring this interesting programme. … see Full Review Robert
SCHUMANN (1810-1856)
Piano
Concerto in A minor, Op.54 (1841-45) Introduction and Allegro appassionato
in G major, Op.92 (1850) Introduction and Allegro concertante in D minor,
Op.134 (1853) I heartily recommend the Rösel disc … idiomatic performances. The Piano Concerto is one of the best on record, and the two later works are also very impressive. … see Full Review
Robert SCHUMANN (1810-1856)
Davidbündlertänze,
Op. 6 (1837, first edition) [29’20] - Concert sans orchestre, Op.
14 (1936) [21’44] - Maurizio Pollini (piano) Although the playing time may appear short, this is a disc to return to again and again for sovereign musical illumination. … see Full Review
Peter SCULTHORPE (born
1929) Irkanda
I (1955)a - Irkanda IV (1961)a - A most desirable release. These performances recorded in the presence of the composer could not be bettered. … see Full Review RECORDING
OF THE MONTH Peter SCULTHORPE
(b. 1929) Sonata
for Cello Alone (1959) Requiem, for cello alone (1979) ¹ Djilile, for
cello and piano (1986) * ¹ Tailitnama Song, for cello and piano (1989)
* ¹ Threnody, for solo cello (1991) Into the Dreaming, for cello alone
(1993) Parting, for cello and piano (1995) * ¹ Tailitnama Song, for cello
solo (1997) From Saibai, for cello and piano (1997) * ¹ If you don't know Sculthorpe you should and this disc or any of the string quartets would provide an ideal introduction. A superb achievement … see Full Review
Bright SHENG (born
1955) China
Dreams (1992/5) Two Poems from the Sung Dynasty (1985)a Nanking!
Nanking! (2000)b Bright Sheng attempts a reconciliation of Eastern and Western musical traditions while avoiding ready-made formulae. … see Full Review
Dmitri SHOSTAKOVICH
(1906 - 1975) Piano
Concerto No. 2 in F major, Op. 102 ('To Maxim Dmitrievich Shostakovich')
(1957) - Symphony No.11 in G minor, Op. 103 'The Year 1905' (1957) - Marina
Primachenko, piano Two excellent but contrasting works, played with real commitment, also a great introduction to what Dunelm Records is about … see Full Review BARGAIN
OF THE MONTH Dmitri SHOSTAKOVICH
(1906-1975)
24
Preludes and Fugues for Piano, Op.87 (1950/51) Nikolayeva: the perfect champion to guide us through Shostakovich’s unique musical labyrinth … see Full Review
Dmitri SHOSTAKOVICH
(1906-1975) String Quartets Nos. 1-13 String
Quartet No.1 in C major, Op.49 (1938) - String Quartet No.2 in A major,
Op. 68 (1944) - String Quartet No.3 in F major, Op.73 (1946) - String
Quartet No.4 in D major, Op.83 (1949) - String Quartet No.5 in B flat,
Op. 92 (1952) - String Quartet No.6 in G major, Op.101 (1956) - String
Quartet No.7 in F sharp, Op.108 (1960) - String Quartet No.8 in C minor,
Op.110 (1960) - String Quartet No.9 in E flat, Op.117 (1964) - String
Quartet No.10 in A flat, Op.118 (1964) - String Quartet No.11 in F minor,
Op.122 (1966) - String Quartet No.12 in D flat, Op.133 (1968) - String
Quartet No.13 in B flat, Op.138 (1970)
The original Borodins display the sort of depth and insight that comes but rarely and as such this set should be snapped up without delay. … see Full Review
Jean SIBELIUS (1865-1957)
Symphony
No. 1 (1899) [37.47] - Scènes Historiques Opp. 25 and 66:
Festivo; At the Drawbridge; The Love Song; The
Chase (1899) [26.28] - March from Karelia Suite Op.
