Salvatore 
          SACCO 
          (1572-c.1622) Missa 
          (1607) [26.10] Dialogus B.M.V [7.47] Litaniae Laurentanae [7.42] Gaudeamus 
          Omnes [2.03] Graduale (cantus planus) [3.56] Communio (cantus planus) 
          [1.22] Veni Sponsa Christa [3.10] Paolo QUAGLIATI 
          (c.1555-1628) Toccata dell’Ottavo Tuno [3.36] Canzona II [2.21] 
           Templum Musicae 
          Francesco Di Lernia (organ) Vincenzo Di Donato rec. Zocca, Modena, October 
          2003.
 Templum Musicae 
          Francesco Di Lernia (organ) Vincenzo Di Donato rec. Zocca, Modena, October 
          2003.  CARUS 83.191 
          [58.05][JW]
 CARUS 83.191 
          [58.05][JW]
         
          Groundbreaking 
            performances ... warmly sympathetic with 
            the voices youthful and well blended, the 
            direction athletic ... see Full 
            Review
           Harald 
            SÆVERUD 
            (1897-1992) Symphony 
            No. 2 op. 4 (1922, rev. 1934) [23:45] Romanza 
            for violin and orchestra op. 23a (1942) 
            [6:32]* Sumarnatt-Båtsong op. 
            14 no. 6 (1940) [7:41] Cinquanta Variazioni 
            Piccole op. 8 (1931-32) [5:52] Symphony 
            No. 4 op. 11 (1937) [21:33]
 
            Harald 
            SÆVERUD 
            (1897-1992) Symphony 
            No. 2 op. 4 (1922, rev. 1934) [23:45] Romanza 
            for violin and orchestra op. 23a (1942) 
            [6:32]* Sumarnatt-Båtsong op. 
            14 no. 6 (1940) [7:41] Cinquanta Variazioni 
            Piccole op. 8 (1931-32) [5:52] Symphony 
            No. 4 op. 11 (1937) [21:33]  Katribe Buvarp (violin) * Stavanger 
            Symphony Orchestra/Ole Kristian Ruud rec. 
            25-26 June 2001, Stavanger Concert Hall, 
            Norway. DDD
 
            Katribe Buvarp (violin) * Stavanger 
            Symphony Orchestra/Ole Kristian Ruud rec. 
            25-26 June 2001, Stavanger Concert Hall, 
            Norway. DDD  BIS-CD-1262 [66:51] [RB]
 
            BIS-CD-1262 [66:51] [RB]
          Triumphant. 
            A strong mix: accessible and subtle. Should 
            win many new and agreeably surprised friends 
            for Sæverud ... see Full 
            Review 
           RECORDING 
            OF THE MONTH Camille 
            SAINT-SAËNS 
            (1835-1921) Piano 
            Trio No.1 in F major Op.18 (1863) [25:30] 
            Piano Trio No.2 in E minor Op.92 (1891) 
            [34:22]
RECORDING 
            OF THE MONTH Camille 
            SAINT-SAËNS 
            (1835-1921) Piano 
            Trio No.1 in F major Op.18 (1863) [25:30] 
            Piano Trio No.2 in E minor Op.92 (1891) 
            [34:22]  Florestan Trio (Anthony Marwood (violin), 
            Richard Lester (cello) Susan Tomes (piano)) 
            rec. Henry Wood Hall, London, 21-23 December 
            2004
 
             Florestan Trio (Anthony Marwood (violin), 
            Richard Lester (cello) Susan Tomes (piano)) 
            rec. Henry Wood Hall, London, 21-23 December 
            2004  HYPERION CDA 67538 [60:03] [TH]
 
            HYPERION CDA 67538 [60:03] [TH]
          The 
            Florestan play with a warmth and homogeneity 
            that is hard to resist ... see Full 
            Review 
           
             Aulis 
            SALLINEN (b. 1935) Symphony No. 4 op. 49 
            (1979) [23:05] Symphony No. 2 Symphonic Dialogue op. 29 (1972) 
            [16:35] Horn Concerto Campane ed Arie op. 82 (2002) [21:23] 
            Mauermusik Op. 7 (1962) [9:48]
 Aulis 
            SALLINEN (b. 1935) Symphony No. 4 op. 49 
            (1979) [23:05] Symphony No. 2 Symphonic Dialogue op. 29 (1972) 
            [16:35] Horn Concerto Campane ed Arie op. 82 (2002) [21:23] 
            Mauermusik Op. 7 (1962) [9:48]  Eso Topani (horn) Martin Orraryd (percussion) Norrköping SO/Ari Rasilainen 
            rec. De Geer Hall, Norrkoping, 21-22 Oct 2003, 16-18 Jan 2003; 30-31 
            Oct 2003. DDD
 
            Eso Topani (horn) Martin Orraryd (percussion) Norrköping SO/Ari Rasilainen 
            rec. De Geer Hall, Norrkoping, 21-22 Oct 2003, 16-18 Jan 2003; 30-31 
            Oct 2003. DDD  CPO 
            999 969-2 [70:54][RB]
 CPO 
            999 969-2 [70:54][RB]
          Sallinen's 
            alternation of motivic cells is something of a hallmark. It is both 
            economic in style and engrossingly satisfying for the listener.  ... 
            see Full Review
          Vadim 
            SALMANOV 
            (1912-1978) The Four Symphonies CD1 
            [57:27] Symphony No. 1 in D minor (1952) (1 Largo. Allegro 
            [10:58]; 2 Andante non troppo [11:32]; 3 Presto [8:24) Symphony 
            No. 2 in G major (1959) (1 The Song of the Forest [3:36]; 2 Nature’s 
            Summons [8:58]; 3 At Sunset [7:19]; 4 The Forest Sings [6:36]) CD2 
            [59:39] Symphony No. 3 in A minor (1963) (1. Mesto. Allegro 
            Moderato [9:34]; 2 Andante [6:04]; Allegro vivace [4:42]; 4 Andante 
            non troppo [7:43) Symphony No. 4 in B minor (1972) (1 Moderato 
            [14:57]; 2 Marciale [6:58]; 3 Andante [9:37])  Symphony Orchestra of the Leningrad Philharmonia/Yevgeny Mravinsky 
            Rec. live Great Hall, Leningrad Philharmonia 20 Mar 1957 (1); 30 Sept 
            1960 (2); 24 May 1964 (3); 28 Jan 1977 (4); ADD
 
            Symphony Orchestra of the Leningrad Philharmonia/Yevgeny Mravinsky 
            Rec. live Great Hall, Leningrad Philharmonia 20 Mar 1957 (1); 30 Sept 
            1960 (2); 24 May 1964 (3); 28 Jan 1977 (4); ADD  IM LAB IMLCD073/74 [57:27 + 59:39] [RB]
 
            IM LAB IMLCD073/74 [57:27 + 59:39] [RB]
          Salmanov 
            may have thumped the tub at times but his 
            symphonies were more often rounded with 
            a curve into sleep than a thundering call 
            to arms. ... see Full 
            Review 
         
         
          Arnold 
          SCHOENBERG (1874-1951) Six A Capella 
          Mixed Choruses [17:54] String Quartet No. 2, Op. 10 [29:59] 
          Suite in G for String Orchestra [30:01]  Jennifer Welch-Babidge (soprano) Fred Sherry String Quartet Simon Joly 
          Singers Twentieth Century Classics Ensemble/Robert Craft (conductor) 
          rec. 28 April 2005, Abbey Road Studios, London (Six A Capella Mixed 
          Choruses); January 2005, American Academy of Arts and Letters, New 
          York (String Quartet No. 2); November 2004, American Academy 
          of Arts and Letters, New York (Suite in G). DDD
 
          Jennifer Welch-Babidge (soprano) Fred Sherry String Quartet Simon Joly 
          Singers Twentieth Century Classics Ensemble/Robert Craft (conductor) 
          rec. 28 April 2005, Abbey Road Studios, London (Six A Capella Mixed 
          Choruses); January 2005, American Academy of Arts and Letters, New 
          York (String Quartet No. 2); November 2004, American Academy 
          of Arts and Letters, New York (Suite in G). DDD  NAXOS 8.557521 [78:18][ABi]
 
          NAXOS 8.557521 [78:18][ABi] 
        A 
          considerable contribution to the Schoenberg discography. ... see Full 
          Review
         Ole 
          SCHMIDT (b. 
          1928) Suite for flute, string orchestra, harp and 
          percussion, 
          op. 21 (1960) (I Rondino; II Walzer; III Intermezzo; IV Marsch) Concerto 
          for flute and string orchestra (1985) (I Introduction; II Molto lento; 
          III Presto) Concerto for horn and chamber orchestra, op. 31 (1966) (I Largo; II Allegro giusto) 
          Concerto for tuba and orchestra, op. 42 (1975) (I;  II; III Allegro)
 
          Ole 
          SCHMIDT (b. 
          1928) Suite for flute, string orchestra, harp and 
          percussion, 
          op. 21 (1960) (I Rondino; II Walzer; III Intermezzo; IV Marsch) Concerto 
          for flute and string orchestra (1985) (I Introduction; II Molto lento; 
          III Presto) Concerto for horn and chamber orchestra, op. 31 (1966) (I Largo; II Allegro giusto) 
          Concerto for tuba and orchestra, op. 42 (1975) (I;  II; III Allegro) 
           Jens Bjørn-Larsen 
          (tuba) Ulla Miilmann (flute) David M.A.P. Palmqvist (horn) Danish National 
          Symphony Orchestra/Ole Schmidt rec. Danish Radio Concert Hall, 16-20 
          August 2004. DDD
 Jens Bjørn-Larsen 
          (tuba) Ulla Miilmann (flute) David M.A.P. Palmqvist (horn) Danish National 
          Symphony Orchestra/Ole Schmidt rec. Danish Radio Concert Hall, 16-20 
          August 2004. DDD  DACAPO 
          6.220515
 DACAPO 
          6.220515  [68:50][RB]
 
          [68:50][RB]
        Virile 
          recording quality ... wonderfully provocative 
          writing deeply harnessed to romantic models 
          but breathing a wholly contemporary ozone 
          ... see Full 
          Review
         
