Erik SATIE 
          (1866 - 1925) Piano Music 
          - Volume 5 Prélude 
          en Tapisserie (1906) [3.08] Passacaille (1906) 
          [3.03] Douze petits chorals (1906) [13.26] 
          Deux rêveries nocturnes (1911) [4.06] 
          Nouvelles pièces froides (1907) [7.19] 
          Laes pantins dansent (1913) [2.14] Préludes 
          Flasques — pour un chien (1912) [5.28] Véritables 
          Préludes Flasques — pour un chien (1912) 
          [3.39] Rêverie de l’Enfance de Pantagruel 
          (1918) [2.11] Six Nocturnes (1920) [15.25] 
          Menuet à Claude Dubosq (1920) [2.53] 
          Steffen Schleiermacher, piano. 
 
          Piano technician, Franz Schliederer Recorded 
          20 Nov 2002 at the Royal Ridingschool, Bad 
          Arolsen, Germany 
          Notes in English, Français and Deutsch. 
          Drawings and a painting of the composer. 
 
          MUSIK DABRINGHAUS UND GRIMM MDG 613 1067-2 
          [64.56] [PSh]  
        
Satie 
          fans must probably have this whole set, but 
          if you don’t quite get the joke yet, you should 
          stay with Satie’s more famous music. ... see 
          Full Review 
        
 
          Emil von SAUER 
          (1862-1942) 
          Suite 
          moderne (1899-1906?) [34’16]. Aus lichten 
          Tagen (date unknown) [11’26]. Drei 
          Konzertetüden (1910) [9’35] 
 
          Oleg Marshev (piano) Rec. Mantzius-Garden, 
          Birkerod, Denmark, February 2003. DDD 
 
          DANACORD DACOCD595 [61’25] [CC] 
        
A 
          thoroughly enjoyable disc. Marshev’s flair 
          and seemingly limitless technique sees the 
          project through in high style. … see Full 
          Review 
        
Domenico 
          SCARLATTI 
          (1685-1757) Eighteen 
          Sonatas 
 
          Joyce Hatto (piano) Recorded in the Concert 
          Artist Studios June and September 1997 
 
          CONCERT ARTIST/FIDELIO RECORDINGS CACD 
          9208-2 [73.41] [JW] 
        
Scarlatti 
          playing - the product of practical application 
          and imagination. … see 
          Full Review 
        
 
          Domenico SCARLATTI 
          (1685-1757) Nineteen 
          Sonatas 
 
          Joyce Hatto (piano) Recorded Concert Artist 
          Studios, June and September 1997 
 
          CONCERT ARTIST/FIDELIO RECORDINGS CACD 9209-2 
          [69.23] [JW] 
        
A 
          persuasive and sensitive advocate; qualities 
          that are entirely and predictably consonant 
          with Hatto’s playing as a whole. … see Full 
          Review 
        
 
          Heinrich SCHEIDEMANN 
          (c1595-1663) 
          Organ Works, Vol. 4 Magnificat 
          1. toni [12:53] Benedicam Dominum (after Lassus) 
          [10:19] Jesus Christus, unser Heiland (III) 
          [03:44] Praeambulum in F [01:59] Canzona in 
          F [01:01] Nun bitten wir den heiligen Geist 
          [01:53] Praeambulum in d minor [02:22] Mensch, 
          willst du leben seliglich [06:49] In dich 
          hab ich gehoffet, Herr (II) [06:20] Praeambulum 
          in g minor [03:19] O Gott, wir danken deiner 
          Güt [02:56] Herr Christ, der einig Gotts 
          Sohn (II) [04:55] De ore prudentis procedit 
          mel (after Lassus) Magnificat 5. toni [10:43] 
          
 
          Julia Brown, organ Recorded in September 
          1999 in the Central Lutheran Church, Eugene, 
          Oregon, USA 
 
          NAXOS 8.555876 [79:02] [JV] 
        
Organ 
          music by one of the most important German 
          masters of the 17th century – well played 
          but not entirely satisfying ... see Full 
          Review
        
BARGAIN 
          OF THE MONTH Franz 
          SCHUBERT (1797-1828) 
          Sinfonia 
          Varsovia/Yehudi Menuhin Symphony No. 1 in 
          D major, D.82 (1813) Symphony No. 4 in C minor, 
          D.417 ‘Tragic’ (1816) WARNER APEX 
          2564 60527-2 Symphony No. 2 in B flat 
          major, D.125 (1815) Symphony No. 6 in C major, 
          D.859 (1818) WARNER APEX 2564 60529-2 Symphony 
          No. 3 in D major, D.200 (1815) Symphony No. 
          5 in B flat major, D.485 (1816) Symphony No. 
          8 in B minor, D.759 ‘Unfinished’ (1822) 
          WARNER APEX 2564 60530-2 Symphony No. 
          9 in C major, D.944 ‘Great’ (1827) 
          WARNER APEX 2564 60531-2 Rec. 20–29 
          Jan 1997, Studio 1, Polish Radio, Warsaw Complete 
          Set 5CDs 2564605322  
        
Yehudi 
          Menuhin’s close and stimulating relationship 
          with Sinfonia Varsovia reflected in this fine 
          cycle excellently played and recorded …Everything 
          sounds nicely in place, and there is atmosphere 
          as well as clarity. … see Full 
          Review 
        
 
          Franz SCHUBERT 
          (1797 
          - 1828) Symphony 
          no. 1 in D major, D 82, Symphony no. 2 in 
          B flat major, D 125, Symphony no. 8 in B minor, 
          D 759 "Unfinished" 
 
          Royal Philharmonic Orchestra/Sir Thomas Beecham 
          Recorded Walthamstow Town Hall, December 1953 
          Symphony no. 1); May 28th 1954 
          (Symphony No. 2); Kingsway Hall, January 15th 
          and 24th, May 9th, July 
          11th, 12thand July 23rd 
          (Symphony No. 8) – May 9th session 
          at Studio No. 1 Abbey Road. 
 
          SONY CLASSICAL SMK87876 [77.31] [RH] 
        
Welcome 
          reissue of Beecham’s sparkling late recordings 
          of the Schubert symphonies. … see Full 
          Review 
        
 
          Franz Peter 
          SCHUBERT (1797-1828) 
          Piano 
          Works: Drei Klavierstücke, D946 (1828) 
          [32’04]. Piano Sonata in A, D664 (pre-1819) 
          [25’58]. Two Scherzos, D593 (1817) [10’23]. 
          Allegretto in C minor, D915 (1827) [6’18]. 
          Adagio in E, D612 (1818) [4’51].
 
