Camille
SAINT-SAËNS (1835-1921) Piano
Concerto No. 5 in f minor, Op.103 ‘Egyptian’ (1896) [27:10] César
FRANCK (1822-90) Symphonic Variations for piano
and orchestra [15:53]Camille
SAINT-SAËNS Piano Concerto No. 2 in g minor, Op.22
(1868) [22:22] Jean-Yves
Thibaudet (piano)
L’Orchestre de la Suisse Romande/Charles Dutoit rec. 1-3 February 2007, Victoria
Hall, Geneva. DDD.
Booklet with notes in English, French and German DECCA
475 8764 [66:25]
[BW]
Music
and performances to lift the spirit. Pianist, orchestra and recording
combine to make a very strong case for a composer who is often under-estimated
… see Full Review
Alfred
SCHNITTKE (1934-1998) CD 1 Cello Concerto
No. 1 (1985) [40:08] Cello Sonata No. 1 (1978) [21:15]
Cello Sonata No. 2 (1994) [17:09] CD 2 Cello Concerto No. 2 (1990)
[42:13] Concerto Grosso No. 2 (1982) [32:29]
Alexander Ivashkin (cello) Russian State Symphony Orchestra/Valery
Polyansky Tatiana Grindenko (violin – Concerto grosso) Irina
Schnittke (piano – Sonatas) rec. Great Hall of Moscow Conservatory,
16 January 1998 (Cello Concerto No.2) and 22-25 April 1998 (Sonatas).
Mosfilm New Studio, Moscow, 24 March 1999 (Cello Concerto No.1);
24, 26 December 2001 (Concerto Grosso)
CHANDOS CHAN 241-39 [78:40 + 74:42][DC]
Today’s
hot ticket into Schnittke’s big works for ‘accompanied’ cello ... see
Full Review
BARGAIN
OF THE MONTH Franz SCHUBERT (1797–1828) Die
schöne Müllerin, D795 (1823) [65:13]; Schwanengesang, D957
(1828) [52:40] Lieder, Op. 80 (1826): No. 1 Der
Wanderer an den Mond [2:35]; No. 2 Das Zügenglöcklein [5:26];
No. 3 Im Freien [5:32] Winterreise, D911
(1827) [75:16] Olaf
Bär (baritone), Geoffrey Parsons (piano) rec. 16-20 June 1986,
Lukaskirche, Dresden (Die schöne Müllerin); August 1989, No.
1 Studio, Abbey Road, London (Schwanengesang; Lieder Op. 80);
December 1988
(Winterreise). DDD EMI CLASSICS
5009342 [3 CDs: 66:13 + 66:11 + 75:16] [GF]
There
are few better readings of these song-cycles available at any price
... see Full Review
Erwin
SCHULHOFF
(1894–1942) String Quartet No.2 (1925) [19:16]
String Quartet Op.25 (1918) [30:09]
Schulhoff Quartett rec. Studio Domovina, Prague, May 2005 (String Quartet
No.2) and March 2006 (String Quartet Op.25)
VMS 180 [49:51] [HC]
Well-prepared
and committed readings make the best of this often quite beautiful
music ... see Full Review
Dmitri
SHOSTAKOVICH (1906-1975) Symphony No.9
in E flat major, Op.70 (1945) [24:44] Symphony No.12 in D minor, Op.112
(1961) [37:38]
Netherlands Radio Philharmonic Orchestra/Mark Wigglesworth rec. Music
Centre for Dutch Radio and Television, Studio MCO5, Hilversum, The Netherlands,
December 2004 (No.9); April 2005 (No.12)
BIS-SACD-1563
[63:17][DC]
Well
up to the high standards we have come to expect.
... see Full
Review
RECORDING
OF THE MONTH Dmitri
SHOSTAKOVICH
(1906-1975) Symphony
No.10 in e minor, Op.93 (1953) [52:25] Detlev
GLANERT (b.1960) Theatrum bestiarum
(A Theatrical Bestiary) Songs and Dances for
Large Orchestra (2005) [22:25] WDR
Symphonie-Orchester Köln/Semyon Bychkov
rec. 12-17 April 2005 (Shostakovich), 21 December2006
(Glanert), Kölner Philharmonie, Cologne,
Germany. DDD/DSD Booklet with notes in German,
English and French. AVIE
AV2137 SACD [75:06] [BW]
Probably
the best version of Shostakovich 10 now on
the market. The Glanert coupling is a bonus
for those who like it but can easily be ignored
by those who don’t ... see Full
Review
Dmitri Shostakovich (1906-1975) The
Complete Symphonies see end of review for full details Royal
Philharmonic Orchestra; St Petersburg Philharmonic Orchestra (Nos.
7 & 11); NHK Symphony Orchestra (Nos. 4, 13, 14)/ Vladimir
Ashkenazy rec. 1987-2006. DDD. Booklet with sung texts in Russian
(transliterated) and English; notes in English,
French and German DECCA 475
8748 [12 CDs: 758:30] [BW]
An
attractive bargain, but, in a very competitive field, no match
for other box sets. Go for Decca’s own Haitink set or Barshai on
Brilliant Classics or, better still, individual CDs of these symphonies
... see Full Review
Dmitri
SHOSTAKOVICH (1906-1975) Cello
Sonata Op. 40(1934) [27:54] Sergei RACHMANINOV (1874-1942) Cello Sonata, Op.