          Alfred SCHNITTKE 
          (1934-1998) 
          Concerto 
          Grosso No.1 for Two Violins, Harpsichord, 
          Prepared Piano and String Orchestra (1977) 
          [27.52] Concerto for Piano and Strings (1979) 
          [24.10]  Victor Kuleshov, (violin) Ilia Ioff, (violin) 
          Julia Lev (harpsichord and piano) (Concerto 
          Grosso) Veronica Reznikovskaya (piano) (Concerto 
          for Piano) St. Petersburg Mozarteum Chamber 
          Orchestra/Arcady Shteinlukht rec. 1995, Petersburg 
          Recording Studio, St. Petersburg, Russia. 
          DDD
 
          Victor Kuleshov, (violin) Ilia Ioff, (violin) 
          Julia Lev (harpsichord and piano) (Concerto 
          Grosso) Veronica Reznikovskaya (piano) (Concerto 
          for Piano) St. Petersburg Mozarteum Chamber 
          Orchestra/Arcady Shteinlukht rec. 1995, Petersburg 
          Recording Studio, St. Petersburg, Russia. 
          DDD  MANCHESTER CLASSICAL GALLERY CDMAN 175 [52.08] 
          [MC]
 
          MANCHESTER CLASSICAL GALLERY CDMAN 175 [52.08] 
          [MC]
        A 
          starting place to discover the orchestral 
          music of Schnittke. Excellent performances 
          of fascinating but challenging scores. ... 
          see Full 
          Review 
         RECORDING 
          OF THE MONTH 
          Franz SCHUBERT (1797-1828)
RECORDING 
          OF THE MONTH 
          Franz SCHUBERT (1797-1828) 
          
          Abendbilder: Bei dir allein 
          [02:08], Abendbilder [05:42], Himmelsfunken 
          [04:21], Dass sie hier gewesen [02:45], Drang 
          in die Ferne [03:44], Am Fenster [03:24], 
          Auf der Bruck [03:30], Des Fischers Liebesglück 
          [05:40], Der Winterabend [07:31], Das Zügenglöcklein 
          [04:43], Alinde [04:15], Fischerweise [02:52], 
          Im Abendrot [03:47], Der Musensohn [02:10], 
          Du bist die Ruh [04:50], Greisengesang [05:08], 
          Wilkommen und Abscheid [03:31]  Christian Gerhaher (baritone), Gerold Huber 
          (piano) rec. 18-21 September 2005, Hochschule 
          für Musik und Theater, München, 
          Grosser Konzertsaal
 
          Christian Gerhaher (baritone), Gerold Huber 
          (piano) rec. 18-21 September 2005, Hochschule 
          für Musik und Theater, München, 
          Grosser Konzertsaal  BMG-RCA RED SEAL 82876 777162 [70:02] 
          [CH]
 
          BMG-RCA RED SEAL 82876 777162 [70:02] 
          [CH]
        Lieder 
          singing of the highest order ... see Full 
          Review 
         Franz
                  SCHUBERT (1797–1828)  Deutsche
                  Schubert-Lied-Edition 21: Poets of Sensibility, Volume
                  4 Zufriedenheit (2nd setting) D501 [02:32];
                  Das Lied vom Reifen D532* [01:57]; An die Natur D372 [02:03];
                  Morgenlied D266* [03:03]; Blumenlied D431 [01:42]; Pflicht
                  und Liebe (Fragment) D467* [02:59]; Erntelied D434 [01:47];
                  Zufriedenheit (1st setting) D362 [02:09]; Mailied
                  D503* [02:07]; Die Mainacht D194 [02:47]; Am ersten Maimorgen
                  D344 [02:16]; An die Nachtigall D497* [01:25]; Daphne am Bach
                  D411* [02:57]; Frühlingslied D398 [01:24]; Phidile D500* [04:39];
                  Die Knabenzeit D400 [02:10]; An den Mond D468* [02:54]; An
                  die Nachtigall D196* [02:10]; Klage um Ali Bey D496A [02:58];
                  Abendlied D276* [04:54]; Winterlied D401 [02:12]; Am Grabe
                  Anselmos D504* [03:28]; Die Laube D214 [02:38]; Wiegenlied
                  ("Schlafe, süsser holder Knabe" D498* [03:16]  Birgid
                  Steinberger (soprano)*; Wolfgang Holzmair (baritone); Ulrich
                  Eisenlohr (fortepiano) rec. Bayrischer Rundfunk Studio 2, Munich,
                  Germany, 30 November - 5 December
2004
 Birgid
                  Steinberger (soprano)*; Wolfgang Holzmair (baritone); Ulrich
                  Eisenlohr (fortepiano) rec. Bayrischer Rundfunk Studio 2, Munich,
                  Germany, 30 November - 5 December
2004  NAXOS 8.557569 [62:27]
[CH]
 NAXOS 8.557569 [62:27]
[CH]
        Holzmair’s
                singing of “Die Mainacht” is worth the price on its own, but
                he sings only half the disc  ... see Full
                Review 
         Franz SCHUBERT (1797-1828) 
          The Late Schubert Piano Sonata No. 21 in B flat Major, D960 (1828) 
          [38:15] Drei Klavierstücke, D946 (1828) [32:20]
 
          Franz SCHUBERT (1797-1828) 
          The Late Schubert Piano Sonata No. 21 in B flat Major, D960 (1828) 
          [38:15] Drei Klavierstücke, D946 (1828) [32:20]  Oleg Marshev (piano) rec. Symfonien, Aalborg, Denmark, January 2005. 
          DDD
 
          Oleg Marshev (piano) rec. Symfonien, Aalborg, Denmark, January 2005. 
          DDD  DANACORD DACOCD 
          646 [70.09] [MC]
 DANACORD DACOCD 
          646 [70.09] [MC]
        Marshev
              breaths life into the music and is to be congratulated for conveying
              the true spirit of the music. ... see Full
              Review 
         Franz SCHUBERT (1797–1828) 
          String 
          Quartet No. 14 in D minor, D810 Death and the Maiden (1826) arranged 
          for string orchestra by Gustav MAHLER 
          [45.38] Gustav MAHLER (1860-1911) 
          Adagietto in F major for strings and harp, from Symphony No. 
          5 in C sharp minor (1901-03) [09.57]
 
          Franz SCHUBERT (1797–1828) 
          String 
          Quartet No. 14 in D minor, D810 Death and the Maiden (1826) arranged 
          for string orchestra by Gustav MAHLER 
          [45.38] Gustav MAHLER (1860-1911) 
          Adagietto in F major for strings and harp, from Symphony No. 
          5 in C sharp minor (1901-03) [09.57]  Kiev Chamber Orchestra/ 
          Roman Kofman, Ute Blaumer, harp (Adagietto) rec. Heiligkreuzkirche in 
          Bad Godesberg, Germany, 27-28 November 2003. DDD
 
          Kiev Chamber Orchestra/ 
          Roman Kofman, Ute Blaumer, harp (Adagietto) rec. Heiligkreuzkirche in 
          Bad Godesberg, Germany, 27-28 November 2003. DDD  MUSIKPRODUKTION 
          DABRINGHAUS UND GRIMM SACD MDG 601 1315-2
 
          MUSIKPRODUKTION 
          DABRINGHAUS UND GRIMM SACD MDG 601 1315-2 [55.47] [MC]
 
