William 
          ALWYN 
          (1905-1985) Elizabethan 
          Dances (6) (1956-57) [17:34] The Innumerable 
          Dance - An English Overture (1933) [10:37] 
          Concerto for Oboe, Harp and Strings (1943-44) 
          [18:51] Aphrodite in Aulis - An Eclogue 
          for small orchestra after George Moore (1932) 
          [05:09] The Magic Island (1952) [10:53] 
          Festival March (1951) [08:05] 
 
          Eleanor Hudson (harp) Jonathan Small (oboe) 
          Royal Liverpool Philharmonic Orchestra/David 
          Lloyd-Jones rec. Philharmonic Hall, Liverpool, 
          19-22 January 2006. DDD. world premiere recordings 
          (The Innumerable Dance; Aphrodite 
          in Aulis) 
 
          NAXOS 8.570144 [71:09] [JW]  
        
Two 
          premiere recordings at bargain cost and generally 
          excellent performances are not to be spurned 
          lightly. ... see Full 
          Review 
        
Johann 
          Sebastian BACH 
          (1685-1750) 
          Concerto for violin in A minor BWV1041 (1717-23) 
          [13:11] Concerto for violin in E major BWV1042 
          (1717-23)  [16:30] Concerto for violin and 
          oboe in C minor BWV1060 [13:08] ¹ Concerto 
          for two violins in D minor BWV1043 [14:21]² 
          
 
          Richard Tognetti (violin) Helena Rathbone 
          (violin)² Diana Doherty (oboe)¹ 
          Australian Chamber Orchestra rec. Eugene Goossens 
          Hall, ABC’s Ultimo Centre, October 2005  
 
          ABC CLASSICS 476 5691 [57:58] [JW] 
        
Strongly 
          ambivalent feelings about these performances. 
          If they had tried less hard to impress, the 
          performances would have engaged me more. ... 
          see Full 
          Review 
         
          Johann 
          Sebastian BACH 
          (1685-1750) Concerto 
          for Flute, Violin, Harpsichord and Strings, 
          BWV 1044 (1730) [20.38] 
 
          Stefano Bet (flute); Francesco Cera (harpsichord) 
          Brandenburg Concertos for diverse instruments 
          (1721) Concerto 
          No. 1 in F, BWV 1046 [16.47] Emiliano 
          Rodolfi (oboe); Thomas Müller; Raoul Diaz 
          (horns); Maria de Martini (bassoon). Concerto 
          No. 2 in F, BWV 1047 [10.19] Gabriele Cassone 
          (trumpet); Maurice Steger (recorder); Emiliano 
          Rodolfi (oboe) Concerto No. 3 in G, BWV 1048 
          [9.26] Concerto No. 4 in G, BWV 1049 [15.03] 
          Maurice Steger; Stefano Bet (recorders) Concerto 
          No. 5 in D, BWV 1050 [19.09] Stefano Bet (flute); 
          Diego Fasolis (harpsichord) Concerto No. 6 
          in Bb, BWV 1051 [14.28] Dullio Galfetti, 
          Giovanni de Rosa (violas) Dullio Galfetti 
          (leader and solo violin) I Barocchisti/Diego 
          Fasolis (conducting from the harpsichord). 
          DSD Recording location and date not given. 
          Co-production with Radio della Svizzera Italiana, 
          Rete 2. Notes in English, Deutsch, Français, 
          Italiano. Hybrid SACD 
 
          ARTS MUSIK 
 
          47715-8 [51.51] 47716-8 [54.28][PSh]
        A 
          very good, very fast, performance recorded 
          in passable stereo but problematic surround-sound, 
          not likely to be anybody’s first choice for 
          these popular and frequently recorded works. 
          ... see Full 
          Review 
         