19b (1900) [33:43]; Vocalise, Op. 34/14b (1915,
arr. cello and piano) [4:12] Boris
Andrianov (cello); Rem Urasin (piano). rec. live, Moscow, May
2006 (Shostakovich); live, Small Hall, St Petersburg Conservatory,
6 October 2004 (Rachmaninov) QUARTZ
QTZ2053 [65:53] [CC]
Andrianov
and Urasin are two mightily talented youngsters. One can only credit
their bravery in releasing this particular repertory. Keep watching
... see Full Review
BARGAIN
OF THE MONTH Bedrich
SMETANA (1824-1884) Vltava from Ma Vlast see DVOŘÁK
Max
STEINER (1888-1971) Music for Bette
Davis Films All This, and Heaven Too (Restoration
by John Morgan) (1940) [44:51] (1 Main Title [1:40]; 2 To France – The
Caretaker – The Duke [2:39]; 3 Carriage Ride [1:32]; 4 Henriette – Armide
Overture [Gluck] [2:16]; 5 A Night to Remember for Louise [3:46]; 6
Mysteries of Life [3:34]; 7 The Smiles of Hypocrisy [3:14]; 8 All Hallows
Eve – Lotis Song – Springtime – The Carousel [5:42]; 9 Reunion and Understanding
– Springtime Again – Henriette [7:16]; 10 Jailed [3:22]; 11 Rushing
to a Dying Duke – The Duke – Final Farewell [7:28]; 12 Finale – End
Cast [2:25]) A Stolen Life (Restoration by John Morgan)
(1946) [26:11] (1 Main Title – Sailor’s Hornpipe [3:56]; 2 A Stolen
Life - Twins [6:43]; 3 Karnock – Shopping Tour [2:56]; 4 Strom - Aftermath
[4:26]; 5 Interlude [1:50]; 6 Talbot and Confrontation [2:25]; 7 Finale
[3:56]) Moscow Symphony
Orchestra and Choir/William Stromberg rec. February-March 2002, Mosfilm
Studio, Moscow NAXOS
8.570184 [71:08] Max STEINER
(1888-1971) The Treasure of the Sierra Madre (1948)
(1 Main Title [1:48]; 2 El Desayuno [composed by Alfonso
Sanchez] [1:59]; 3 Attack on the Train [1:39]; 4 The Journey Commences
[3:29]; 5 Windstorm [1:28]; 6 Campfire – Up There – Water Trough – Gold-digging
– Cave-in – Rescue [5:25]; 7 Texas Memories [1:06]; 8 Night – Distrust
– Gila Monster [4:42]; 9 Bandits – Outnumbered – Federales [7:01]; 10
Cody’s Letter – Texas Memories [reprise] [3:07]; 11 Packing Up – Indian
Visitors [2:26]; 12 Funeral Chant [3:12]; 13 Unwilling caretakers [2:21];
14 Madness [3:37]; 15 Narange Dolce [1:26]; 16 After Dobbs – The Man
in the Hole! – Arrested [5:43]; 17 The Ruins [2:04]; 18 Texas memories
– Finale [1:37]; 19 End Cast [0:22]) Bonus Tracks: (20 Theatrical Trailer [2:38]; 21 Alternate Main Title [1:48]; 22 Alternate
Finale [1:22]) Moscow
Symphony Orchestra and Chorus/William Stromberg rec. October
1999, Mosfilm Studio, Moscow
NAXOS 8.570185 [60:20][BBr]
It
is a real pleasure to welcome these re-issues of fine music for film
... see Full Review
Gottfried Heinrich
STÖLZEL (1690-1749) Two Serenatas
CD 1 Alles, was sonst lieblich heißet CD
2 Seid willkommen, schöne Stunden
Dorothee Mields (soprano), Elisabeth Graf (contralto), Knut Schoch (tenor),
Ekkehard Abele (bass) Telemannisches Collegium
Michaelstein/Ludger Rémy rec. August, September 2004, Kirche
St Bonifatius, Ditfurt, Germany. DDD
CPO 777 094-2 [68:01 + 35:18][JV]
This
recording of two serenatas by Stölzel is a winner in every respect -
it proves once again that Stölzel was a first-rate composer ... see
Full Review
Richard
STRAUSS (1864–1949) Vier letzte
Lieder + 15 Lieder 2 Lieder from Op. 68: 1. No. 2: Ich wollt’
ein Sträusslein binden [3:07] 2. No. 3: Säusle, liebe Myrthe
[4:36] Mädcheblumen, Op. 22: 3. No. 1: Kornblumen [2:07] 4. No.
2: Mohnblumen [1:23] 5. No. 3: Epheu [2:42] 6. No. 4:
Wasserrose [3:24] 3 Lieder from Op. 10: 7. No. 4: Die Georgine
[4:03] 8. No.7: Die Zeitlose [1:24] 9. No. 8: Allerseelen
[3:08] 4 Lieder, Op. 27: 10. No. 1: Ruhe, meine Seele! [3:30]
11. No. 2: Cäcilie [2:09] 12. No. 3: Heimliche Aufforderung
[3:09] 13. No. 4: Morgen! [3:33] 14. Das Rosenband, Op.
36 No. 1 [3:04] 15. Heimkehr, Op. 15 No. 5 [2:21] Vier letzte
Lieder: 16. Frühling [3:13] 17. September [4:22] 18. Beim
Schlafengehen [5:04] 19. Im Abendrot [6:30]
Barbara Hendricks (soprano) Wolfgang Sawallisch (piano) (3-15) Philadelphia
Orchestra/Wolfgang Sawallisch (1, 2, 16-19) rec. September, October
1994, Memorial Hall, Fairmount Park, Philadelphia (1, 2, 16-19); September
1995, Bavaria Studios, Munich (3-15) Texts and English translations
included. EMI CLASSICS
7243 5 55594 2 5
[62:56][GF]
These
are honest, well considered readings and accompanied
by Sawallisch at the piano or conducting the
superb Philadelphia the result can’t be anything
but compelling – but in a generalized way.