          [55.47] [MC]
        Real
              intensity of emotion ... a superb release and a certainty to be
              one of my Records of the Year ... see Full
              Review 
         Franz
                  SCHUBERT (1797-1828) Artur
                  Schnabel – The Complete Schubert Recordings: 1932-50 Impromptus
                  D.899 (recorded 1950) No.1 in C minor [8.53] No.2 in E flat
                  [4.10] No.3 in G flat [4.54] No.4 in A flat [6.08] Impromptus,
                  Op. posth. D.935 (recorded 1950) No.1 in F minor [9.04] No.2
                  in A flat [7.14] No.3 in B flat [9.44] No.4 In F minor [6.41]
                  Allegretto in C minor, D.915 (recorded 1939) [4.54] March in
                  E, D.606 (recorded 1939) 3.21] Moments musicaux, D.780 (recorded
                  1937) No.1 in C [4.33] No.2 in A flat [6.24] No.3 in F minor
                  [1.51] No.4 in C sharp minor [3.51] No.5 in F minor [1.15]
                  No.6 in A flat [6.37] Piano Sonata No. 18 in D D.850 (recorded
                  1939) [37.41] Piano Sonata No. 21 in A D.959 (recorded 1937)
                  [34.52] Piano Sonata No. 22 in B flat, D.960 (recorded 1939)
                  [36.48]
Piano Quintet in A, Op. posth. 114, D.667 (‘Trout’) (recorded 1935) # [35.16]Lieder (recorded
1932) @
Der Doppelganger – Schwanengesang D957  [4.15]
Die Stadt – Schwanengesang D957  [3.36] Gruppe aus dem Tartarus D583 [3.34] Der
Kreuzzug D932 [4.11] An die Laute D905 [2.01] Der Musensohn D764 [2.08] Erlkonig
D328 [5.09] Marches Militaires D.733 (Recorded 1937) * No 1 in D [3.47] No.2
in G [3.39] No.3 in E flat [4.45]
Divertissement à la Hongroise in G minor D.818 (recorded 1937) [31.37] March
in G minor D.819 No. 2 (recorded 1937) [4.11] March in B minor D.819 No. 3 (recorded
1937) [7.54]
Andantino varié in B minor D.823 (recorded 1937) [7.47]
Allegro in A minor (“Lebensstürme”), Op. posth. D.947 (recorded 1937) [12.25]
Rondo in A D.951 (1937) * [10.29]  Artur
Schanbel, piano, Karl Ulrich Schnabel, piano *, Pro Arte Quartet Members, Claude
Hobday, double bass #, Theresa Behr-Schnabel, contralto
@
 Artur
Schanbel, piano, Karl Ulrich Schnabel, piano *, Pro Arte Quartet Members, Claude
Hobday, double bass #, Theresa Behr-Schnabel, contralto
@  MUSIC & ARTS CD 1175 [5
CDs: 65:10 + 62:19 + 71:42 + 71:30 + 74:29 [JW]
 MUSIC & ARTS CD 1175 [5
CDs: 65:10 + 62:19 + 71:42 + 71:30 + 74:29 [JW]
        All
              in all this is an impressive restoration of Schnabel’s Schubert
              and I consider them the finest transfers of this body of work available.
              ... see Full Review 
         RECORDING 
          OF THE MONTH 
          Songs by Schubert’s
          Friends and Contemporaries          Carl BANCK (1809-1889) 
          Ludwig van BEETHOVEN 
          (1770-1827) Ludwig 
          BERGER (1777-1839) Jeannette 
          Antonie BÜRDE (b. 1799) Moritz 
          von DIETRICHSTEIN (1775-1864) Maximilian 
          EBERWEIN (1775-1831) Stephan 
          FRANZ (1785-1855) Adalbert 
          GYROWETZ (1760-1853) Franz 
          Joseph HAYDN (1732-1809) Carl 
          LOEWE (1796-1869) Ferdinand 
          HILLER (1811-1885) Johann 
          Nepomuk HUMMEL (1778-1837) Anselm 
          HÜTTENBRENNER (1794-1868) Conradin 
          KREUTZER (1780-1849) Nikolaus 
          von KRUFFT (1779-1818) Franz 
          Paul LACHNER (1803-1890) Franz 
          LISZT (1811-1886) Fanny 
          MENDELSSOHN (1805-1847) Felix 
          MENDELSSOHN (1809-1847) Giacomo 
          MEYERBEER (1791-1864) Sigismund 
          NEUKOMM (1778-1858) Johann 
          Vesque von PÜTTLINGEN (1803-1883) 
          Benedict RANDHARTINGER 
          (1802-1893) Johann 
          Friedrich REICHHARDT (1752-1814) Louise 
          REICHARDT (1779-1826) Gioacchino 
          ROSSINI (1792-1868) Antonio 
          SALIERI (1750-1825) Franz 
          SCHUBERT of Dresden (1768-1827) Robert 
          SCHUMANN (1810-1856) Simon 
          SECHTER (1788-1867) Louis 
          SPOHR (1784-1859) Václav 
          Jan Křtitel TOMAŠEK (1774-1850) 
          Johann Karl UNGER (1771-1836) 
           Karoline UNGER-SABATIER 
          (1803-1877) Carl 
          Maria von WEBER (1786-1826) 
          Joseph WEIGL (1766-1846) 
          August Heinrich von 
          WEYRAUCH (1788-1865) Carl 
          Friedrich ZELTER (1758-1832) Johann 
          Rudolf ZUMSTEEG (1760-1802) A full 
          track listing is provided at the end of the 
          review
RECORDING 
          OF THE MONTH 
          Songs by Schubert’s
          Friends and Contemporaries          Carl BANCK (1809-1889) 
          Ludwig van BEETHOVEN 
          (1770-1827) Ludwig 
          BERGER (1777-1839) Jeannette 
          Antonie BÜRDE (b. 1799) Moritz 
          von DIETRICHSTEIN (1775-1864) Maximilian 
          EBERWEIN (1775-1831) Stephan 
          FRANZ (1785-1855) Adalbert 
          GYROWETZ (1760-1853) Franz 
          Joseph HAYDN (1732-1809) Carl 
          LOEWE (1796-1869) Ferdinand 
          HILLER (1811-1885) Johann 
          Nepomuk HUMMEL (1778-1837) Anselm 
          HÜTTENBRENNER (1794-1868) Conradin 
          KREUTZER (1780-1849) Nikolaus 
          von KRUFFT (1779-1818) Franz 
          Paul LACHNER (1803-1890) Franz 
          LISZT (1811-1886) Fanny 
          MENDELSSOHN (1805-1847) Felix 
          MENDELSSOHN (1809-1847) Giacomo 
          MEYERBEER (1791-1864) Sigismund 
          NEUKOMM (1778-1858) Johann 
          Vesque von PÜTTLINGEN (1803-1883) 
          Benedict RANDHARTINGER 
          (1802-1893) Johann 
          Friedrich REICHHARDT (1752-1814) Louise 
          REICHARDT (1779-1826) Gioacchino 
          ROSSINI (1792-1868) Antonio 
          SALIERI (1750-1825) Franz 
          SCHUBERT of Dresden (1768-1827) Robert 
          SCHUMANN (1810-1856) Simon 
          SECHTER (1788-1867) Louis 
          SPOHR (1784-1859) Václav 
          Jan Křtitel TOMAŠEK (1774-1850) 
          Johann Karl UNGER (1771-1836) 
           Karoline UNGER-SABATIER 
          (1803-1877) Carl 
          Maria von WEBER (1786-1826) 
          Joseph WEIGL (1766-1846) 
          August Heinrich von 
          WEYRAUCH (1788-1865) Carl 
          Friedrich ZELTER (1758-1832) Johann 
          Rudolf ZUMSTEEG (1760-1802) A full 
          track listing is provided at the end of the 
          review  Susan Gritton (soprano); Stella Doufexis (soprano); 
          Ann Murray (mezzo); Mark Padmore (tenor); 
          Gerald Finley (baritone); Graham Johnson (piano) 
          rec. All Saints, East Finchley, London, August 
          2001, March, October 2004. DDD
 
          Susan Gritton (soprano); Stella Doufexis (soprano); 
          Ann Murray (mezzo); Mark Padmore (tenor); 
          Gerald Finley (baritone); Graham Johnson (piano) 
          rec. All Saints, East Finchley, London, August 
          2001, March, October 2004. DDD  HYPERION CDJ33051/3 [3 CDs: 78:25 + 77:02 
          + 78:17] [JQ]
 
          HYPERION CDJ33051/3 [3 CDs: 78:25 + 77:02 
          + 78:17] [JQ]
        This 
          is an absolutely first class set. It’s most 
          rewarding and stimulating to listen to and 
          I recommend it urgently to all lovers of lieder 
          as a truly indispensable purchase. Bravo, 
          Graham Johnson! Bravo, Hyperion! ... see Full 
          Review
                    William
          SCHUMAN (1910-1992) Symphony No.
          7 (1960) [28:57]
Symphony No. 10 American Muse (1976) [31:51]
 William
          SCHUMAN (1910-1992) Symphony No.
          7 (1960) [28:57]
Symphony No. 10 American Muse (1976) [31:51]  Seattle
Symphony/Gerard Schwarz rec. S. Mark Taper Foundation Auditorium, Benaroya Hall,
Seattle, WA. Nov 2003
(7); Sept 2004 (10). DDD
 Seattle
Symphony/Gerard Schwarz rec. S. Mark Taper Foundation Auditorium, Benaroya Hall,
Seattle, WA. Nov 2003
(7); Sept 2004 (10). DDD  NAXOS 8.559255 [60:48]
[JQ]
 NAXOS 8.559255 [60:48]
[JQ]
        This 
          CD confirms the impression of its predecessor that William Schuman was 
          a major American symphonist of the twentieth century.  ... see Full 
          Review 
          
          Robert
                  SCHUMANN (1810-1856) Symphony
                  No. 3 Rhenish (1850) [33:15] Overture, Scherzo and
                  Finale (1841 rev. 1845) [17:45] Symphonic Studies: Adagio and Allegro
                  brillante (orch. Tchaikovsky)
[8:10]
 Robert
                  SCHUMANN (1810-1856) Symphony
                  No. 3 Rhenish (1850) [33:15] Overture, Scherzo and
                  Finale (1841 rev. 1845) [17:45] Symphonic Studies: Adagio and Allegro
                  brillante (orch. Tchaikovsky)
[8:10]  Royal Philharmonic Orchestra/
Dirk Joeres rec. Walthamstow Town Hall, London, December 1999 (Sym); Air Studios,
Lyndhurst
Hall, London, January 1995 (Overture, Scherzo and Finale); Watford Town
Hall, England, June 2003 (Symphonic Studies). DDD
 Royal Philharmonic Orchestra/
Dirk Joeres rec. Walthamstow Town Hall, London, December 1999 (Sym); Air Studios,
Lyndhurst
Hall, London, January 1995 (Overture, Scherzo and Finale); Watford Town
Hall, England, June 2003 (Symphonic Studies). DDD  REGIS
RRC 1237 [60:00] [IL]
 REGIS
RRC 1237 [60:00] [IL]
        Fresh
              invigorating readings that can hold their own with the best in
              a crowded list of competitive recordings. ... see Full
              Review 
          Jose
                  Antonio Carlos de SEIXAS (1704-42) Harpsichord
                  Sonatas, Volume 1: Sonata No.36 in E minor [8:13] Sonata
                  No.19 in D major [3:46] Sonata No.18 in C minor [5:30] Sonata
                  No.34 in E major [3:46] Sonata No.44 in F minor [3:18] Sonata
                  No.43 in F minor [3:47] Sonata No.24 in D minor [1:57] Sonata
                  No.27 in D minor [4:54] Sonata No.42 in F minor [4:02] Sonata
                  No.37 in E minor [3:22] Sonata No.57 in A major [9:22] Sonata
                  No.10 in C major [15:16]
Sonata No.50 in G minor [3:50]
 Jose
                  Antonio Carlos de SEIXAS (1704-42) Harpsichord
                  Sonatas, Volume 1: Sonata No.36 in E minor [8:13] Sonata
                  No.19 in D major [3:46] Sonata No.18 in C minor [5:30] Sonata
                  No.34 in E major [3:46] Sonata No.44 in F minor [3:18] Sonata
                  No.43 in F minor [3:47] Sonata No.24 in D minor [1:57] Sonata
                  No.27 in D minor [4:54] Sonata No.42 in F minor [4:02] Sonata
                  No.37 in E minor [3:22] Sonata No.57 in A major [9:22] Sonata
                  No.10 in C major [15:16]
Sonata No.50 in G minor [3:50]  Débora
Halász (harpsichord) rec. Festsaal des Reitstadels, Neumarkt, Germany, 22-24
April 2003
 Débora
Halász (harpsichord) rec. Festsaal des Reitstadels, Neumarkt, Germany, 22-24
April 2003 NAXOS 8.557459 [71:02]
[GPu]
 NAXOS 8.557459 [71:02]
[GPu]
        This
              is a promising start to a very worthwhile project, and I look forward
              to future volumes ... see Full Review 
         
