William ALWYN (1905-1985)
Concerto
Grosso No. 2 in G (1948) [15’27]. Autumn
Legend for Cor anglais and String Orchestraa
(1954) [12’18]. Lyra Angelicab
(Concerto for Harp and String Orchestra)
(1953/4) [31’29]
aGeoffrey Browne (cor anglais); bOsian
Ellis (harp) London Philharmonic Orchestra/William
Alwyn. No rec. info given. ADD
LYRITA RECORDED EDITION SRCD230 [59’17]
[JW]
Of
all the Alwyn discs from Lyrita, this is
surely the most special. … see
Full Review
William BLANK
(b.1957) Trio
à cordes (1997) [18.28] Trio
Contrechamps: Isabelle Magneat, v; Ruth
Killius, vla; Daniel Haefliger, vc. Recorded
live by Radio Suisse Romande in Geneva,
14 March 1998 Anacrousis pour
percussion solo (2001) [18.47] Michael
Tschamper, percussion Recorded in Geneva,
Switzerland, 15 July 2002 Cris
pour piano et ensemble (1999) [21.05]
David Lively, Piano; Ensemble Contrechamps/William
Blank. Recorded live at Maison de la Radio,
Geneva, Swizerland, 2 April 2000 Ebbe(n)
pour grand orchestra (2000) [19.07]
Orchestre de la Suisse Romande/Fabio
Luisi Recorded live in Victoria Hall, Geneva,
Switzerland, 11 October 2001 Notes in Français,
Deutsch, English. Photo of composer and
artists. Co-production of Radio Suisse Romande
and Espace 2
MUSIQUES GRAMMONT PORTRAIT MGB CTS-M
79 [77.17] [PSh]
Very
fine music by an unfamiliar name, but one
that will most likely become more familiar
to all of us in the near future ... see
Full Review
Samuel
COLERIDGE-TAYLOR
(1875-1912) Violin
Concerto in G minor Op. 80 (1911) [31:25]
* Antonín DVOŘÁK
(1841-1904) Violin Concerto in
A minor Op. 53 (1882) [31:02]
Philippe Graffin, violin Johannesburg Philharmonic
Orchestra/Michael Hankinson * world premiere
recording rec. studio, 19, 23 Oct 2003 (Coleridge-Taylor),
live at dress rehearsal and concert 17 Oct
2003 (Dvořák), Linder Auditorium, University
of the Witwatersrand Education Campus, Johannesburg,
South Africa. DDD
AVIE AV 0044 [62:43] [RB]
Powerfully
memorable store of whistleable tunes sweetly
sung and set down by Avie .... see Full
Review
George Frideric
HANDEL (1685-1759)
Trio Sonatas op. 2 Sonata
in g minor, op. 2, 6* (HWV 391) [09:09]
Sonata in F, op. 2, 4* (HWV 389) [12:02]
Sonata in g minor, op. 2, 5* (HWV 390) [10:47]
Sonata in b minor, op. 2, 1** (HWV 386b)
[11:29] Sonata in g minor, op. 2, 2* (HWV
387) [10:25] Sonata in B flat, op. 2, 3*
(HWV 388) [11:14]
Sonnerie: Monica Huggett, Emilia Benjamin*,
violin; Joseph Crouch, cello; Matthew Halls,
harpsichord, organ; Wilbert Hazelzet**,
transverse flute Recorded October 2002 at
Saint Silas Church, Kentish Town, London,
UK. DDD
AVIE AV0033 [65:56] [JV]
I
strongly recommend this excellent performance
of some of Handel’s greatest chamber music
... see Full Review
Jean-Philippe
RAMEAU (1683-1764)
Platée
Paul Agnew (Platée) Mireille
Delunsch (La Folie / Thalie) Yann Beuron
(Thespis / Mercure) Vincent Le Texier (Jupiter)
Doris Lamprecht (Junon) Laurent Naouri (Cithéron,
un Satyre) Valérie Gabail (L’Amour
/ Clarine) Franck Leguerinel (Momus)
Les Musiciens du Louvre-Grenoble/Marc Minkowski
Choreography: Laura Scozzi Rec: February
2002, Opéra National de Paris au
Palais Garnier Sound format: Dolby Digital
5.0, DTS 5.0, LPCM stereo Subtitle languages:
GB, D, F, ES, IT Picture format: 16:9 and
4:3 Picture standard: PAL Region code: 2
TDK
DV-OPPLT [150 mins] [KM]
I
cannot praise this DVD enough - the music,
singing, and performances are impeccable.