          Johann Sebastian 
          Bach - Legendary Recordings Johann 
          Sebastian BACH (1685-1750) see 
          review for details Johannes-Passion BWV 
          245 [130:27] cond. Günther Ramin Wer 
          mich liebet, der wird mein Wort halten BWV 
          59 [12:56] Jauchzet Gott in allen Landen 
          BWV 51* [20:05] Magnificat in D 
          major BWV 243 [31:48] Wiederstehe doch 
          der Sünde BWV 54 [13:26] Ich habe 
          genug BWV 82 [26:56] Ich will den Kreuzstab 
          gerne tragen BWV 56 [22:13] Motetten:- 
          Singet dem Herrn ein neues Lied BWV 
          225 [15:40] Der Geist hilft unsrer Schwachheit 
          auf BWV 226 [8:43] Jesu, meine Freude 
          BWV 227 [22:46] Fürchte dich nicht, 
          ich bin bei dir BWV 228 [9:31] Komm, 
          Jesu, komm BWV 229 [9:36] Lobet den 
          Herrn, alle Heiden BWV 230 [7:26] cond. 
          Kurt Thomas Ein feste Burg ist unser Gott 
          BWV 80 [28:33] Wachet auf, ruft uns 
          die Stimme BWV 140 [28:38] Ich armer 
          Mensch, ich Sündenknecht BWV 55* 
          [15:41] Gleichwie der Regen und Schnee 
          von Himmel fällt BWV 18 [16:33] Nun 
          komm, der Heiden Heiland BWV 62 [23:26] 
          Jesu, der du meine Seele BWV78* [24:12cond. 
          Erhard Mauersberger Lobe den Herren, den 
          mächtigen König der Ehren BWV137 
          [15:07] Ich hatte viel Bekümmernis 
          BWV 21* [39:42] Gottes Zeit ist der 
          allerbeste Zeit (Actus tragicus) BWV 106* 
          [23:02] Der Himmel lacht, die Erde jubilieret 
          BWV 31 [22:44] Erfreut Euch, ihr Herzen 
          BWV 66 cond. Hans-Joachim Rotzch Erschallet 
          ihr Lieder BWV 172 [22:00] Also hat 
          Gott die Welt geliebt BWV 68 [16:09] Wie 
          schön leuchtet der Morgenstern BWV 
          1* [21:32] cond. Hans-Joachim Rotzch 
 
          BERLIN CLASSICS 0183942BC  [10 CDs] [JQ]
        Despite 
          some shortcomings this is a most valuable 
          and interesting set and lovers of Bach’s sacred 
          music should certainly investigate it. ... 
          see Full Review 
          
        Johann 
          Sebastian BACH 
          (1685-1750) 
          Mass in B minor, BWV232 
 
          Emmy Loose (soprano); Hilde Ceska (soprano); 
          Gertrud Burgsthaler-Schuster (contralto); 
          Anton Dermota (tenor); Alfred Poell (bass); 
          Anton Heiller (organ) Vienna Academy Chamber 
          Choir and Vienna Symphony Orchestra/Hermann 
          Scherchen rec. Mozartsaal, Vienna, October 
          1950 
 
          TAHRA 618/19 [63:35 + 59:24] [JW]
        A 
          living text; a source of drama and commitment. 
          ... see Full 
          Review 
         
          Johann Sebastian 
          BACH (1685–1750) Mass in B minor, BWV 
          232 (circa 1740) [101.28] 
 
          Mechtild Bach (soprano) Daniel Taylor (alto) Marcus Ullmann (tenor) 
          Raimund Nolte (bass) Kammerchor Stuttgart Barockorchester Stuttgart/Frieder 
          Bernius rec. March 2004, Ev. Kirche, Reutlingen-Goningen 
 
          CARUS 83.211 [50.14 + 51.14][RH]
        Not 
          quite on a par with some of the fine period performances of the past, 
          but it comes pretty close, with some superb playing and singing making 
          for a highly recommendable modern version. ... see Full 
          Review
        
 
            Johann 
          Sebastian BACH (1685-1750) Sacred 
          Cantatas for Bass Ich will den Kreuzstab gerne tragen, BWV 
          56 [18:25]* Ich habe genug BWV 82 [21:42] Der Friede sei mit 
          dir BWV 158 [10:09] 
 