          Roger 
          SESSIONS (1896-1985) 
          Concerto 
          for Piano and Orchestra (1955-56) [18.29] Francis 
          THORNE (b. 1922) Piano Concerto No.3 (1989) [25.45]  Robert Taub (piano) – Sessions Ursula Oppens (piano) – Thorne Westchester 
          Philharmonic/Paul Lustig Dunkel rec. Studio A, Performing Arts Centre, 
          Purchase College, January 1993 (Thorne), January 1994 (Sessions)
 
          Robert Taub (piano) – Sessions Ursula Oppens (piano) – Thorne Westchester 
          Philharmonic/Paul Lustig Dunkel rec. Studio A, Performing Arts Centre, 
          Purchase College, January 1993 (Thorne), January 1994 (Sessions)  NEW WORLD RECORDS 80443-2 [44.19][JW]
 
          NEW WORLD RECORDS 80443-2 [44.19][JW]
        Thorne’s 
          concerto makes a real impression in this expert 
          performance while the power and command of 
          the Sessions’ concerto have not faded. ... 
          see Full 
          Review
         Testimony 
          - The Story of Shostakovich. Tony 
          Palmer’s film about Shostakovich starring 
          Ben Kingsley
 
          Testimony 
          - The Story of Shostakovich. Tony 
          Palmer’s film about Shostakovich starring 
          Ben Kingsley  
 
           DIGITAL 
          CLASSICS DVD DC 10010 [151:00] [RB]
DIGITAL 
          CLASSICS DVD DC 10010 [151:00] [RB]
        This 
          sombre piece of cinema is stunningly done 
          with enormous integrity. ... see Full 
          Review 
         
          Nikos 
          SKALKOTTAS (1904-1949) 
          The 
          Sea - Ballet Suite (1948-49) [45:15] Four Images (1948) [13:43] 
          Cretan Feast (orchestration by Skalkottas 
          of a work by Dmitri Mitropoulos) 
          (1919 orch. 1923-24) [7:20] Greek Dance in C minor (1949?) [5:07] 
           Iceland Symphony 
          Orchestra/Byron Fidetzis rec. June 2003, Haskolabio, Reykjavik, Iceland. 
          DDD
 Iceland Symphony 
          Orchestra/Byron Fidetzis rec. June 2003, Haskolabio, Reykjavik, Iceland. 
          DDD  BIS-CD-1384 [72:44][RB]
 BIS-CD-1384 [72:44][RB]
         
          This 
            along with the masterly Thirty-Six Greek Dances is one of the easiest 
            approaches to the genius of Skalkottas. ... see Full 
            Review
         
        Bedřich 
          SMETANA (1824-1884) 
          Ma Vlást: 2: Vltava  Rehearsal extracts [41:20] and performance [10:37] with introduction 
          [02:38] by Dieter Ertel Südfunk-Sinfonieorchester/Ferenc Fricsay A SDR 
          Stuttgart Production, recorded 1960. DVD (b/w) Subtitles: English, French, 
          Spanish, Italian
 
          Rehearsal extracts [41:20] and performance [10:37] with introduction 
          [02:38] by Dieter Ertel Südfunk-Sinfonieorchester/Ferenc Fricsay A SDR 
          Stuttgart Production, recorded 1960. DVD (b/w) Subtitles: English, French, 
          Spanish, Italian  TDK 
          DV-DOCFF
 TDK 
          DV-DOCFF  [c.55:00] [CH]
 [c.55:00] [CH]
        Tantalizingly, 
          this film is only half successful in its declared 
          aim of telling us “who Ferenc Fricsay was”. 
          ... see Full 
          Review 
         Bedřich 
          SMETANA 
          (1824-1884)Má 
          Vlast, complete (1874-1879) [78:58]
 
          Bedřich 
          SMETANA 
          (1824-1884)Má 
          Vlast, complete (1874-1879) [78:58] 
           Concertgebouw Orchestra/Antal Doráti 
          rec. Amsterdam Concertgebouw, September 1956 
          ADD Mono
 
          Concertgebouw Orchestra/Antal Doráti 
          rec. Amsterdam Concertgebouw, September 1956 
          ADD Mono  PHILIPS ELOQUENCE ICONS AUSTRALIA 476 
          8717 [78:58] [AtOr]
 
           PHILIPS ELOQUENCE ICONS AUSTRALIA 476 
          8717 [78:58] [AtOr]
        Doráti’s 
          mono Má Vlast for the first time on 
          CD but an also-ran in any comparative survey... 
          see Full 
          Review  
        
Kaikhosru
                Shapurji SORABJI (1892-1988) One
                Hundred Transcendental Studies, Nos. 1-25 (1940-44): Mouvementé [1:50];
                II. Vivace e leggiero [1:09]; III. [4:17]; IV. (Scriabinesco)
                [2:53]; V. Staccato e leggiero [1:24]; VI. [1:37]; VII. Leggiero
                abbastanza [1:07]; VIII. [1:56]; IX. Staccato e leggiero [0:58];
                X. Con brio ed impeto - Volante [3:09]; XI. (Animato
                abbastanza) [1:37]; XII. Leggiero quasi saltando [1:44];
                XIII. [3:31]; XIV. Tranquillamente soave [4:35]; XV. [1:40];
                XVI. [2:43]; XVII. Molto accentato [1:56]; XVIII. Liscio.
                Tranquillamente scorrevole [5:15]; IXX. Saltando e leggiero [2:12];
                XX. Con fantasia [5:24]; XXI. Con eleganza e disinvoltura [4:37];
                XXII. Leggiero volante e presto assai [1:24]; XXIII. Dolcemente
                scorrevole [4:00]; XXIV. Con fantasia e grazia [5:40];
                XXV. Vivace e secco [2:42]  Frederick
                Ullén (piano) rec. July 2003, December 2005, Nybrokajen
                11, Stockholm, Sweden. DDD
 Frederick
                Ullén (piano) rec. July 2003, December 2005, Nybrokajen
                11, Stockholm, Sweden. DDD  BIS
                CD 1373 [71:11] [RB]
 BIS
                CD 1373 [71:11] [RB] 
        
If
                you enjoy the piano music of York Bowen, Medtner, Foulds or Nancarrow
                and are prepared to go just the extra mile you should find this
                disc extremely rewarding. ... see Full
                Review 
        
 Richard 
          STRAUSS 
          (1864-1949) Ein 
          Heldenleben – Symphonic Poem Op.40 (1898) [47.24] Le Bourgeois 
          Gentilhomme – Suite for Orchestra Op.60 (1917) [34.23]
 Richard 
          STRAUSS 
          (1864-1949) Ein 
          Heldenleben – Symphonic Poem Op.40 (1898) [47.24] Le Bourgeois 
          Gentilhomme – Suite for Orchestra Op.60 (1917) [34.23]  Guy Braunstein (violin) Berlin Philharmonic Orchestra/Simon Rattle rec. 
          Philharmonie, Berlin, October 2005. DDD
 
          Guy Braunstein (violin) Berlin Philharmonic Orchestra/Simon Rattle rec. 
          Philharmonie, Berlin, October 2005. DDD  EMI CLASSICS 3 39339 2 [81.57][JW]
 
          EMI CLASSICS 3 39339 2 [81.57][JW]
        A 
          very problematic recording and a performance to match ... see Full 
          Review
         Richard 
          STRAUSS (1864-1949) String 
          Sextet from Capriccio (1942) [9:26] Alban 
          BERG (1885-1935) Piano Sonata in B minor, op. 
          1 (arranged for String Sextet by Heime Müller) 
          (1907, 2003) [12:16] Arnold 
          SCHÖNBERG (1874-1951) Verklärte 
          Nacht (1899) [28:58]
 Richard 
          STRAUSS (1864-1949) String 
          Sextet from Capriccio (1942) [9:26] Alban 
          BERG (1885-1935) Piano Sonata in B minor, op. 
          1 (arranged for String Sextet by Heime Müller) 
          (1907, 2003) [12:16] Arnold 
          SCHÖNBERG (1874-1951) Verklärte 
          Nacht (1899) [28:58]  Artemis Quartet (Natalia Prischepenko, Heime Müller, violins; Volker 
          Jacobsen, viola, Eckart Runge, cello); Members of the Alban Berg Quartet 
          (Thomas Kakuska, viola; Valentin Erben, cello). rec. WDR Radio, Cologne, 
          December 2002.
 
          Artemis Quartet (Natalia Prischepenko, Heime Müller, violins; Volker 
          Jacobsen, viola, Eckart Runge, cello); Members of the Alban Berg Quartet 
          (Thomas Kakuska, viola; Valentin Erben, cello). rec. WDR Radio, Cologne, 
          December 2002.  VIRGIN 0946 335130 2 [51:02][KS]
 
          VIRGIN 0946 335130 2 [51:02][KS]
        An 
          extremely satisfying disc worth its price just for the Berg. Played 
          to perfection, I can even overlook the occasional breath snort ... see 
          Full Review
        Igor 
          STRAVINSKY (1882-1971) 
          The Rake’s Progress (1951)  Trulove - Stafford Dean (bass) Anne - Cathryn Pope (soprano) Tom Rakewell 
          - Philip Langridge (tenor) Nick Shadow - Samuel Ramey (baritone) Mother 
          Goose - Astrid Varnay (mezzo) Baba the Turk - Sarah Walker (mezzo) Sellem 
          - John Dobson (tenor) Keeper - Matthew Best (bass) London Sinfonietta 
          Chorus London Sinfonietta/Riccardo Chailly rec. 1985, London
 
          Trulove - Stafford Dean (bass) Anne - Cathryn Pope (soprano) Tom Rakewell 
          - Philip Langridge (tenor) Nick Shadow - Samuel Ramey (baritone) Mother 
          Goose - Astrid Varnay (mezzo) Baba the Turk - Sarah Walker (mezzo) Sellem 
          - John Dobson (tenor) Keeper - Matthew Best (bass) London Sinfonietta 
          Chorus London Sinfonietta/Riccardo Chailly rec. 1985, London  DECCA 475 7005 [68.18 + 67.01][TB]
 