... see Full
Review
Richard
STRAUSS (1864-1949) Don
Quixote, op. 35 (1897) [43:03] Don Juan, op. 20
(1888) [16:00] Antonio
Janigro (cello), Milton Preves (viola) Chicago Symphony Orchestra/Fritz
Reiner rec. Orchestra Hall, Chicago, 11April 1959, 6 December
1954, ADD SONY/BMG 88697046042 [59:11] [IB]
A
musical treat which despite its age still sounds remarkably good
... see Full Review
Richard
STRAUSS (1864–1949) Verführung, Vier letzte Lieder:
Im Abendrot see WAGNER
Igor STRAVINSKY (1882-1971)
The Rake’s Progress (1953) [145:50] CD1 Act
1 [43:33] Act 2 Beginning [29:52] CD2 Act 2 Conclusion [11:51]
Act 3 [57:49] Epilogue [2:45]
Anne Trulove - Hilde Gueden (soprano) Baba the Turk - Blanche Thebom
(mezzo) Tom Rakewell - Eugene Conley (tenor) Nick Shadow - Mack Harrell
(baritone) Mother Goose - Martha Lipton (mezzo) Trulove - Norman Scott
(bass) Metropolitan Opera Chorus and Orchestra/Igor Stravinsky rec.
1, 8, 10 March 1953, Columbia 30th Street Studio, New York City. ADD
NAXOS HISTORICAL
8.111266-67 [73:25 + 72:32] [EMc]
Fascinating
to hear this performance, unavailable for many years. A real sense
of occasion, of familiarity with the work which comes from stage
experience and which has carried well into the studio ... see Full
Review
Arthur SULLIVAN
(1842-1900) The best of Gilbert and
Sullivan CD1 HMS Pinafore (1878) [24:48]1
Overture [4:14]. Act I: We sail the ocean blue … Hail, Men-O'-Wars
men … I'm called Little Buttercup [4:13]; My gallant crew, good morning
… I am the captain of the Pinafore [2:18]; When I was a lad [2:58].
Act 2: Never mind the why and wherefore [2:37]; Pretty daughter of mine
… He is a Englishman [5:20]; Oh joy, oh rapture unforeseen [2:47]. Patience
(1881) [15:43]2 Act 1: I cannot tell what this love may be
[2:23]; When I first put this uniform on … Am I alone and unobserved?
… If you’re anxious for to shine [5:50]. Act 2: A magnet hung in a hardware
shop [2:28]; So go to him and say to him [2:00]; If Saphir I choose
to marry [2:48]. The Sorcerer (1877) [2:13] 3 Act
1: My name is John Wellington Wells. Ruddigore (1887) [11:39]
4 Act 1: I know a youth who loves a little maid [3:39]; When the
buds are blossoming [3:34]. Act 2: When the night wind howls [2:35];
My eyes are fully open [1:40]. Princess Ida (1884) [2:23]
5 Act 1: If you give me your attention. The Gondoliers
(1889) [16:53] 6 Act 1: We’re called gondolieri [2:12]; When
a merry maiden marries [2:52]; Now, Marco dear, my wishes hear [3:11].
Act 2: Take a pair of sparkling eyes [3:11]; Dance a Cachucha [1:48];
In a contemplative fashion [2:02]; Here is a case unprecedented [1:14].
CD2 Iolanthe (1882) [26:12] 2 Overture [7:18]. Act
I: Loudly let the trumpet bray! [5:45]. Act 2: When all night long [3:56];
When Britain really ruled the waves [2:58]; Love, unrequited, robs me
of my rest … When you’re lying awake [3:39]; If you go in [2:21]. Trial
by Jury (1875) [2:56] 7 Act 1: When I, good friends,
was called to the bar. The Pirates of Penzance (1880) [19:20]
8 Act 1: Oh, is there not one maiden breast [4:08]; I am the very
model of a modern Major-General [2:46]. Act 2: When the foeman bares
his steel [4:08]; Ah! Leave me not to pine [3:08]; When a felon’s not
engaged in his employment [2:11]; With cat-like tread [2:41]. The
Yeomen of the Guard (1888) [10:06] 9 Act 1: I have a
song to sing, O [3:33]. Act 2: Oh! a private buffoon is a light-hearted
loon [2:48]; When a wooer goes a-wooing [3:38]. The Mikado (1885)
[20:40]6 Act 1: A wand’ring minstrel I [4:32]; Behold the
Lord High Executioner … Taken from the county jail [2:14]; As some day
it may happen [2:03]; Three little maids from school [1:30]. Act 2:
A more humane Mikado [4:09]; The flowers that bloom in the spring [1:24];
On a tree by a river [2:29]; For he’s gone and married Yum-Yum [1:55].
1,6,7,8New
Promenade Orchestra, 2,4,9D’Oyly Carte Opera Orchestra, 3,5New
Symphony Orchestra 1-9The D’Oyly Carte Opera Company/Isidore
Godfrey. rec. 11948, 21951, 3July 1953
4July, August 1950 5late 1954 6 March
1950 7July 1949 8July, August 1949 9July
1950 ADD. Sung texts included as a .pdf file on CD1 and from the Naxos
website. NAXOS
HISTORICAL 8.111311-12 [73:58 + 79:29][MG]
The
glory of this selection is in the inimitability of Martyn Green, Peter
Pratt, Darrell Fancourt and Richard Watson … see Full
Review
Franz von SUPPÉ (1819-1895)
Fatinitza - operetta in three acts (1876) [135:32]
Stephanie Hautzeel (mezzo) – Wladimir Samiloff; Stephen Scheschareg
(baritone) – General Timosey Kantschukoff; Zora Antonic (soprano) –
Fürstin Lydia Uschajoff; Christian Bauer (tenor) – Julian von Goltz;
Berhard Adler (bass-baritone) – Izzet Pascha; Gerhard Balluch (speaker)
– Hassan Bey Chorus of the Bad Ischl Lehár Festival Franz Lehár Orchestra/Vinzenz
Praxmarer rec. Festspielsaal, Bad Ischl, 21-24 August 2006. DDD
CPO 777 202-2 [64:37 + 70:55] [JS]
No
weak links in the cast … Houtzel, who sings with charm and a natural
understanding of the idiom. Everyone relishes the words … verve
and understanding … excellent results ... see Full
Review
Evgeny SVETLANOV
(1928-2002)
Symphony
No.1 in B minor Op.13 (1956) [48:31] Poem
for violin and orchestra (in memory of
David Oistrakh) [18:21] º The Red Guelder-Rose
– symphonic poem (in memory of Vasily
Shukshin) [19:30] Piano Concerto in C minor
[21:11] ³ Preludes – symphonic reflections
[22:44] Daybreak in the Field – symphonic
picture [5:53] Three Russian Songs [9:20]
¹ Pictures of Spain – Rhapsody for
large orchestra [16:55] Rhapsody No.2 [15:54]
Russian Variations for harp and orchestra
[13:31] ² Daugava – symphonic poem
[15:31] Siberian Fantasy for large
symphony orchestra [18:19]
State Symphony Orchestra/Evgeny Svetlanov
Evgeny Svetlanov (piano)/USSR Radio and Television
Large Symphony Orchestra/Maxim Shostakovich
³ Igor Oistrakh (violin) º Raisa Bobrineva
(soprano) ¹ Nadezhda Tolstaya (harp) ²
SVCO 001/4-004/4 [4 CDs: 66:59 + 63:40
+ 61:51 + 33:54] [JW][RB]
Recording
quality coarse but never less than vivid.