... see Full
Review
Franz
SCHUBERT (1797-1828)
Winterreise
Matthias Goerne (baritone) Alfred Brendel
(piano)8 and 10 October 2003 (Live concerts)
Wigmore Hall, London
DECCA CLASSICS 467 092-2 [75.32] [ME]
This
performance is as close to perfection as
any human creation can possibly be. ...
see Full
Review
Robert
SCHUMANN (1810-1856)
The Four Symphonies Symphony
No. 1 Spring (1841) [30.40] Symphony
No. 2 (1846) [34.38] Symphony No. 3 Rhenish
(1850) [31.51] Symphony No. 4 (1841
rev. 1851) [29.27]
Staatskapelle Berlin/Daniel Barenboim rec.
12-14 March 2003, Studio 1 NLG, Berlin.
DDD
TELDEC CLASSICS 2564 61179-2 2 [72.39+67.14]
[JPh]
Very,
very attractive, and played superbly. ...
see Full
Review
Richard
STRAUSS (1864-1949):
Der Rosenkavalier - opera
in three acts libretto by Hugo von Hofmannsthal
The Feldmarschallin, Princess Werdenberg:
Maria Reining (soprano) Baron Ochs auf Lerchenau:
Jaro Prohaska (baritone) Octavian: Jarmila
Novotná (soprano) Herr von Faninal:
Georg Hann (baritone) Sophie, his daughter:
Hilde Güden (soprano) Marianne, Sophie’s
duenna: Stefanie Holeschofsky (soprano)
Valzacchi, an intriguer: Peter Klein (tenor)
Annina, his partner: Dagmar Hermann (contralto)
The Major-Domo to the Feldmarschallin: William
Wernigk (tenor) An Attorney: Alfred Muzzarelli
(bass) An Italian Singer: Helge Rosvaenge
(tenor) Police Inspector: Georg Monthy (bass)
Innkeeper: William Wernigk (tenor) Choir
of the Vienna State Opera
Vienna Philharmonic Orchestra/George Szell
Recorded by Sendergruppe "Rotweissrot"
at a performance in the Festspielhaus, Salzburg
29 August 1949 (Archive of Austrian Radio
ORF) Der Rosenkavalier: excerpts
Excerpts from Act 1: Introduction [3’04"];
"Wie du warst! Wie du bist!" [3’45"];
"Warum ist Tag?" [4’31"];
"Der Feldmarschall sitzt im krowatischen
Wald…" [6’32"]; "Da geht
er hin…"[4’27"]; "Ach, du
bist wieder da!" [1’59"]; "Die
Zeit, die ist ein sonderbar Ding."
[10’28"] Excerpts from Act 2: "im
dieser feierlichen stunde…" [3’21"];
"Mir ist die Ehre widerfahren…"
[7’56"]; "Wart, i hau’ dich z’samm…"
[6’41"] Excerpts from Act 3: "Weiss
bereits nicht…" [5’32"]; "Mein
Gott, es war nicht mehr als eine Farce."
[6’30"]; "Marie Theres’!"
[8’31"]; "Ist ein Traum, kann
nicht wirklich sein…" [3’01"]
The Feldmarschallin, Princess Werdenberg;
Lotte Lehmann (soprano) Baron Ochs auf Lerchenau:
Richard Mayr (baritone) Octavian: Maria
Olszewska (soprano) Herr von Faninal: Victor
Madin (baritone) Sophie, his daughter: Elisabeth
Schumann (soprano) Marianne, Sophie’s duenna:
Anne Michalsky (soprano) Valzacchi, an intriguer:
Hermann Gallos (tenor) Annina, his partner:
Bella Paalen (contralto) Choir of the Vienna
State Opera
Vienna Philharmonic Orchestra/Robert Heger
Recorded in the Konzerthaus, Vienna 20-24
September 1933 Source: HMV DB2060/72 Matrix:
2WX581/606
ANDANTE AND 3985 [4 CDs: 65’53"+53’55"+54’56"+76’18"]
[JQ]
Recommended
wholeheartedly to all who love the music
of Richard Strauss and this wonderful opera
in particular ... a marvellous, human and
glorious score ... see Full
Review
William
Brocklesby WORDSWORTH (1908-1988)
Symphonies:
No. 2 in D, Op. 34 (1947/8) [43’45]; No.
3 in C, Op. 48 (1948) [27’20].
London Philharmonic Orchestra/Nicholas Braithwaite.
No rec. info given. DDD
LYRITA RECORDED EDITION SRCD207 [71’05]
[CC]
The
performances are eloquent in the extreme
and represent a most persuasive document.