          DECCA 475 7005 [68.18 + 67.01][TB]
        The 
          sound has emerged with more clarity and depth and this has enhanced 
          the whole performance. The cast is well balanced and there are some 
          distinguished contributions from a talented array of singers ... see 
          Full Review
         Thomas 
          TALLIS (1505–1585) 
          Sancte Deus; Suscipe quaeso Domine; Salvator mundi; 
          Miserere nostri; In ieunio et fletu; If ye love me; 
          Loquebantur variis linquis; Candidi facti sunt; O Lord, 
          give thy Holy Spirit; O nata lux; Videte miraculum; 
          Verily, verily; O salutaris hostia; O sacrum convivium; 
          Thou wast, O God; Jesu, Salvator saeculi; Magnificat and 
          Nunc Dimittis in the Dorian mode; Te lucis ante terminum  The Rodolfus Choir/Ralph Allwood rec. December 2004, Eton College Chapel
 
          The Rodolfus Choir/Ralph Allwood rec. December 2004, Eton College Chapel 
           HERALD HAVPCD 305 
          [70.34][RH]
 HERALD HAVPCD 305 
          [70.34][RH]
        These 
          are lovely, well crafted performances ... see Full 
          Review
        Pyotr 
          Ilyich TCHAIKOVSKY 
          (1840-1893) Francesca 
          da Rimini Op.32 (1876) [22.42] Serenade for Strings in C 
          major Op.48 (1881) [28.08]  London Symphony Orchestra/Leopold Stokowski rec. Brent Town Hall, London, 
          October 1974. ADD
 
          London Symphony Orchestra/Leopold Stokowski rec. Brent Town Hall, London, 
          October 1974. ADD  PENTATONE 
          CLASSICS SACD 5186 122
 PENTATONE 
          CLASSICS SACD 5186 122  [51.04][JW]
 
          [51.04][JW]
        One 
          for the Stokowski completist ... see Full 
          Review
         Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) 
          The Piano Sonatas Sonata 
          No. 1 in F minor (1863-4) [10:52] Sonata No. 
          2 in C-sharp minor Op. 80 (1865) [27:13] Sonata 
          No. 3 in G-major Op. 37 [1878] Grand Sonata 
          [29:27]
 
          Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) 
          The Piano Sonatas Sonata 
          No. 1 in F minor (1863-4) [10:52] Sonata No. 
          2 in C-sharp minor Op. 80 (1865) [27:13] Sonata 
          No. 3 in G-major Op. 37 [1878] Grand Sonata 
          [29:27]  Leslie Howard (piano) rec. All Saints, 
          Petersham, 9-10 November 1993. DDD First released 
          as Hyperion CDA66939
 
          Leslie Howard (piano) rec. All Saints, 
          Petersham, 9-10 November 1993. DDD First released 
          as Hyperion CDA66939  HYPERION HELIOS CDH55215 [66:32] [WK]
 
          HYPERION HELIOS CDH55215 [66:32] [WK]
        Richter’s 
          power and poignancy produced extremely well-balanced 
          performances. Leslie Howard has a similar 
          approach although leaning more towards poignancy 
          ... see 
          Full Review 
         BARGAIN
                OF THE MONTH Pyotr Ilyich
                TCHAIKOVSKY (1840-1893) 
        CD1 RRC1212 [68:50]
Symphony No: 4 (1877) [43:20] Marche Slave (1876) [9:48] 1812 Overture
(1880) [15:19]* CD2 RRC1213 [63:46]
Symphony No: 5 (1888) [47:00] Capriccio Italien (1879) [16:42] CD3
RRC1214 [60:09] Symphony No: 6 (1893) [45:40]
Overture - The Storm (1864) [14:17]
 BARGAIN
                OF THE MONTH Pyotr Ilyich
                TCHAIKOVSKY (1840-1893) 
        CD1 RRC1212 [68:50]
Symphony No: 4 (1877) [43:20] Marche Slave (1876) [9:48] 1812 Overture
(1880) [15:19]* CD2 RRC1213 [63:46]
Symphony No: 5 (1888) [47:00] Capriccio Italien (1879) [16:42] CD3
RRC1214 [60:09] Symphony No: 6 (1893) [45:40]
Overture - The Storm (1864) [14:17]  London
Symphony Orchestra/Gennadi Rozhdestvensky, Yuri Ahronovitch * rec. All Saints,
Tooting, London, February 1987. DDD
 London
Symphony Orchestra/Gennadi Rozhdestvensky, Yuri Ahronovitch * rec. All Saints,
Tooting, London, February 1987. DDD  REGIS
RRC 3009 [3 CDs:
68:50 + 63:46 + 60:09] [RB]
 REGIS
RRC 3009 [3 CDs:
68:50 + 63:46 + 60:09] [RB]
        Little
              real competition in or out of budget price. Grippingly sensational
              sound and interpretative insight. Rozhdestvenky’s Tchaikovsky -
              the three last symphonies before they became routine ... see Full
              Review 
         Pyotr Ilyich TCHAIKOVSKY 
          (1840-1893) Orleanskaya Dieva (Maid 
          of Orleans, or Joan of Arc) - opera in four acts (1879) Text 
          by the composer after Schiller, tr. Zukovsky
 
          Pyotr Ilyich TCHAIKOVSKY 
          (1840-1893) Orleanskaya Dieva (Maid 
          of Orleans, or Joan of Arc) - opera in four acts (1879) Text 
          by the composer after Schiller, tr. Zukovsky  Joan of Arc - Nina Rautio, King Charles VII - Oleg Kulko, Agnes Sorel 
          - Maria Gavrilova, Archbishop - Gleb Nicolsky, Lionel - Vladimir Redkin, 
          Dunois - Mikhail Krutikov, Thibaut - Vyacheslav Pochapsky, Raymond - 
          Arkady Mishenkin, Bertrand - Maksim Mikhailov, Bolshoi Symphony Orchestra 
          and Chorus/Aleksandr Lazarev Designer, Valery Levental; Lighting, Alan 
          Woolford; Video Direction, Brian Large. rec. Bolshoi Theatre, Moscow, 
          Russia, June 1993. Subtitles in English, Deutsch, Castellano, Français, 
          Italiano, Portugués, Japanese. Notes in English. Track list, synopsis, 
          no texts or translations. NTSC 4:3. Dolby Digital 48kHz 16 bit 2.0 stereo. 
          Region 2,3,4,5. Region 1 edition available from Kultur video
 
          Joan of Arc - Nina Rautio, King Charles VII - Oleg Kulko, Agnes Sorel 
          - Maria Gavrilova, Archbishop - Gleb Nicolsky, Lionel - Vladimir Redkin, 
          Dunois - Mikhail Krutikov, Thibaut - Vyacheslav Pochapsky, Raymond - 
          Arkady Mishenkin, Bertrand - Maksim Mikhailov, Bolshoi Symphony Orchestra 
          and Chorus/Aleksandr Lazarev Designer, Valery Levental; Lighting, Alan 
          Woolford; Video Direction, Brian Large. rec. Bolshoi Theatre, Moscow, 
          Russia, June 1993. Subtitles in English, Deutsch, Castellano, Français, 
          Italiano, Portugués, Japanese. Notes in English. Track list, synopsis, 
          no texts or translations. NTSC 4:3. Dolby Digital 48kHz 16 bit 2.0 stereo. 
          Region 2,3,4,5. Region 1 edition available from Kultur video  WARNER MUSIC VISION NVC ARTS 4509-94191-2
 
          WARNER MUSIC VISION NVC ARTS 4509-94191-2  [149.00] [PSh]
 
          [149.00] [PSh]
        If
              you love Aïda and can forgive Rigoletto, you will very much enjoy
              this brilliant evening at the opera. ... see Full
              Review 
          Alexander
                  Nikolayevich TCHEREPNIN (1899–1977) Piano
                  Concerto No. 2 op. 26 (1923) [19:15] Piano Concerto No. 4 Fantasie op.
                  78 (1945) [29:15] Piano Concerto No. 6 op. 99 (1965) [27:28]
 Alexander
                  Nikolayevich TCHEREPNIN (1899–1977) Piano
                  Concerto No. 2 op. 26 (1923) [19:15] Piano Concerto No. 4 Fantasie op.
                  78 (1945) [29:15] Piano Concerto No. 6 op. 99 (1965) [27:28]  Murray
                  McLachlan (piano) Chetham’s Symphony Orchestra/Julian Clayton
                  rec. Studio 7, BBC Manchester, 1994-5. DDD recorded in association
                  with the Belaieff Foundation
 Murray
                  McLachlan (piano) Chetham’s Symphony Orchestra/Julian Clayton
                  rec. Studio 7, BBC Manchester, 1994-5. DDD recorded in association
                  with the Belaieff Foundation  REGIS
        FORUM FRC 9110 [76:10] [RB]
 REGIS
        FORUM FRC 9110 [76:10] [RB]
        Inventive 
          and engaging music bridging the gap between 
          Stravinsky and Prokofiev presented with sharply 
          defined clarity by a master of the genre and 
          an alert and accomplished orchestra. ... see 
          Full 
          Review 
         Olav 
          Anton THOMMESSEN (b.1946) 
          BULL's 
          eye (2003) [34:17] Please Accept my 
          Ears for violin and piano (1981) [5:46] 
          Cantabile (Etyde-cadenza) for 
          solo violin (1995) [14:33]
Olav 
          Anton THOMMESSEN (b.1946) 
          BULL's 
          eye (2003) [34:17] Please Accept my 
          Ears for violin and piano (1981) [5:46] 
          Cantabile (Etyde-cadenza) for 
          solo violin (1995) [14:33]  Peter Herresthal (violin) Gonzalo Moreno 
          (piano) Oslo Philharmonic Orchestra /Rolf 
          Gupta rec. May 2005, Oslo Concert Hall, Norway 
          (BULL’s Eye), November 2005 (Please 
          Accept my Ears) and December 1996 at Lindemansalen, 
          Norges musikkhøgskole, Oslo, Norway 
          (Cantabile)
 
          Peter Herresthal (violin) Gonzalo Moreno 
          (piano) Oslo Philharmonic Orchestra /Rolf 
          Gupta rec. May 2005, Oslo Concert Hall, Norway 
          (BULL’s Eye), November 2005 (Please 
          Accept my Ears) and December 1996 at Lindemansalen, 
          Norges musikkhøgskole, Oslo, Norway 
          (Cantabile)  
 