11 (1893) [4.50] Fifty years old yet vivid as the day they were recorded. Something to celebrate ... see Full Review Jean
SIBELIUS (1865-1957) Beecham conducts
Sibelius: 1935-39 - En Saga [17.32] - Lemminkainen's Return
[5.57] - The Bard - tone poem [7.10] - Festivo - Scènes
Historiques Op. 25 No. 3 [6.57] - Finlandia [8.52] - Symphony
No. 4 [37.47] Beecham's first recorded Sibelius with the LPO - tense and brimming with character ... all at bargain price - irresistible ... see Full Review Jean
SIBELIUS (1865-1957)
Cantatas for voices and orchestra -
Snöfrid Op. 29 (1900) [11.23] - Oma Maa Op. 92 (1918)
[11.55] - Väinön Virsi Op. 110 (1926) [8.42] - Sandels
Op. 28 (1898 rev. 1915) [9.09] - Maan Virsi Op. 95 (1918) [7.41]
- Laulu Lemminkäiselle Op. 31 No. 1 (1896) [3.31] - Finlandia
Op. 26 (1899) [8.36] - Ellerhein Girls’ Choir (Opp. 29, 92, 95, 110) -
Estonian National Male Choir (all) Sibelians and other will welcome this collection ... Sandels, Oma Maa and Maan Virsi are well worth your attention. ... see Full Review RECORDING
OF THE MONTH Jean SIBELIUS (1865-1957)
Aallottaret
(The Oceanides) (Yale version) (1914) [7.25] - Fragments from a
suite for orchestra (The predecessor of The Oceanides) (1) - Tempo
moderato - attacca - (2) Allegro (1914) [7.19] - The
Oceanides (Aallottaret) (final version) (1914) [10.03] - Cassazione
(first version) (1904) [12.14] - Musik zu Einer Scène (1904)
[5.32] - Coronation March (1904) [2.10] - Morceau Romantique
(1925) [1.58] - Porilaisten Marssi (arr. Sibelius) (1900) [2.14]
- Cortège (1905) [5.41] - Spring Song (1904) [9.18]
Exalted performance values and rare vintage Sibelius. A mix of barrel scrapings and substantial discoveries - mostly discoveries ... see Full Review Jean
SIBELIUS (1865-1957)
En
Saga op.9(1) - Lemminkaïnen’s Return op.22/4 (2) - The Bard op.64
(3) - Festivo op.25/3 (4) - Finlandia op.26 (5) - Symphony no. 4 in a
minor op.63 (6)
Excellent transfers of definitive performances: a self-recommending issue. … see Full Review
Jan SIBELIUS(1865-1957)
Piano Music Volume 4 4
Lyric Pieces op.74 (1914) - 5 Pieces op.75 (1914) - 13 Pieces op.76 (1911-1916)
- 5 Pieces op.85 (1916-1917) - 6 Pieces op.94 (1919)
Ideal performances of works which hardly seem to come from the same pen as the symphonies and tone poems, but which prove well worth knowing. … see Full Review Jean
SIBELIUS (1865-1957)
Symphony No. 4 (1908) [35.03] - Symphony No. 6 (1916) [29.41] - The
Swan of Tuonela (1895) [8.57]
A mixed bag. Kegel provocatively intellectual in 4, Berglund unblushingly high tensile in 6 ... see Full Review Jean
SIBELIUS (1865-1957)
The Symphonies, Pohjola's
Daughter [12.40] Luonnotar [8.08] A recommendable full cycle. ... see Full Review
Kaikhosru Shapurji SORABJI
(1892-1988)
Passeggiata
Veneziana (1956) [21’33]. Symphonic Variations for Piano and Orchestra
– Variation 56 (solo piano version, 1935-37) [2’41]. Quasi habanera,
Op. 8 (1917) [4’59]. Maurice RAVEL (1875-1937)
/SORABJI Rapsodie espagnole (1907/08,
transc. 1945) [18’05]. Johann Sebastian BACH
(1685-1750)/SORABJI Transcription