Much of this music is either lively or lovely
(sometimes both) … Do try to hear this disc.
… see Full Review
Nancy
Ambrose King plays Oboe Concertos
Wolfgang Amadeus
MOZART (1756-1791) Oboe Concerto
in C K314 (1777) [20.49] Eugene
GOOSSENS (1893-1962) Oboe Concerto
in One Movement (1927) [11.52] Ralph
VAUGHAN WILLIAMS (1872-1958)
Concerto for Oboe and Strings in A minor
(1944) [18.32] Bohuslav
MARTINŮ (1890-1959) Concerto
for Oboe and Small Orchestra (1955) [17.18]
Nancy Ambrose King (oboe) Janacek Philharmonic
Orchestra/Jeremy Swerling rec. Vitkovice
Dum Kulture, Ostrava, Czech Republic, 5-7
Sept 2000, 7 Jan 2002. DDD
CALA CACD1035 [68.66] [RB]
This
is the only collection of these works. For
those having a taste for oboe and orchestra
the choice is clear. All concerned can take
a well-deserved bow for this one. Classic
stuff. ... see Full
Review
Puccini
Passion Giacomo
PUCCINI (1858-1924) Le
Villi ‘Se come voi piccini.’ Edgar
‘Adio mia dolce’ Manon Lescaut
‘Il quelle trine morbide’; ‘Sola, perduta,
abbandonata’ La Boheme ‘Si,
mi chiamano Mimi’. ‘Quando me’n vo’. ‘Donde
lieta usci’ Tosca ‘Vissi d’arte’
Madama Butterfly ‘Un bel di
vedremo’. ‘Che tua madre dovrà’.
‘Con onor muore’ La Rondine
‘Chi il bel sogno di Doretta’. ‘Ore dolci
e divine’ Suor Angelica ‘Senza
Mamma’ Gianni Schicchi ‘O
mio babbino caro’ Turandot
‘Signore, ascolta’. ‘Tu che di gel sei cinta’
E l’uccellino Sole e amore Cheryl
Barker (soprano) Orchestra Victoria/Richard
Bonynge Rec. South Melbourne Town Hall,
Australia
MELBA MR-301085 [63:34] [RJF]
A
highly skilled and committed singer who
gives her all ... a very individual vibrant
lyric soprano conveying much emotion ...as
satisfying a disc of this demanding repertoire
as I have heard in a long time. ... see
Full Review
Great Conductors of the 20th Century: Hermann
Scherchen Ludwig
van BEETHOVEN (1770 - 1827) Coriolan
Overture, op. 62: (1807) [8.05] Vienna
State Opera Orchestra (mono June 1954) Symphony
no.8 in F, op. 93 (1812) [23.20] Royal Philharmonic
Orchestra (mono 30 Sept 1954) Igor
STRAVINSKY (1882 - 1971) L’Oiseau
de Feu (1910): Suite (1919) [19.50]
Royal Philharmonic Orchestra (mono September
1954) Arnold SCHOENBERG
(1874 - 1951) Suite in the Old Style
(G Major) for Strings (1935) [17.43]
Berlin Radio Symphony Orchestra (stereo
1 September 1959) Carl
ORFF (1895 - 1982) after
William BYRD
(1543 - 1623) Entrata (1940) [8.35]
Vienna State Opera Orchestra (stereo 17
November 1960) Emil
Nikolaus von REZNIČEK (1860
- 1945) Donna Diana: Overture
(1894) [5.38] Vienna State Opera Orchestra
(stereo June 1957) Franz
Joseph HAYDN (1732 - 1809) Symphony
in G, Hob 1:100 "Military" (1794)
[23.06] Vienna State Opera Orchestra (stereo
July 1958) Johannes
BRAHMS (1833 - 1897) Symphony
no. 1 in c, op. 68 (1876) [44.14]
Vienna State Opera Orchestra (mono
October 1952) Vienna Recordings made in
the Mozart-Saal, Konzerthaus, Vienna, Austria.
(1952-60) British recordings made in the
Walthamstow Town Hall, London, UK (1954)
German radio recording made in Lankwitz
Studio, Berlin, September 1959. Hermann
Scherchen conducting
Recordings are monophonic except the Schoenberg,
Byrd/Orff, Rezniček and Haydn. AAD
EMI CLASSICS IMG ARTISTS 7243 5 75956 2
9 [78.26 + 73.23] [CH]
I
don’t think you could doubt that a great
conductor and an original, enquiring mind
was in charge of every track here. ... see
Full Review