           BIS-SACD-1512 
          [55:35] [DC]
BIS-SACD-1512 
          [55:35] [DC]
        Something 
          of a must for the new music enthusiast. ... 
          see Full 
          Review 
         
          Sir Donald Francis 
          TOVEY 
          (1865-1940) Bride 
          of Dionysus Prelude (1918) [5.32] (arr.Shore/Vass) 
          Symphony in D Op. 32 (1913, rev. 1923) [58.03] 
           Malmö Opera Orchestra/George Vass rec. 
          Swedish Radio Studio 7, Malmö, Sweden, 
          27 May 2005. DDD
 
          Malmö Opera Orchestra/George Vass rec. 
          Swedish Radio Studio 7, Malmö, Sweden, 
          27 May 2005. DDD  TOCCATA CLASSICS TOCC 0033 [63.20] [PCW]
 
          TOCCATA CLASSICS TOCC 0033 [63.20] [PCW]
        Tovey’s 
          cause is well served by this disc ... see 
          Full Review 
          Giuseppe
                  VERDI (1813-1901) Giovanna
                  D’Arco, Opera in a prologue and three acts (1845) Libretto
                  by Temistocle Solera loosely based on Schiller’s drama Die
                  Jungfrau
von Orleans. First performed at the Teatro alla Scala, Milan, 15 February
1845
 Giuseppe
                  VERDI (1813-1901) Giovanna
                  D’Arco, Opera in a prologue and three acts (1845) Libretto
                  by Temistocle Solera loosely based on Schiller’s drama Die
                  Jungfrau
von Orleans. First performed at the Teatro alla Scala, Milan, 15 February
1845  Carlo VII. King of Spain, Vincenzo
La Scola (ten); Giacomo, a shepherd in Dom-Rémy, Renato Bruson (bar); Giovanna
D’Arco, his daughter, Susan Dunn (sop); Delil, an officer of the King, Pierre
Lefebvre (ten); Talbot, commander of the English army, Francesco Lodetti (bass)
Chorus and Orchestra of the Teatro Communale di Bologna/Riccardo Chailly rec.
live, Teatro Communale Bologna, December 1989 Produced by Radio Italiana in association
with NVC ARTS Stage producer Werner Herzog. Designer, Henning von Gierke Video
direction, Werner Herzog in association with Keith Cheetham Picture format: NTSC
4:3.Colour. Linear–PCM stereo. Subtitles in English, German, Spanish, French,
Portuguese and Japanese
 Carlo VII. King of Spain, Vincenzo
La Scola (ten); Giacomo, a shepherd in Dom-Rémy, Renato Bruson (bar); Giovanna
D’Arco, his daughter, Susan Dunn (sop); Delil, an officer of the King, Pierre
Lefebvre (ten); Talbot, commander of the English army, Francesco Lodetti (bass)
Chorus and Orchestra of the Teatro Communale di Bologna/Riccardo Chailly rec.
live, Teatro Communale Bologna, December 1989 Produced by Radio Italiana in association
with NVC ARTS Stage producer Werner Herzog. Designer, Henning von Gierke Video
direction, Werner Herzog in association with Keith Cheetham Picture format: NTSC
4:3.Colour. Linear–PCM stereo. Subtitles in English, German, Spanish, French,
Portuguese and Japanese  WARNER
MUSIC VISION DVD VIDEO 9031-71478-2
 WARNER
MUSIC VISION DVD VIDEO 9031-71478-2  [126:00]
[RJF]
 [126:00]
[RJF]
        Despite
              reservations as to the two principals, this well staged and conducted
              performance has given me significantly greater insight into Giovanna
              D’Arco as well as considerable musical enjoyment ... see Full
              Review 
         Antonio 
          VIVALDI (1678 
          -1741) Tito 
          Manlio – opera in three acts (1720) 
          [185:00] Tito: Nicola Ulivieri (bass-baritone) 
          Manlio: Karina Gauvin (soprano) Servilia: 
          Ann Hallenberg (mezzo) Vitellia: Marijana 
          Mijanovic (contralto) Lucio: Debora Beronesi 
          (mezzo) Decio: Barbara di Castri (mezzo) Geminio: 
          Mark Milhofer (tenor) Lindo: Christian Senn 
          (bass-baritone)
Antonio 
          VIVALDI (1678 
          -1741) Tito 
          Manlio – opera in three acts (1720) 
          [185:00] Tito: Nicola Ulivieri (bass-baritone) 
          Manlio: Karina Gauvin (soprano) Servilia: 
          Ann Hallenberg (mezzo) Vitellia: Marijana 
          Mijanovic (contralto) Lucio: Debora Beronesi 
          (mezzo) Decio: Barbara di Castri (mezzo) Geminio: 
          Mark Milhofer (tenor) Lindo: Christian Senn 
          (bass-baritone)  Academia Bizantina/Ottavio Dantone rec. Sala 
          del Refettorio di S.Vitale of the Museo Nationale 
          of San Vitale, 27, 30 October 2004
 
          Academia Bizantina/Ottavio Dantone rec. Sala 
          del Refettorio di S.Vitale of the Museo Nationale 
          of San Vitale, 27, 30 October 2004  NAÏVE OP30413 [3 CDs: 63:16 + 60:08 
          + 61:33] [IB]
 
          NAÏVE OP30413 [3 CDs: 63:16 + 60:08 
          + 61:33] [IB]
        The 
          competition will have to be exceptional to 
          supplant this set. This is living breathing 
          drama ... see Full 
          Review 
         Antonio
                  VIVALDI (1678-1741) Arsilda,
                  Regina di Ponto - opera in three acts (RV 700)  Elena
                  Cecchi Fedi (Mirinda), Nicky Kennedy (Barzane), Alessandra
                  Rossi (Nicandro) (soprano); Simonetta Cavalli (Arsilda), Lucia
                  Sciannimanico (Lisea) (mezzo); Joseph Cornwell (Tamese) (tenor);
                  Sergio Foresti (Cisardo) (bass) Coro da Camera Italiano; Modo
                  Antiquo/Federico Maria Sardelli rec. July 2001, Chiesa del
                  Santissimo Crocifisso, Barga, Italy. DDD
 Elena
                  Cecchi Fedi (Mirinda), Nicky Kennedy (Barzane), Alessandra
                  Rossi (Nicandro) (soprano); Simonetta Cavalli (Arsilda), Lucia
                  Sciannimanico (Lisea) (mezzo); Joseph Cornwell (Tamese) (tenor);
                  Sergio Foresti (Cisardo) (bass) Coro da Camera Italiano; Modo
                  Antiquo/Federico Maria Sardelli rec. July 2001, Chiesa del
                  Santissimo Crocifisso, Barga, Italy. DDD  CPO
        999 740-2 [68:55 + 57:07 + 40:10] [JV]
 CPO
        999 740-2 [68:55 + 57:07 + 40:10] [JV]
        An
              interesting recording of the original version of Vivaldi's third
              opera - the singing and playing is generally good, but can't make
              up for the lack of drama and emotion ... see Full
              Review 
         Richard 
          WAGNER (1813-1883) 
          Das Rheingold (1869)
 Richard 
          WAGNER (1813-1883) 
          Das Rheingold (1869)  John Bröcheler (bass-baritone) – Wotan; Jürgen Freier (baritone) – Donner; 
          Albert Bonnema (tenor) – Froh; Chril Merritt (tenor) – Loge; Henk Smit 
          (baritone) – Alberich; Graham Clark (tenor) – Mime; Peter Mikuláš (bass) 
          – Fasolt; Carsten Stabell (bass) – Fafner; Reinhild Runkel (mezzo) – 
          Fricka; Carola Höhn (soprano) – Freia; Anne Gjevang (contralto) – Erda; 
          Gabriele Fontana (soprano) – Woglinde; Hanna Schaer (mezzo) – Wellgunde; 
          Catherine Keen (contralto) – Flosshilde Residentie Orchestra, The Hague/Hartmut 
          Haenchen rec. live, Het Muziektheater, Amsterdam, 1999 Stage Director: 
          Pierre Audi; Set Design: George Tsypin; Costume Design: Eiko Ishioka; 
          Light Design: Wolfgang Göbbel; Dramaturgy: Klaus Bertisch TV Director: 
          Misjel Vermeiren Sung in German with subtitles in English, French, German, 
          Spanish, Italian, Dutch and Japanese Includes “The Forging of the Ring”, 
          Roland Hazendonk’s documentary introduction to Wagner’s Ring 
          from Het Muziektheater Amsterdam, including interviews with Hartmut 
          Haenchen, Pierre Audi and principal members of the cast.
 