in the light of Harpsichord Technique for the Modern Piano of the Chromatic
Fantasia of J. S. Bach, Followed by a Fugue (1940) [15’23]. Frédéric
CHOPIN (1810-1849)/SORABJI Pasticcio
capriccioso sopra Op. 64 No. 1 dello Chopin (1933) [4’13] BIS are to be congratulated on their adventurous programming. Not just for pianophiles. A fascinating window into Sorabji’s unique world. … see Full Review Pablo
SOROZÁBAL
(1897-1988) Euskalerria
(1963 instr. 1978) - Suite Vasca Op. 5 (1923) - Maite, Eguzki Eder (1954
instr. 1978) - Gernika (1966 rev. 1976) - Dos apuntes vascos (1925) -
Siete lieder (1929 instr. 1956) - Variaciones sinfónicas (1927)
No masterpieces here – but an intriguing avenue to explore. … see Full Review
Leo
SOWERBY (1895-1968)
American Master of Sacred Song -
Great is the Lord (1933) [8’30"] - Three Psalms for Bass (1928):
Hear My Cry, O God a [5’53"]; The Lord is My Shepherd b
[4’33"]; How Long Wilt Thou Forget Me c [5’05"] -
Turn Thou to Thy God (1957) [6’40"] - Whoso Dwelleth (1935?) d
[7’24"] - Carillon* (1917) [7’35"] - An Angel Stood by the Altar
of the Temple (1955) [5’19"] - Arioso* (1942) [9’08"] - Lovely
Infant (1963) [2’23"] - Magnificat and Nunc Dimittis in E minor (1957)
[9’11"] - All They from Saba Shall Come g (1934) [5’0-1"]
- Jesu, Bright and Morning Star (1958) [3’08] - Canon, Chacony and Fugue*
(1948) [11’53"] - Songs of Faith and Penitence (1933): O God of Light
e[3’48"]; Thou Art My Strength f [4’26"] - Prelude
on "Were You There?"* (1953-4) [9’16"] - Christians to
the Paschal Victim (1965) [4’51"] - Festival Musick** (1953) [20’34"]
- Come, Holy Ghost (1949) [4’37"] - Bright, Blithe and Brisk* [4’33"]
- O God, the Protector of All e (1968) [2’14"] - a
Richard K. Pugsley (bass) - b Paul Norman (bass) - c Francis
Hempel (bass) - d Luke Norman (baritone) - e Christine Helfritch
(soprano) - f Katherine Mary Hamilton (soprano) - g Peter
Logan (tenor)
A composer of conviction and integrity but his technical abilities were not always matched by inspiration....See Full Review
Sir John STAINER (1840-1901)
The
Crucifixion (1886/7)
This is a very good CD which I warmly commend to all lovers of the English choral tradition. … see Full Review Charles
Villiers STANFORD (1852-1924) Piano
Concerto No. 2 in C minor Op. 126 (1911) [38.55] - Robert
SCHUMANN (1810-1856) Introduction and Allegro Appassionato
(Konzertstück) Op. 92 (1849) [14.54] - Andreas Jetter
(piano) Jetter well matched to the challenge of this grand concerto. It deserves to stand in the company of the Tchaikovsky Second Concerto. … see Full Review Ronald
STEVENSON (b.1928)
A'e Gowden Lyric: Songs by Ronald Stevenson A
Child's Garden of Verses [1-17] - 1. Dedication - 2. Bed in Summer
- 3. The Land of Nod - 4. Time to Rise - 5. Singing - 6. Rain - 7. Windy
Nights - 8. Shadow March - 9. My Shadow - 10. Fairy Bread - 11. The Swing
- 12. Summer Sun - 13. From a Railway Carriage - 14. Autumn Fires - 15.
When the golden day is done - 16. The Lamplighter - 17. Envoy - 18. Traighean
(Shores) - 19. The Robber - 20. Hill Sang - 21. The Gaelic Muse - 22.