A taste for Soviet orchestral timbre will
help the adventurous listener. Many rewards
in this music. … see Full
Review
BARGAIN
OF THE MONTH A Portrait of Thomas Tallis
Thomas TALLIS
(1505-1585) CD1 Ave Dei Patris Filia [15:33] Salve Intemerata
[15:51] Sancte Deus [5:58] Hear the Voice and Prayer [3:15] If
Ye Love me [2:13] A New Commandment [2:50] Gaude Gloriosa [17:11]
Loquebantur variis Linguis [4:15] Magnificat for Four
Voices [11:56] CD2 Te lucis ante terminum (festal) [2:07] Christ
Rising Again [4:39] O Lord, Give Thy Holy Spirit [2:05] Purge me, O
Lord [1:48] Verily, Verily I Say unto You [1:42] Remember Not, O Lord
God [4:34] O Lord, in Thee Is All My Trust [2:42] Tunes for Archbishop
Parker’s Psalter [8:36] Salvator Mundi, Salva Nos 1 [2:19] O
Sacrum Convivium [3:15] In Manus Tuas [1:51] Absterge
Domine [5:31] Miserere Nostri [2:18] Salvator Mundi, Salva
Nos 2 [2:21] Spem in Alium [10:03] Lamentations of Jeremiah
I [7:48] Lamentations of Jeremiah II [12:20] Blessed Are Those That
Be Undefiled [4:16]
Chapelle du Roi/Alistair Dixon From Signum SIGCD001 and SIGCD002, rec.
St Augustine’s Church, Kilburn, London, 23-25 October 1996, 10-13 February
1997; SIGCD003, SIGCD010, SIGCD016, SIGCD022, SIGCD029, rec St Jude’s
Church, Hampstead, London, 28-30 May 1997, July 1998, 12-14 October
1998, 24-26 July 2000, 13-15 November 2000; SIGCD036, rec. All Hallows
Church, Gospel Oak, London 24-27 September 2002. DDD. Booklet with
notes in English but no texts.
PORTRAIT CLASSICS PCL2101 [79:07 + 79:45][BW]
This
2-CD distillation of a highly-recommended 9-CD series is very welcome
at its new bargain price. Go out and buy it or the complete set on
Signum ... see Full Review
John
TAVENER (b.1944) Ikon of Eros
(2003) [61:38] John Tavener in interview with Brian Newhouse
[10:45] Jorja Fleezanis
(violin) Patricia Rozario (soprano) Tim Krol (baritone) Minnesota Chorale
Minnesota Orchestra/Paul Goodwin rec. Cathedral of St Paul, Saint Paul,
Minnesota, April 2003
REFERENCE RECORDINGS RR 102CD [72:03][JW]
The
contemplative and the beautiful, wild, shamanic dances, medievalist tapestry,
percussive interjections, choral shouts, acts of repetitive, Blondin-like
daring from the high wire violin soloist, stasis and stillness. ... see
Full Review
Pyotr
Il’yich TCHAIKOVSKY (1840-1893) Complete
Music for Piano and Orchestra Concert Fantasy Op. 56* [27.52] Piano
Concerto No. 1 Op. 23** [36.04] Piano Concerto No. 2 Op. 44*** [46.47]
Piano Concerto No. 3 Op. 75+ [27.52] Violin Concerto in D,
Op.35++ [37:54] Variations on a Rococo Theme, Op.33+++
[18:17] Peter
Donohoe (piano)*/**/***/+; Nigel Kennedy (violin)***/++;
Steven Isserlis (cello)*** Bournemouth Symphony Orchestra/Rudolf Barshai
*/**/***/+ London Philharmonic Orchestra/Okko Kamu++
Paul Tortelier (cello); Northern Sinfonia/Yan-Pascal Tortelier+++
rec. 3-4 August 1986***; 27 July and 24 August 1987+; 18
and 20 July 1988**; 17 July and 1 Aug 1989*, Wessex Hall, Poole Arts
Centre, Dorset DDD*/**/***/+; 14-15 April 1985 Walthamstow
Assembly Hall, London DDD++; 24-25 April 1973 No.1 Studio,
Abbey Road, London ADD+++
EMI CLASSICS TRIPLE 5 00962 2 [3 CDs: 64.14 + 63.14 + 56:11][BW]
A
mixed bag: the Second Piano Concerto probably the best available; the
other items recommendable enough, but Nigel Kennedy’s version of the
Violin Concerto is not to my liking ... see Full
Review
Peter
Ilyich TCHAIKOVSKY (1840-1893) Swan
Lake op.20 (1877) [155:38] Ida
Haendel (violin), Douglas Cummings (violoncello) London Symphony
Orchestra/André Previn rec. 26-28 May, 8-10 June 1976, Kingsway
Hall, London CLASSICS
FOR PLEASURE 3 93243
2 [77:52 + 77:46] [CH]
A
“safe” recommendation, but what if you like
living dangerously? ... see Full
Review
BARGAIN
OF THE MONTH Peter
Ilyich TCHAIKOVSKY (1840-1893)
Swan
Lake op.20 – Highlights Introduction
[02:58] Act I: 1. Scène [02:17],
