Emmanuel 
          CHABRIER (1841-1894) 
          Impromptu 
          (1873) [7:11] Ronde champêtre 
          (ca. 1870) [3:53] Dix pièces 
          pittoresques (1881) [42:25] (Paysage 
          [5:49]; Mélancolie [2:39]; 
          ourbillon [1:31]; Sous-bois [4:30]; 
          Mauresque [3:21]; Idylle [3:51]; 
          Danse villageoise [4:36]; Improvisation 
          [5:20]; Menuet pompeux [6:10]; 
          Scherzo-valse [4:33]) Aubade (1883) 
          [4:45] Ballabile (pub. 1897)[1:33] 
          Caprice (pub. 1897) [2:49] Feuillet 
          d’album (pub. 1897) [2:13] Habanera 
          (1885) [4:35] Bourrée fantasque 
          (1891) [6:38]  Angela Hewitt (piano)rec. Das Kulturzentrum 
          Grand Hotel, Dobbiaco, Italy, 19-22 June 2004.
 
          Angela Hewitt (piano)rec. Das Kulturzentrum 
          Grand Hotel, Dobbiaco, Italy, 19-22 June 2004. 
           HYPERION CDA67515 [76:06] [BB]
 
          HYPERION CDA67515 [76:06] [BB]
        In 
          terms of recording, performance, and production, 
          another success for the Hewitt-Hyperion collaboration. 
          ... see Full 
          Review 
         Cécile 
          CHAMINADE (1857-1944) 
          Arlequine 
          Op. 53 [3:01] Pièce romantique 
          Op. 7 No. 1 [2:42] Chanson bretonne, 
          (No. 5 of Romances sans paroles Op. 
          76) [2:09] Divertissement Op. 105 [2:16] 
          Consolation, (No. 5 of Pièces 
          humoristiques Op. 87) [4:50] Passacaille 
          Op. 130 [3:14] Nocturne Op. 165 
          [4:37] Scherzo-valse Op. 148 (d’après 
          Op. 126 No. 6) [2:49] Sous bois (No. 
          2 of Pièces Humoristiques Op. 
          87) [3:13] Étude symphonique Op. 
          28 [5:24] Élégie Op 98 
          (Feuillets d’album No. 3) [3:04] Gigue 
          Op. 43 [3:31] Au pays dévasté 
          Op. 155 [6:31] Pastorale Op. 114 [4:49] 
          Libellules Op. 24 [2:19] Valse tendre 
          Op. 119 [3:46] Tristesse Op. 104 
          [3:55] Impromptu (No. 5 of Études 
          de concert Op. 35) [3:51] Tarantelle 
          (No. 6 of Études de concert 
          Op. 35) [4:35]
Cécile 
          CHAMINADE (1857-1944) 
          Arlequine 
          Op. 53 [3:01] Pièce romantique 
          Op. 7 No. 1 [2:42] Chanson bretonne, 
          (No. 5 of Romances sans paroles Op. 
          76) [2:09] Divertissement Op. 105 [2:16] 
          Consolation, (No. 5 of Pièces 
          humoristiques Op. 87) [4:50] Passacaille 
          Op. 130 [3:14] Nocturne Op. 165 
          [4:37] Scherzo-valse Op. 148 (d’après 
          Op. 126 No. 6) [2:49] Sous bois (No. 
          2 of Pièces Humoristiques Op. 
          87) [3:13] Étude symphonique Op. 
          28 [5:24] Élégie Op 98 
          (Feuillets d’album No. 3) [3:04] Gigue 
          Op. 43 [3:31] Au pays dévasté 
          Op. 155 [6:31] Pastorale Op. 114 [4:49] 
          Libellules Op. 24 [2:19] Valse tendre 
          Op. 119 [3:46] Tristesse Op. 104 
          [3:55] Impromptu (No. 5 of Études 
          de concert Op. 35) [3:51] Tarantelle 
          (No. 6 of Études de concert 
          Op. 35) [4:35]  Peter Jacobs (piano) rec. 3-4 November 1993, 
          All Saints, Durham Road, East Finchley, London. 
          DDD
 
          Peter Jacobs (piano) rec. 3-4 November 1993, 
          All Saints, Durham Road, East Finchley, London. 
          DDD  HYPERION HELIOS CDH55198 [72:41] [ABi]
 
          HYPERION HELIOS CDH55198 [72:41] [ABi]
        Depth 
          of imagination, a broad range of mood and 
          styles, keen lyricism and a constantly successful 
          and pleasing domestic style. ... see Full 
          Review 
         Aaron 
          COPLAND 
          (1900-1990) Billy 
          the Kid: Suite (1938) [20:10] Billy 
          the Kid: Waltz (1938) [4:09] Rodeo: 
          Suite (1942) [21:10] Ferde GROFÉ (1892-1972) 
          Grand Canyon Suite (1929-1931) [32:20]
 
          Aaron 
          COPLAND 
          (1900-1990) Billy 
          the Kid: Suite (1938) [20:10] Billy 
          the Kid: Waltz (1938) [4:09] Rodeo: 
          Suite (1942) [21:10] Ferde GROFÉ (1892-1972) 
          Grand Canyon Suite (1929-1931) [32:20] 
           Morton Gould and His Orchestra rec. Manhattan 
          Center, New York City, 1-2 October 1957 (Copland), 
          19 February 1960 (Grofé)
 
          Morton Gould and His Orchestra rec. Manhattan 
          Center, New York City, 1-2 October 1957 (Copland), 
          19 February 1960 (Grofé)  RCA RED SEAL (SONY BMG) SACD 82876 679042
 
          RCA RED SEAL (SONY BMG) SACD 82876 679042 
           [78:10] [EB]
 
          [78:10] [EB]
        A
              superb recording which brings verve to Copland’s ballet scores
              and more than a touch of the big screen to the Grofé ... see Full
              Review 
        Muzio CLEMENTI (1752-1832) 
            Piano Sonatas: Sonata in G minor, Op. 34 No. 2 (1795) [22:23]; Sonata 
            in A, Op. 50, No. 1 (1821) [22:38]; Sonata in E-flat, Op. 41 (1804) 
            [17:34]  Tanya Bannister 
            (piano) rec. 13-15 August 2004, The Performing Arts Center, The Country 
            Day School, King City, Ontario, Canada
 Tanya Bannister 
            (piano) rec. 13-15 August 2004, The Performing Arts Center, The Country 
            Day School, King City, Ontario, Canada  NAXOS 8.557453 [62:36][DB]
 
            NAXOS 8.557453 [62:36][DB]
        Reason 
          to wish that Naxos 
          continue to release more Clementi. Highly 
          competent and assured performances. ... see 
          Full 
          Review
         David DIAMOND 
          (1915-2005) Trio 
          for violin, cello and piano (1951) [25:12] 
          Quartet for piano and string trio (1936 rev. 
          1967) [26:37] Trio in G major for violin, 
          viola and cello (1937) [17:52]
 
          David DIAMOND 
          (1915-2005) Trio 
          for violin, cello and piano (1951) [25:12] 
          Quartet for piano and string trio (1936 rev. 
          1967) [26:37] Trio in G major for violin, 
          viola and cello (1937) [17:52]  Notre Dame String Trio (Carolyn Plummer (violin); 
          Christine Rutledge (viola); Karen Buranskas 
          (cello)) Ralph Votapek (piano) rec. 29-30 
          June 1998, WFMT Studios, Chicago (Piano 
          Trio; Piano Quartet); June 1996, Masonic Temple, 
          South Bend, Indiana (String Trio). DDD
 
          Notre Dame String Trio (Carolyn Plummer (violin); 
          Christine Rutledge (viola); Karen Buranskas 
          (cello)) Ralph Votapek (piano) rec. 29-30 
          June 1998, WFMT Studios, Chicago (Piano 
          Trio; Piano Quartet); June 1996, Masonic Temple, 
          South Bend, Indiana (String Trio). DDD  CENTAUR CRC 2437 [69:58] [RB]
 
          CENTAUR CRC 2437 [69:58] [RB]
        Vivacious 
          music-making and must not be overlooked in 
          the present crop of discs ... see Full 
          Review 
         
          Gaetano 
            DONIZETTI (1797-1848) Don Pasquale 
            - dramma buffo in three acts (1843) Libretto 
            by Giovanni Ruffini and Gaetano Donizetti. First performed: Théâtre 
            Italien, Paris, 3 January 1843  Don Pasquale, an elderly well-off bachelor, Alfredo Mariotti (bass); 
            Ernesto, ardent but impecunious suitor of Norina, Ugo Benelli (ten); 
            Norina, an impulsive, but sensitive, young widow, Anna Maccianti (sop); 
            Doctor Malatesta, extremely resourceful and jocular doctor, friend 
            of Pasquale and closer friend of Ernesto, Mario Basiola (bar) Chorus 
            and orchestra of the Maggio Musicale, Florence, Italy/Ettore Gracis 
            rec. Teatro Communale, Florence, Italy. October 1964 Il campanello 
            di notte - comic operas in one act (1836). Libretto by the 
            composer Don Annibale Pistacchio, an apothecary, Alfredo Mariotti 
            (bass); Serafina, Annibale’s bride, Emma Bruno de Sanctis (sop); Madama 
            Rosa, Serafina’s mother and Enrico’s aunt, Flora Raffanelli (mezzo); 
            Enrico, a gay young blood, Alberto Rinaldi (bar); Spiridione, Annibale’s 
            servant, Mario Guggio (ten) Chorus and orchestra of the Teatro La 
            Fenice, Venice, Italy/Ettore Gracis rec. La Teatro Fenice, Venice. 
            October 1964
 
            Don Pasquale, an elderly well-off bachelor, Alfredo Mariotti (bass); 
            Ernesto, ardent but impecunious suitor of Norina, Ugo Benelli (ten); 
            Norina, an impulsive, but sensitive, young widow, Anna Maccianti (sop); 
            Doctor Malatesta, extremely resourceful and jocular doctor, friend 
            of Pasquale and closer friend of Ernesto, Mario Basiola (bar) Chorus 
            and orchestra of the Maggio Musicale, Florence, Italy/Ettore Gracis 
            rec. Teatro Communale, Florence, Italy. October 1964 Il campanello 
            di notte - comic operas in one act (1836). Libretto by the 
            composer Don Annibale Pistacchio, an apothecary, Alfredo Mariotti 
            (bass); Serafina, Annibale’s bride, Emma Bruno de Sanctis (sop); Madama 
            Rosa, Serafina’s mother and Enrico’s aunt, Flora Raffanelli (mezzo); 
            Enrico, a gay young blood, Alberto Rinaldi (bar); Spiridione, Annibale’s 
            servant, Mario Guggio (ten) Chorus and orchestra of the Teatro La 
            Fenice, Venice, Italy/Ettore Gracis rec. La Teatro Fenice, Venice. 
            October 1964  DEUTSCHE GRAMMOPHON OPERA HOUSE SERIES 477 5631 [81.03 + 77.16][[RJF]
 
            DEUTSCHE GRAMMOPHON OPERA HOUSE SERIES 477 5631 [81.03 + 77.16][[RJF]
         
        A 
          good introduction to two of Donizetti’s lighter compositions and at 
          bargain price. ... see Full 
          Review
        Antonin 
          DVOŘÁK 
          (1841-1904) Symphony No.7 in D minor, Op.70 (1885) 
          [38:48] The Wild Dove (1896) [19:46]  Royal Concertgebouw Orchestra/Nikolaus Harnoncourt rec. Concertgebouw, 
          Amsterdam, March 1998 ‘live’ (symphony), Dec 1997
 