The Buckie Braes - 23. The Quiet Comes In - 24. The Bobbin-Winder - 25.
To the Future - 26. O Wha's the Bride - 27. Trompe L'Oeil - 28. The Bonny
Broukit Bairn - 29. Fairytales - 30. Hallowe'en Sang - 31. The Plum Tree
- 32. The Day is Düne - 33. The Rose of All the World - 34. The Droll
Wee Man - 35. A'e Gowden Lyric
One is tempted to ask why these songs - and the few hundred others (ten cycles ranging from Blake to Ho Chi Minh) are not in the repertoire of every singer. The most original and lyrical voice in Scottish music today. … see Full Review
Johann STRAUSS I (1804-1849)
Edition Vol. 1 Täuberln-Walzer
op.1, Alpenkönig-Galopp op.7/1, Döblinger Réunion-Walzer
op.2, Alpenkönig-Galopp op.7/2, Wiener-Carnevals-Walzer op.3, Champagner-Galopp
op.8, Kettenbrücke-Walzer op.4, Seufzer-Galopp op.9, Gesellschafts-Walzer
op.5, Alte und neue Tempête – Altdeutscher Polstertanz – Altvater
Galoppade – Altvater Marsch – Sauvage, Wiener Launenwalzer op.6, Schauer-Galopp,
Stelldichein-Galopp A disc that will be welcomed by Strauss completists, though they are likely to wish Pollack had had a better orchestra to work with. … see Full Review Richard
STRAUSS (1864-1949)
Eine
Alpensinfonie Op. 64 (1913)
Overall, a good release which offers a high quality performance and an interesting visual record of Karajan in action. Recommended … see Full Review
Richard STRAUSS
(1864-1949)
Oboe Concerto in D, AV144 (1945) [24’22]Macbeth, Op. 23 (1890)
[19’13]Cello Sonata in F, Op. 6 (1880-83) [26’00]. As a whole, this disc makes for rewarding listening. … see Full Review Igor
STRAVINSKY (1882-1971)
Divertimento,
Le baiser de la fée (1932) [21’22] - Paul
ENGEL (b. 1949) Sonogramm I. (1990, rev. 2000) [16’47]
- Piano Trio No. 5 Calliope’s descent from Olympus [25’35] - Gottfried
von EINEM (1918-1996) Sonata for Violin and Piano, Op. 11 (1949)
[9’12]
The programming of this disc is remarkably thought-provoking and intelligent … Warmly recommended. … see Full Review Karol SZYMANOWSKI (1882-1937)
Symphony No. 4 Symphony Concertante
Op. 60 (1932) [23.08] Violin Concerto No. 1 Op. 35 (1916) [25.08]
A memorable version of the Violin Concerto
and an intriguing though flawed Op. 60 - short playing time ... see Full Review
Peter Ilyich TCHAIKOVSKY
(1840
– 1893) Piano
Concerto No 1 in B Minor, Op. 23, (1877) - Maurice
RAVEL (1875 – 1937) - Daphnis et Chloe Suite No. 2,
(1877) - Modest MUSSORGSKY (1839 – 1881)
- Pictures at an Exhibition, orch. Ravel - Sergei
PROKOFIEV (1891 – 1953) - Piano Sonata No. 3 in A Minor Op.
28, (1877)
Notable for bringing together one of the world’s greatest pianists with an underrated conductor … tender and very moving. … see Full Review Pyotr
Ilyich TCHAIKOVSKY (1840
- 1893) Swan
Lake, Op 20 (1876) [111.10] A good video Swan Lake with many things to recommend it. … see Full Review
Peter
Ilyich TCHAIKOVSKY (1840
– 1893) The
Seasons, Op. 37b (1876) orch. Peter Breiner - Chanson Triste Op.