2. Valse [04:28], 8. Danse des coupes
[03:44] Act II: 10. Scène [02:50],
11. Scène [04:36], 13d. Danses
des cygnes [01:19], 13e. Pas d’action
[06:14] Act III: 20. Danse hongroise
[02:46], 5b. Pas de deux [02:55],
24. Scène [02:15] Act IV:
27. Danses des petits cygnes [03:40],
29. Scène final [06:01]
Steven Staryk (violin); Tibor de Machula (violoncello)
Concertgebouw Orchestra/Anatole Fistoulari
rec. February 1961, Concertgebouw, Amsterdam
DECCA ELOQUENCE 442 9032 [46:10] [CH]
Whatever
the ultimate judgement on Fistoulari, he made
a great record here. ... see Full
Review
Georg
Philipp TELEMANN (1681-1767) Concerto
for Flute, Strings and Continuo in G TWV 51:G2 (1712-1716) [9:04] Concerto
for Flute, Violin, Cello, Strings and Continuo in A, from TWV 53:A2
(1733) [19:35] ** Concerto for two Flutes, Violone, Strings and Continuo
in A minor, TWV 53:a1 (1720) [8:48] *** Concerto for Flute Oboe d’amore,
Viola d’amore, Strings and Continuo in E, TWV 53:E1(1730s) [15:48] *
Concerto for Flute, Strings and Continuo in D, TWV 51:D2 (between 1716
and 1725) [12:43]
Emmanuel Pahud (flute); Berliner Barock Solisten (Wolfram Christ (viola
d’amore)*; Georg Faust (cello)**; Klaus Stoll (violone)***; Jacques
Zoon (flute)***; Albrecht Mayer (oboe d’amore)*); Rainer Kussmaul (violin,
director) rec. June, 2002, Berlin, Germany. DDD
EMI CLASSICS 50999 5 03435 2 2 [66:26][MS]
Excellent
playing five of Telemann’s most engaging concertos exploring a huge
variety of contexts in which the Baroque flute was employed. The inventiveness
never stops. ... see Full Review
Joaquín
TURINA (1882-1949) Piano Music -
Volume 4 Ninerias (Petite Suite) Series 1 Op. 21 (1919) [24.17] Ninerias (Petite
Suite) Series 2 Op. 56 (1930) [15.25] Miniatures Op.
52 (1929) [13.43] Jardin de ninos
Op. 63 (1931) [15.05]
Jordi Maso (piano) rec. Auditorium, Jafre, Spain,
19-20 October 2006
NAXOS 8.570026 [68.30][GH]
Maso
can make a melody sing - a pianist who has come to know and understand
this composer and who is in total sympathy with him. ... see Full
Review
William
TURNER (1651-1740) Sacred Choral
Works Te Deum (1696) [18:09] Lord, thou hast been my refuge [5:56]
My soul truly waiteth [3:49] Hear my prayer, O Lord [7:06] The Queen
shall rejoice (1702) [2:50] Jubilate Deo (Service in E) [3:19] Magnificat
(Service in A) [4:23] Nunc Dimittis (Service in A) [2:27] O Lord, God
of hosts, hear my prayer [4:10] The Lord is righteous [5:30] Jubilate
Deo (1696) [8:28]
Julia Doyle (soprano) William Purefoy (counter tenor) William Towers
(counter tenor) Paul Thompson (tenor) Daniel Jordan (bass) The Choir
of Gonville and Caius College Cambridge Yorkshire Baroque Soloists (Peter
Seymour, director)/Geoffrey Webber rec. Pembroke College Chapel, July
2006 DELPHIAN DCD 34028
[66:14][JW]
A near-faultless disc of some fine, unjustly
neglected music ... see Full Review
RECORDING
OF THE MONTH Erkki-Sven TÜÜR
(b. 1959) Symphony No.4 “Magma” (2002)a
[31:06] Inquiétude du fini (1992)b [18:29] Igavik (2006)c
[4:37] The Path and the Traces (2005) [12:36]
Evelyn Glennie (percussion)a; Estonian Philharmonic Chamber
Choirbc; Estonian National Male Choirc; Estonian
National Symphony Orchestra; Paavo Järvi rec. Estonia Concert Hall,
Tallinn, June 2006 Texts and translations included
VIRGIN CLASSICS 3857852 [67:23] [HC]
These
impeccable performances are a pure joy from first to last ... see Full
Review
Ralph VAUGHAN WILLIAMS
(1872-1958) Fantasia
on Christmas Carols* (1912) [11:42] Hodie
(This Day)** (1954) [59:17]
Janice Watson (soprano)**; Peter Hoare (tenor)**;
Stephen Gadd (baritone)*/**; Guildford
Choral Society*/**; St Catherine’s
School Middle Chamber Choir**; Royal Philharmonic
Orchestra/Hilary Davan Wetton rec. Cadogan
Hall, London, UK, 13-14 January, 2007. DDD
Booklet with notes in English and German but
no texts (available online only).