          Royal Concertgebouw Orchestra/Nikolaus Harnoncourt rec. Concertgebouw, 
          Amsterdam, March 1998 ‘live’ (symphony), Dec 1997  WARNER CLASSICS 3984 21278-2 [58:49][TH]
 
          WARNER CLASSICS 3984 21278-2 [58:49][TH]
        A 
          successful performance of The Wild Dove and a relatively ordinary one 
          of the symphony ... makes it hard to completely recommend. ... see Full 
          Review
        Antonín 
          DVOŘÁK (1841-1904) 
          Piano Concerto in G minor, op. 33 (1876) [39:19] The Golden Spinning 
          Wheel, op. 109 (1896) [28:21]  Pierre-Laurent Aimard (piano) Royal Concertgebouw Orchestra/Nikolaus 
          Harnoncourt rec. Het Concertgebouw, 20-26 October 2001; Piano Concerto 
          recorded live. DDD
 
          Pierre-Laurent Aimard (piano) Royal Concertgebouw Orchestra/Nikolaus 
          Harnoncourt rec. Het Concertgebouw, 20-26 October 2001; Piano Concerto 
          recorded live. DDD  WARNER 
          CLASSICS LC 04281 8573876302 [67:52] [JuW]
 WARNER 
          CLASSICS LC 04281 8573876302 [67:52] [JuW]
        Strong 
          performances by world-class players. However, 
          there are good reasons why lesser-known works 
          are less-known. Dvořák has written better 
          stuff than this ... see Full 
          Review
         Antonín 
          DVOŘÁK 
          (1841-1904) Violin 
          Concerto op.53 (1879) [33:01] (I: Allegro 
          ma non troppo [10:20]; 2. II: Adagio ma non 
          troppo [11:39]; 3. III: Finale – Allegro giocoso, 
          ma non troppo [11:02]) Samuel 
          BARBER (1910-1981) Violin Concerto, 
          op.14 (1939) [22:45] (I: Allegro [10:37]; 
          II: Andante [8:18]; III: Presto in moto perpetuo 
          [3:50])
Antonín 
          DVOŘÁK 
          (1841-1904) Violin 
          Concerto op.53 (1879) [33:01] (I: Allegro 
          ma non troppo [10:20]; 2. II: Adagio ma non 
          troppo [11:39]; 3. III: Finale – Allegro giocoso, 
          ma non troppo [11:02]) Samuel 
          BARBER (1910-1981) Violin Concerto, 
          op.14 (1939) [22:45] (I: Allegro [10:37]; 
          II: Andante [8:18]; III: Presto in moto perpetuo 
          [3:50])  Martin Válek (violin) Prague Radio 
          Symphony Orchestra/Vladimir Válek Czech 
          Radio recording (no further details available)
 
          Martin Válek (violin) Prague Radio 
          Symphony Orchestra/Vladimir Válek Czech 
          Radio recording (no further details available) 
           CESKY ROZHLAS UP0082-2 231 [55:58] [GPJ]
 
          CESKY ROZHLAS UP0082-2 231 [55:58] [GPJ]
        If 
          the coupling of these two lovely concertos 
          is for you, then you won’t go far wrong with 
          this issue... see Full 
          Review
          Antonín
                DVOŘÁK (1841-1904) Trio
                No. 1 for Violin, Cello and Piano in B-flat Major Op. 21, B 51
                (1875) [37:13] Trio No. 2 in G-minor Op 26, B56 (1876) [33:54]
                Trio No. 3 in F-minor Op 65, B130 (1883) [43:29]
Trio No. 4 “Dumky”in E-minor Op 90, B166 (1891) [32:35]
 Antonín
                DVOŘÁK (1841-1904) Trio
                No. 1 for Violin, Cello and Piano in B-flat Major Op. 21, B 51
                (1875) [37:13] Trio No. 2 in G-minor Op 26, B56 (1876) [33:54]
                Trio No. 3 in F-minor Op 65, B130 (1883) [43:29]
Trio No. 4 “Dumky”in E-minor Op 90, B166 (1891) [32:35]  Dumky
Trio: Pierre-Olivier Queyras
(violin), Véronique Marin (cello), Frédéric Lagarde (piano) rec. Church of Saint
Marcel, Paris, August 2003
 Dumky
Trio: Pierre-Olivier Queyras
(violin), Véronique Marin (cello), Frédéric Lagarde (piano) rec. Church of Saint
Marcel, Paris, August 2003  ETCETERA
KTC 1303 2CD [71:07
+ 76:04] [WK]
 ETCETERA
KTC 1303 2CD [71:07
+ 76:04] [WK]
        A
              certain neo-classical restraint ... but this set contains wonderful
              ensemble playing and lots of energy, as well as solo work that
              is truly inspired. ... see Full
              Review 
         Antonín DVOŘÁK 
          (1841-1904) 
          Symphonic Poems The Golden Spinning Wheel B. 197, Op. 
          109 (1896)* [28:24] The Noon Witch B. 196, Op. 108 (1896)* [14:17] 
          The Water Goblin B. 195, Op. 107 (1896) [21:20] The Wild Dove 
          B. 198, Op. 110 (1896) [19:56]
 
          Antonín DVOŘÁK 
          (1841-1904) 
          Symphonic Poems The Golden Spinning Wheel B. 197, Op. 
          109 (1896)* [28:24] The Noon Witch B. 196, Op. 108 (1896)* [14:17] 
          The Water Goblin B. 195, Op. 107 (1896) [21:20] The Wild Dove 
          B. 198, Op. 110 (1896) [19:56]  Royal Concertgebouw Orchestra/Nikolaus Harnoncourt rec. Concertgebouw, 
          Amsterdam, Holland, 24-26 October 2001 (Op. 109), December 1998 (Op. 
          108), October 1999 (Op. 107), December 1997 (Op. 110) Live recording* 
          DDD
 
          Royal Concertgebouw Orchestra/Nikolaus Harnoncourt rec. Concertgebouw, 
          Amsterdam, Holland, 24-26 October 2001 (Op. 109), December 1998 (Op. 
          108), October 1999 (Op. 107), December 1997 (Op. 110) Live recording* 
          DDD  WARNER CLASSICS 
          2564 60221-2 [42:44 + 41:03] [MC]
 WARNER CLASSICS 
          2564 60221-2 [42:44 + 41:03] [MC]
        Quite 
          superb throughout ... open-hearted and spontaneous playing ... highly 
          impressive. ... see Full 
          Review 
          
        
           Antonín 
            DVOŘÁK (1841-1904) 
            Pro 
            (mladé) klavíristy [Music for (young) pianists] Intermezzo Op.52 
            No.2 [2.07] Mazurka in B minor Op.56 No.3 [2.15] Album Leaves B109 
            (1880-88) 1. F sharp minor [0.57] 2. G minor [0.30] E flat major [0.47] 
            Piano Piece in G major [2.01] Legend [1.59] Theme [1.10] Two Little 
            Pearls B156 (1887) 3.46] Polka in E major B3 (1860) [2.08] Silhouettes 
            Op.8 B98 (1879) Nos.1, 2, 4 ,6 ,8 ,9 and 11 [13.18] Humoresque B138 
            (1884) [2.41] Eight Humoresques Op.101 B187 – No.7 in G flat major 
            (1892-95) [2.39] Poetic Tone Pictures Op.85 B161 (1889) Nos.4, 6, 
            9 and 13 [16.51] Tempo di Marcia [2.46] Presto in E flat major [1.09] 
            Lullaby [3.06] Minuets Op.28 B58 (1876-77) [5.05] Eight Waltzes Op.54 
            B101 (1880) - No.1 [3.26] Four Eclogues Op.56 B103 (1880) – E major 
            No.4 [5.31] Presto in E minor [1.32] Polka - Forget Me Not (1854) 
            [1.05]  Tomáš Víšek 
            (piano) rec. Municipal Theatre, Turnov, Czech Republic, January, February 
            2005
 Tomáš Víšek 
            (piano) rec. Municipal Theatre, Turnov, Czech Republic, January, February 
            2005  ROSA CLASSIC 
            RD 1318 [77.39][JW]
 ROSA CLASSIC 
            RD 1318 [77.39][JW]
            
            A 
            most rewarding single disc selection for those unwilling to commit 
            to the complete works on disc ... see Full 
            Review 
          Edward 
            ELGAR (1857-1934) 
            The Dream of Gerontius Op.38 
            (1900)  Heddle Nash (tenor) 
            Gladys Ripley (contralto) Dennis Noble (baritone) Norman Walker (bass) 
            Huddersfield Choral Society Liverpool Philharmonic Orchestra/ Malcolm 
            Sargent rec. Liverpool, 1945
 Heddle Nash (tenor) 
            Gladys Ripley (contralto) Dennis Noble (baritone) Norman Walker (bass) 
            Huddersfield Choral Society Liverpool Philharmonic Orchestra/ Malcolm 
            Sargent rec. Liverpool, 1945  PRISTINE AUDIO PACO009 [55.00 + 35.08] [JW]
 
            PRISTINE AUDIO PACO009 [55.00 + 35.08] [JW]
         