40, No. 2 (1878) - Mazurka (1868) Op. 40, No. 4 (1878) - Chant
sans paroles Op. 40, No. 6 (1878) (1876) - Danse russe Op.
40, No. 10 (1878) - Reverie interrompue Op. 40, No. 12 (1878)
This is a very pleasant disc, well seeking out if you want some undemanding listening and you prefer an orchestral garb to the well known Tchaikovsky salon pieces. … see Full Review
Pyotr Ilyich TCHAIKOVSKY (1840-1893)
Violin
Concerto (1880) - Nikolai MIASKOVSKY (1881-1950)
Violin Concerto (1938)
A disc to savour and admire; its faults are of generosity and spirit and they are faults on the right side. … see Full Review
Georg Philipp TELEMANN
(1681-1767) Six
Sonatas for Violin and Harpsichord (pub. 1715) - Nos. 1 in G, 2 in D,
3 in B, 4 in A, 5 in G, 6 in A Ludwig SPOHR Sonata
Concertante for Harp and Violin Op. 115 (ed Call and Kaufman)
An alluring tonalist who with vibrant discretion put his expressive potential at the service of older music. … see Full Review
Will TODD
(b.1970)
Christus
Est Stella (2001) - Prayer of the Venerable Bede - SSAATTBB; Ave
Verum Corpus (2001) - Hail true body born of Mary - SATB/piano; None
Other Lamb (1998) - words by Christina Rossetti - SATBB; The Windhover
(2001) - words by Gerard Manley Hopkins - SATB and organ; Lighting
the Way (1999) words by composer - voices and piano; Song of Simeon
(1999) - SSSAATTBB; Lead Me Lord (1997) - Psalm 5 - S - SATB,
piano; Carol: Every Stone Shall Cry (2001) - words by Richard Wilbur
- SATB/piano; Carol: The Christ-Child (1997) - words by G.K. Chesterton
- SATB/piano; Carol: The Virgin's Song (1995) - anon - SATB; Carol:
A Boy Was Born (1989) - 16th century German text - SATB; Communion
Service in E minor (1993) - SSAATTB/organ Plenty of material here ... be ready be to surprised by the endless resources of tonality and the voice ... carpe diem. ... see Full Review Will
TODD
(b.
1970) Saint Cuthbert (Oratorio) (1995)
- words by Ben Dunwell -
The Call - The Storm - Man Unkind - Plague and Healing - Enthronement
- Lindisfarne - Vikings - The Tide - Journeying - Prayer
Every so often we are brought up short by a stunning set piece which will have you hitting the repeat button … the wonderful calm of the sixth movement evoking the pull of the tides, building to a thrilling climax. … see Full Review
Galina USTVOLSKAYA
(b. 1919) An Introduction to Galina Ustvolskaya Trio (1949) [14’57].
Composition No. 2, ‘Dies Irae’ (1972-73) [17’13]. Symphony No. 4 (1985-87)
[6’32]. Sonata No. 5 (1986) [15’17]. To be recommended, then, but definitely not for the faint of heart. … see Full Review
Ralph
VAUGHAN WILLIAMS (1872-1958)
Sir
John in Love - opera in four acts (1924-1928) - Libretto by the
composer after Shakespeare’s ‘Merry Wives of Windsor’; Terry Jenkins (tenor)
- Shallow; Rowland Jones (baritone) - Sir Hugh Evans; Bernard Dickerson
(tenor) - Slender; David Johnston (tenor) - Peter Simple; John Noble (baritone)
- Page; Raimund Herincx (baritone) - Sir John Falstaff; John Winfield
(tenor) - Bardolph; Mark Rowlinson (tenor) - Nym;Richard Van Allan (bass)
- Pistol; Wendy Eathorne (soprano) - Anne Page; Felicity Palmer (mezzo-sop)
- Mrs Page; Elizabeth Bainbridge (mezzo-sop) - Mrs Ford; Robert Tear (tenor)
- Fenton; Gerald English (tenor) - Dr. Caius; Lawrence Richard (bass)
- Rugby; Helen Watts (contralto) - Mrs Quickly; Colin Wheatley (baritone)
- The Host of the Garter Inn; Robert Lloyd (bass) - Ford; Brian Ethridge
(baritone) - John; Stephen Varcoe (baritone) - Robert; John Alldis Choir/John
Alldis (chorus master) A most romantic work with much expanded love music, ravishing harmonies, richly melodic and entrancing … see Full Review Giuseppe
VERDI (1813-1901)
Messa
da Requiem (1874): Requiem aeternam-Kyrie - Dies irae - Tuba mirum