          Elisabeth Leonskaja (piano).Rec. Fürstliche 
          Reitbahn Bad Arolsen, Germany, February 10th-12th, 
          2003. DDD
 
          MUSIK DABRINGHAUS UND GRIMM MDG343 1194-2 
          [79’59] [CC] 
        
A 
          highly memorable recital … see Full 
          Review  
        
Franz 
          SCHUBERT 
          (1797-1828) Piano 
          Sonata No. 20 in A major D959 (1828) Three 
          Klavierstücke D946 
 
          Joyce Hatto (piano) Recorded Concert Artist 
          Studios, Cambridge, April 1990 and May 2000 
          Piano Works Volume 1 
 
          CONCERT ARTIST/FIDELIO RECORDINGS CACD 9063-2 
          [69.51] [JW] 
        
A 
          formidable technician whose senses of clarity 
          and form are salient features of a profound 
          musicality. … see Full 
          Review 
        
 
          Franz SCHUBERT 
          (1797-1828) Piano 
          Sonata No. 16 in A minor D845 (1825) Piano 
          Sonata No. 19 in C minor D958 (1828) 
 
          Joyce Hatto (piano) Recorded Concert Artist 
          Studios, Cambridge, October 1998 Piano Works 
          Volume 2 
 
          CONCERT ARTIST/FIDELIO RECORDINGS CACD 9064-2 
          [70.23] [JW] 
        
Technique 
          and instincts formidable. Full of light she 
          avoids seeing Schubert through a glass, darkly. 
          … see Full Review 
          
        
 
          Franz SCHUBERT 
          (1797-1828) Piano 
          Sonata No. 4 in A minor D537 (1817) Piano 
          Sonata No. 18 in G major D894 (1826) 
 
          Joyce Hatto (piano) Recorded Concert Artist 
          Studios, Cambridge, February 1999 and May 
          2000 Piano Works Volume 3 
 
          CONCERT ARTIST/FIDELIO RECORDINGS CACD 9065-2 
          [69.58] [JW] 
        
A 
          more briskly shaped determinism, more measured 
          and sanguine. The performances benefit from 
          the sympathetic acoustic – warm but not cloying 
          … see Full Review 
          
        
           
          Franz SCHUBERT 
          (1797-1828) Piano 
          Sonata No. 13 in A major D664 (1819) Piano 
          Sonata No. 21 in B flat D960 (1828) 
 
          Joyce Hatto (piano) Recorded Concert Artist 
          Studios, Cambridge, April 2000 and January 
          1999 Piano Works Volume 4 
 
          CONCERT ARTIST/FIDELIO RECORDINGS CACD 9066-2 
          [63.04] [JW] 
        
A 
          particularly fine example of Hatto’s Schubert. 
          It’s the disc that most impressed me of the 
          four so far issued in this series. … see Full 
          Review 
        
 
          Franz SCHUBERT 
          (1796-1828) 
          Overture 
          in F major, D.675 (1819) Fantasie in F minor, 
          D.940 (1828) German Dances, D.618 (1818) Variations, 
          D.968a (1818-24) Marches héroïques, 
          D.602 (1818-24) 
 
          Jenö Jandó and Zsuzsa Kollár 
          (piano) Recorded 1-4 April 1998, Phoenix Studio, 
          Budapest Piano Works for Four Hands, Volume 
          3 
 
          NAXOS 8.554513 [59.23] [TB] 
        
Some 
          substantial masterworks but a good deal of 
          ‘entertainment music’. This third volume offers 
          examples of each approach. … see Full 
          Review  
        
 
          Piano Concertos of the 1920s, Vol. 2 Erwin 
          SCHULHOFF (1893-1942) 
          Concerto 
          for Piano and small Orchestra (1923) [18:42] 
          George ANTHEIL 
          (1900-1959) A Jazz Symphony for Piano 
          and Orchestra (1927) [12:52] George 
          GERSHWIN (1898-1937) Concerto in 
          F for Piano and Orchestra (1925) [32:24] Michael 
          Rische (piano) Berlin Radio Symphony Orchestra 
          conducted by Wayne Marshall (Antheil, Gershwin) 
          
West 
          German Radio Symphony Orchestra of Cologne 
          conducted by Gunther Schuller (Schulhoff) 
          Schulhoff concerto recorded Dec 15-17, 1993 
          at Cologne Philharmonic Hall Antheil and Gershwin 
          Concertos recorded Dec 2002 and Feb 2003, 
          Jesus-Christus Church, Berlin 
 
          ARTE NOVA CLASSICS 82876 [SA] 
        
Panache 
          and commitment … fast and furious and full 
          of the brilliance … a thoroughly enjoyable 
          disc … see Full 
          Review  
        
 
          Robert SCHUMANN 
          (1810 
          - 1856) The Complete Piano 
          Works, Volume 9 Papillons, 
          Opus 2 Sonata Opus 118, No. 1 in G major Intermezzi, 
          Opus 4 Sonata Opus 118, No. 3 in C major 
 
          Franz Vorraber (piano) Recorded Frankfurt/Musikhochschule, 
          Kloster Kreuzberg. ‘Papillons’ recorded 28/1/2002; 
          all other items recorded live, 14/5/1999 
 
          THOROFON CTH 2521 [75.53] [RH] 
        
A 
          slightly disappointing recital, containing 
          some of Schumann’s lesser known piano works. 
          … see Full 
          Review 
        
 
          Robert SCHUMANN 
          (1810-1856) 
          Piano Music Disc 
          1: Papillons, Op. 2 (1832) Davidsbündlertänze, 
          Op. 6 (1837) Waldszenen, Op. 82 (1848) Disc 
          2: Widmung, arr. Liszt (1848) Frühlingsnacht, 
          arr. Liszt (1872) Fantasiestücke, Op. 
          12 (1837) Arabeske, Op. 18 (1838) Kreisleriana, 
          Op. 16 (1838) 
 
          Leon McCawley, piano Recorded at St. George’s 
          Bristol, England, September 2003 
 
          AVIE 0029 [2CDs: 142:08] [DS] 
        
I 
          give the Avie set a mild recommendation except 
          for those who want their Schumann textures 
          ‘clean as a whistle’. … see Full 
          Review 
        
 
          Heinrich SCHÜTZ 
          (1585-1672) 
          Symphoniae Sacrae I, Symphoniae Sacrae 
          II, Weihnachtshistorie Anna 
          Mikolajczyk (soprano) Marzena Lubaszka (soprano) 
          Piotr Lykowski (alto) Krzysztof Szmyt (tenor/alto) 
          Robert Pozarski (tenor/alto) Harry van der 
          Kamp (bass) Bodgan Makal (bass) Walter Testolin 
          (bass) Gian Paolo Dal Dosso (bass) 
 
           Cappella Augustana Matteo Messori (organ 
          and direction) 
 
          BRILLIANT CLASSICS 92196 [5CDs: 51.46+48.32+56.17+49.16+66.01] 
          [GH] 
        
A 
          welcome super-budget edition of Schütz’s 
          symphoniae sacrae which should tempt everyone 
          into exploring these lovely works. … see Full 
          Review 
        
 
          Déodat de 
          SEVERAC (1872 
          – 1921) Le 
          Chant de la terre (1900) En Languedoc (1903/4) 
          Las Naïades et le faune indiscret (1908) 
          Baigneuses au soleil (1908) 
 
           Izumi Tateno (piano) Recorded: Snellman 
          Hall, Kokkola, Finland, June 2001 
 