        The
              lower to mid frequency response tends to predominate and the upper
              frequencies are dampened in the interest of shellac suppression.
              ... see Full Review 
          Edward
                  ELGAR (1857-1934) Edward
                  Elgar conducts Edward Elgar
 Edward
                  ELGAR (1857-1934) Edward
                  Elgar conducts Edward Elgar 
                    Overture Cockaigne (In London Town) — Concert
                    Overture, Op. 40 [13.39]  BBC
                    Symphony Orchestra/Elgar rec. 11 April, 1933, EMI Abbey Road
                    Studio No. 1, London Variations on an Original Theme (Enigma),
                    Op. 36 [27:12]: (Theme [1.49]; C.A.E. (the composer's
                    wife) [1:54]; H.D.S.-P. (Hew David Steuart-Powell) [0.44]; R.B.T.
                    (Richard Baxter Townshend) [1.25]; W.M.B. (William
                    Meath Baker) [0.29]; R.P.A. (Richard Penrose Arnold) [1.54]; Ysobel
                    (Isabel Fitton) [1.22]; Troyte (Troyte Griffith) [0.53]; W.N.
                    (Winifred Norbury) [1.38]; Nimrod (A J. Jaeger) [2.53]; Intermezzo:
                    Dorabella (Dora Penny) [2.32]; G.R.S. (George Robertson
                    Sinclair) [0.48]; B.G.N. (Basil G. Nevinson) [2.15]; Romanza:
                    *** (Lady Mary Lygon) [2.03]; Finale: E.D.U. (the
                    composer) [4.31]) Royal Albert Hall Orchestra/Elgar rec.
                    28 April, 30 August 1926, Queen’s Hall, London Pomp
                    and Circumstance Marches: No. l in D major [4.25]
                    Royal Albert Hall Orchestra/Elgar rec. 27 April 1926, Queen’s
                    Hall, London No.2 in A minor [4.03] Royal Albert Hall
                    Orchestra/Elgar rec. 27 April 1926, Queen’s Hall, London No.3
                    in C minor [4.35] London Symphony Orchestra/Elgar rec.
                    15 July, 1927, Queen’s Hall, London No.4 in G major [4.34]
                    London Symphony Orchestra/Elgar rec. 15 July, 1927, Queen’s
                    Hall, London No.5 in C major [4.15] London Symphony
                    Orchestra/Elgar rec. 18 September, 1930, Kingsway Hall, London Side
                    3 of the Cockaigne Overture in "Accidental
                    Stereo” [4.52] BBC Symphony Orchestra/Elgar rec. 11 April
                    1933, EMI Abbey Road Studio No. 1, London
 BBC
                    Symphony Orchestra/Elgar rec. 11 April, 1933, EMI Abbey Road
                    Studio No. 1, London Variations on an Original Theme (Enigma),
                    Op. 36 [27:12]: (Theme [1.49]; C.A.E. (the composer's
                    wife) [1:54]; H.D.S.-P. (Hew David Steuart-Powell) [0.44]; R.B.T.
                    (Richard Baxter Townshend) [1.25]; W.M.B. (William
                    Meath Baker) [0.29]; R.P.A. (Richard Penrose Arnold) [1.54]; Ysobel
                    (Isabel Fitton) [1.22]; Troyte (Troyte Griffith) [0.53]; W.N.
                    (Winifred Norbury) [1.38]; Nimrod (A J. Jaeger) [2.53]; Intermezzo:
                    Dorabella (Dora Penny) [2.32]; G.R.S. (George Robertson
                    Sinclair) [0.48]; B.G.N. (Basil G. Nevinson) [2.15]; Romanza:
                    *** (Lady Mary Lygon) [2.03]; Finale: E.D.U. (the
                    composer) [4.31]) Royal Albert Hall Orchestra/Elgar rec.
                    28 April, 30 August 1926, Queen’s Hall, London Pomp
                    and Circumstance Marches: No. l in D major [4.25]
                    Royal Albert Hall Orchestra/Elgar rec. 27 April 1926, Queen’s
                    Hall, London No.2 in A minor [4.03] Royal Albert Hall
                    Orchestra/Elgar rec. 27 April 1926, Queen’s Hall, London No.3
                    in C minor [4.35] London Symphony Orchestra/Elgar rec.
                    15 July, 1927, Queen’s Hall, London No.4 in G major [4.34]
                    London Symphony Orchestra/Elgar rec. 15 July, 1927, Queen’s
                    Hall, London No.5 in C major [4.15] London Symphony
                    Orchestra/Elgar rec. 18 September, 1930, Kingsway Hall, London Side
                    3 of the Cockaigne Overture in "Accidental
                    Stereo” [4.52] BBC Symphony Orchestra/Elgar rec. 11 April
                    1933, EMI Abbey Road Studio No. 1, London  NAXOS
        HISTORICAL AAD 8.111022 [67.35] [EM]
 NAXOS
        HISTORICAL AAD 8.111022 [67.35] [EM]
        Will
              satisfy any music-lover who is interested in hearing a composer’s
              interpretation of his own music. ... see Full
              Review 
         Sir
                  Edward ELGAR (1857-1934) Cockaigne Overture,
                  op. 40 (1900-1) [13:09] Cello Concerto in E minor, op. 85*
                  (1919) [26:33] The Wand of Youth, Suite no. 1, op. 1a
                  (1907) [19:08] The Wand of Youth, Suite no. 2, op. 1b
                  (1908) [14:46] Elegy, op. 58 (1909) [03:45]  Anthony
                  Pini (cello) London Philharmonic Orchestra/ Eduard van Beinum
                  rec. 13 May 1949 (op. 40, op. 58), 14 May 1949 and 12 April
                  1950 (op. 85), 5 February 1949 (op. 1a), 13 February 1950 (op.
                  1b), Kingsway Hall, London, produced by Victor Olof, engineered
                  by Kenneth Wilkinson
 Anthony
                  Pini (cello) London Philharmonic Orchestra/ Eduard van Beinum
                  rec. 13 May 1949 (op. 40, op. 58), 14 May 1949 and 12 April
                  1950 (op. 85), 5 February 1949 (op. 1a), 13 February 1950 (op.
                  1b), Kingsway Hall, London, produced by Victor Olof, engineered
                  by Kenneth Wilkinson  BEULAH
        2PD15 [77:31] [CH]
 BEULAH
        2PD15 [77:31] [CH]
        Those
              interested in the history of Elgar on record will be rewarded with
              very fine, totally idiomatic “basic Elgar”.  ... see Full
              Review 
         George
                  ENESCU (1881-1955) Oedipe,
                  Op. 23 - Tragédie lyrique en 4 actes et 6 tableaux (1936) Libretto
                  in French by Edmond Fleg.  Monte
                  Pederson (bass-baritone) – Oedipe,
Egils Silins (bass) – Tirésias,
Davide Damiani (baritone) – Créon, Michael Roider (tenor) - Le berger (The Shepherd),
Goran Simić (bass) - Le grand prętre (The High Priest),
Peter Köves (bass) – Phorbas, Walter Fink (bass) - Le veilleur (The Watchman),
Yu Chen (baritone) – Thésée,
Josef Hopferwieser (tenor) – Laďos,
Marjana Lipovšek (mezzo) - Jocaste/La Sphinge (The Sphinx),
Ruxandra Donose (soprano) – Antigone,
Mihaela Ungureanu (mezzo) - Mérope, Chorus of the Vienna State Opera, Vienna
Boys Choir, Orchestra of the Vienna State Opera, Stage Orchestra of the Austrian
Federal Theatres/Michael Gielen rec.
live, Vienna State Opera, 29 May 1997. DDD
 Monte
                  Pederson (bass-baritone) – Oedipe,
Egils Silins (bass) – Tirésias,
Davide Damiani (baritone) – Créon, Michael Roider (tenor) - Le berger (The Shepherd),
Goran Simić (bass) - Le grand prętre (The High Priest),
Peter Köves (bass) – Phorbas, Walter Fink (bass) - Le veilleur (The Watchman),
Yu Chen (baritone) – Thésée,
Josef Hopferwieser (tenor) – Laďos,
Marjana Lipovšek (mezzo) - Jocaste/La Sphinge (The Sphinx),
Ruxandra Donose (soprano) – Antigone,
Mihaela Ungureanu (mezzo) - Mérope, Chorus of the Vienna State Opera, Vienna
Boys Choir, Orchestra of the Vienna State Opera, Stage Orchestra of the Austrian
Federal Theatres/Michael Gielen rec.
live, Vienna State Opera, 29 May 1997. DDD  NAXOS
8.660163-64 [63:53
+ 64:33] [ED]
 NAXOS
8.660163-64 [63:53
+ 64:33] [ED]
        When
              all’s said and done Naxos provides a decent starting point. ...
              see Full Review 
        Philipp 
          Heinrich ERLEBACH (1657-1714) 
          VI Sonate ŕ Violino e Viola da Gamba col suo Basso Continuo (1694) 
          Sonata I in D [11:03] Sonata V in B flat [09:57] Sonata II in e minor 
          [11:04] Sonata IV in C [11:17] Sonata VI in F [12:08] Sonata III in 
          A [14:31]  Rodolfo Richter 
          (violin); Alison McGillivray (viola da gamba); Peter McCarthy (violone); 
          Eligio Quinteiro (theorbo); Silas Standage (harpsichord (organ) rec. 
          November 2001, St Michael's Church, Highgate, London, UK. DDD
 Rodolfo Richter 
          (violin); Alison McGillivray (viola da gamba); Peter McCarthy (violone); 
          Eligio Quinteiro (theorbo); Silas Standage (harpsichord (organ) rec. 
          November 2001, St Michael's Church, Highgate, London, UK. DDD  LINN RECORDS CKD270 [70:59] [JV]
 
          LINN RECORDS CKD270 [70:59] [JV]
        Six 
          fine trio sonatas by Erlebach, a contemporary of Buxtehude - recommended 
          even though the performance does not fully explore their qualities ... 
          see Full Review 
          
        
          Joseph 
            EYBLER (1765-1846) String 
            Trio, Op. 2 (?1798) [26:12] String Quintet, Op. 6, No. 1* (1803) [31:27] 
             Deutsches Streichtrio: 
            Hans Kalafusz (violin); Jürgen Weber (viola); ReinerGinzel (cello); 
            * Roland Metzger (viola); Heinrich Braun (double bass) rec. 9-12 March 
            2004, Kammermusikstudio des SWR Stuttgart. DDD
 Deutsches Streichtrio: 
            Hans Kalafusz (violin); Jürgen Weber (viola); ReinerGinzel (cello); 
            * Roland Metzger (viola); Heinrich Braun (double bass) rec. 9-12 March 
            2004, Kammermusikstudio des SWR Stuttgart. DDD  CPO 777 025-2 [57:48][GPu]
 
            CPO 777 025-2 [57:48][GPu]
         
        Part 
          of the rehabilitation of Eyber’s achievements as a composer, anyone 
          interested in the chamber music of the Viennese classical tradition 
          will get much pleasure from this CD ... see Full 
          Review
        Gabriel 
          FAURÉ 
          (1845-1924) Violin 
          Sonata No.1 in A major Op.13 (1875-77) [21.27]  Jascha Heifetz (violin) Emanuel Bay (piano) rec. 1936
 
          Jascha Heifetz (violin) Emanuel Bay (piano) rec. 1936  PRISTINE AUDIO PACM026 [21.27] [JW]
 
          PRISTINE AUDIO PACM026 [21.27] [JW]
        Heifetz’s
              lithe and scintillating 1936 spin on the Fauré sonata occupies
              its own warm niche. ... see Full Review 
        Gabriel 
          FAURÉ 
          (1845-1924)  
          Seven Piano Pieces: Impromptu No.2 in F minor Op.31 (1883) [3.41] 
          Nocturne No.6 in D flat major Op.63 (1894) [7.04] Barcarolle No.2 in 
          G major Op.41 (1885) [5.55] Nocturne No.13 in B minor Op.119 (1921) 
          [6.40] Barcarolle No.1 in A minor Op.26 (c.1880) [4.37] Nocturne No.4 
          in E flat major Op.36 (1884) [5.57] Thčme and Variations in C sharp 
          minor Op.73 (1895) [12.28]  Kathleen Long (piano) rec. London, 1951. ADD
 
          Kathleen Long (piano) rec. London, 1951. ADD  PRISTINE AUDIO PAKM015 [46.23] [JW]
 
          PRISTINE AUDIO PAKM015 [46.23] [JW]
        Long’s 
          view was consistent and entertaining one even 
          if she tends to play the blunt outspoken guest; 
          rushing rather than wryly amused. ... see 
          Full 
          Review 
         
          Brian 
          FERNEYHOUGH (b. 
          1943) Shadowtime 
          (2003-4)  Nicolas Hodges (piano, speaker); Mats 
          Scheidegger (guitar) Neue Vocalsolisten Stuttgart; 
          Nieuw Ensemble/Jurjen Hempel rec. live, English 
          National Opera, London Coliseum, July 2005
 
           Nicolas Hodges (piano, speaker); Mats 
          Scheidegger (guitar) Neue Vocalsolisten Stuttgart; 
          Nieuw Ensemble/Jurjen Hempel rec. live, English 
          National Opera, London Coliseum, July 2005 
           NMC D123 [64:42 + 62:02] [HC]
 
          NMC D123 [64:42 + 62:02] [HC]
         
        
A 
          major release of a major work, but be prepared 
          to face something quite unusual. ... see Full 
          Review 
        
 Gerald 
          FINZI 
          (1901-1956) Intimations 
          of Immortality op. 29 (1949-50) [38:58] 
          For Saint Cecilia op. 30 (1947) [16:37]
 
          Gerald 
          FINZI 
          (1901-1956) Intimations 
          of Immortality op. 29 (1949-50) [38:58] 
          For Saint Cecilia op. 30 (1947) [16:37] 
           James Gilchrist (tenor) Bournemouth Symphony 
          Chorus/Greg Beardsell Bournemouth Symphony 
          Orchestra/David Hill rec. The Concert Hall, 
          The Lighthouse, Poole, 4-5 June 2005. DDD
 