          Hanno Müller-Brachmann (bass-baritone) Collegium Vocale Siegen* Cologne 
          Chamber Orchestra/Helmut Müller-Brühl rec. Sendesaal Köln, Germany, 
          30 May-1 June 2004. DDD 
 
          NAXOS 8.557616 [50:33][TP]
        For 
          the budget conscious Müller-Brachmann makes 
          for a commendable choice ... see Full 
          Review 
        
RECORDING 
          OF THE MONTH Johann 
          Sebastian BACH (1685-1750) Cantatas, Vol. 33 
          Jesu, nun sei gepreiset, BWV 41 (1725) [27:40] Ich hab in Gottes Herz und Sinn, BWV 
          92 (1725) [30:12] Herr Gott, dich loben 
          alle wir, BWV 130 (1725) [15:08] 
 Yukari Nonoshita 
          (soprano), Robin Blaze (counter-tenor), Jan Kobow (tenor), Dominik Wörner 
          (bass) Bach Collegium Japan/Masaaki Suzuki rec. April 2005, Kobe 
          Shuin Women’s University Chapel, Japan 
 
          BIS-SACD-1541 3892-2 
 
          [74:12][TB]
        Together 
          Masaaki Suzuki and Bach Collegium Japan have achieved some remarkable 
          successes in their Bach odyssey, and this latest collection must rank 
          among their finest to date. ... see Full 
          Review
        Christopher 
          BALL (b. 
          1936) Clarinet Concerto (2006) [24:20] Four 
          Dances for wind trio [10:35] Flute Concerto (2006) [23:44] Irish 
          Suite [11:38] 
 Leslie 
          Craven (clarinet) Adam Walker (flute) Paul Arden-Taylor (oboe) Emerald 
          Concert Orchestra/Christopher Ball rec. 27-28 July 2006, All Saints 
          Church, Weston-super-Mare. DDD 
 
          QUANTUM QM7040 [70:15] [RB]
        Mr 
          Ball, no plagiarist, traces his singing lineage 
          back to Butterworth and Finzi. I am sure we 
          will hear more from him. ... see Full 
          Review 
        
 
          Sir Arnold 
          BAX (1883-1953) 
          Violin 
          Sonata No.1 in E major (1910-15, rev. 1920 
          & 1945) [32:08] Original second and third 
          movements of Sonata No.1 in E major (1910) 
          [23:30] Violin Sonata No.3 (1927) [20:12] 
          
 
          Laurence Jackson (violin) Ashley Wass (piano) 
          rec. December 2004, December 2005, Potton 
          Hall, Suffolk, England. DDD 
 
          NAXOS 8.557540 [75:50] Viola Sonata (1922) 
          [22:37] Concert Piece for viola and piano 
          (1904) [12:30] Legend for viola and piano 
          (1929) [9:26] Trio in one movement for piano, 
          violin and viola, Op.4 (1906) [16:29] 
 
          Martin Outram (viola) Laurence Jackson (violin) 
          Julian Rolton (piano) rec. February 2005, 
          Potton Hall, Suffolk, England. DDD 
 
          NAXOS 8.557784 [61:03] [MC]
        These 
          Naxos releases are to be treasured and not 
          just by Bax admirers. With performances such 
          as these one is puzzled why these chamber 
          scores are not heard far more often. ... see 
          Full 
          Review 
         
           Ludwig 
          van BEETHOVEN (1770-1827) 
          Symphony No.3 in E flat major, Op. 55 Eroica 
          (1803) [50:59] Symphony No.5 in C minor (1805) 
          [31:28] Symphony No.6 in F major Op. 68 Pastoral 
          (1808) [40:18] Symphony No.8 in F major 
          Op.93  (1812) [24:53] 
 