          WARNER APEX 2564 60625-2 [72:21] [HC] 
          
        
Colourful, 
          harmonically subtle, clear and breathing some 
          healthy joie de vivre reflected in the use 
          of folk-inflected dance rhythms as well as 
          exulting in sunshine or meditating at sunset. 
          His music sings and shines … see Full 
          Review 
        
 
          Dmitri 
          SHOSTAKOVICH (1906-1975): 
          Symphony No 5 in D minor, Op. 47 [45’18"] 
          Alexander SCRIABIN 
          (1872-1915): The Poem of Ecstasy * [18’40"] 
          
 
          New York Philharmonic Orchestra/Dimitri Mitropoulos 
          Recorded: 1 December 1952 and *20 March 1953 
          
 
          URANIA RM 11.908 [64’03"] [JQ] 
        
If 
          you can take the sound there’s some remarkable 
          music making here. … see Full 
          Review 
        
 
          Dmitri 
          SHOSTAKOVICH (1906-1975)Symphony 
          No. 5 in D minor, Op. 47 (1937) [46’35]Symphony 
          No. 6 in B minor, Op. 54 (1939) [30’55]
 
          Giuseppe Verdi Symphony Orchestra, Milan/Oleg 
          Caetani Live recs. From the Auditorium di 
          Milano, Italy in January 2001 (Symphony No. 
          5) and January 2002 (Symphony No. 6). DDD 
          
 
          ARTS 47668-2 [79’14] [CC] 
        
Despite 
          some impressive moments, this disc remains 
          ultimately unrecommendable. … see Full 
          Review 
        
 
          Dmitri 
          SHOSTAKOVICH (1906-1975) 
          Symphony 
          No. 7 in C, Op.60, Leningrad (1941) 
          [73’35].
 
          Giuseppe Verdi Symphony Orchestra, Milan/Oleg 
          Caetani.Live rec. From the Auditorium di Milano, 
          Italy in December 2000. DDD
 
          ARTS 47667-2 [73’35] [CC] 
        
The 
          playing is often ‘quite’ good, textures are 
          ‘quite’ well defined, but Caetani routinely 
          fails to evoke an exact mood and never, never 
          draws the listener in. … see Full 
          Review 
              Dmitri 
          SHOSTAKOVICH 
          (1906 - 1975) Preludes 
          and Fugues (24), Op 87 (1951): 1- 9, 12, 15-17, 
          19 Arranged for wind quintet by Eduard Wesley 
          
 
          Calefax Reed Quintet: Oliver Boekhorn, 
          oboe; Ivar Berix, clarinet; Raaf Hekkema, 
          saxophone; Jelte Althuis, bass clarinet; Alban 
          Wesly, bassoon. Recorded 5 June 2003, at the 
          Evangelische Kirche, Lienen, Germany. Notes 
          in English, Français, Nederlands, Deutsche 
          Photos of the composer and of the artists. 
          Four page survey form. www.mdg.de 
 
          MUSIK DABRINGHAUS UND GRIMM MDG SCENE 619 
          1185-2 [73.53] [PSh]  
        
A 
          must have for Shostakovich fans and lovers 
          of good wind quintet music. One hopes for 
          more of this ... see Full 
          Review 
        
 
          Dmitri 
          Shostakovich – First Recordings Dmitri 
          SHOSTAKOVICH (1906-1975) Twenty-Four 
          Preludes Op. 34 (1932-33) No. 8 in F minor 
          No. 14 in E flat minor No. 15 in D flat minor 
          No. 16 in B flat minor No. 17 in A flat minor 
          No. 18 in F minor No. 19 in E flat major No. 
          22 in G minor No. 23 in F major No. 24 in 
          D minor Three Fantastic Dances Op. 5 (1922) 
          L’Age d’Or Op. 22 – Polka (piano reduction 
          1935) Piano Trio No. 2 in E Op. 67 (1944) 
          String Quartet No. 3 in F Op. 73 (1946) A 
          Collection of Children’s Pieces Op. 69 
 
          Dmitri Shostakovich (piano) David Oistrakh 
          (violin) and Miloš Sádlo (cello) and 
          Dmitri Shostakovich (piano) in the Trio The 
          Beethoven Quartet in the Quartet Undated [Trio 
          recorded 1947, Quartet ?1960] 
 
          SYMPOSIUM 1314 [79.38] [JW] 
        
Deep 
          sonority … contrasting bleakness and sternness 
          … a sense of abstraction emerging powerfully 
          directed. … see Full 
          Review  
        
BARGAIN 
          OF THE MONTH Dmitri 
          SHOSTAKOVICH (1906 
          - 1975) String 
          Quartets 1-15 complete 
 
          Brodsky Quartet: Michael Thomas, Ian Belton 
          vv.; Paul Cassidy, vla.; Jacqueline Thomas, 
          vc. Recorded Teldec Recording Studio, Berlin, 
          Germany, September 1989. Notes in English, 
          Deutsch, Français Originally released 
          1991; re-released 2003 
 
          TELDEC 2564 60867 2 [378.16] [PSh]  
        
A 
          very satisfactory version of these milestones 
          in the quartet form. … see Full 
          Review 
        
 
          Jean SIBELIUS (1865-1957) 
          The 
          Tempest Op. 109b,c (1926) [29.27] Richard 
          ARNELL (b.1917) Punch and the 
          Child Op. 49 (1948) [21.24] Lord 
          BERNERS (1883-1950) The Triumph 
          of Neptune - suite from the ballet (1926) 
          [24.43] 
 
          Royal Philharmonic Orchestra (Sibelius; Arnell) 
          Philadelphia Orchestra (Berners) cond. Sir 
          Thomas Beecham rec. Nov 1954, Walthamstow 
          Town Hall (Sibelius); 31 May 1950, Kingsway 
          Hall, London; 3 Feb 1952 (Arnell); Academy 
          of Music, Philadelphia (Berners). all mono 
          
 
          SONY CLASSICAL SMK93009 [75.58] [RB] 
          
        
Thirty-two 
          lollipops - some soporific and some belligerently 
          enlivening. ... see Full 
          Review 
        
 
          Nikos SKALKOTTAS 
          (1904-1949) 
          Trio 
          for Piano, Violin and Cello (1936) Largo (1940); 
          Bolero (1948); Serenata (1949); Sonatina (1949); 
          Tender Melody (1958) for cello and piano 
 
          Maria Kitsopoulos, cello; Maria Asteiadou, 
          piano; Georgios Demertzis, violin Rec. Megaron 
          Concert Hall, Athens, Greece, September 2000. 
          DDD 
 
          BIS-CD-1224 [68.15] [GH] 
        
Brilliantly 
          crafted, original, highly concentrated, great 
          rhythmic energy and excitement … magnificent, 
          bringing out all aspects of this emotionally 
          complex music to its fullest extent. Highly 
          recommended … see Full 
          Review  
        
 
          Antonio SOLER (1729-1783) 
          Sonatas for Harpsichord, Vol. 10 
 
          Gilbert Rowland, harpsichord Recorded in July 
          2002 in the Epsom College Concert Hall, Surrey, 
          UK. DDD 
 