NAXOS 8.570439 [71:00] [BW]
Though
not quite ideal in the popular Fantasia, this
version of Hodie brings to life a work which
I had previously written off as one of RVW’s
few failures ... see Full
Review
Ralph
VAUGHAN WILLIAMS (1872-1958)
Fantasia on a Theme by Thomas Tallis (1910)
[16:33]1 Symphony No. 5 in D major
(1943) [40:36] 2 Andre
PREVIN (b.1929) Reflections
for Cello, English Horn and Orchestra
(1981) [12:06] 3
1Elita Kang, Nurit Bar-Josef (violins),
Hui Liu (viola), 1,3Sophie Shao
(cello), 3Lelie Ann Resnick (English
Horn), 1-3Symphony Orchestra of
the Curtis Institute of Music, Philadelphia/André
Previn rec. Giandomenico Studios, Collingswood,
NJ, 8-9 February 1995. DDD
EMI CLASSICS 55371
[69:18][MG]
Spirited
and often attractive accounts with a fine sense of direction … see Full
Review
Ralph VAUGHAN WILLIAMS
(1872-1958) Symphony No. 9 in E minor (1958) [38:58]
Wallingford RIEGGER (1885-1961) New Dance, Op.18b [5:55]
Alan HOVHANESS (1911-2000) The Mysterious Mountain (Symphony
No. 2), Op. 132 (1955) [18:49] Paul CRESTON
(1906-1985) Toccata (1957) [12:34]
Leopold Stokowski and his Symphony Orchestra rec. Carnegie Hall, New
York, September 1958
CALA CACD0539 [73:17] [SV]
Aside
from this program's sheer documentary importance all these works
are worth hearing, especially as they benefit from the conductor's
distinctive "take" ... see Full
Review
Giuseppe
VERDI (1813-1901) Nabucco - lyric drama in four parts (1841)
Nabucco, King of Babylon - Igor Morosow (bar)
Zaccaria, High Priest of the Hebrews - Simon Yang (bass)
Abigaille, a slave believed to be Nabucco’s eldest
daughter - Gabriella Morigi (sop) Fenena, Nabucco’s
daughter - Elisabeth Kulman (sop) Ismaele, nephew
of the King of Jerusalem - Bruno Ribeiro (ten) The
High Priest of Baal - Janusz Monarcha (bass) Arad
State Philharmonic Chorus Europasymphony Orchestra/Ernst
Märzendorfer rec. open air event, Römersteinbruch,
Festival of St Margarethen, 14 July 2007 Picture
Format: NTSC 16:9 anamorphic Sound Format: PCM Stereo / Dolby Digital
5.1 / DTS 5.1 Subtitles: Italian, German, English Booklet notes: English,
German Region Code: 0 (All Regions)
EUROARTS 2056228
[122:00][IL]
A
feast for the eye but the sad fact is that this Nabucco audience reserved
its strongest applause for the fireworks that followed the performance.
... see Full Review
Giuseppe
VERDI (1813–1901) Stiffelio
- Dramma lirico in three acts (1850)
Stiffelio, Ahasuerian preacher – Plácido Domingo (tenor) Lina, his wife,
Stankar’s daughter – Sharon Sweet (soprano) Stankar, an old colonel
and count of the Empire – Vladimir Chernov (baritone) Raffaele von Leuthold,
a nobleman – Peter Riberi (tenor) Jorg, another preacher – Paul Plishka
(bass) Federico di Frengel, Lina’s cousin – Charles Anthony (tenor)
Dorotea, Lina’s cousin – Margaret Lattimore (mezzo) Metropolitan Opera
Orchestra and Chorus/James Levine rec. Metropolitan Opera House, November
1993 Production: Giancarlo del Monaco Set and Costume Design: Michael
Scott Lighting Design: Gil Wechsler A Metropolitan Opera Television
Production Producers: Louisa Briccetti; Daniel Anker Video Director:
Brian Large Audio Producer: Jay David Saks Picture Format : NTSC/COLOUR/4:3;
Region Code 0 (Worldwide); Sound formats: PCM Stereo – DTS 5.1 – Dolby
Digital 5.1; Menu Language: English; Subtitles: Italian (original language),
English, German, French, Spanish, Chinese
DEUTSCHE GRAMMOPHON 00440 073 4288
[116:00][RM]
A
perfect production? Not quite, but not far short. ... see Full
Review
RECORDING
OF THE MONTH Giuseppe VERDI
(1813–1901) Il trovatore (1853)
Stella Roman (soprano) – Leonora; Leonard Warren (baritone) – Il Conte
di Luna; Margaret Harshaw (mezzo) – Azucena; Jussi Björling (tenor)
– Manrico; Giacomo Vaghi (bass) – Ferrando; Lodovico Oliviero (tenor)
– Ruiz; Inge Manski (soprano) – Inez; John Baker (bass) – Gypsy
Metropolitan Opera Orchestra and Chorus/Emil Cooper
rec. live broadcast, Metropolitan Opera, New York, 27 December 1947
Audio restoration by Ward Marston
WEST HILL RADIO ARCHIVES WHRA-6010 [68:57 + 61:25][GF]
One
of the most sensational historical ‘finds’ for many a moon ... see Full
Review
Giuseppe
VERDI (1813–1901)
Falstaff (1893)
Geraint Evans (bass-baritone) – Sir John Falstaff; Antonio Boyer (baritone)
– Ford, married to Alice; Juan Oncina (tenor) – Fenton; Hugues Cuénod
(tenor) – Dr. Cajus; John Lewis (tenor) – Bardolfo, seguace di Falstaff;
Hervey Alan (bass) – Pistolo, seguace di Falstaff; Orietta Moscucci
(soprano) – Mrs. Alice Ford; Antonietta Pastori (soprano) – Nannetta,
figlia di Alice e di Ford; Oralia Dominguez (mezzo) – Mrs. Quickly;