          London Philharmonic Orchestra/Victor de Sabata 
          (No.3) New York Philharmonic Orchestra/Victor 
          de Sabata (Nos.5 and 8) Orchestra dell’Accademia 
          di Santa Cecilia di Roma/Victor de Sabata 
          (No.6) rec. 1946 (No.3); 1947 (No.6); 1950 
          (No.5); 1951 (No.8). ADD 
 
          ANDROMEDA ANDRCD 5071 [76:12 + 71:51][JW]
        It’s 
        only as a stopgap that I recommend this but 
        the interpretations themselves leave me with 
        the greatest admiration. ... see Full 
        Review 
        Ludwig 
          van BEETHOVEN (1770-1827) 
          Symphony No. 9 in D minor, op. 125, Choral 
          (1824) [72:14] 
 
          Angela Denoke (soprano) Waltraud Meier (mezzo) 
          Burkhard Fritz (tenor) René Pape (bass) Chor 
          der Deutschen Staatsoper Berlin West-Eastern 
          Divan Orchestra/Daniel Barenboim rec. live 
          Philharmonie, Berlin, 27 August 2006. DDD 
          
 
          WARNER CLASSICS 2564 63927-2 [72:14][MG]
        The 
          West-Eastern Divan Orchestra’s performance 
          is a formidable achievement and one which 
          grows in authority as it progresses. … see 
          Full 
          Review
        Ludwig 
          van BEETHOVEN (1770-1827) 
           CD1 Piano Concerto no. 1 in C major 
          op. 15 (1800) [38:50] Piano Concerto no. 2 
          in B flat op. 19 (1798) [30:35]  CD2 
          Piano Concerto no. 3 in C minor op. 37 (1803-4) 
          [39:39] Piano Concerto no. 4 in G major op. 
          58 (1805-6) [37:49]  CD3 Piano Concerto 
          no. 5 in E flat op. 73 Emperor (1809) 
          [43:07] Choral Fantasia in C minor 
          for piano, chorus and orchestra op. 80 (1808) 
          [21:06] 
 
          Daniel Barenboim (piano) John Alldis 
          Choir (op. 80) New Philharmonia Orchestra/Otto 
          Klemperer rec. Studio 1, Abbey Road, London, 
          4, 5, 9-11, 14, 28 October 1967. Stereo. ADD 
          
 
          EMI CLASSICS GREAT RECORDINGS OF THE CENTURY 
          3615252 [3 CDs: 69:25 + 77:28 + 64:13] 
          [IB]
        The 
          young pianist’s “beauty” rises to the challenge 
          and interacts with Klemperer’s truth, creating 
          a stimulating result ... see Full 
          Review 
         Ludwig
                  van BEETHOVEN (1770-1827) Piano
                  Sonata No. 29 in B flat, Op. 106, Hammerklavier (1818)
                  [44:50]
Piano Sonata No. 3 in C,  Op. 2 No. 3 (1794/5) [26:35]. 
 Markus
Becker (piano)
rec. November 2004. DDD
 cpo
777 239-2 [71:30] [CC]
        Becker
              is a pianist to watch. There is so much to admire here, yet this
              is clearly an interpretation in progress. ... see Full
              Review 
        
BARGAIN
                OF THE MONTH Ludwig van
                BEETHOVEN (1770-1827) Piano
                Concerto No. 4 in G, Op. 58 (1805/6) [33:10] Piano Concerto No.5
                in E flat, Op. 73, “Emperor” (1809) [39:16] 
 Emil
                Gilels (piano) Philharmonia Orchestra/Leopold Ludwig rec. No.
                1 Studio, Abbey Road, London, 26-27, 30 April, 1 May 1957. ADD 
 EMI
                CLASSICS GREAT RECORDINGS
OF THE CENTURY 4768282  [72:35] [CC]
        Classic
              accounts of Beethoven ... These performances demand to be heard.
              ... see Full Review 
        
 
          Ludwig van BEETHOVEN 
          (1770-1827) Symphony No. 9 Choral (1824) 
          