          NAXOS 8.557137 [73:51] [JV] 
        
The 
          tenth volume of Gilbert Rowland’s recording 
          of Soler’s complete keyboard sonatas – a tiresome 
          and undifferentiated performance ... see Full 
          Review 
        
 
          Rick SOWASH 
          (b.1950) Chamber 
          Music with clarinet Anecdotes and Reflections 
          for violin, clarinet, cello and piano (1989) 
          Street Suite for violin and clarinet (1976) 
          Daweswood; Suite for violin, clarinet, cello 
          and piano (1980) 
 
          Mirecourt Trio (Kenneth Goldsmith, violin; 
          Terry King, cello; John Jensen, piano) Craig 
          Olzenak (clarinet) Recorded (? 1991) 
 
          GASPARO GSCD 285 [66.52] [JW] 
        
Sowash 
          has a happy knack of bringing energy and life 
          to his music-making, of infusing it with delight 
          and seemingly bringing to it his own enthusiasms 
          and generosity. … see 
          Full Review  
        
 
          BARGAIN OF THE MONTH Sir 
          Charles Villiers STANFORD 
          (1852-1924) Irish 
          Rhapsodies: no. 1 in D minor, op. 78 (1902), 
          no. 2 in F minor, op. 84 – "The Lament 
          for the Son of Ossian" (1903), no. 3 
          in D, op. 137 (1913) (1), no. 4 in A minor, 
          op. 141 – "The Fisherman of Lough Neagh 
          and What he Saw" (1913), no. 5 in G minor, 
          op. 147 (1917), no. 6 in D minor, op. 191 
          (1922) (2) Concert Variations upon an English 
          Theme, op. 71 – "Down among the Dead 
          Men" (c.1897-8) (3), Piano Concerto no. 
          2 in C minor, op. 126 (1911) (3) 
 
          Raphael Wallfisch (violoncello) (1), Lydia 
          Mordkovitch (violin) (2), Margaret Fingerhut 
          (piano) (3), Ulster Orchestra/Vernon Handley 
          Recorded August 1986 (op.147), 7-9 September 
          1987 (op.141), 9-10 March 1988 (op.78), 19-23 
          February 1989 (opp.71, 126), 22 August 1989 
          (op.191), 5 November 1989 (op.137), 30 April-2 
          May 1991 (op. 84), Ulster Hall, Belfast 
 
          CHANDOS CHAN X10116 (2) [2 CDs 77:13, 
          75:49] [CH] 
        
All 
          lovers of late-romantic orchestral music of 
          nationalist inspiration should get this, above 
          all for the Rhapsodies. … see Full 
          Review 
        
           
          Richard STRAUSS 
          (1864-1949) 
          Songs: 
          Waldseiligkeit, Opus 49 No. 1 (1901); 
          Die Nacht, Opus 10 No. 3 (1885); Ständchen, 
          Opus 17 No. 6 (1886); Leises Lied, 
          Opus 39 No. 1 (1898); Schlechtes Wetter, 
          Opus 69 No. 5 (1918); Des Dichters Abendgang, 
          Opus 47 No. 2 (1900); Der Stern, Opus 
          69 No. 1 (1918); Der Verschwiegenen, 
          Opus 10 No. 6 (1885); Die Zeitlose, 
          Opus 10 No. 7 (1885); Blauer Sommer, 
          Opus 31 No. 1 (1896); Ich wolt ein Straußlein 
          binden, Opus 68 No. 2 (1918); Ruhe, 
          meine Seele!, Opus 27 No.1 (1894); Allerseelen, 
          Opus 10 No. 8, (1885); Einerlei, Opus 
          69 No. 3 (1918); Meinem Kinde, Opus 
          37 No. 3 (1897); Wiegenlied, Opus 41 
          No. 1 (1899); Mutterländelei, 
          Opus 43 No. 2 (1899); Zueignung, Opus 
          10 No. 1 (1885); Winterweihe, Opus 
          48 No. 4 (1900); Das Rosenband, Opus 
          36 No. 1 (1897); Cäcilie, Opus 
          27 No. 2 (1894); Ach, was Kummer, Opus 
          49 No. 8 (1901); Drei Lieder der Ophelia, 
          Opus 67 (1915); Morgen, Opus 27 No. 
          4 (1894) 
 
          Felicity Lott (soprano), Graham Johnson (piano) 
          Recorded 18-20 February 2002, Champs Hill, 
          Pulborough, Sussex 
 
          ASV CD DCA 1155 [72.43] [TB] 
        
This 
          is surely one of the finest lieder recitals 
          to have entered the catalogue in recent times 
          … see Full Review 
          
        
 
          Igor STRAVINSKY 
          (1882-1971) Suite: 
          Pulcinella (1922) Gian 
          Francesco MALIPIERO (1882-1973) Ricercari 
          per undici instrumenti (1925) Alfredo 
          CASELLA (1883-1947) Scarlattiana 
          (1926) 
 
          Anthony Spiri (piano) Basel Chamber Orchestra/Christopher 
          Hogwood Recorded March 2003, Culture and Convention 
          Centre, Lucerne 
 
          ARTE NOVA 74321 92765 2 [59.17] [TB] 
        
A 
          really interesting programme … Pulcinella 
          is one of the most celebrated examples of 
          1920s neo-classicism so to add the Malipiero 
          and Casella was inspired planning. … see 
          Full Review  
        
 
          Igor 
          STRAVINSKY (1882-1971) 
          Violin 
          Concerto (1931) Arnold 
          SCHOENBERG (1874-1951) Violin Concerto 
          (1936) 
 
          Michael Erxleben (violin) Berlin Symphony 
          Orchestra Michael Schønwandt (Stravinsky), 
          Claus Peter Flor (Schoenberg) Rec. (Stravinsky) 
          April 1994, (Schoenberg) June 1989 (Schoenberg), 
          Christuskirche, Berlin. DDD 
 
          BERLIN CLASSICS 01 8362 2BC [59.31] [TB] 
          
        
A 
          strong soloist with a clearly articulated 
          personality and confident tone. … see Full 
          Review  
        
 
          Karol SZYMANOWSKI 
          (1882-1937) Violin 
          and Piano Works Violin Sonata Op. 9 (1904) 
          Romance Op. 23 (1910) Nocturne and Tarantella 
          Op. 28 (1915) Mity, trzy poematy Op. 30 (1915) 
          Kołysanka (La Berceuse d’Aitacho Enia) 
          
 
          Piotr Pławner (violin) Waldemar Malicki 
          (piano) Rec. Pomeranian Philharmonic Concert 
          Hall, Bydgoszcz, Poland, February 1997 
 
          DUX 0287 [67.48] [JW] 
        
Inward 
          and introspective … finely judged portamenti 
          … evinces a fine silken tone with splendidly 
          supportive pianism. … see Full 
          Review  
        
