Aureole etc.




Golden Age singers

Nimbus on-line




If it’s the Czech works you’re after, do not hesitate

  Founder: Len Mullenger
Classical Editor: Rob Barnett

Some items
to consider

 


New App by the Gothenburg Symphony Orchestra for iOS and Android!


BAX Orchestral pieces


CASKEN Violin Concerto

Schumann Symphonies Rattle


Complete Brahms
Bargain price

 

REVIEW
Plain text for smartphones & printers


Gerard Hoffnung CDs

Advertising on
Musicweb


Donate and get a free CD

New Releases

Naxos Classical

Hyperion

Musicweb sells the following labels
Acte Préalable
Alto
Arcodiva
Atoll
CDAccord
Cameo Classics
Centaur
Hallé
Hortus
Lyrita
Nimbus
Northern Flowers
Redcliffe
Sheva
Talent
Toccata Classics


Follow us on Twitter

Subscribe to our free weekly review listing
sample

Support us financially by purchasing this disc from
Great Day - Indra Thomas sings spirituals
Accompanied by Sandra Lutters (piano) with Sheryl Heather Cohen, Katie Lucie and Melissa Parks backing vocals in ‘Great Day’
rec. Water Music Studios, 2012
For track listing see below
DELOS DE3427 [53.10]

Well, how do you like your spirituals? You might, for all I know, prefer a Seventh Day Adventists’ church mixed choir at least strong bouncing around to fancy arrangements of ‘Joshua’ and ‘Great Day’. You may however think of the Oxbridge tradition and tasteful British arrangements, even Tippett’s ‘Child of our time’ versions which stand between the two extremes. You might think of the great bass singers. Have you ever heard Mike Holcombe? There’s always the noble Paul Robeson and the tenor William Warfield. For something really authentic and unaccompanied try ‘The Temptations’.
 
What do they all have in common? Well, they certainly offer passionate, technically secure and committed presentations. They are vocally controlled and mostly vibrato-less; words, especially consonants, are clear while vowels are natural with no sense of distortion. Pitches are clearly focused and the music is generally put first - interpretation second. Try the wonderful Canadian-born George London, - power and control personified yet individualistic.
 
For solo female exponents look up the unaffected and fervent Carmen Rodney. In more modern times there is Michelle Williams. Indra Thomas, despite the extraordinary and well-meant booklet notes by Lindsay Koob does not fit into any of these categories. I found that this recording demonstrated a far too mannered approach to what should be natural, unaffected yet clear and spiritually uplifting. Thomas is ‘over the top’ and far too operatic and sometimes technically uncontrolled with too much vibrato and unclear diction. The booklet offers no texts and various friends who have heard the disc have found more than half of the words indistinct.
 
Having said that it’s fair to say that the faster spirituals come off much the best. Try Joshua fit the battle and Witness where Thomas does not have the time for all that self-indulgent sliding and sentimentality.
 
Thomas comes from a distinguished background. She was “raised” on Negro Spirituals, as her father was a minister in Atlanta. Since finishing her training she has developed into a well-known operatic diva. One of her specialisms is Verdi roles at the Metropolitan Opera New York. She has been heard in venues across Europe - for example in Vienna - and also in Asia. She also has the solo parts of Tippett’s Child of our Time in her repertoire.
 
Her accompanist Sandra Lutters is ideal. One feels that she plays with the written notes a little. That is all to the good, adding flourishes and being sensitive to rubato and dynamic contrast. She has a much needed sense of theatricality and the notes tell us that she also acts and directs.
 
The versions used represent an intriguing mixture of approaches by seven varied composer/arrangers. Just to give you some examples. Deep River is what you might call a standard arrangement (by Burleigh) with interesting but undisturbing harmonies. In Guide My Feet,arranged by Hairston, the piano does not enter until half a minute has elapsed. Then there is a passionate build up of tension until a quiet ending ensues. Great Day, arranged by Hal Johnson, gives the disc its title. It is colourfully worked to include three spirited backing singers. Interesting piano textures and harmonies are offered by Sandra Lutters herself in the lovely This Little Light. Burleigh’s arrangement of There is a Balm in Gilead ends the disc. It has a wild and exciting piano part which concludes with a mad glissando.
 
I know that there will be many of you out there who like your spirituals performed in the way I have described. I have attempted to point out several positive features and if this is to your taste then you should look out for this disc. For me the type of performances offered mean that I cannot be enthusiastic about this disc. I shall be glad to put it to one side for an extended period.
 
Gary Higginson 
 
Track listing
1. Feel the Spirit arr. Mark Hayes [2.37]
2. Honor, Honor arr. Hal Johnson [1.45]
3. Give me Jesus arr. H.T.Burleigh [4.50]
4. His Name so sweet arr. Hal Johnson [1.42]
5. Sometimes I feel like a motherless Child arr. John Carter [2.41]
6. Joshua fit the battle of Jericho arr. Mark Hayes [2.47]
7. He’s got the whole world in his hands arr. Margaret Bonds [2.08]
8. Deep River arr. Burleigh [4.20]
9. Guide My Feet arr. Jacqueline Hairstone [4.09]
10. Witness arr. Hall Johnson [2.31]
11. This Little Light arr. Sandra Lutters [2.39]
12. Steal Away arr. Burleigh [4.18]
13. Ride on King Jesus arr. Hall Johnson [2.30]
14. Let us break bread together arr. Hall Johnson [2.56]
15. Great Day arr. Johnson [1.45]
16. Were you there arr. Hayes [5.26]
17. There is a balm in Gilead arr. Burleigh [3.35] 

Experience Classicsonline