 Elisabeth Schwarzkopf (soprano); 
          Elisabeth Höngen (alto); Hans Hopf (tenor); Otto Edelmann (bass) Bayreuth 
          Festival Chorus and Orchestra/Wilhelm Furtwängler rec. Bayreuth, 29 
          July 1951. ADD
 NAXOS 
          HISTORICAL 8.111060 [74:19] [AOz]
        I
              want to share what this music means and why this recording in particular
              is worth listening to. ... see Full
              Review 
         
          Luciano BERIO 
          (1925–2003) 
           Sequenzas I – XIV 
 
          Nora Shulman (flute); Erica Goodman (harp); 
          Tony Arnold (soprano); Boris Berman (piano); 
          Alain Trudel (trombone); Steven Dann (viola); 
          Matej Šarc (oboe); Jasper Wood (violin); Joaquin 
          Valdepeñas (clarinet); Guy Few (trumpet); 
          Pablo Sáinz Villegas (guitar); Ken Munday 
          (bassoon); Joseph Petric (accordion); Darrett 
          Adkins (cello); Wallace Halladay (saxophones) 
          rec. St John Chrysostom Church, Newmarket, 
          Ontario, Canada, 1998-2004 
 
          NAXOS 8.557661-63 [3 CDs: 63:02 + 60:09 
          + 58:48]  
          The Complete Sequenzas, Alternate Sequenzas 
          
 
          Paula Robison (flute); Susan Jolles (harp); 
          Isabelle Ganz (soprano); Aki Takahashi (piano); 
          Stuart Dempster (trombone); Garth Knox (viola); 
          Jacqueline Leclair (oboe); Irvine Arditti 
          (violin); Carol Robinson (clarinet); Kelland 
          Thomas (alto saxophone); William Foreman, 
          Brian McWhorter (trumpet); Seth Josel (guitar); 
          Noriko Shimada (bassoon); Stefan Hussong (accordion); 
          Rohan de Saram (cello); Ulrich Krieger (soprano 
          saxophone); Alain Billard (bass clarinet); 
          Michael Cameron, Stefano Scodanibbio (contrabass); 
          Jane Chapman (harpsichord); Lucia Mense (recorder); 
          Gary Verkade (organ); all Sequenzas are preceded 
          by verses of Edoardo Sanguinetti performed 
          by Enzo Salomane rec. 1995-2006 
 
          MODE 161/3 [4 CDs: 66:43 + 78:11 + 76:36 
          + 47:02] [DC]
        A 
          comparative survey of the two recent sets 
          of Berio’s Sequenzas. ... see Full 
          Review
         
          Hector 
          BERLIOZ (1803-1869) 
          Eliahu Inbal Berlioz Edition (11 CDs) 
          CD1 [56:05] Symphonie Fantastique, 
          Op: 14 (1830) [56:05] CD2 [40:22] Harold 
          en Italie, Op: 16 (1834) [40:22] Yuri 
          Bashmet (viola) CD3 [58:06]; CD4 [69:01] La 
          Damnation de Faust (1845-6) [127:07] Maria 
          Ewing (soprano), Dues Gulyas (tenor), Robert 
          Lloyd (baritone), Manfred Volz (bass) Kölner 
          Rundfundchor, Südfunkchor Stuttgart, 
          Chor des NDR Hamburg CD5 [50:32]; CD6 [44:33] 
          Roméo et Juliette, Op: 17 (1839) 
          [95:05] Nadine Denize (mezzo), Vinson Cole 
          (tenor), Robert Lloyd (baritone) Südfunkchor 
          Stuttgart, RIAS Kammerchor Berlin CD7 [39:28]; 
          CD8 [51:54] L'Enfance du Christ (1854) 
          [91:22] Margarita Zimmermann (soprano), Eike 
          Wilm Schulte (baritone), Stanford Dean (bass), 
          John Aler (tenor), Philip Kang (bass) Kölner 
          Rundfundchor, Chor des NDR Hamburg CD9 [47:31] 
          Te Deum, Op: 22 (1849) [47:31] Keith 
          Lewis (tenor) Matthias Eisenberg (organ) Vokalensemble 
          Frankfurt, Bachchor und Currende der Christuskirche 
          Mainz, Kinder und Jugendchor des Hessischen 
          Rundfunks CD10 [46:36]; CD11 [35:55]          Requiem, Op: 5 (1837) [82:31] 
 