 
          Toru TAKEMITSU 
          (1930 
          – 1996) Uninterrupted 
          Rests (1952, 1959)Piano Distance (1961)For 
          Away (1973)Les Yeux clos I (1979)Les yeux 
          clos II (1989)Rain Tree Sketch (1982)Rain 
          Tree Sketch II (1992)Litany (1990)
 
          Izumi Tateno (piano) Recorded: Järvenpää 
          Hall, Järvenpää, Finland, September 
          1996 
 
          WARNER APEX 2564 60624-2 [56:02] [HC]
        
Slow-moving, 
          meditative, impressionistic with an undeniable 
          20th century harmonic touch … see 
          Full Review 
          
        
 
          Josef TAL 
          (b.1910) Symphonies 
          1 (1953), 2 (1960), 3 (1978), Hizayon Hagigi 
          (Festive Vision) (1959) 
 
          NDR Radiophilharmonie/Israel Yinon Recorded 
          September 2002, NDR, Grosse Sendesaal, Studio 
          1 
 
          CPO 999 921-2 [57:31] [CH] 
        
Worth 
          getting for the very fine first symphony. 
          I hope you will find more in the rest than 
          I did. … see Full 
          Review 
        
  
           
          Peter Ilyich 
          TCHAIKOVSKY (1840-1893) 
          Piano Concerto No.1 in B flat minor, Op.23 
          (1874): Allegro non troppo e molto maestoso 
          – Allegro con spirito; Andantino semplice 
          – Prestissimo – Tempo I; Allegro con fuoco 
          Sergei RACHMANINOV 
          (1873-1943) Prelude in G-flat minor, Op.23 
          No.10; Moment Musical in E-flat minor, Op.16 
          No.2; Daisies, Op.38 No.3; Prelude in G major, 
          Op.32 No.5; Oriental Sketch; Melodie in E 
          major, Op.3 No.3; Concert Paraphrase on ‘Polka 
          Italienne’ 
 
          Arcadi Volodos (piano) Berlin Philharmonic 
          Orchestra/Seiji Ozawa Rec. 06/2002 (Tchaikovsky): 
          Philharmonie, Berlin; 04/2003: Scoring Stage, 
          Berlin 
 
          SONY SICC 135 [54’19] [MM] 
        
Dream 
          Team fails to deliver in Tchaikovsky: Solos 
          steal the show.... see Full 
          Review  
        
 
          Pyotr 
          Ilyich TCHAIKOVSKY 
          (1840-1893) Symphony 
          No. 1 in G minor, Winter Daydreams, 
          Op. 13 Symphony No. 2 in C minor, Little 
          Russian, Op. 17 Symphony No. 3 in D, Polish, 
          Op. 29 Symphony No. 4 in F minor, Op. 36 Symphony 
          No. 5 in E minor, Op. 64 Symphony No. 6 in 
          B minor, Pathétique, Op. 74 
          Francesca da Rimini, Op. 32 Marche 
          slave, Op. 31 Fate, Op. 77 Romeo 
          and Juliet - fantasy overture Capriccio 
          Italien, Op. 45 Swan Lake - Suite 
          
 
          Royal Philharmonic Orchestra/Yuri Temirkanov 
          Rec. 28 Feb 1991 Walthamstow Assembly Hall 
          (Francesca); 20, 23 July 1993 (1); 
          16-17 Sept 1990 (2); 9-10 June 1993 (Swan 
          Lake); 18-19 Feb 1991 (3 Marche); 
          Watford Town Hall; 11 Mar 1990 (Capriccio 
          Italien) EMI Studio 1, Abbey Road; 16-17 
          Sept 1990 (4), 18-19 Feb 1993 (Fatum); 
          20, 23 July 1990 (6) Watford Town Hall; 19, 
          22, 25 Sept 1989 (5, R&J), All 
          Saints Church, Tooting. DDD Previously issued 
          as RCA 09026 61821-2 Complete Collection series 
          
 
          BMG RCA RED SEAL 82876 55781 2 [6 CDs: 
          67.29+60.40+59.59+65.08+64.47+69.53] [RB] 
          
        
Highly 
          personal, not bland, provocative and probably 
          wrong-headed on some occasions ... it will 
          not allow your attention to drift. … see Full 
          Review 
        
 
          Peter Ilyich 
          TCHAIKOVSKY (1840-1893) 
          Symphony 
          No. 2 in C minor, Op. 17, ‘Little Russian’ 
          (1872) [35’08]. Sleeping Beauty (1889) 
          – Suite, Op. 66a (arr Fedoseyev) [36’43]. 
          
 
           Tchaikovsky Symphony Orchestra of Moscow 
          Radio/Vladimir Fedoseyev. Rec. 1999, venue 
          unspecified. DDD 
 
          RELIEF CR991055 [72’01] [CC] 
        
Well 
          worth investigating, if not a first choice 
          recommendation in the symphony. … see Full 
          Review 
        
 
          Peter Ilyich 
          TCHAIKOVSKY (1840-1893) 
          Symphony 
          No. 3 in D, Op. 29, Polish (1875) [47’11] 
          Hamlet, Op. 67 (1888) [19’02] 
 
          Tchaikovsky Symphony Orchestra of Moscow Radio/Vladimir 
          Fedoseyev. Rec. February (Op. 29), June (Op. 
          67) 1999, venue unspecified. DDD 
 
          RELIEF CR991050 [66’42] [CC] 
        
Another 
          Fedoseyev/Relief disc with much to recommend 
          it. … see Full 
          Review  
        
 
          Pyotr 
          Ilyich Tchaikovsky 
          (1840 - 1893) Symphony 
          #4 in f, Op. 36 (1878) [42.07] 
 
          Vienna State Opera Orchestra/Hermann Scherchen 
          restored from Westminster WL 096/XWN 18522 
          by Alessandro Nava Alban 
          Berg (1885 - 1935) Symphonic Suite 
          from "Lulu" (1934) [36.56] Annelies 
          Kupper, soprano Bavarian Radio Symphony Orchestra/Hermann 
          Scherchen Rec. 20 February 1953 (Berg); June 
          1951 (Tchaikovsky) "registrazione di 
          pubblico dominio efettuate a Vienna e a Monaco" 
          Notes in Italiano and English. 
 