          James Gilchrist (tenor) Bournemouth Symphony 
          Chorus/Greg Beardsell Bournemouth Symphony 
          Orchestra/David Hill rec. The Concert Hall, 
          The Lighthouse, Poole, 4-5 June 2005. DDD 
           NAXOS 8.557863 [55:35] [RB]
 
          NAXOS 8.557863 [55:35] [RB]
        A 
          warm and richly detailed recording of one 
          of Finzi's most ambitious works as well as 
          one of his most enjoyably celebratory pieces. 
          ... see Full 
          Review
        Josef 
          Bohuslav Foerster 
          (1859-1951) 
          Festive Overture. Op. 70 (1907) [09:26] 
          Meine Jugend (My Youth) Symphonic 
          Poem, Op.44 (c.1905) [15:50] Symphony No.4 
          Easter Eve Op.54 (c.1904) [47:08]  Slovak Radio Symphony Orchestra/Lance Friedel 
          rec. Slovak Radio (Bratislava), 8-15 September 
          2004. DDD
 
          Slovak Radio Symphony Orchestra/Lance Friedel 
          rec. Slovak Radio (Bratislava), 8-15 September 
          2004. DDD  NAXOS 8.557776 [72:33] [JF]
 
          NAXOS 8.557776 [72:33] [JF]
        All
              those who love the works of Mahler and Dvořák and Bruckner
              will relate to much in these three works. ... see Full
              Review 
         RECORDING 
          OF THE MONTH John FOULDS 
          (1880-1939) Dynamic 
          Triptych for piano and orchestra Op. 88 
          (1927-29) [25:38] April - England (Impressions 
          of Time and Place No. 1) for orchestra 
          Op. 48 No. 1 (1926 orch. 1932) [7:56] Music-Pictures 
          Group III op. 33 (1912) [19:06] The 
          Song of Ram Dass (1935) [3:13] Keltic 
          Lament Op. 29 No. 2 (Keltic Suite) 
          (1911) [4:38]
RECORDING 
          OF THE MONTH John FOULDS 
          (1880-1939) Dynamic 
          Triptych for piano and orchestra Op. 88 
          (1927-29) [25:38] April - England (Impressions 
          of Time and Place No. 1) for orchestra 
          Op. 48 No. 1 (1926 orch. 1932) [7:56] Music-Pictures 
          Group III op. 33 (1912) [19:06] The 
          Song of Ram Dass (1935) [3:13] Keltic 
          Lament Op. 29 No. 2 (Keltic Suite) 
          (1911) [4:38]  Peter Donohoe (piano) City of Birmingham Symphony 
          Orchestra/Sakari Oramo rec. Symphony Hall, 
          Birmingham, 11, 13, 15-16 Jan 2006. DDD
 
          Peter Donohoe (piano) City of Birmingham Symphony 
          Orchestra/Sakari Oramo rec. Symphony Hall, 
          Birmingham, 11, 13, 15-16 Jan 2006. DDD  WARNER CLASSICS 2564 62999-2 [61:05] [RB]
 
        WARNER CLASSICS 2564 62999-2 [61:05] [RB]
        The 
          delightfully relentless tread of the Foulds 
          Edition ... a disc not just for British music 
          buffs but for anyone who values music of stunning 
          originality and otherworldly beauty. ... see 
          Full 
          Review 
         BARGAIN 
          OF THE MONTH César 
          FRANCK (1822-1890) Symphony in D Minor 
          (1888) [39:00]* Igor STRAVINSKY (1882-1971) 
          Petrouchka (1911) [34:48]#
BARGAIN 
          OF THE MONTH César 
          FRANCK (1822-1890) Symphony in D Minor 
          (1888) [39:00]* Igor STRAVINSKY (1882-1971) 
          Petrouchka (1911) [34:48]#  Chicago Symphony Orchestra*/Boston Symphony Orchestra#/Pierre Monteux 
          rec. Orchestra Hall, Chicago, 7 January 
          1961 *; Symphony Hall, Boston, 25, 26, 28 January 1959 #. ADD
 
          Chicago Symphony Orchestra*/Boston Symphony Orchestra#/Pierre Monteux 
          rec. Orchestra Hall, Chicago, 7 January 
          1961 *; Symphony Hall, Boston, 25, 26, 28 January 1959 #. ADD  BMG-RCA LIVING STEREO SACD 82876 678972
 
          BMG-RCA LIVING STEREO SACD 82876 678972   [74:08][TP]
 
          [74:08][TP]
        In 
          sum, an unsurpassed Franck D Minor and an 
          excellent Petrouchka 
          into the bargain.  
          Highly recommended. 
          ... see Full 
          Review
         Alexander 
          GLAZUNOV (1865-1936) 
          The 
          Complete Solo Piano Music: vol. 2: Three 
          Etudes, Op. 31 (1891) [11:34]; Two 
          Pieces, Op. 22 (1889) [7:39]; Trois 
          Morceaux, Op. 49 (1894) [9:46]; Nocturne, 
          Op. 37 (1889) [5:38]; Miniature in 
          C (1883) [1:25]; Easy Sonata (1880?) 
          [1:33]; Sonatine (1880?) [1:45]; Two 
          Prelude-Improvisations (1918) [9:52]; 
          Theme and Variations, Op. 72 (1900) 
          [17:57]
 
          Alexander 
          GLAZUNOV (1865-1936) 
          The 
          Complete Solo Piano Music: vol. 2: Three 
          Etudes, Op. 31 (1891) [11:34]; Two 
          Pieces, Op. 22 (1889) [7:39]; Trois 
          Morceaux, Op. 49 (1894) [9:46]; Nocturne, 
          Op. 37 (1889) [5:38]; Miniature in 
          C (1883) [1:25]; Easy Sonata (1880?) 
          [1:33]; Sonatine (1880?) [1:45]; Two 
          Prelude-Improvisations (1918) [9:52]; 
          Theme and Variations, Op. 72 (1900) 
          [17:57]  Stephen Coombs (piano) rec. 26-27 February 
          1995. DDD
 
          Stephen Coombs (piano) rec. 26-27 February 
          1995. DDD  HYPERION HELIOS CDH55222 [68:45] [CC]
 
          HYPERION HELIOS CDH55222 [68:45] [CC]
        Superb, 
          in a word. The two volumes of Glazunov Piano 
          Music should be mandatory purchases for all 
          pianists and all lovers of the Russian Romantics. 
          ... see Full 
          Review 
        
 Nicolas GOMBERT (c.1495-c.1560) 
          Tulerunt Dominum meum [5:44]
 
          Nicolas GOMBERT (c.1495-c.1560) 
          Tulerunt Dominum meum [5:44] 
  Magnificat primi toni [11:38] Credo in unum Deum [13:21] Super flumina Babylonis
  [7:15] Media vita in morte sumus [7:11] Salve regina (plainchant mode 1) [3:00]
  Salve regina (diversi diversa orant) [6:34] Epitaphium (in Josquinium a Prato)
  [7:36]  Oxford Camerata/Jeremy
  Summerly rec. 17-18 March 2005, Chapel of Hertford College, Oxford. DDD
 Oxford Camerata/Jeremy
  Summerly rec. 17-18 March 2005, Chapel of Hertford College, Oxford. DDD  NAXOS
  8.557732 [62:19] [GPu]
 NAXOS
  8.557732 [62:19] [GPu]
        This
              is one of the best of all of Oxford Camerata’s recordings for Naxos,
              and any admirer of Renaissance polyphony needs to add it to his
              or her collection ... see Full Review 
        Eugene 
          GOOSSENS (1893-1962) 
          The Complete Piano Music [137:27] 
          CD 1 Kaleidoscope, Op. 18 (Good Morning; Promenade; The Hurdy-Gurdy 
          Man; March of the Wooden Soldier; The Rocking Horse; The Punch & 
          Judy Show; A Ghost Story; The Old Musical Box; The Clockwork Dancer; 
          Lament to a Departed Doll; A Merry Party; Good Night) (1917) [15:09] 
          Four Conceits, Op. 20 (Gargoyle; Dance Memories; Walking Tune; 
          Marionette Show) (1917) [6:09] Ships - three preludes for piano, 
          Op. 42 (The Tug, The Tramp; The Liner) (1924) [8:20] Two Studies, 
          Op. 38 (Folk Tune; Scherzo) (1923) [5:42] Homage to Paderewski (1941) 
          [2:28] Hommage ŕ Debussy, Op. 28 (1937) [2:39] Two Pieces, 
          Op. 56 (Bonzo’s Dance; Pikki ‘s Lament) (1938) [3:23] Capriccio (1960) 
          [2:33] Concert Study, Op. 10 (1914) [2:39] Nature Poems, 
          Op. 25 (Awakening; Pastorale; Bacchanal) (1919) [17:22] CD 2 (Bach arr. 
          Goossens) Andante from Brandenburg Concerto No. 2 (1932) 
          [4:09] Rhythmic Dance for two pianos, Op.30 (1920) [3:44] Forlane 
          and Toccata (1960) [4:46] East of Suez – suite for piano, 
          Op.33 (1922) [25:50] L’Ecole en Crinoline – ballet, Op.29 (1921-22) 
          [31:20]  Antony Gray 
          (piano) rec. CD1: 2-3 Oct 1995, 4 Sept 1996, Whitfield St Studios, London; 
          CD2: 3-5, 10 March 1998, Eugene Goossens Hall, ABC Ultimo Centre, Sydney. 
          DDD CD1 previously issued as ABC Classics 462 015-2
 Antony Gray 
          (piano) rec. CD1: 2-3 Oct 1995, 4 Sept 1996, Whitfield St Studios, London; 
          CD2: 3-5, 10 March 1998, Eugene Goossens Hall, ABC Ultimo Centre, Sydney. 
          DDD CD1 previously issued as ABC Classics 462 015-2  ABC CLASSICS 476 7636 [66:24 + 70:03][RB]
 
          ABC CLASSICS 476 7636 [66:24 + 70:03][RB]
         
          Another 
            required acquisition for British music enthusiasts or anyone wanting 
            to track the path of imaginative piano music during the first half 
            of the last century. ... see Full 
            Review
            Enrique
                    GRANADOS (1867-1916)  Complete
                    Piano Works  Disc 1
 Enrique
                    GRANADOS (1867-1916)  Complete
                    Piano Works  Disc 1 
        Goyescas,  El pelele  Disc 2 Twelve
        Spanish Dances, Op. 37  Disc 3 Allegro di Concierto,  Valses
        Poeticos  , Capricho Espańol, op. 39,  Rapsodia Aragonesa,  Carezza-Vals,
        op. 38,  Oriental,  Dos Impromptus  Disc 4 Moresque
        y Arabe,  Cuentos de la juventud, op. 1, Sardana  Bocetos  Mazurka,
        op. 2,  Barcarola, op. 45,  Los Soldados de Cartón,  A
        la Pradera,  Danza caracteristica,  A la Cubana, Op. 36,  Escenas
        Poeticas, book 2  Disc 5 Escenas Romanticas,  Seis
        piezas sobre cantos populares Espańoles,  Danza lenta,  Aparición,  Cartas
        se amor, valses intimos, op. 44,  Libro de Horas  Disc
        6  Impromptu, Op. 39,  Seis estudios expressivos,  Marche
        militaire,  Estudio, Op. Posth.,  Elisenda,  Paisaje,
        op. 35,  Dos Marchas Militares,  Escenas Poeticas, book
        1   Thomas Rajna (piano)
        Recorded 1976. ADD
 Thomas Rajna (piano)
        Recorded 1976. ADD  BRILLIANT
        CLASSICS 92283 [6 CDs: 66.35 + 55.37 + 60.06 + 75.32 + 74.27 + 54.04]
        [JW]
 BRILLIANT
        CLASSICS 92283 [6 CDs: 66.35 + 55.37 + 60.06 + 75.32 + 74.27 + 54.04]
        [JW]
          Another
                bargain from Brilliant Classics. Performances, documentation
                and recording quality are all impressive. There’s no real reason
                to hesitate. ... see Full Review 
         