           Keith Lewis (tenor) Chor des NDR Hamburg, 
          Konzertvereinigung ORF-Chor Frankfurt Radio 
          Symphony Orchestra/Eliahu Inbal rec: 24-25 
          Sept 1987 (Symphonie Fantastique), 
          24-25 March 1988 (Harold en Italie), 
          16-18 February 1988 (La Damnation de Faust), 
          3-6 January 1988 (Roméo et Juliette), 
          31 May-3 June 1989 (L'Enfance du Christ), 
          25-26 February 1988 (Te Deum), 1988 
          (Requiem), Alte Oper Frankfurt. DDD 
          
 
          BRILLIANT CLASSICS 99999 [11 CDs: 56:05 
          + 40:22 + 58:06 + 69:01 + 50:32 + 44:33 + 
          39:28 + 51:54 + 47:31 + 46:36 + 35:55] [RM-O]
        This 
          album is worthy of Hector Berlioz’s stature 
          as a visionary composer… see Full 
          Text 
         
          Peter 
          BLAUVELT (b. 1956) Rituals Piano 
          Sonata No. 9 “In Windy Fields” (2002) [18:12] * Visions 
          (1988-1989) [13:25]** Four Quiet Piano Pieces (2001) [13:33] 
          ± Rituals (1979-1982) [16:39] δ Piano Sonata No. 3 ε 
          (1980) [14:53] 
 Peter 
          Blauvelt (piano) rec. 12 Feb. 2003 St. Petersburg Florida*; 13 April 
          1991 Sarasota Florida and 12 Aug. 1995 Clearwater Florida**; 10 Nov. 
          2001 Gainesville Florida ±; 13 April 1991 Sarasota Florida ε; 
          6 Feb. 1981 Cambridge Massachusetts ε 
          
 ZIMBEL RECORDS ZR107 
          [76:24][DB]
        Works 
          that hold interest and contain surprise. … see Full 
          Review
        Johannes 
          BRAHMS 
          (1833-1897) Piano 
          Concerto No. 2 in B flat major, Op. 83 (1881) [46:48] César 
          FRANCK (1822-1890) Les Djinns (1844) [11:59] Franz 
          LISZT (1811-1886) Concerto Pathétique in E 
          minor (1886) [20:49] 
 Joshua 
          Pierce (piano); Bohuslav Martinů Philharmonic Orchestra/Kirk Trevor. 
          rec. 28-29 May, 10-11 December 1999, Concert Hall of BMF/Zlin, Czech 
          Republic. 
 MSR CLASSICS 
          MS1148 [79.37] [JW]
        And 
          whether you’ll be prepared to take a punt 
          on fillers given the unsatisfactory Brahms 
          is a more seriously moot point. ... see Full 
          Review 
         
          Johannes BRAHMS (1833-1897) Four Hand Piano Music Vol. 17 
          Piano Concerto No. 1 in D minor, Op. 15 (arranged for 
          piano duo – two pianos) (1859 arr 1873) [50:21] Joseph 
          JOACHIM (1831–1907) arr. Johannes BRAHMS (1833-1897) Demetrius 
          Overture (arranged for piano duo – two pianos) (c. 1854) [15:55] 
 
          Silke-Thora Matthies and Christian Köhn (pianos) rec. Clara Wieck Auditorium, 
          Sandhausen, Germany, 10-12 December 2001. DDD 
 
          NAXOS 8.555849 [66:16][TP]
        Recommended to Brahms lovers who know the 
          original well. ... see Full Review
         