- Liber scriptus - Quid sum miser - Rex tremendae - Recordare - Ingemisco
-Confutatis - Lacrimosa - Domine Jesu - Sanctus - Agnus Dei - Lux aeterna
- Libera me
I have paid a lot of money to hear this work over the years, often featuring ‘name’ conductors and soloists. Not many have given me as much pleasure as this performance. … see Full Review
Heitor VILLA-LOBOS (1887
– 1959) Uirapurú
(1917) - Bachianas Brasileiras No.4 (1939) - The Emperor Jones (1956)
Jan Wagner obviously loves this music and has its full measure. He coaxes fine readings from his Danish forces who play this unfamiliar music with much assurance and aplomb … see Full Review
Carl VINE
(b. 1954) Chamber Music: Volume One -
Piano Sonata (1990) - Love Song (1986) - Café
Concertino (1984) - Miniature III (1983) - Percussion Concerto
(1987) - Elegy (1985) An impressive Piano Sonata leads the way in this contrasting collection of chamber works by one of Australia’s leading composers. … see Full Review Antonio
VIVALDI
(1678-1741) Concertos for strings Concerto
in G minor RV 154 - Concerto in B flat major RV 367 - Concerto in G minor
RV 578 - Concerto in D major RV 124 - Concerto in G minor RV 302 - Concerto
in A minor RV 522 - Concerto Italiano/Rinaldo Alessandrini, Fabio Biondi
(solo violin) [56.10] Chamber concertos Concerto in G minor RV
105 - Concerto in A minor RV 86 -Concerto in G major RV 101 - Concerto
in G minor RV 107 - Concerto in G minor RV 103 - Concerto in F major RV
98 - Il Giardino Armonico [50.43] Concertos for diverse instruments
Concerto in G major for strings and b.c. Alla Rustica - Concerto
in G minor for cello strings and b.c - Concerto in D major for traverso,
strings and b.c. Il Gardellino - Concerto in C major for 2 traversi,
strings and b.c - Concerto in G minor for violin, strings and b.c - Concerto
in D major for traverso, violin, cello and b.c - Concerto in D major for
traverso, violin, cello and b.c
This set merits comparison with the best of today’s performances. … see Full Review Antonio
VIVALDI (1678-1741)
Flute Concertos arranged for the recorder Concerto
in C minor RV 441 - Concerto in C major RV 444 - Concerto in F major RV
433 La Tempesta di Mare - Concerto in C major RV 443 - Concerto
in F major RV 434 - Concerto in G minor RV 439 La Notte
Full marks for chutzpah, and the example that Dan Laurin provides of the expressive potential of the recorder. … see Full Review
Antonio
VIVALDI (1678
- 1741) "The Ultimate Four Seasons - Vivaldi’s Greatest Hit"
Il
Ciumento dell’Armonia e dell’Invenzione, Op 8 (1725) Concerti
for Violin and Strings # 1, ‘Spring’ R. 269 - #2, ‘Summer’ R 315 - #3,
‘Autumn’ R 293 - #4, ‘Winter’ R 297
A rather desperate attempt to find a new way of looking at a revered classic. A fun party record, a novel gift, likely to be passed quickly on to someone else … see Full Review Richard
WAGNER (1813-1833)
Orchestral music from Parsifal, The Ring and Tristan Parsifal:
Act I Prelude - Der Ring des Nibelungen: Ride of the Valkyries
- Forest murmurs - Siegfried’s Rhine journey - Siegfried’s funeral music
- Tristan und Isolde: Prelude and Liebestod The disc is well-filled and the bloom on the recording makes this music-making, which is of a rare order, an unalloyed pleasure. … see Full Review Richard WAGNER
(1813 – 1883) Parsifal: opera in three acts - Parsifal,
Wolfgang Windgassen (ten) - Kundry, Martha Modl (sop) - Gurnemanz, Ludwig
Weber (bass) - Amfortas, George London (b. bar) - Titurel, Arnold van
Mill (bass) - Klingsor, Hermann Uhde (bar)
Those who like to hear outstanding singers practising their art or who want to get to know the opera at an affordable price should not hesitate. … see Full Review
Charles-Marie WIDOR
(1844-1937)
Works for violin and piano Violin
Sonata No. 1 Op. 50 (1881) [25.20] - Violin Sonata No. 2 (1907 rev.