Fernanda Cadoni (mezzo) – Mrs. Meg Page Royal Philharmonic Orchestra/Vittorio
Gui rec. live, Glyndebourne, 29 July 1957 Bonus Tracks: Il trovatore
(1853): act 2, scene 1 (from Stride la vampa to the end of scene)
act 4, scene 2 (from the beginning of scene to Ai nostri monti)
Oralia Dominguez (mezzo) – Azucena; Luigi Ottolini (tenor) – Manrico;
Orchestra and Chorus from the Teatro Colón, Buenos Aires/Fernando Previtali
rec. live, Teatro Colón, 11 August 1963
GALA GL100.784 [75:28 + 75:44] [GF]
Readers
who already own the Karajan or the Solti should
stick to them but I don’t think anyone getting
this one as a complement will feel disappointed
... see Full
Review
Giuseppe
VERDI (1813-1901) La
forza del destino - melodramma in four acts (revised
1869 version) Marquis
of Calatrava - Giuseppe Nicodemo (bass); Donna Leonora, his
daughter - Susanna Branchini (sop); Curra, her chambermaid
- Silvia Balistreri (sop); Don Alvaro, lover of Leonora and
of Royal Inca Indian descent - Renzo Zulian (ten); Don Carlo
of Vargas, Leonora’s brother - Marco Di Felice (bar); Preziosilla
- Tiziana Carraro (mezzo); Fra Melitone - Paolo Rumetz (bass-bar);
Padre Guardiano - Paolo Battaglia (bass); Mastro Trabuco, muleteer – Antonio
Feltracco (ten); Alcade - Luca Dall’Amico (ten); Spanish military
surgeon – Romano Franci (ten) Orchestra Filarmonica Veneta/Lukas
Karytinos Director and costume designer: Pier Francesco Maestrini
Set designer: Alfredo Troisi Video director: Tiziano Mancini
rec. live, Teatro Communale di Modena, Italy, January 2006
Picture format: NTSC/Colour/16:9 Sound formats: Dolby digital
5.1/2.0 Menu language: English. Subtitles: Italian (original
language), English, German, French and Spanish. Notes and synopsis
in Italian, English, German and French DYNAMIC 33512 [181:00]
[RJF]
There
is a significant need for a modern DVD recording
of this opera. Regrettably this issue does
not fill that need: poor solo singing and
little directorial imagination ... see Full
Review
RECORDING
OF THE MONTH Giuseppe VERDI (1813–1901) Presenting
Aprile Millo - Verdi Arias Ernani:
1. Sorta è la notte … Ernani, involami [5:05] Il trovatore:
2. Tacea la notte [4:15] Macbeth:
3. Una macchia è qui tuttora! [7:32] Otello:
4. Mi parea … Piangea cantando … Ave Maria [17:28] La forza del destino:
5. Pace, pace mio Dio [6:20] Un ballo in maschera:
6. Morró, ma prima in grazia [4:52] Don Carlo:
7. Tu che le vanità [11:53] Aida:
8. Ritorna vincitor … L’insana parola … I sacri nomi [6:48]
9. Qui Radames verrà … O patria mia [7:20] Aprile
Millo (soprano)
London Philharmonic Orchestra/Giuseppe Patanè rec. St. Barnabas Church, Woodside
Park, London. publ. 1986
Texts and translations included EMI
CLASSICS 47396 [71:41]
[GF]
One
of the finest Verdi recitals from the final quarter of the 20th
century … should be in every opera collection. Super! ... see Full
Review
Giuseppe
VERDI (1813-1901) Quattro pezzi sacri see FAURÉ
Henri
VIEUXTEMPS (1820-1881) Violin Concerto
No.5 in A minor Op.37 (1859) see BRAHMS
Symphony No. 1
Heitor VILLA-LOBOS
(1887-1959) Suite
Floral Op.97 (1916-18) [7:43] A Prole do Bebê
- Book I (1918) [10:39] A Prole do Bebê
- Book II (1921) [35:54] Choro No.1 Tipico
[5:19]
Joanna Brzezińska (piano) rec. Château
Fallot, Salle de Musique, Lausanne, February
2006
CLAVES 50-2709 [67:08] [JW]
First
class playing … athleticism and tonally expressive
colour characterised with flair and imagination
... see Full
Review
Heitor
VILLA-LOBOS (1887-1959) Bachianas
Brasileiras No. 5 for soprano and orchestra of
cellos
(1938/1945) [11:05]
Bachianas Brasileiras No. 4 version for piano solo (1930-1941)
[18:57]
Bachianas Brasileiras No. 6 for flute and bassoon (1938) [9:09]
Bachianas Brasileiras No. 1 for an orchestra of cellos (1930) [19:11] Donna
Brown (soprano); Jean Louis
Steuerman (piano); Sato Moughalian (flute); Alexandre Silvério (bassoon) Cellists of the São Paolo Symphony
Orchestra/Robert Minczuk
rec. Sala São Paolo, São Paolo Brazil, December 2003 (Nos. 1, 5), February 2003
(No.4), February 2005 (No.6) BIS
CD-1410 [59:23] [DC]
The
final, glowing instalment of the complete Bachianas Brasileiras
on BIS ... see Full Review
Antonio
VIVALDI (1678-1741) The Four Seasons from
‘Il Cimento dell’Armonia e dell’Invenzione’ Opus 8: (1725)
Concerto No. 1 in E, ‘La primavera’ RV 269 [10:40] Concerto No. 2 in
G minor, ‘L’estate’ RV 315 [10:42] Concerto No. 3 in F, ‘L’autunno’
RV 293 [11:33] Concerto No. 4 in F minor, ‘L’inverno’ RV 297 [9:14]
Concerto in G minor, Op.12 No.1 RV 317 [11:26]
Sarah Chang (violin) Orpheus Chamber Ensemble
rec. 21, 23-24 May 2007, SUNY Purchase College, New York. DDD
EMI CLASSICS 3 94431 2 [54:04][DC]
Solidly