         Alexander 
          GRECHANINOV 
          (1864-1956) String 
          Quartets: Volume 2 Quartet Op.75 (1915) [37.06] Quartet Op.124 (1929) 
          [31.24]  Utrecht String 
          Quartet rec. Delft, March and October 2005
 Utrecht String 
          Quartet rec. Delft, March and October 2005  MUSIK DABRINGHAUS UND GRIMM MDG 603 1388-2 [68.40][JW]
 
          MUSIK DABRINGHAUS UND GRIMM MDG 603 1388-2 [68.40][JW]
        For 
          a recommendable traversal of the four quartets the Utrecht performances 
          will take some beating. ... see Full 
          Review
         RECORDING
                OF THE MONTH Sofia GUBAIDULINA (b.
                1931) The Deceitful Face of Hope
                and of Despair - concerto for flute and large orchestra (2005)
                [29:55] Sieben Worte (Seven Words) for cello, bayan
                (accordion) and strings (1982) [31:24]
RECORDING
                OF THE MONTH Sofia GUBAIDULINA (b.
                1931) The Deceitful Face of Hope
                and of Despair - concerto for flute and large orchestra (2005)
                [29:55] Sieben Worte (Seven Words) for cello, bayan
                (accordion) and strings (1982) [31:24]  Sharon
                Bezaly (flute); Torleif Thedéen (cello); Mie Miki (accordion)
                Gothenburg Symphony Orchestra/Mario Venzago rec. Gothenburg Concert
                Hall, Sweden, May 2005 (flute concerto); August 2004
(Sieben Worte)
 Sharon
                Bezaly (flute); Torleif Thedéen (cello); Mie Miki (accordion)
                Gothenburg Symphony Orchestra/Mario Venzago rec. Gothenburg Concert
                Hall, Sweden, May 2005 (flute concerto); August 2004
(Sieben Worte)  BIS SACD
1449
 BIS SACD
1449  [61:19] [JuW]
 [61:19] [JuW]
        For
              those with a serious interest in Gubaidulina and her contemporaries
              this is a must ... see Full
              Review 
         George
                  Frideric HANDEL (1685–1759)  Vedo
                  il ciel; Piangete; Naufragando (La Resurrezione)
                  Overture (Hercules) Oh Mirror; Return; With
                  might endued/The Holy One of Israel (Samson)
                  Overture (Jephta) He was despised; O thou
                  that tellest; But who may abide (Messiah)  Lydia
                  Vierlinger (alto) Wiener Motettenchor Capella Leopoldina/Jörg
                  Zwicker rec. April 2004, Hofmusikkapelle, Vienna. DDD
 Lydia
                  Vierlinger (alto) Wiener Motettenchor Capella Leopoldina/Jörg
                  Zwicker rec. April 2004, Hofmusikkapelle, Vienna. DDD  UNIVERSAL
        CD 476 300 0 [60.04] [RH]
 UNIVERSAL
        CD 476 300 0 [60.04] [RH]
         I
                can recommend this disc for its musicality and feel for Handel’s
                music, but must warn off those for whom good English is a sine
                qua non of Handel performance. ... see Full
                Review 
         
          Georg 
          Friedrich HANDEL 
          (1685-1759) 
          Giulio Cesare (1724) [223:00]  Cesare: Sarah Connolly Cornelia: Patricia Bardon Sesto: Angelika Kirchschlager 
          Cleopatra: Danielle de Niese Tolomeo: Christophe Dumaux Achilla: Christopher 
          Maltman Nireno: Rachid Ben Abdeslam The Glyndebourne Chorus Orchestra 
          of the Age of Enlightenment/William Christie Stage Director: David McVicar 
          rec: August, 2005, Glyndebourne Opera House Entertainment is not 
          a Dirty Word - documentary about the opera including interviews 
          with William Christie, David McVicar and the cast [50:00] Danielle 
          de Niese and the Glyndebourne experience - an informal 
          portrait of Danielle de Niese in her first-ever Glyndebourne season 
          [22:00] Sound format: DTS Surround, LPCM stereo Subtitle languages: 
          EN, FR, DE, ES, IT Picture format: 16:9 Picture standard: PAL Region 
          code: 0 (all regions)
 
          Cesare: Sarah Connolly Cornelia: Patricia Bardon Sesto: Angelika Kirchschlager 
          Cleopatra: Danielle de Niese Tolomeo: Christophe Dumaux Achilla: Christopher 
          Maltman Nireno: Rachid Ben Abdeslam The Glyndebourne Chorus Orchestra 
          of the Age of Enlightenment/William Christie Stage Director: David McVicar 
          rec: August, 2005, Glyndebourne Opera House Entertainment is not 
          a Dirty Word - documentary about the opera including interviews 
          with William Christie, David McVicar and the cast [50:00] Danielle 
          de Niese and the Glyndebourne experience - an informal 
          portrait of Danielle de Niese in her first-ever Glyndebourne season 
          [22:00] Sound format: DTS Surround, LPCM stereo Subtitle languages: 
          EN, FR, DE, ES, IT Picture format: 16:9 Picture standard: PAL Region 
          code: 0 (all regions)  OPUS ARTE OA 0950 D
 
          OPUS ARTE OA 0950 D  [295:00][KM]
 
          [295:00][KM]
        An 
          excellent work, both musically and theatrically ... see Full 
          Review 
         George Frideric HANDEL (1685–1759) 
           Messiah (1742, revised 1750s)
 
          George Frideric HANDEL (1685–1759) 
           Messiah (1742, revised 1750s)  Arleen Augér (soprano) Anne Sofie von Otter (contralto) Michael Chance 
          (counter-tenor) Howard Crook (tenor) John Tomlinson (bass) English Concert 
          Choir, English Concert/Trevor Pinnock rec. Abbey Road Studios, London, 
          January 1988
 
          Arleen Augér (soprano) Anne Sofie von Otter (contralto) Michael Chance 
          (counter-tenor) Howard Crook (tenor) John Tomlinson (bass) English Concert 
          Choir, English Concert/Trevor Pinnock rec. Abbey Road Studios, London, 
          January 1988  DEUTSCHE 
          GRAMMMOPHON ARCHIV 00289 477 5904 [73.52 + 76.14] [RH]
 DEUTSCHE 
          GRAMMMOPHON ARCHIV 00289 477 5904 [73.52 + 76.14] [RH]
        You
              can’t go wrong with this Messiah. It should have a firm place at
              the centre of the library shelves. ... see Full
              Review 
         Roy 
          HARRIS 
          (1898-1979)  
          Symphony No. 3 (1938) [17:59] Symphony No. 4 Folk Song Symphony 
          for orchestra and chorus of mixed voices (1939)* [40:48] (The Girl 
          I Left Behind Me [3:51]; Western Cowboy [10:25]; Interlude: 
          Dance Tunes for Strings and Percussion [3:04]; Mountaineer Love Song 
          [7:44]; Interlude: Dance Tunes for Full Orchestra [3:06]; Negro 
          Fantasy [9:20]; Johnny Comes Marching Home [3:17])
 
          Roy 
          HARRIS 
          (1898-1979)  
          Symphony No. 3 (1938) [17:59] Symphony No. 4 Folk Song Symphony 
          for orchestra and chorus of mixed voices (1939)* [40:48] (The Girl 
          I Left Behind Me [3:51]; Western Cowboy [10:25]; Interlude: 
          Dance Tunes for Strings and Percussion [3:04]; Mountaineer Love Song 
          [7:44]; Interlude: Dance Tunes for Full Orchestra [3:06]; Negro 
          Fantasy [9:20]; Johnny Comes Marching Home [3:17])  Colorado Symphony Chorus (4) Colorado Symphony Orchestra/Marin Alsop 
          rec. concert performances, Performing Arts Center, Denver, Colorado, 
          USA, 22-23 January 2005. DDD
 
          Colorado Symphony Chorus (4) Colorado Symphony Orchestra/Marin Alsop 
          rec. concert performances, Performing Arts Center, Denver, Colorado, 
          USA, 22-23 January 2005. DDD  NAXOS AMERICAN CLASSICS 8.559227 [58:47][JQ]
 
          NAXOS AMERICAN CLASSICS 8.559227 [58:47][JQ]
        Collectors 
          need not hesitate. It’s a pleasure to recommend this excellent disc. 
          ... see Full Review
        Johann 
          Adolf HASSE (1699-1783) 
          Missa 
          ultima in G (1783)  Sächsisches Vocalensemble Virtuosi Saxoniae/Ludwig Güttler rec. Frauenkirche, 
          Dresden, November 2005. DDD
 
          Sächsisches Vocalensemble Virtuosi Saxoniae/Ludwig Güttler rec. Frauenkirche, 
          Dresden, November 2005. DDD  CARUS 83.240 [63.30][JW]
 
          CARUS 83.240 [63.30][JW]
        A 
          big and imposing work ... shows a debt orientated to Bach and Vivaldi. 
          ... see Full Review
         
          Joseph 
            HAYDN (1732-1809) 
            Divertimenti: No. 
            1 in D Hob. IV:6 (1784) [7:19]; No. 2 in G Hob. IV:7 (1784) [9:55]; 
            No. 3 in C Hob. IV:8 (1784) [7:44]; No. 4 in G Hob IV:9 (1784) [5:50]; 
            No. 5 in A Hob IV:10 (1784) [7:54]; No. 6 in D Hob IV:11) (1784) [7:59] 
             Paul Meisen (flute) Ernö 
            Sebestyén (violin) Martin Ostertag (violoncello) rec. Feb-March 1990, 
            Historischer Reitstadel, Neumarkt
 Paul Meisen (flute) Ernö 
            Sebestyén (violin) Martin Ostertag (violoncello) rec. Feb-March 1990, 
            Historischer Reitstadel, Neumarkt  MUSIK DABRINGHAUS UND GRIMM GOLD MDG 302 0363-2 [48:05][DB]
 
            MUSIK DABRINGHAUS UND GRIMM GOLD MDG 302 0363-2 [48:05][DB]
         
        Light 
          concise works in a warm and intimate recording. 
          ... see Full 
          Review
         
          Joseph 
          HAYDN (1732-1809) 
          String Quartet in C, Op. 54, No. 2 [19:52] 
          Grazyna BACEWICZ 
          (1909-1969) String Quartet No. 4 (1951) [22:40] 
          Antonín DVOŘÁK 
          (1841-1904) String Quartet No. 
          14 in A-flat Op 105 [33:23] Szymanowski Quartet 
          (Marek Dumicz, (violin); Grzegorz Kotow (violin); 
          Vladimir Mykytka (viola); Marcin Sieniawski 
          (cello)) rec. 24-27 March 2004, Angelika-Kauffmann-Saal, 
          Schwarzenberg, Austria AVIE  AV 
          2092 [65:58] [DB]
AV 
          2092 [65:58] [DB]
        A 
          varied program of the old, not so old, and 
          relatively new, very competently and accessibly 
          presented. ... see Full 
          Review 
         
          Joseph 
          HAYDN (1732-1809) 
          String 
          Quartet No. 66 in G major, Op. 77/1 (1799) 
          [23.30] String Quartet No. 67 in F major, 
          Op. 77/2 (1799) [25.10] String Quartet No. 
          35 in D minor, Op. 42 (1785) [15.57] String 
          Quartet No. 68 in D minor, Op. 103 (1803) 
          [11.12]  The Lindsays: (Peter Cropper, violin; 
          Ronald Birks, violin; Robin Ireland, viola; 
          Bernard Gregor-Smith, cello) rec. Holy Trinity 
          Church, Wentworth, England, 20-22 January 
          2004. DDD
 