          URANIA URN 22.248 [79.10] [PSh]
        
Very 
          good sounding restorations, a must for your 
          Scherchen collection … see Full 
          Review  
        
 
          Pyotr 
          Ilyich TCHAIKOVSKY (1840-1893) 
          Symphony 
          No. 5 in e minor, Op. 64 [47:36] The Tempest: 
          Symphonic Fantasy to Shakespeare’s Drama, 
          Op. 18 [23:06] 
 
          U.S.S.R. Symphony Orchestra/Evgeni SvetlanovRecorded 
          1967 (Symphony 5) and 1970 (Tempest). Locations 
          not given. ADD
 
          CDKM 1010 DDD [70:42] [KS] 
        
A 
          passionate and soulful performance, and if 
          you can stand the intonation mess, you have 
          an exciting rendition on your hands. … see 
          Full 
          Review 
        
 
          Piotr 
          Ilyich TCHAIKOVSKY 
          (1840-1893) Symphony 
          no. 6 in B minor, op. 74 – "Pathétique" 
          Richard WAGNER 
          (1813-1883) Tristan und Isolde: Prelude 
          and Liebestod 
 
          Berlin Philharmonic Orchestra/Wilhelm Furtwängler 
          Recorded October-November 1938 (Tchaikovsky), 
          11th February 1938 (Wagner), Berlin CD transfers 
          by Mark Obert-Thorn 
 
          NAXOS HISTORICAL 8.110865 [67:05] [CH] 
          [JW]  
        
Those 
          who lack the back-up knowledge to read the 
          performances and recordings in their right 
          context should proceed with caution.[CH]
          Furtwängler’s ability to think in terms 
          of paragraphs pays the richest rewards here 
          and is by no means a commonplace gift. … [JW]… 
          see Full 
          Review 
        
 
          RECORDING OF THE MONTH Peter 
          llyich TCHAIKOVSKY (1840-1893) 
          Romeo 
          and Juliet – Fantasy Overture (1880) Symphony 
          No.6 in B minor, Op.74 ‘Pathétique’ 
          (1893) 
 
           Philharmonia Orchestra/Guido Cantelli 
          Romeo and Juliet recorded 13th 
          October 1951, No.1 Studio, Abbey Road; Symphony 
          No.6 recorded 22-28th October 1952, 
          Royal Festival Hall. Full Price 
 
          TESTAMENT SBT 1316 [61’44] [MB]  
        
A 
          mandatory purchase for anyone interested in 
          great conducting and great orchestral playing. 
          Only very rarely will you ever hear anything 
          as thrilling. … see Full 
          Review  
        
 
          Peter Ilyich 
          TCHAIKOVSKY (1840 
          - 1893) Variations 
          on a Rococo Theme for cello and orchestra 
          (1877) * Manfred Symphony, Op. 58, edited 
          Jordania (1885) 
 
          * Dong-Oo Lee, cello Russian Federal Orchestra/Vakhtang 
          Jordania Moscow 23rd September 
          2000. DDD 
 
          ANGELOK 1 CD 9911 [67’00"] [JPh] 
          
        
I 
          would recommend this issue to anyone who wants 
          to hear the modification to the score since 
          in itself it is rather fun, but not if you 
          are wanting a top notch interpretation of 
          the score. … see 
          Full Review 
        
 
          BARGAIN OF THE MONTH Pyotr 
          Ilyich TCHAIKOVSKY 
          (1840-1893) Suite 
          from the The Nutcracker, Op.71a: Miniature 
          Overture; March; Dance of the Sugar-Plum Fairy; 
          Trepak; Arab Dance; Chinese Dance; Dance of 
          the Reeds; Flower Waltz Capriccio Italien, 
          Op.45 Eugene Onegin, Op.24: Waltz and 
          Polonaise 
 
           Bolshoi Symphony Orchestra/Alexander 
          Lazarev Recorded Moscow, 1992 
 
          WARNER APEX 2564 608822-2 [50:12] [JL] 
          
        
This 
          disc freshens up some popular old Tchaikovsky 
          numbers with superb playing, proving that 
          a special, vibrant Russian orchestral sound 
          still lives. … see 
          Full Review  
        
 
        
 
          Georg 
          Philipp TELEMANN 
          (1681-1767) Concertos 
          and Chamber Music, Volume 1. Sonata 
          in F, TWV43:F1 [8’53].Concerto in C for Recorder, 
          Two Violins, Viola and Basso Continuo, TWV51:C1 
          [16’30]. Overture in F sharp minor, TWV55:fis 
          [18’45]. Quadro in G minor, TWV43:g4 [8’33]. 
          Concerto in G for Viola Solo, Two Violins, 
          Viola and Basso Continuo, TWV51:G9 [12’58]. 
          
 
          Musica Alta Ripa (Danya Segal, recorder; Anne 
          Röhring,Cosima Taubert, violins; Ursula 
          Bundies, violin/viola; Christian Heidemann, 
          viola; Juris Teichmanis, cello; Jacques van 
          der Meer, double-bass; Ulrich Wedemeier, theorbo; 
          Bernward Lohr, harpsichord). Rec. Oranienburg 
          Schloss, Nordkirchen, February 27th-28th; 
          March 1st-2nd, 2003. 
          DDD 
 
          DABRINGHAUS UND GRIMM GOLD MDG309 1189-2 
          [65’49][CC] 
           
        
This 
          is a marvellous disc. That it is called ‘Volume 
          1’ should be a cause for celebration, for 
          that means more is sure to follow. … see Full 
          Review 
        
 
          Ernst TOCH 
          (1887-1946) 
          String 
          Quartet No. 7 Op. 15 [1907] String Quartet 
          No. 10 Op. 28 [1923] Dedication [1948] 
          
 
           Buchberger Quartett Rec. Westdeutscher 
          Rundfunk, Cologne, January/March 2001 String 
          Quartets Volume 4 
 
          CPO 999 775-2 [59.55] [GH] 
        
The 
          Tenth Quartet is gripping throughout … almost 
          Bergian in it obsessive intensity … this is 
          my first experience of the thirteen string 
          quartets and I will investigate them further. 
          … see Full 
          Review 
        
 
          Mark Anthony 
          TURNAGE 
          (b. 1960) Scorched 
          (1996-2002) 
 
          John Scofield (guitar) John Patitucci 
          (electric bass) Peter Erskine (drums) Hr Big 
          Band Frankfurt Radio Symphony Orchestra/Hugh 
          Wolff Recorded live on 7 September 2002 at 
          the Alter Oper, Frankfurt, Germany 
 
          DEUTSCHE GRAMMOPHON 474 729-2 [63’53] 
          [TH] 
        
The 
          jazz/classical fusion style that Turnage has 
          been seeking so long, is finally found. … 
          see Full Review 
           
        
RECORDING 
          OF THE MONTH Giuseppe 
          VERDI 
          (1813-1901) Otello 
          (1884-86) Opera in four acts, libretto by 
          Arrigo Boito Otello – Placido Domingo 
          (tenor) Iago – Leo Nucci (baritone) 
          Desdemona – Barbara Fritolli (soprano) 
          Cassio – Cesare Catani (tenor) Roderigo 
          – Antonello Ceron (tenor) 
          Emilia – Rossana Rinaldi (mezzo) Lodovico 
          – G. Battista Parodi (bass) 
 
          Chorus and Orchestra of La Scala, Milan/Riccardo 
          Muti Stage Director – Graham Vick TV Director 
          – Carlo Battistoni Recorded at La Scala, Milan, 
          December 2001 
TDK 
          DVOPOTEL
           [140 minutes] [TH] 
        
It 
          is hard not to give this a completely unqualified 
          recommendation. … see Full 
          Review
        
 
          Giuseppe VERDI 
          (1813-1901) 
          Il Trovatore (1853) - opera 
          in four acts. 
          Plus bonus tracks of Zinka Milanov singing 
          six traditional Yugoslav 
          songs (recorded 1944) 
 