          John Bröcheler (bass-baritone) – Wotan; Jürgen Freier (baritone) – Donner; 
          Albert Bonnema (tenor) – Froh; Chril Merritt (tenor) – Loge; Henk Smit 
          (baritone) – Alberich; Graham Clark (tenor) – Mime; Peter Mikuláš (bass) 
          – Fasolt; Carsten Stabell (bass) – Fafner; Reinhild Runkel (mezzo) – 
          Fricka; Carola Höhn (soprano) – Freia; Anne Gjevang (contralto) – Erda; 
          Gabriele Fontana (soprano) – Woglinde; Hanna Schaer (mezzo) – Wellgunde; 
          Catherine Keen (contralto) – Flosshilde Residentie Orchestra, The Hague/Hartmut 
          Haenchen rec. live, Het Muziektheater, Amsterdam, 1999 Stage Director: 
          Pierre Audi; Set Design: George Tsypin; Costume Design: Eiko Ishioka; 
          Light Design: Wolfgang Göbbel; Dramaturgy: Klaus Bertisch TV Director: 
          Misjel Vermeiren Sung in German with subtitles in English, French, German, 
          Spanish, Italian, Dutch and Japanese Includes “The Forging of the Ring”, 
          Roland Hazendonk’s documentary introduction to Wagner’s Ring 
          from Het Muziektheater Amsterdam, including interviews with Hartmut 
          Haenchen, Pierre Audi and principal members of the cast.  OPUS ARTE OA 0946 D
 
          OPUS ARTE OA 0946 D  [2 DVDs: 68:02 + 80:45][GF]
 
          [2 DVDs: 68:02 + 80:45][GF]
        As 
          a visual and theatrical experience this became rather thrilling but 
          for superior singing one has to look elsewhere ... see Full 
        Review
          Richard
                  WAGNER (1813-1883)  Das
                  Rheingold (1854)
 Richard
                  WAGNER (1813-1883)  Das
                  Rheingold (1854)  Wotan
                  - (bass)  – John Tomlinson, Donner - (baritone) – Bodo Brinkmann,
                  Froh - (tenor) – Kurt Schreibmayer, Loge - (tenor) – Graham
                  Clark, Mime - (tenor) – Helmut Pampuch, Alberich - (baritone) – Günter
                  von Kannen, Fasolt - (bass) – Matthias Hölle, Fafner - (bass) – Philip
                  Kang, Fricka - (mezzo) – Linda Finnie, Freia - (soprano) – Eva
                  Johansson, Erda - (mezzo) – Birgitta Svenden, Woglinde - (soprano) – Hilde
                  Leidland, Wellgunde - (mezzo) – Annette Küttenbaum, Flosshilde
                  - (mezzo) – Jane Turner, Orchestra of the Bayreuth Festpiele/Daniel
                  Barenboim. Directed for the stage by Harry Kupfer. Designed
                  by Hans Schavernoch. Directed for video by Horant H.Hohlfeld
                  rec. live, Bayreuth Festspielhaus, June/July 1991
 Wotan
                  - (bass)  – John Tomlinson, Donner - (baritone) – Bodo Brinkmann,
                  Froh - (tenor) – Kurt Schreibmayer, Loge - (tenor) – Graham
                  Clark, Mime - (tenor) – Helmut Pampuch, Alberich - (baritone) – Günter
                  von Kannen, Fasolt - (bass) – Matthias Hölle, Fafner - (bass) – Philip
                  Kang, Fricka - (mezzo) – Linda Finnie, Freia - (soprano) – Eva
                  Johansson, Erda - (mezzo) – Birgitta Svenden, Woglinde - (soprano) – Hilde
                  Leidland, Wellgunde - (mezzo) – Annette Küttenbaum, Flosshilde
                  - (mezzo) – Jane Turner, Orchestra of the Bayreuth Festpiele/Daniel
                  Barenboim. Directed for the stage by Harry Kupfer. Designed
                  by Hans Schavernoch. Directed for video by Horant H.Hohlfeld
                  rec. live, Bayreuth Festspielhaus, June/July 1991  WARNER
                  CLASSICS UNITEL 2564
62318-2
 WARNER
                  CLASSICS UNITEL 2564
62318-2  [154:00] [TH]
 [154:00] [TH]
        A 
          tremendously vital and imaginative post-modern 
          production that is wonderfully matched by 
          Barenboim’s conducting. ... see Full 
          Review
         Richard 
          WAGNER (1813-1883) Die 
          Walküre (1870)
 
           
          Richard 
          WAGNER (1813-1883) Die 
          Walküre (1870)  John Bröcheler (bass-baritone) 
          – Wotan; John Keyes (tenor) – Siegmund; Kurt Rydl (bass) – Hunding; 
          Nadine Secunde (soprano) – Sieglinde; Jeannine Altmeyer (soprano) – 
          Brünnhilde; Reinhild Runkel (mezzo) – Fricka; Kirsi Tiihonen (soprano) 
          – Helmwige; Annegeer Stumphius (soprano) – Ortlinde; Irmgard Vilsmaier 
          (soprano) – Gerhilde; Hanna Schaer (mezzo) – Waltraute; Catherine Keen 
          (mezzo) – Siegrune; Elzbieta Ardam (contralto) – Rossweisse; Regina 
          Mauel (contralto) – Grimgerde; Hebe Dijkstra (contralto) – Schwertleite 
          Netherlands Philharmonic Orchestra/Hartmut Haenchen Stage direction: 
          Pierre Audi; Set design: George Tsypin; Costume design: Eiko Ishioka; 
          Light design: Wolfgang Göbbel; Dramaturgy: Klaus Bertisch; TV Director: 
          Hans Hulscher rec. live, Het Muziektheater, Amsterdam, 1999
 John Bröcheler (bass-baritone) 
          – Wotan; John Keyes (tenor) – Siegmund; Kurt Rydl (bass) – Hunding; 
          Nadine Secunde (soprano) – Sieglinde; Jeannine Altmeyer (soprano) – 
          Brünnhilde; Reinhild Runkel (mezzo) – Fricka; Kirsi Tiihonen (soprano) 
          – Helmwige; Annegeer Stumphius (soprano) – Ortlinde; Irmgard Vilsmaier 
          (soprano) – Gerhilde; Hanna Schaer (mezzo) – Waltraute; Catherine Keen 
          (mezzo) – Siegrune; Elzbieta Ardam (contralto) – Rossweisse; Regina 
          Mauel (contralto) – Grimgerde; Hebe Dijkstra (contralto) – Schwertleite 
          Netherlands Philharmonic Orchestra/Hartmut Haenchen Stage direction: 
          Pierre Audi; Set design: George Tsypin; Costume design: Eiko Ishioka; 
          Light design: Wolfgang Göbbel; Dramaturgy: Klaus Bertisch; TV Director: 
          Hans Hulscher rec. live, Het Muziektheater, Amsterdam, 1999  OPUS ARTE OA 0947 D
 
          OPUS ARTE OA 0947 D  [3 DVDs: 65:22 + 92:34 + 73:14][GF]
 
          [3 DVDs: 65:22 + 92:34 + 73:14][GF]
        A 
          quality of timelessness. The viewer is forced to focus on the interactions 
          and conflicts between the main characters. That is the real strength 
          of this performance. All in all a quality product. ... see Full 
          Review
         William WALTON (1902-1983) 
          Symphony 
          No. 1 in b-flat minor. (1931-35) [46:01]
 
          William WALTON (1902-1983) 
          Symphony 
          No. 1 in b-flat minor. (1931-35) [46:01]  London Symphony Orchestra/Sir Colin Davis rec. 23 September and 5 December 
          2005, Barbican Centre, London.
 
          London Symphony Orchestra/Sir Colin Davis rec. 23 September and 5 December 
          2005, Barbican Centre, London.  LSO LIVE LSO0076 [46:01] [KS]
 
          LSO LIVE LSO0076 [46:01] [KS]
        Signature 
          Walton, jammed with the triumphant rhythms 
          and open harmonies that bring the listener 
          to a glorious mountain summit. Sheer passionate 
          exhilaration. ... see Full 
          Review  
         
          Mieczyslaw 
          WEINBERG 
          (Moisei VAINBERG) (1919-1996) 
          Piano 
          Quintet Op.18 (1944) [39.43] * Quartet No.8 in C minor Op.66 (1959) 
          [15.30]  Borodin Quartet 
          Mieczyslaw Weinberg (piano) * rec. Moscow1963 (Quintet) and 1961 (Quartet)
 Borodin Quartet 
          Mieczyslaw Weinberg (piano) * rec. Moscow1963 (Quintet) and 1961 (Quartet) 
           MELODIYA MEL CD 10 00979 
          [55.35][JW]
 MELODIYA MEL CD 10 00979 
          [55.35][JW]
        Two 
          big, powerful and comprehensively impressive musical statements. ... 
          see Full Review
         Judith 
          WEIR (b. 
          1954) The Consolations of Scholarship (1985) 
          [22:28] (1, 4) Piano Concerto (1997) [16:38] (2, 5) King Harald’s 
          Saga (1979) [13:28] (3) Musicians Wrestle Everywhere (1995) 
          [12:32] (5)
  
          Judith 
          WEIR (b. 
          1954) The Consolations of Scholarship (1985) 
          [22:28] (1, 4) Piano Concerto (1997) [16:38] (2, 5) King Harald’s 
          Saga (1979) [13:28] (3) Musicians Wrestle Everywhere (1995) 
          [12:32] (5)  Janice 
          Felty (soprano) (1) Xan Bjerken (piano) (2) Judith Kellock (soprano) 
          (3) Ensemble X/Steve Stucky (4) Ensemble X/Mark Davis Scatterday (5) 
          rec. 19-21 April 2002, James J. Neylan Room, Lincoln Hall, Cornell University, 
          Ithaca, New York. DDD
 Janice 
          Felty (soprano) (1) Xan Bjerken (piano) (2) Judith Kellock (soprano) 
          (3) Ensemble X/Steve Stucky (4) Ensemble X/Mark Davis Scatterday (5) 
          rec. 19-21 April 2002, James J. Neylan Room, Lincoln Hall, Cornell University, 
          Ithaca, New York. DDD  ALBANY RECORDS TROY803 [64.51][RH]
 
          ALBANY RECORDS TROY803 [64.51][RH]
        I 
          can wholeheartedly recommend this disc to those who would like to get 
          to know the music of this approachable but elusive composer. ... see 
          Full Review
        Dan 
          WELCHER 
          (b.1948) Haleakala: How Maui Snared 
          the Sun (Tone Poem)* (1991) [22:32] Prairie Light: Three 
          Texas Watercolours of Georgia O’Keefe (1985) [14:20] Concerto for 
          Clarinet and Orchestra** (1989) [20:13]  *Richard Chamberlain (narrator); ** Bil Jackson (clarinet) Honolulu 
          Symphony Orchestra/Donald Johanos; rec. 10 January 1992, Blaisdell Concert 
          Hall, Honolulu, Hawaii
 
          *Richard Chamberlain (narrator); ** Bil Jackson (clarinet) Honolulu 
          Symphony Orchestra/Donald Johanos; rec. 10 January 1992, Blaisdell Concert 
          Hall, Honolulu, Hawaii  NAXOS 8.559287 [57:06] [GPu]
 