           The Lindsays: (Peter Cropper, violin; 
          Ronald Birks, violin; Robin Ireland, viola; 
          Bernard Gregor-Smith, cello) rec. Holy Trinity 
          Church, Wentworth, England, 20-22 January 
          2004. DDD  ASV GOLD GLD4010 [76.54] [MC]
 
          ASV GOLD GLD4010 [76.54] [MC]
        Commitment 
          and enthusiasm that carries the listener along 
          with the exhilaration of the moment, with 
          appropriate measures of graciousness and melancholy. 
          Genuine musical rapport with the composer. 
          ... see Full 
          Review 
         Henri HERZ (1803-1888) 
          Piano 
          Concerto No. 3 in D minor Op. 87 (1835) [30:21] Piano Concerto No. 4 
          in E major Op.131 (1843) [22:40] Piano Concerto No. 5 in F minor Op. 
          180 (1854) [15:59]
 
          Henri HERZ (1803-1888) 
          Piano 
          Concerto No. 3 in D minor Op. 87 (1835) [30:21] Piano Concerto No. 4 
          in E major Op.131 (1843) [22:40] Piano Concerto No. 5 in F minor Op. 
          180 (1854) [15:59]  Howard 
          Shelley (piano/conductor) Tasmanian Symphony Orchestra rec. Federation 
          Concert Hall, Hobart, Tasmania, 2-4 September 2004. DDD The Romantic 
          Piano Concerto Vo. 40
 Howard 
          Shelley (piano/conductor) Tasmanian Symphony Orchestra rec. Federation 
          Concert Hall, Hobart, Tasmania, 2-4 September 2004. DDD The Romantic 
          Piano Concerto Vo. 40  HYPERION CDA67537 [69:24] [DC]
 
          HYPERION CDA67537 [69:24] [DC]
        Herz 
          has a sneaky way of wrong-footing us with 
          something entirely gorgeous then moving on 
          to more standard musical fare, making you 
          want to play the concerto all over again. 
          ... see Full 
          Review
         
          Gustav HOLST 
          (1874-1934) 
          The 
          Planets, op. 32 (1916) [47:12] Sir 
          William WALTON (1902-1983) Crown 
          Imperial – Coronation March (1937) [08:10] 
          Ralph VAUGHAN WILLIAMS 
          (1872-1958) Fantasia on a Theme 
          by Thomas Tallis (1910 rev. 1919) [14:13] 
           BBC Symphony Orchestra/Sir Adrian Boult 
          rec. 2-5 January 1945, Corn Exchange, Bedford 
          (Holst), 16 April 1937, Kingsway Hall, London 
          (Walton), 9 April 1940, Colston Hall, Bristol 
          (Vaughan Williams)
 
          BBC Symphony Orchestra/Sir Adrian Boult 
          rec. 2-5 January 1945, Corn Exchange, Bedford 
          (Holst), 16 April 1937, Kingsway Hall, London 
          (Walton), 9 April 1940, Colston Hall, Bristol 
          (Vaughan Williams)  BEULAH 2PD12 [69:50] [CH]
 
          BEULAH 2PD12 [69:50] [CH]
        These 
          are important historical documents and it 
          is right they should be available. ... see 
          Full Review 
          
         Jenö HUBAY 
          (1858-1937) 
          Violin 
          concerto No. 1 in A minor Concerto 
          dramatique Op.21 (1884-1885) [28:23] (Allegro 
          appassionato [11:40]; Andante ma non 
          tanto [8:57]; Allegro con brio - Un 
          poco piu vivo [7:42]) Suite for violin 
          and orchestra Op.5 (1877-1878, revised 
          1881) [20:07] (Gavotte: Moderato 
          [4:46]; Idylle: Andantino [4:54]; Intermezzo: 
          Allegro assai man non troppo [5:04]; 
          Finale: Mouvement du premier morceau 
          - Allegro vivace [5:16]) Violin concerto 
          No. 2 in E major Op.90 (c:1900) [24:38] 
          (Allegro con fuoco [11:11]; Larghetto 
          [7:02]; Allegro non troppo [6:19])
 
          Jenö HUBAY 
          (1858-1937) 
          Violin 
          concerto No. 1 in A minor Concerto 
          dramatique Op.21 (1884-1885) [28:23] (Allegro 
          appassionato [11:40]; Andante ma non 
          tanto [8:57]; Allegro con brio - Un 
          poco piu vivo [7:42]) Suite for violin 
          and orchestra Op.5 (1877-1878, revised 
          1881) [20:07] (Gavotte: Moderato 
          [4:46]; Idylle: Andantino [4:54]; Intermezzo: 
          Allegro assai man non troppo [5:04]; 
          Finale: Mouvement du premier morceau 
          - Allegro vivace [5:16]) Violin concerto 
          No. 2 in E major Op.90 (c:1900) [24:38] 
          (Allegro con fuoco [11:11]; Larghetto 
          [7:02]; Allegro non troppo [6:19]) 
           Hagai Shaham (violin) BBC Scottish Symphony 
          Orchestra/Martyn Brabbins rec: Caird Hall, 
          Dundee, 3-4 December 2004. DDD
 
          Hagai Shaham (violin) BBC Scottish Symphony 
          Orchestra/Martyn Brabbins rec: Caird Hall, 
          Dundee, 3-4 December 2004. DDD  HYPERION CDA67498 [73:23] [CF]
 
          HYPERION CDA67498 [73:23] [CF]
        Hubay 
          in quintessential Romantic showcase style, 
          but also able to access a reflective mood 
          and tap into the the simplicity of folk music 
          and folk dance ... see Full 
          Review 
        
 
          Federico IBARRO 
          (b.1946) Piano 
          Sonatas: No. 0 (c.1965) [5:00?]; Sonata 
          No. 1 (1976) [11:07]; Sonata No. 2 (1982) 
          [8:57]; Sonata No. 3 Madre Juana (1988) 
          [13:51]; Sonata No. 4 (1990) [11:44]; Sonata 
          No. 5 (1995-6) [13:49]; Sonata No. 6 (2001-2) 
          [10:30]  Cecilia Soria (piano) rec. Studio Guy Fallot, 
          Lausanne, 4-5 December 2004. DDD
 
          Cecilia Soria (piano) rec. Studio Guy Fallot, 
          Lausanne, 4-5 December 2004. DDD  DORON DRC 5024 [74.04] [GH]
 
          DORON DRC 5024 [74.04] [GH] 
        
Well-crafted 
          pieces, superbly performed and conceived. 
          Each sonata approaches the form in a slightly 
          different way ... see Full 
          Review  
        
 
          Charles 
          IVES 
          (1874-1954) Symphony No.2 (1901-2) [39:08] The 
          Unanswered Question (1906) [5:29] Central Park in the Dark (1906) 
          [7:53] Tone Roads No.1 [2:53]; From the Steeples and the Mountains 
          [3:23]; The Rainbow [1:50]; Ann Street [1:06]; Over 
          the Pavements [4:32]; Tone Roads No.3 [2:38]; The Pond 
          [1:54]; All the Way Round and Back [0:56]; Chromâtimelôdtune 
          [5:27]  New York Philharmonic 
          Orchestra Leonard Bernstein (Symphony, Unanswered Question); Seiji Ozawa; 
          Maurice Peress (Central Park) and unnamed orchestra, Gunther Schuller 
          (rest) rec. St. George Hotel, Brooklyn, New York, 6 Oct 1958 (Symphony), 
          Manhattan Center, New York, 17 April 1964 (Unanswered Question), 
          7 May 1962 (Central Park) and Jordan Hall, Boston, Massachusetts, 
          31 Mar-1 April 1969 (rest)
 New York Philharmonic 
          Orchestra Leonard Bernstein (Symphony, Unanswered Question); Seiji Ozawa; 
          Maurice Peress (Central Park) and unnamed orchestra, Gunther Schuller 
          (rest) rec. St. George Hotel, Brooklyn, New York, 6 Oct 1958 (Symphony), 
          Manhattan Center, New York, 17 April 1964 (Unanswered Question), 
          7 May 1962 (Central Park) and Jordan Hall, Boston, Massachusetts, 
          31 Mar-1 April 1969 (rest)  SONY CLASSIC LIBRARY SK 94731 [78:09][TH]
 
          SONY CLASSIC LIBRARY SK 94731 [78:09][TH]
        Despite 
          dry and close recording quality and shaky playing this is a valuable 
          collection ... see Full Review
        John 
          JENKINS (1592–1678) 
          12 
          Fantasies for 6-part consort; Pavan in F; Bell Pavan in a; In nomine 
          2 in e; In nomine 1 in G  Emilia Benjamin (tenor viol) Mikko Perkola (bass viol) Phantasm 
          (Laurence Dreyfus – treble viol and director, Wendy Gilespie – treble 
          viol, Jonathan Manson – tenor viol, Markku Luolajan-Mikkola – bass viol) 
          rec. 25-27 August 2005, Chapel of Merton College.
 
          Emilia Benjamin (tenor viol) Mikko Perkola (bass viol) Phantasm 
          (Laurence Dreyfus – treble viol and director, Wendy Gilespie – treble 
          viol, Jonathan Manson – tenor viol, Markku Luolajan-Mikkola – bass viol) 
          rec. 25-27 August 2005, Chapel of Merton College.  AVIE AV2099 [66:07] [RH]
 
          AVIE AV2099 [66:07] [RH]
        Sit 
          back and revel in the brilliant conversation 
          of a group of old friends, familiar enough 
          to take liberties but always balanced and 
          civilised. ... see Full 
          Review 
        
 Mauricio KAGEL (b. 
          1931) Piano Trio No.1 (1986) [26:01] Piano 
          Trio No.2 (2001) [18:47] Alfred SCHNITTKE 
          (1934–1998) Piano Trio (1985/1992) [24:11]
 
          Mauricio KAGEL (b. 
          1931) Piano Trio No.1 (1986) [26:01] Piano 
          Trio No.2 (2001) [18:47] Alfred SCHNITTKE 
          (1934–1998) Piano Trio (1985/1992) [24:11]  Liszt-Trio Weimar (Andreas Lehmann, violin; Tim Stolzenburg, cello; 
          Christian Wilm Müller, piano) rec. Fürstensaal der Hochschule für Musik 
          “Franz Liszt”, Weimar, September 2004
 
          Liszt-Trio Weimar (Andreas Lehmann, violin; Tim Stolzenburg, cello; 
          Christian Wilm Müller, piano) rec. Fürstensaal der Hochschule für Musik 
          “Franz Liszt”, Weimar, September 2004  AEON 0639 [69:42] [HC]
 
          AEON 0639 [69:42] [HC]
        These
              serious, often austere works receive superbly poised readings that
              have the full measure of the music’s undemonstrative eloquence.
              ... see Full Review
        Johann 
          Wenzel KALLIWODA 
          (1801-1866) 
          Overture No.12 Op.145 (1843) [9.23] Introduction and Variations for 
          clarinet and orchestra Op.128 (1844) [12.20] Introduction and Rondo 
          for horn and orchestra Op.51 (1833) [9.02] Symphony No.3 Op.32 (c.1830) 
          [34.25]  Dieter Klöcker 
          (clarinet) Radovan Vlatkovic (horn) Hamburg Symphony Orchestra/Johannes 
          Moesus rec. Friedrich-Ebert-Halle, Hamburg-Harburg, May 2005
 Dieter Klöcker 
          (clarinet) Radovan Vlatkovic (horn) Hamburg Symphony Orchestra/Johannes 
          Moesus rec. Friedrich-Ebert-Halle, Hamburg-Harburg, May 2005  MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG 329 1387-2 [65.24] [JW]
 
          MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG 329 1387-2 [65.24] [JW]
        Nothing
              shattering or original but thoroughly well absorbed, clearly laid
              out and expert. Rare repertoire well performed and deserving admiration.
              ... see Full Review
         RECORDING 
          OF THE MONTH Emmerich 
          KÁLMÁN (1882-1953) 
          Die 
          Herzogin von Chicago (The Duchess of Chicago)- 
          Operetta in Two Acts (1928) Libretto 
          by Julius Brammer and Alfred Grünwald, 
          revised by Dominik Wilgenbus and Stefan Frey. 
          Peter Matic (King Pánkraz); Mehrzad 
          Montazeri (Prince Boris); Norine Burgess (Miss 
          Mary Lloyd); Renée Schüttengruber 
          (Princess Rosemarie); Wolfgang Gratschmaier 
          (Bondy); Josef Luftensteiner (Finance Minister); 
          Sándor Németh (Minister of State)
RECORDING 
          OF THE MONTH Emmerich 
          KÁLMÁN (1882-1953) 
          Die 
          Herzogin von Chicago (The Duchess of Chicago)- 
          Operetta in Two Acts (1928) Libretto 
          by Julius Brammer and Alfred Grünwald, 
          revised by Dominik Wilgenbus and Stefan Frey. 
          Peter Matic (King Pánkraz); Mehrzad 
          Montazeri (Prince Boris); Norine Burgess (Miss 
          Mary Lloyd); Renée Schüttengruber 
          (Princess Rosemarie); Wolfgang Gratschmaier 
          (Bondy); Josef Luftensteiner (Finance Minister); 
          Sándor Németh (Minister of State) 
           Chorus, Orchestra and Ballet of the Volksoper 
          Wien/Michael Tomaschek Rudolf Berger (Director) 
          Dominik Wilgenbus (Producer) Marcus Tesch 
          (Choreographer) Co production of Volksoper 
          Wien and Capriccio Music. Recorded live, Vienna, 
          2005 DVD-all regions
 
          Chorus, Orchestra and Ballet of the Volksoper 
          Wien/Michael Tomaschek Rudolf Berger (Director) 
          Dominik Wilgenbus (Producer) Marcus Tesch 
          (Choreographer) Co production of Volksoper 
          Wien and Capriccio Music. Recorded live, Vienna, 
          2005 DVD-all regions  CAPRICCIO 93509 [145:00] [AOz]
 
          CAPRICCIO 93509 [145:00] [AOz]  
        
 It’s 
          not "opera archaeology" by any means, 
          but operetta for our times. ... see 
          Full Review 
        
 
          Leo KRAFT 
          (b.1922) 
          Clarinet 
          Concerto (1987, rev. 2003) [15.31]* 
          Symphony in One Movement (1985) [16.57] 
          Jacob Wrestles with the Angel, tone 
          poem for large orchestra (2000) [09.08] Pacific 
          Bridges, for string orchestra and clarinet 
          obbligato (1989) [20.32]** 
           Roger Salander (clarinet)* 
          Zbigniew Kaleta, (clarinet)** 
          Moravian Philharmonic Orchestra/Joel Eric 
          Suben (Jerzy Kosek**) rec. 
          Olomouc, Czech Republic, Feb. 2003 (Jacob 
          Wrestles; Pacific Bridges); April 
          2004 (Clarinet Concerto; Symphony). DDD
 
          Roger Salander (clarinet)* 
          Zbigniew Kaleta, (clarinet)** 
          Moravian Philharmonic Orchestra/Joel Eric 
          Suben (Jerzy Kosek**) rec. 
          Olomouc, Czech Republic, Feb. 2003 (Jacob 
          Wrestles; Pacific Bridges); April 
          2004 (Clarinet Concerto; Symphony). DDD  CENTAUR CRC 2756 [62.17] [MC]
 
          CENTAUR CRC 2756 [62.17] [MC] 
        
Impressive 
          and accessible contemporary scores that are 
          given fine performances. ... see Full 
          Review  
        
Joseph 
          Martin KRAUS (1756-1792) 
          Complete Piano Music Sonata 
          in E major (VB 196) (ca 1787/88) [26:03] Sonata 
          in E flat major (VB 195) (1785) [22:25] Rondo 
          in F major (VB 191) [7:17] Scherzo con variazioni 
          (VB 193) [9:01] Swedish Dance (VB 192) [3:25] 
          Zwey neue Kuriose Menuetten für Clavier 
          (VB 190) [1:51] Larghetto (VB 194) [0:39] 
           Ronald Brautigam (fortepiano) rec. August 
          2003, Őstrĺker Church, Sweden. DDD
 
           Ronald Brautigam (fortepiano) rec. August 
          2003, Őstrĺker Church, Sweden. DDD 
           BIS-CD-1319 [72:06] [DC]
 
          BIS-CD-1319 [72:06] [DC]  
        
Brautigam 
          brings out all the charm and Sturm und Drang 
          passion to Kraus’s sometimes remarkably adventurous 
          piano writing. ... see Full 
          Review 
        
 
          Friederich 
          August KUMMER 
          (1797-1879) Cello Duets 
          Duet 
          Op.22 No.1 [12.52] Duet Op.156 No.5 [8.11] 
          From Duet Op.156 No.3 – Arioso [2.54] Duet 
          Op.22 No.2 [18.33] Duet Op.103 No.1 [7.48] 
          Duet Op.103 No.4 [14.30]  Phoebe Carrai and Tanya Tomkins (cellos) 
          rec. Skywalker Sound, Marin County, California, 
          January 2005
 
          Phoebe Carrai and Tanya Tomkins (cellos) 
          rec. Skywalker Sound, Marin County, California, 
          January 2005  AVIE AV 2060 [66.04] [JW]
 
          AVIE AV 2060 [66.04] [JW] 
        
Elegantly 
          crafted and lyrically delightful studies without 
          any pretensions to significance beyond their 
          original function. ... see Full 
        Review
        
 Franz
                  LEHÁR (1870–1948)  Schön
                  ist die Welt - operetta in three acts (1930)  Elena
                  Mosuc (soprano) – Elisabeth, Mercedes; Zoran Todorovich (tenor) – Georg,
                  Sascha; Roland Kandlbinder (tenor) – Direktor; Isabella Stettner
                  (soprano) and Masako Goda (soprano) – zwei Damen; Andreas Hirtreiter
                  (tenor) and Wolfgang Klose (bass) – zwei Herren, Chor des Bayerischen
                  Rundfunks, Münchner Rundfunkorchester/Ulf Schirmer rec. Studio
                  1 des Bayerischen Rundfunks, 29 March–2 April 2004. DDD
 Elena
                  Mosuc (soprano) – Elisabeth, Mercedes; Zoran Todorovich (tenor) – Georg,
                  Sascha; Roland Kandlbinder (tenor) – Direktor; Isabella Stettner
                  (soprano) and Masako Goda (soprano) – zwei Damen; Andreas Hirtreiter
                  (tenor) and Wolfgang Klose (bass) – zwei Herren, Chor des Bayerischen
                  Rundfunks, Münchner Rundfunkorchester/Ulf Schirmer rec. Studio
                  1 des Bayerischen Rundfunks, 29 March–2 April 2004. DDD  CPO
                  777 055-2 [77:22] [GF]
 CPO
                  777 055-2 [77:22] [GF]
        Some 
          reservations but a recommendable issue and Lehár completists need not 
          hesitate. General operetta lovers will also find a lot to admire. ... 
          see Full Review
         
          Guillaume 
          LEKEU 
          (1870-1894) Violin 
          Sonata in G major (1892) [30.22] Albéric 
          MAGNARD (1865-1914) Violin Sonata in G major Op.13 (1901) 
          [39.37]  Irina 
          Muresanu (violin) Dana Ciocarlie (piano) rec. Charrat Muses, Switzerland, 
          December 2005
 Irina 
          Muresanu (violin) Dana Ciocarlie (piano) rec. Charrat Muses, Switzerland, 
          December 2005  AR RE-SE 
          2006-0 [70.28][JW]
 AR RE-SE 
          2006-0 [70.28][JW]
        A 
          mixed blessing. A bracing if not always very romantically expressive 
          Magnard and a somewhat lacklustre Lekeu. ... see Full 
          Review 
         
        
 Leonardo 
          LEO (1694-1744) Six Concertos for Cello, Strings and Continuo 
          (1737-8) Concerto No. 1 in A [14:02] Concerto No. 2 in D [15:34] Concerto 
          No. 3 in D minor [14:08] Concerto No. 4 in A [16:57] Concerto No. 5 
          in F minor [12:47] Sinfonia Concertante (Concerto No. 6) in C minor 
          [9:39]
 
          Leonardo 
          LEO (1694-1744) Six Concertos for Cello, Strings and Continuo 
          (1737-8) Concerto No. 1 in A [14:02] Concerto No. 2 in D [15:34] Concerto 
          No. 3 in D minor [14:08] Concerto No. 4 in A [16:57] Concerto No. 5 
          in F minor [12:47] Sinfonia Concertante (Concerto No. 6) in C minor 
          [9:39]  Josephine Knight 
          (cello), English Chamber Orchestra/Stephanie Gonley rec. Champs Hill, 
          Pulborough, Suffolk, 19-21 November 2003.
 Josephine Knight 
          (cello), English Chamber Orchestra/Stephanie Gonley rec. Champs Hill, 
          Pulborough, Suffolk, 19-21 November 2003.  ASV CD DCA 1169 [43:42 
          + 41:53][GPu]
 
          ASV CD DCA 1169 [43:42 
          + 41:53][GPu]
        Two 
          CDs of quite delightful music, in excellent recorded sound, which are 
          unhesitatingly recommended ... see Full 
          Review
        
                   Giovan 
          Battista LEONETTI (1575-1630) 
          Madrigali e Messe CD 
          1 Il Primo Libro de Madrigali a 5 voci, 1617 Con la biada 
          d'ambrosiail fren di rose [02:29] Porrate, aure dolenti, i miei sospiri 
          [02:48] Lagrime, ahi, siete voi d'un falso mare [02:55] Sonava in ciel 
          la matutina stella [01:49] Altro da te non chieggio [01:44] Ohimč, se 
          fusse Eurilla il tuo ben petto [02:11] Ah, traditor, m'acconi! [01:34] 
          Languisci Eurilla, o Dio, languisco anch'io [02:24] Nel giardino d'Amor, 
          nel sen di Clori [02:51] Non moro e spasmo e morto anco respiro [02:14] 
          Vivi raggi di sole [01:58] Cara mia fiamma ardente [01:27] Volgi e vibra, 
          se sai [02:01] Le chiome d'or, la fronte [01:19] Dammi un bacio, mia 
          vita [01:43] Se al suon de l'aspre mie voci profonde [02:17] Dolentissima 
          sorte [02:34] Misero, in abbandono [01:39] Mio cor, mio ben, mia vita 
          [01:50] Or sě che 'l vago aprile (balletto pastorale) [03:48] CD 2 Missa 
          1. toni [17:04] Missa il tempo č breve [14:12] Missa Furtiva e O Pretiosus 
          (motetto per l'elevatione) [22:02]
 Giovan 
          Battista LEONETTI (1575-1630) 
          Madrigali e Messe CD 
          1 Il Primo Libro de Madrigali a 5 voci, 1617 Con la biada 
          d'ambrosiail fren di rose [02:29] Porrate, aure dolenti, i miei sospiri 
          [02:48] Lagrime, ahi, siete voi d'un falso mare [02:55] Sonava in ciel 
          la matutina stella [01:49] Altro da te non chieggio [01:44] Ohimč, se 
          fusse Eurilla il tuo ben petto [02:11] Ah, traditor, m'acconi! [01:34] 
          Languisci Eurilla, o Dio, languisco anch'io [02:24] Nel giardino d'Amor, 
          nel sen di Clori [02:51] Non moro e spasmo e morto anco respiro [02:14] 
          Vivi raggi di sole [01:58] Cara mia fiamma ardente [01:27] Volgi e vibra, 
          se sai [02:01] Le chiome d'or, la fronte [01:19] Dammi un bacio, mia 
          vita [01:43] Se al suon de l'aspre mie voci profonde [02:17] Dolentissima 
          sorte [02:34] Misero, in abbandono [01:39] Mio cor, mio ben, mia vita 
          [01:50] Or sě che 'l vago aprile (balletto pastorale) [03:48] CD 2 Missa 
          1. toni [17:04] Missa il tempo č breve [14:12] Missa Furtiva e O Pretiosus 
          (motetto per l'elevatione) [22:02]  Nuova Musica di Crema (CD 1), Coro 'C. Monteverdi' di Crema (CD 2)/Bruno 
          Gini rec. September 1999, Villa Marazzi, Palazzo Pignano (CD 1); October 
          1999, Abbazia Cisterciense in Abbadia Cerreto, Italy. DDD
 