           Manrico, Jussi Björling (ten). Leonora, 
          Zinka Milanov (sop). Di Luna, Leonard Warren 
          (bar). Azucena, Fedora Barbieri (mezzo). Ferrando, 
          Nicola Moscana (bass). Ines, Margaret Roggero 
          (sop). Ruiz, Paul Franke (ten) RCA Victor 
          Orchestra. Robert Shaw Chorale/Renato Cellini 
          Il Trovatore, recorded in Manhattan Center, 
          New York 21st February to 16th 
          March 1952 Bargain Price 
 
          NAXOS HISTORICAL 8.110240-41. [2 
          CDs: 62.07+72.34] [RF] 
        
Verdi 
          singing of this calibre is no longer to be 
          heard anywhere … deserves to be in the collection 
          of any Verdi enthusiast or lover of great 
          singing. Its modest price is an added bonus 
          for both the affluent and the impecunious. 
          … see Full Review 
           
        
 
          Antonio VIVALDI 
          (1678-1741) The 
          Four Seasons (Le Quattro Stagioni) arranged 
          Red Priest Arcangelo 
          CORELLI (1653-1713) The Christmas 
          Concerto (Concerto grosso in G minor Op. 6 
          No. 8 Fatto per la Notte di Natale arr Red 
          Priest 
 
          Red Priest - Piers Adams (recorders) Julia 
          Bishop (violin) Angela East (cello) and Howard 
          Beach (harpsichord) Recorded Troy Savings 
          Bank Music Hall, Troy, New York, January 2003 
          
 
          DORIAN DOR 90317 [50.33] [JW] 
        
As 
          ever with Red Priest one is in for a big surprise. 
          … see Full 
          Review 
        
 
          Antonio VIVALDI 
          (1678-1741) 
          The 
          Four Seasons [39:06] Concerto in d minor for 
          Viola d’amore [12:08] ‘La Notte’ - Concerto 
          in g minor for flute, bassoon, strings and 
          harpsichord [9:05] Nils Erik Sparf, baroque 
          violin Monica Huggett, viola d’amore Jakob 
          Lindberg, lute Clas Pehrsson, recorder Michael 
          McGraw, baroque bassoon 
 
           Drottningholm Baroque Ensemble Recorded 
          on June 7,9-11 1984 (Four Seasons) December 
          6-7 1984, Viola d’amore concerto, May 27/30 
          1984, Flute/Bassoon concerto in the Petrus 
          Church, Stocksund, Sweden DDD 
 
          BIS CD 300275 [61:45] [KS] 
        
Specially 
          priced, this one is not to be missed. … see 
          Full Review 
          
        
 
          Antonio VIVALDI 
          (1678-1741) 
          Vivaldi in Arcadia – Concertos and Arias Concerto 
          for 2 violins, 2 cellos, strings and basso 
          continuo in G (RV 575) [10:03] Concerto for 
          3 violins, cello and basso continuo in D ‘La 
          Pastorella’ (RV 95) [10:54] Concerto for 3 
          violins, strings and basso continuo in F (RV 
          551) [09:37] Dorilla in Tempe, opera (RV 709)*: 
          Mi lusinga il dolce affetto, aria of Elmiro 
          (Act I,1) (Johann 
          Adolf Hasse, 1699 – 1783) [06:29] 
          Bel piacer saria d’un core, aria of Nomio 
          (Act II,7) [07:27] Rete lacci, aria of Filindo 
          (Act I,9) (Geminiano 
          Giacomelli, 1692 – 1740) [04:54] 
          Concerto for 4 violins, viola and basso continuo 
          in B flat (RV 553) [10:00] Concerto for 2 
          violins, strings and basso continuo in A (RV 
          520) [09:02] Concerto for 2 violins, 2 cellos, 
          strings and basso continuo in D (RV 564) [10:05] 
          
 
          Mhairi Lawson, soprano (*) La Serenissima: 
          Adrian Chandler, Matthew Truscott, Sarah Sexton, 
          Persephone Gibbs, Katarina Bengtson (violins), 
          Sarah Moffat (violin and viola), Peter Collyer, 
          Samantha Hutchins (viola), Gareth Deats, Sarah 
          McMahon (cello), Peter McCarthy (double bass), 
          Eligio Quintero (theorbo), Robert Howarth 
          (harpsichord) Rec. Sept 2003, Church of St 
          Mary the Virgin, Salehurst, East Sussex, England 
          DDD 
 
          AVIE AV0031 [79:30] [JV] 
        
This 
          recording underlines the virtuoso aspects 
          of Vivaldi’s music at the cost of its theatrical 
          character ... see Full 
          Review. 
          You may sample, download 
          or purchase this disc 
        
 
          Antonio 
          VIVALDI (1678 
          - 1741) Vivaldi – Musica 
          Sacra Volume 4: Vespri sollenne per la festa 
          dell’Assunzione di Maria Vergine Reconstruction 
          by Frederic Delamea and Rinaldo Alessandrini. 
          Concerto in F major RV 584 for two violins 
          and two organs, Intonation: Deus in adiutorium 
          Domine ad adiuvandum me festina RV 593 for 
          soli, two choirs and two orchestras, Introduction 
          to Dixit Dominus: Ascende laeta RV 635 for 
          soprano and strings, Psalm 109 Dixit Dominus 
          RV 594 for soli, two choirs and two orchestras, 
          Antiphon: Assumpta est Maria in caelo, Antiphon: 
          Maria Virgo assumpta est, Psalm 112 Laudate 
          pueric RV 600 for soprano and orchestra, Antiphon: 
          Maria Virgo assumpta est, Antiphon: In odorem 
          unguentorum, Psalm 121 Laetatus sum RV 607 
          for choir and orchestra, Antiphon: In odorem 
          unguentorum, Antiphon: Benedicta filia tua 
          Domino, Psalm 126 Nisi Dominus RV 608 for 
          contralto and orchestra, Antiphon: Benedicta 
          filia tua Domino, Antiphon: Pulchra es et 
          decora, Psalm 147 Lauda Jerusalem RV 609 for 
          soli, two choirs and two orchestras, Antiphon: 
          Pulchra es et decora 
          Ave Maris Stella, Antiphon to the Magnificat, 
          Magnificat RV 610a for soli, two choirs and 
          two orchestras, Concerto in C major RV 581 
          for violin and strings, Salve Regina RV 616 
          for contralto and two orchestras 
 
          Gemma Bertagnolli (soprano) Roberta Invernizzi 
          (soprano) Anna Simboli (soprano) Sara Mingardo 
          (contralto) Gianluca Ferrarini (tenor) Matteo 
          Bellotto (baritone) Antonio De Decondi (violin) 
          Concerto Italiano/Rinaldo Alessandrini (director) 
          Recorded July 2003, Teatro Olimpico, Rome, 
          Italy 
 
          OPUS 111 OP 30383 [76.42+76.23] [RH] 
        
Stunning 
          performances by Concerto Italiano are the 
          highlight of this speculative reconstruction 
          of a vespers service by Vivaldi. … see 
          Full Review 
        