1937)
[20.55] - Romance for violin and piano (1889 rev. 1912)
[4.22]
- Cavatine for violin and piano (1887) [7.12] - Suite
Florentine
for violin and piano (1919) [12.09] Widor was no revolutionary and stayed comfortably in the Franckiste camp. ... see Full Review
Hugh WOOD
(b.1932) Violin
Concerto Op. 17 (1972) Cello Concerto Op. 12 (1969) Music simply too good and too honest to be forgotten. … see Full Review
Carl Michael ZIEHRER
(1843 - 1922)
Selected Dances and Marches, Vol.4 - Weaner Mad'ln, Walzer, Op. 388
- Augensprach, Polka Mazur, Op. 120 - Duck' dich, Manderl!, Marsch, Op.
548 - Liebesgeheimnis, Polka, Op. 538 (orch. C. Pollack) Liebeswalzer,
Op. 537. Frauenlogik, Polka Mazur, Op. 445 (ed. D. Heyes) - Ohne Sorgen,
Polka schnell, Op. 104 - Natursänger, Walzer, Op. 415 - Ein Blümchen
im Verborgenen, Polka Mazur, Op. 202 - Buberl, komm'! Walzer, Op. 505
- König von Sachsen, Marsch, Op. 64 - In Reih' und Glied, Polka française,
Op.159 - Seculo nuovo, vita nuova, Walzer, Op. 498 Ziehrer's is a voice drowned by the pre-eminence of Johann Strauss. For pity's sake, why? Try this, and prepare to ask yourself the same question. see Full Review Carl
Michael ZIEHRER (1843-1922) Dances and
Marches Vol 4 - Weaner Mad’In, Walzer (Viennese Girl’s Waltz)
(1888) - Augensprach, Polka Mazur (Catch Your Eye Polka Mazurka)
(1868) - Duck’ dich, Manderl!, Marsh (Take cover March)
(1911) - Liebesgeheimnis, Polka (orch C. Pollack) (Secret Loves
Quick Polka) (1908) - Liebeswalzer (Lovers’ Waltz)
(1911) - Frauenlogik, Polka Mazur (Women’s Logic Mazurka)
(1893) - Ohne Sorgen, Polka schnell (Without A Care Quick
Polka) (1868) - Natursänger, Walzer (Nature
Singers’ Waltz) (1890) - Ein Blümchen in Verborgenen
(A Hidden Flower Polka Mazurka) (1873) - Buberl,
komm’! Walzer (Come Along, Laddy! Waltz) (1901) - Kőnig
von Sachsen, Marsch (King of Saxony March) (1866) -
In Reih’ und Glied, Polka française (Line Up French Polka)
(1870) - Seculo nuovo, vita, Walzer ( New Century, New Life
Waltz) (1900) Little gems are performed with great charm and élan … see Full Review Error processing SSI file
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