          Nuova Musica di Crema (CD 1), Coro 'C. Monteverdi' di Crema (CD 2)/Bruno 
          Gini rec. September 1999, Villa Marazzi, Palazzo Pignano (CD 1); October 
          1999, Abbazia Cisterciense in Abbadia Cerreto, Italy. DDD  TACTUS TC 571290 [43:42 + 53:21][JV]
 
          TACTUS TC 571290 [43:42 + 53:21][JV]
An 
          almost complete recording of the works of Leonetti, an unknown master 
          of the early 17th century - well worth exploring ... see Full 
          Review
         RECORDING
                OF THE MONTH Rolf LISLEVAND (b.
                1961) Nuove
                musiche Sources: Giovanni Girolamo Kapsberger (c. 1575-1661); Domenico Pellegrini (c. 1610-1662); Alessandro Piccinini (1566-1638); Luys de Narváez (1500-1555); The Margaret
                Board Lute Book (c. 1620-1635); Girolamo
                Frescobaldi (1583-1643); Bernardo
                Gianoncelli (fl. 1650) Arpeggiata addio [7:17] Passacaglia
                antica I [2:09] Passacaglia andaluz I [2:35] Passacaglia antica
                II [2:03] Passacaglia cromatica [1:52] Passacaglia antica III
                [1:48] Passacaglia cantus firmus [2:33] Passacaglia celtica [2:00]
                Passacaglia spontanea [4:13] Passacaglia andaluz II [2:15] Toccata
                [5:31] Passacaglia cantata [4:13] Corrente [2:18] Corrente [1:47]
                Toccata [2:38] Ciaccona [2:57] Toccata cromatica [3:45]
 RECORDING
                OF THE MONTH Rolf LISLEVAND (b.
                1961) Nuove
                musiche Sources: Giovanni Girolamo Kapsberger (c. 1575-1661); Domenico Pellegrini (c. 1610-1662); Alessandro Piccinini (1566-1638); Luys de Narváez (1500-1555); The Margaret
                Board Lute Book (c. 1620-1635); Girolamo
                Frescobaldi (1583-1643); Bernardo
                Gianoncelli (fl. 1650) Arpeggiata addio [7:17] Passacaglia
                antica I [2:09] Passacaglia andaluz I [2:35] Passacaglia antica
                II [2:03] Passacaglia cromatica [1:52] Passacaglia antica III
                [1:48] Passacaglia cantus firmus [2:33] Passacaglia celtica [2:00]
                Passacaglia spontanea [4:13] Passacaglia andaluz II [2:15] Toccata
                [5:31] Passacaglia cantata [4:13] Corrente [2:18] Corrente [1:47]
                Toccata [2:38] Ciaccona [2:57] Toccata cromatica [3:45]  Rolf
                Lislevand (archlute, baroque guitar, theorbo) Arianna Savall
                (triple harp, voice) Pedro Estevan (percussion) Bjřrn Kjellemyr
                (colascione, double-bass) Guido Morini (organ, clavichord) Marco
                Ambrosini (nyckelharpa - viola d’amore a chiavi) Thor-Harald
                Johnsen (chitarra battente) rec. Rainbow Studio, Oslo, October
                2004
 Rolf
                Lislevand (archlute, baroque guitar, theorbo) Arianna Savall
                (triple harp, voice) Pedro Estevan (percussion) Bjřrn Kjellemyr
                (colascione, double-bass) Guido Morini (organ, clavichord) Marco
                Ambrosini (nyckelharpa - viola d’amore a chiavi) Thor-Harald
                Johnsen (chitarra battente) rec. Rainbow Studio, Oslo, October
                2004  ECM NEW
                SERIES 1922 [52:15] [DC]
 ECM NEW
                SERIES 1922 [52:15] [DC]
        You 
          really want this CD – I’m telling you, but 
          you don’t really want as much as need it – 
          you’ll certainly find yourself taking a fix 
          on a regular basis once you have it! ... see 
          Full Review
         RECORDING 
          OF THE MONTH Franz 
          LISZT 
          (1811- 1996) Sonata 
          in b, S178 (1853) [31.12] Fantasy and Fugue 
          on B-A-C-H, S529ii (1871) [11.33] Totentanz, 
          S525 (1865) [16.12]
RECORDING 
          OF THE MONTH Franz 
          LISZT 
          (1811- 1996) Sonata 
          in b, S178 (1853) [31.12] Fantasy and Fugue 
          on B-A-C-H, S529ii (1871) [11.33] Totentanz, 
          S525 (1865) [16.12]  Markus Groh (piano) Steinway D-274 piano. 
          Piano technician, Michel Brantjes rec. Reitstadel-Neumarkt, 
          Oberpfalz, Germany, 22 December 2004. DDD 
          Notes in Deutsch, English, Français. 
          Photos of artist. CD tracks stereo 2.0; SACD 
          tracks 2.0 stereo and 5.0 surround. Hybrid 
          SACD
 
          Markus Groh (piano) Steinway D-274 piano. 
          Piano technician, Michel Brantjes rec. Reitstadel-Neumarkt, 
          Oberpfalz, Germany, 22 December 2004. DDD 
          Notes in Deutsch, English, Français. 
          Photos of artist. CD tracks stereo 2.0; SACD 
          tracks 2.0 stereo and 5.0 surround. Hybrid 
          SACD  
 
           AVIE 
          AV 2097 [59.00] [PSh]
AVIE 
          AV 2097 [59.00] [PSh]
        Truly 
          exceptional performances and recordings, perhaps 
          the best of these works ever made. ... see 
          Full Review 
          
        
 
          Paweł 
          Łukaszewski 
          (b. 1968) Concerto 
          for Organ and String Orchestra (1996) [10:23] 
          * O Adonai (1995) [9:24] ** Recordationes 
          de Christo moriendo (1996) [9:47] *** 
          Two Motets for Mixed Choir (1995): 
          Memento mei, Domine [4:22]; Crucem 
          tuam adoramus, Domine [3:54] **** Missa 
          pro Patria (1997) [24:49] *****  Waclaw Golonk (organ) Orkiestra Barokova Concerto 
          Avenna/Abdrzej Mysiński; ** Chór 
          Akademii Teologii Katolickiej w Warszawie/Kazimierz 
          Symonik; *** Anna Lubánska (mezzo), 
          Deutsches Kammerorchester Berlin/Maciej Żółtowski; 
          **** Chór Akademii Teologii Katolickiej w 
          Warszawie/Kazimierz Symonik; ***** Joanna 
          Kozłowska (soprano), Agnieszka Zwierko-Wiercioch 
          (mezzo), Chór Akademii Teologii Katolickiej 
          w Warszawie, Orkiestra Koncertowa Woska Polskiego 
          im. St. Moniuszki/Grzegorz Mielimąka. 
          rec. * 1996, Cathedral of Saints Peter and 
          Paul, Legnica; ** 1997, Church of St. Benona, 
          Warsaw; *** 1996, Academy of Music, Warsaw; 
          **** 1996, Polish Army’s Field Cathedral, 
          Warsaw; ***** 1998, Lutosławski Memorial 
          Concert Studio, Warsaw
 
          Waclaw Golonk (organ) Orkiestra Barokova Concerto 
          Avenna/Abdrzej Mysiński; ** Chór 
          Akademii Teologii Katolickiej w Warszawie/Kazimierz 
          Symonik; *** Anna Lubánska (mezzo), 
          Deutsches Kammerorchester Berlin/Maciej Żółtowski; 
          **** Chór Akademii Teologii Katolickiej w 
          Warszawie/Kazimierz Symonik; ***** Joanna 
          Kozłowska (soprano), Agnieszka Zwierko-Wiercioch 
          (mezzo), Chór Akademii Teologii Katolickiej 
          w Warszawie, Orkiestra Koncertowa Woska Polskiego 
          im. St. Moniuszki/Grzegorz Mielimąka. 
          rec. * 1996, Cathedral of Saints Peter and 
          Paul, Legnica; ** 1997, Church of St. Benona, 
          Warsaw; *** 1996, Academy of Music, Warsaw; 
          **** 1996, Polish Army’s Field Cathedral, 
          Warsaw; ***** 1998, Lutosławski Memorial 
          Concert Studio, Warsaw  ACTE PRÉALABLE AP0009 [62:47] [GPu]
 
          ACTE PRÉALABLE AP0009 [62:47] [GPu] 
          
        
Perhaps 
          best recommended to those with a special interest 
          in modern Church music; Łukaszewski’s 
          future career should be worth following, though 
          ... see Full 
          Review  
        
 Édouard
                  LALO (1823-1892)
                  Cello Concerto in D Minor (1876) [25:57] 
  Symphony in G Minor (1886) [26:17] Namouna, Music from the Ballet (1881)
  [21:24] (Prélude (Andante) [5:29]; Sérénade (Allegro) [1:37]; Pas des cymbals
  (Moderato) [2:58]; Danses marocaines (Vivace) [2:29]; Dolce far niente (Allegretto)
  [5:09]; Fęte foraine (Presto-Danse) [3:15])  Torleif
  Thedéen (cello) (Concerto) Malaysian Philharmonic Orchestra/Kees Bakels rec.
  Dewan Filharmonik PETRONAS Hall, Kuala Lumpur, Malaysia, November 2002 (Concerto, Namouna);
  and December 2001 (Symphony)
 Torleif
  Thedéen (cello) (Concerto) Malaysian Philharmonic Orchestra/Kees Bakels rec.
  Dewan Filharmonik PETRONAS Hall, Kuala Lumpur, Malaysia, November 2002 (Concerto, Namouna);
  and December 2001 (Symphony)  BIS
  BIS-CD-1296 [74:51] [WK]
 BIS
  BIS-CD-1296 [74:51] [WK]
        A
              very exciting disc of music that should be heard more often ...
              see Full Review 
         
        
        Detailed listing (last two days)]
          [Part 1 New]  [Part 
          2 A-B] [Part 3 C-L]
          [Part 
          4 M-R]  [Part 5 S-Z]
          [Part 
          6 Misc A-L][Part 
          7 Misc M-Z]