          NAXOS 8.559287 [57:06] [GPu]
        Prairie
              Light, a response to the paintings of Georgia O’Keefe, is a fine
              piece and the Concerto for Clarinet is thoroughly entertaining – the
              only disappointment comes with the title work ... see Full
              Review 
         Dan 
          WELCHER (b. 
          1948) Haleakala: How Maui Snared the Sun (1991) 
          [22.32] Prairie Light: Three Texas Watercolors of Georgia O’Keeffe 
          (1985) [14.20] Clarinet Concerto (1989) [20.13]  Richard Chamberlain (narrator) Bil Jackson (clarinet) Honolulu Symphony 
          Orchestra/Donald Johanos rec. 10 January 1992, Blaisdell Concert Hall, 
          Honolulu, Hawaii. DDD
 
          Richard Chamberlain (narrator) Bil Jackson (clarinet) Honolulu Symphony 
          Orchestra/Donald Johanos rec. 10 January 1992, Blaisdell Concert Hall, 
          Honolulu, Hawaii. DDD  NAXOS 8.559287 [57.06][RH]
 
          NAXOS 8.559287 [57.06][RH]
        A 
          fascinating disc but now that the disc is 
          on my library shelves I am honestly not sure 
          how often I will listen to it again. ... see 
          Full 
          Review
         
          Haydn WOOD 
          (1882-1959) Horse
           Guards - Whitehall (from London 
          Landmarks Suite) Orchestre Raymonde/Robert 
          Preston [3:11] Joyousness - Concert 
          Waltz (from Moods Suite) Light Symphony 
          Orchestra/Haydn Wood [4:18] Laughing Cavalier 
          (Haydn Wood) New Concert Orchestra/Jack 
          Leon [3:01] Longing London Palladium 
          Orchestra/ Richard Crean [3:02] Roses of 
          Picardy Peter Yorke and his Concert Orchestra 
          featuring Freddy Gardner, saxophone [2:33] 
          Seville (from Cities of Romance 
          Suite) BBC Variety Orchestra/Charles Shadwell 
          featuring Reginald Foort, organ [2:35] The 
          Seafarer - A Nautical Rhapsody (Haydn 
          Wood) Intro: Hulla Balloo Balay, 
          Rio Grande, Leave Her Johnnie Leave 
          Her, Drunken Sailor, Shenandoah, 
          When Johnnie Comes Down To Hilo, Roving 
          Charles Williams and his Concert Orchestra 
          [7:38] Montmartre (from Paris 
          Suite) Debroy Somers Band [2:47]          Nelson's Column -
          Overture (from London 
          Landmarks Suite) Queen's Hall Light Orchestra/Charles 
          Williams [3:05] Soliloquy Queen's Hall 
          Light Orchestra/Robert Farnon [3:11]           Homage March Light
          Symphony Orchestra/Haydn  Wood [4:13] Bird of Love Divine           London
          Palladium Orchestra/Richard Crean [3:37] 
          Vienna (from Frescoes Suite) 
          New Concert Orchestra/Serge Krish [4:07] Mannin 
          Veen (Dear Isle Of Man) Light Symphony 
          Orchestra/Haydn Wood [8:55] Caprice (from 
          Moods Suite) Queen's Hall Light Orchestra/Charles 
          Williams [2:18] Tower Hill (from London 
          Landmarks Suite) Queen's Hall Light Orchestra/Charles 
          Williams [3:15] I Hear You Calling Me (Charles 
          Marshall arr. Haydn Wood) London Palladium 
          Orchestra/Richard Crean [4:15] Torch of 
          Freedom - Grand March 
          New Concert Orchestra/Jack Leon [2:34] Stanford 
          Rhapsody (founded on Sir Charles Villiers 
          Stanford's Songs of the Sea) (Haydn 
          Wood) Intro: Drake's Drum, 
          Homeward Bound, Devon O Devon In Wind 
          And Rain, The Old Superb  Debroy Somers Band [8:19] Recorded 1933-52
 
           Debroy Somers Band [8:19] Recorded 1933-52 
           GUILD LIGHT MUSIC GLCD 5121 [77.57] [JW]
 
        GUILD LIGHT MUSIC GLCD 5121 [77.57] [JW]
        Haydn 
          Wood interpreted with engaging brio ... All 
          is set fair for a rip-roaring programme and 
          so it proves. ... see Full 
          Review  
        
 
           Dag
           WIRÉN 
          (1905-1986) Symphony No. 2 op. 14 (1939) [30’26]
           Symphony No. 3 op. 20 (1944) [22’12] Concert Overture No. 1 op. 2
           (1931)  [7’45] 
          Concert Overture No. 2 op. 16 (1940) [5’11]
 Dag
           WIRÉN 
          (1905-1986) Symphony No. 2 op. 14 (1939) [30’26]
           Symphony No. 3 op. 20 (1944) [22’12] Concert Overture No. 1 op. 2
           (1931)  [7’45] 
          Concert Overture No. 2 op. 16 (1940) [5’11]  Norrköping Symphony Orchestra/ Thomas Dausgaard rec. De Geerhallen, 
          Norrköping, 3-5 February 1999
 
          Norrköping Symphony Orchestra/ Thomas Dausgaard rec. De Geerhallen, 
          Norrköping, 3-5 February 1999  CPO 999 677-2 [65’38] [DJB]
 
          CPO 999 677-2 [65’38] [DJB]
        Anyone
              who enjoys the symphonies of Sibelius, and in fact, well-crafted,
              melodic 20th century orchestral music in general, should
              not hesitate over this disc ... see Full
              Review 
         
          Eugène 
          YSAŸE (1858-1931) 
          Works for Violin and Orchestra  Poème élégiaque (orch. 
          Jacques Ysaÿe) Op.12 [14:47] Chant 
          d’hiver Op. 15 in B minor (1902) [12:10] Berceuse Op. 20 
          in F minor [4:59] Les neiges d’antan Op.23 [9:28] Violin Concerto 
          [No. 8] [24.10] Divertimento Op. 24 [11.23]  Albrecht Laurent Breuninger (violin) North West German Philharmonic 
          Orchestra/Welisar Gentscheff rec. West German Radio, Herford, Schützenhof, 
          1998-99
 
          Albrecht Laurent Breuninger (violin) North West German Philharmonic 
          Orchestra/Welisar Gentscheff rec. West German Radio, Herford, Schützenhof, 
          1998-99  CPO 777 051-2 
          [77.00][JW]
 CPO 777 051-2 
          [77.00][JW]
        Performances 
          are warm and lyric though rather laid-back. An intriguing sidelight 
          on Ysaÿe’s more prominent and bracingly up-to-date solo sonatas. ... 
          see Full Review
         
          Man-Ching 
          ‘Donald’ YU (b. 
          1980) Illusions: Music of Man-Ching ‘Donald’ 
          Yu  Hell and Heaven for piano (2003) [06.18] Fantasy on ‘The Lady 
          of Shallot’ for piano (2003) [06.39] haos’ for piano (2002) [04.45] 
          Uncertainty for piano (2004) [03.45] Sonata No. 1, ‘Grand Concert Fantasy’ 
          (2000) for piano [08.57] Five Japanese Lyrics for soprano and piano 
          (2001) [13.17] Sonnet No. 104 for mezzo-soprano and piano (2002) [03.02] 
          Illusion for oboe and piano (2003) [05.10] Dark Rhapsody for cello and 
          piano (2003) [04.13] Five Miniatures for Piano (2001) [04.39] Sonata 
          No. 2, ‘Humoresque’ for piano (2000) [07.10]  Man-Ching ‘Donald’ Yu, (piano) Kristi Foster, (soprano) Xia Heng, (mezzo) 
          Euridice M. Alvarez Izcoa, (oboe) Jeremy Shih, (cello) No recording 
          dates or venues provided
 
          Man-Ching ‘Donald’ Yu, (piano) Kristi Foster, (soprano) Xia Heng, (mezzo) 
          Euridice M. Alvarez Izcoa, (oboe) Jeremy Shih, (cello) No recording 
          dates or venues provided  ZIMBEL RECORDS #ZR113 [67.44][MC]
 
          ZIMBEL RECORDS #ZR113 [67.44][MC]
        Interesting 
          short scores ... reasonably appealing and always accessible. Some enjoyable 
          moments but 
          not enough to tempt me to return. ... see Full 
          Review
         Judith Lang ZAIMONT 
          (b.1945) The Vocal-Chamber Art Greyed 
          Sonnets (1975) [13:13]1 Chansons Nobles et Sentimentales 
          (1974) [12:50]2 Songs of Innocence (1974) [1974] 
          [10:36]3 Two Songs for soprano and harp [1978] [10:14]4 
          The Magic World (1979-80) [24:59]5
 
          Judith Lang ZAIMONT 
          (b.1945) The Vocal-Chamber Art Greyed 
          Sonnets (1975) [13:13]1 Chansons Nobles et Sentimentales 
          (1974) [12:50]2 Songs of Innocence (1974) [1974] 
          [10:36]3 Two Songs for soprano and harp [1978] [10:14]4 
          The Magic World (1979-80) [24:59]5  1 Elena Tyminski (soprano); Judith Lang Zaimont (piano) 2 
          Charles Bressler (tenor); Judith Lang Zaimont (piano) 3 Elena 
          Tyminski (soprano); Price Brown (tenor); Patricia Spencer (flute); Barbara 
          Bogatin (cello); Nancy Allen (harp) 4 Berenice Bramson (soprano); 
          Sara Cutler (harp) 5 David Arnold (baritone); Zita Zohar 
          (piano); Jonathan Haas (percussion) rec. 1977-1983. ADD
 
          1 Elena Tyminski (soprano); Judith Lang Zaimont (piano) 2 
          Charles Bressler (tenor); Judith Lang Zaimont (piano) 3 Elena 
          Tyminski (soprano); Price Brown (tenor); Patricia Spencer (flute); Barbara 
          Bogatin (cello); Nancy Allen (harp) 4 Berenice Bramson (soprano); 
          Sara Cutler (harp) 5 David Arnold (baritone); Zita Zohar 
          (piano); Jonathan Haas (percussion) rec. 1977-1983. ADD  LEONARDA LE 343 [72:01] [GPu]
 
          LEONARDA LE 343 [72:01] [GPu]
         A 
          consistent perceptiveness as regards the meaning 
          and shape of the words, without ever forfeiting 
          the proper liberties of the composer. If you 
          like modern song, this is a CD well worth 
          hearing. ... see Full 
          Review