 
          Richard WAGNER 
          (1813 
          – 1883). Die 
          Walküre. Acts I and II Siegmund, 
          Lauritz Melchior (ten); Wotan, Hans Hotter 
          (bar); Brünnhilde, Marta Fuchs (sop); 
          Sieglinde, Lotte Lehmann (sop); Hunding, Emanuel 
          List (bass); Fricka, Margarete Klose (mezzo). 
          Note: The brief passages of Wotan and Brünnhilde 
          in the closing scene of Act 2 are sung by 
          Alfred Jerger and Ella Flesch 
 
          Vienna Philharmonic Orchestra/Bruno Walter; 
          Berlin State Opera Orchestra/Bruno Seidler-Winkler 
          Act I recorded 20th –22nd 
          June 1935 in the Musikvereinsaal, Vienna; 
          Act II recorded 22nd June 1935 
          in the Musikvereinsaal, Vienna, and 19th 
          and 20th September 1938 in Berlin 
          Bargain Price 
 
          NAXOS HISTORICAL 8.110250-51 [2 
          CDs: 73.41+70.22] [RF] 
        
Had 
          this recording gone as planned it would have 
          been an all-time great … Nowhere in the world 
          is it possible to hear Wagner singing of this 
          quality today. … see Full 
          Review  
        
 
          Kurt WEILL 
          (1900-1950) The 
          Seven Deadly Sins (1933) Little Threepenny 
          Music – concert suite (1928-29) 
 
          Julia Migenes (soprano) Robert Tear and 
          Stuart Kale (tenors) Alan Opie (baritone) 
          Roderick Kennedy (bass) London Symphony Orchestra/Michael 
          Tilson Thomas Recorded London, April 1987 
          (The Seven Deadly Sins) and April 1988 (Little 
          Threepenny Music) 
 
          SONY ESSENTIAL CLASSICS SBK90376 [55.22] 
          [JW] 
        
Unalloyed 
          admiration – and pleasure … see 
          Full Review 
        
 
           
          Werner WILDE 
          (b.1949) 
          Melodies 
          for Christmas A Christmas Story for Orchestra; 
          Raise your eyes to the sky, Hosanna to the 
          son of David, Ave Maria, Magnificat, Silent 
          Night, A rose has blossomed, Honoured by God 
          in the heavens, You come from the stars, In 
          dulci jubilo, O come all ye faithful. 
 
          HAENSSLER CD 98.457 [53.30] [RB] 
        
Light 
          music - inventively orchestrated and delicate 
          treatments of traditional Christmas melodies 
          ... see Full 
          Review 
        
          
 
          Charles WILLIAMS 
          (1893-1978) The Music 
          of Charles Williams High 
          Adventure (Friday Night is Music Night) (c1950) 
          Model Railway (1951) Young Ballerina (The 
          Potter’s Wheel) (1951) The Bells of St Clements 
          (1940s) The Dream of Olwen (1947) * Cutty 
          Sark (1951) Nursery Clock (1933) The Night 
          has Eyes (1942) Devil’s Gallop (1948) Starlings 
          (1950) The Voice of London (1946) The Music 
          Lesson (1955) * Girls in Grey (TV Newsreel) 
          (1950) The Humming Top (1938) Destruction 
          by Fire (c 1940s) The Old Clockmaker (Jennings 
          at School) (1949) Little Tyrolean (1935) Throughout 
          the Years (1951) Blue Devils (1929) Jealous 
          Lover (The Apartment) (1949) * Rhythm on Rails 
          (1950) Sally Tries The Ballet (1951) Cross 
          Country (1954) London Fair (1955) 
 
           Roderick Elms (piano) * BBC Concert Orchestra/Barry 
          Wordsworth All arrangements by Charles Williams 
          except those by John Bell, Sidney Torch, Philip 
          Lane, Bobbie Field, George Zalva, Robin White, 
          Gavin Sutherland and Adolf Lotter – all arrangements 
          and reconstructions noted in the booklet Recorded 
          February 2003, The Colosseum, Watford 
 
          ASV WHITE LINE CD WHL 2151 [75.01] [JW] 
          
        
An 
          expert craftsman with an unostentatious charm 
          that lends colour and glamour to some of these 
          invigorating pieces … see Full 
          Review  
        
 
          Yehudi WYNER 
          (b.1929) The 
          Second Madrigal: Voices of Women (1999) * 
          Quartet for Oboe and String Trio (1999) # 
          Horntrio (1997) + 
 
           Dominique Labelle (soprano), Daniel Steppner 
          (violin), Judith Eissenberg (violin), Mary 
          Ruth Ray (viola), Rafael Popper-Keizer (cello), 
          Carolyn Davis Fryer (bass), Susan Gall (flute), 
          Peggy Pearson (oboe), Katherine Matasy (clarinet), 
          Janet Underhill (bassoon), Jean Rife (horn), 
          Robert Schulz (percussion), Yehudi Wyner (conductor) 
          * Peggy Pearson (oboe), Bayla Keyes (violin), 
          Mary Ruth Ray (viola), Rhonda Rider (cello) 
          # James Buswell (violin), Jean Rife (horn), 
          Yehudi Wyner (piano) + Recorded at Mechanics 
          Hall, Worcester, MA and The Studio, Roslindale 
          MA, December 2000-May 2002 
 
          BRIDGE 9134 [67.41] [JW] 
        
Wyner’s 
          is an imaginative voice in contemporary American 
          composition and this is a fine slice of his 
          creativity. … see Full 
          Review
        
 
          Alexander 
          ZEMLINSKY (1871-1942) 
          Die Seejungfrau (1902-3) [38.51] 
          Symphony in D minor (1892-93) [31.31] 
          
 
          Czech Philharmonic Orchestra/Antony Beaumont 
          rec. Dvořák Hall, Rudolfinum, Prague, 
          12-14, 22-23 Mar 2003. DDD 
 
          CHANDOS CHAN 10138 [70.23] [RB] 
           
        
Smiles 
          and magical opulence ... see Full 
          Review 
        
 
          Anton ZIMMERMANN 
          (?1741-1781) 
          String 
          Quartets, Op. 3 – No. 1 in E flat [24’09]; 
          No. 2 in B [22’30]; No. 3 in F [21’05]. 
 
          Musica Aeterna Soloists (Peter Zajíček, 
          Milos Valent, violins; Ján Gréner, viola; 
          Peter Királ, cello). Rec. Gothic Church of 
          Liptovská Osada on May 28th-30th, 
          1994. DDD 
 
          NAXOS 8.553952 [67’44] 
        
A 
          very enjoyable disc. The music will not stretch 
          the intellect too far, neither will it move 
          the emotions to extremes. Eminently well-crafted 
          music, expertly performed, equally expertly 
          recorded. … see Full 
          Review  
        
Detailed listing 
          (last two days)]
          [Part 1 New]  [Part 2 A-B] [Part 
          3 C-L]
          [Part 4 M-R]  
          [Part 5 S-Z]
          [Part 6 Misc A-L]  
          [Part 7 Misc M-Z]