impressive, and thankfully lacking in gimmicks. ... see Full
Review
Antonio
VIVALDI (1678-1741) Concerti per
violino II ‘Di sfida’ Concerto in D major, RV 232
[11:38] Concerto in E major, RV 264 [8:26] Concerto in G minor,
RV 325 [7:30] Concerto in A major, RV 353 [9:06] Concerto
in D minor, RV 243 [9:19] Concerto in B flat major, RV 368
[9:01] Anton Steck
(violin) Modo Antiquo/Federico Maria Sardelli rec. February, August,
2006, Centro Culturale, sala Gustav Mahler, Dobbiaco, Italy. DDD
NAÏVE OP 30427 [55:00][MS]
Mostly
new, always inspiring, recordings of Vivaldi violin concertos with the
theme of ‘challenge’ - usually technical. But interpretative skill is
not lacking. Another winner from the Naïve Vivaldi Edition ... see Full
Review
Antonio
VIVALDI (1678-1741)
Atenaide, RV702 (1728) [3:39:55]
Sandrine Piau (soprano – Atenaide/Eudossa); Vivica Genaux (soprano –
Teodosio); Guillemette Laurens (mezzo – Pulcheria); Romina Basso (mezzo
- Varane); Nathalie Stutzmann (contralto - Marziano); Paul Agnew (tenor
- Leontino); Stefano Ferrari (tenor - Probo) Modo Antiquo/Federico Maria
Sardelli rec. April 2007, Teatro della Pergola, Florence, Italy. DDD
NAÏVE OP30438 [3
CDs: 76:13 + 75:27 + 68:15] [MS]
As
the Vivaldi Edition’s operas continue to come out, so our respect
for his (and their) achievement grows. Atenaide is no exception
- sensitive singing, careful playing and all round superb music-making
... see Full Review
Richard
WAGNER (1813–1883)
Wesendonck-Lieder; arr: Felix Mottl (tenor version): 1. No. 1 Der
Engel [3:36] 2. No. 2 Stehe still [4:54] 3. No. 3 Im Treibhaus
[7:37] 4. No. 4 Schmerzen [2:53] 5. No. 5 Träume [5:39]
Tristan und Isolde: 6. Dünkt dich das? (a. 3) [8:47] Richard
STRAUSS (1864–1949) 7. Verführung, Op. 33 No. 1 [8:39]
Richard WAGNER Die Walküre (a. 1 sc. 3):8.
Ein Schwert verhiess mir der Vater [8:09]9.
Der Männer Sippe [6:07]10. Winterstürme
wichen dem Wonnemond [3:35] Richard
STRAUSS Vier letzte Lieder: 11. No. 4 Im Abendrot
[8:24] René Kollo (tenor)
Ingrid Haubold (soprano) (tr. 8, 9) Orchester der Deutschen Oper Berlin/Christian
Thielemann rec. Christuskirche, Berlin-Oberschöneweide, 30 August–6
September 1992 EMI CLASSICS
54776 [69:13]
[GF]
While
not everything is perfect there is still so much insight and intelligence
involved that it would be a pity to overlook this issue. I have
listened with new ears to several of the songs and excerpts here
... see Full Review
William
WALTON (1902-1983)
Façade Suite (1926-1938) [23:11] Gloria (1961) [18:47]
Te Deum (1953) [9:19] Coronation Marches - Orb and Sceptre (1953)
[6:49]; Crown Imperial (1937) [8:59]
Barbara Robotham (mezzo), Anthony Rolfe Johnson (tenor), Brian Rayner
Cook (baritone) (Gloria) Choristers of Worcester Cathedral (Te deum),
CBSO Chorus (Te deum, Gloria) City of Birmingham Symphony Orchestra/Louis
Frémaux. rec. venue unknown, ?1977. AAD
EMI CLASSICS 47512
[67:02] [OW]
A
welcome return of an English spectacular ... see Full
Review
Carl
Maria von WEBER (1786-1826) Konzertstück;
Piano Sonata No. 1 see
BEETHOVEN
Silvius
Leopold WEISS
(1687-1750) Sonata
No.20 in D minor [18:17] ¹ Sonata No.14 [16:45]
¹ Johann HOFFMANN
(1770-c.1814) Sonata in G major [17:24]
² Sonata in D minor [13:39] ²
Birgit Schwab (baroque lute ¹. Archlute²)
Daniel Ahlert (mandolin) Rec. Museum Huelsmann,
Bielefeld, September 2005
NAXOS 8.557716 [65:55] [JW]
Somewhat
patchy all round. ... see Full
Review
Alec
WILDER (1907-1980)
Air for Bassoon (1945) [5.40] Air for Flute (1945) [6.00] Air for Oboe
(1945) [3.36] Slow Dance (1945) [4.42] Theme and Variations (1945) [5.12]
Carl Sandburg Suite (1960) [16.32] Suite No.2 for Tenor Saxophone and
Strings (1966) [9.53] Serenade for Winds (1979) [11.49]
Eugenia Zukerman (flute) Gary Louie (saxophone) Humbert Lucarelli (oboe)
Kenneth Pasmanick (bassoon) Manhattan Chamber Orchestra/Richard Auldon
Clark rec. Recital Hall, SUNY/Purchase, NY, 1993.
NEWPORT CLASSICS NPD85570 [65:24] [BBr]
Wilder
is too important, and enjoyable, a composer
to be ignored. Miss him at your peril ...
see Full Review
Malcolm WILLIAMSON
(1931-2003)
Overture ‘Santiago de Espada’ (1967)
[6:33] Elevamini – Symphony No. 1 (1957)
[19:49] Sinfonia Concertante for three
trumpets, piano and strings (1958-61) * [18:46]
Piano Sonata No. 2 (1957 rev.1971) ** [17:28]
Martin Jones (piano) * Malcolm Williamson
(piano) ** Royal Liverpool Philharmonic Orchestra/Sir
Charles Groves rec. Liverpool, June 1976 (orchestral);
Kingsway Hall, London, September 1971. ADD
LYRITA SRCD.281 [72.43] [RB]
Williamson
caught in accessibility, brilliance and dour
gestural defiance. ... see Full
Review
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