          
 Brenton 
          BROADSTOCK 
          (b.1952) 
          Festive Overture (1981) [11:25] Timeless (2002) [10:50] 
          The Mountain (1983) [10:45] Federation Square: Rooms of Wonder 
          [11:19] Symphony No.4 Born from Good Angel’s Tears (1995) 
          [14:46] 
 Tasmanian Symphony 
          Orchestra/Ola Rudner rec. Federation Concert Hall, Hobart, October 2003 
          and June 2004 and Tasmanian Symphony Orchestra Studio October 2003 
 
          ABC CLASSICS 4768041 [59:05] [JW]
        First
              class performances and values attend this issue – in every way
              a splendid platform for Broadstock and his exciting music. ...
              see Full Review 
        Dave 
          BRUBECK (b. 1920) 
           Nocturnes: Blue Lake Tahoe 
          [0:52]; Looking At A Rainbow [2:01]; Nostalgia 
          de México [1:13]; Strange Meadowlark [2:29]; 
          Recuerdo [4:54]; Softly, William, Softly [2:07]; 
          Study in Fourths [1:14]; Chorale [3:56]; Upstage 
          Rhumba [1:24]; Bluette [3:15]; Quiet As The 
          Moon [1:58]; Lost Waltz [1:09]; The Desert 
          and the Parched Land [1:28]; Five for Ten 
          Small Fingers [2:29]; Soaring [0:57]; Lullaby 
          [1:47]; Home Without Iola [2:14]; (I Still 
          Am In Love With) A Girl Named Oli [1:34]; 
          Joshua Redman [1:57]; Audrey [1:38]; Memories 
          of a Viennese Park [1:42]; Koto Song [5:31]; 
          Mr. Fats [2:04]; A Misty Morning [2:15]; I 
          See, Satie [1:45]; Going To Sleep [1:25] 
 John
          Salmon (piano) rec. 6, 20, 27 February, 17 April 2005, Organ Hall,
          School of Music,
          University of North Carolina at Greensboro  
          
 
          NAXOS 8.559301 [55:21][JW]
        
Warmth 
          and wit and the kind of miniaturised impressionism 
          that keeps Brubeck so interesting and rewarding 
          a figure. ... see Full 
          Review
        Anton 
          BRUCKNER (1824-1896) 
          Motets: Os justi (1879) 
          [4.46]; Christus factus est (1884) 
          [5.05]; Ave Maria (1861) [3.47]; Afferentur 
          regi with three trombones (1861) [1.59]; 
          Tantum ergo I [2.35]; Tantum ergo 
          II [2.13]; Tantum ergo III [2.51]; 
          Tantum ergo IV [2.35]; Tantum ergo 
          V (with organ) [2.51] (all settings 1846); 
          Vexilla Regis (1892) [5.34]; Virga 
          Jesse (1885) [3.21]; Locus iste 
          (1869) [2.28]; Ave Maria (solo soprano, 
          alto solo, organ) (1856) [4.26]; Pange 
          Lingua (1878) [4.38]; Tota pulcra 
          (1878) [4.38]; Ecce sacerdos magnus 
          (with three trombones and organ) (1885) [6.54]; 
          Libera me, (three trombones and organ) 
          (1854) [7.29] 
 
          Czech Philharmonic Choir, Brno/ Petr Fiala 
          rec. Brno, 28-30 January 2006. DDD 
 
          MUSIKPRODUKTION DABRINGHAUS AND GRIMM MDG 
          922 1422-6 
 
          [69.33][GH]
        Rich, 
          beautifully balanced and passionate. Particularly pleasing moments of 
          subito dynamics producing dramatic hushed effects. A disc worth searching 
          out. ... see Full Review
        
 
          Geoffrey BURGON 
          (b. 1941)  Choral Music At the 
          round earth’s imagined corners (1971) [4:40] The Assumption (2001)* 
          (No. 1 of Christ’s Love) [2:33] Short Mass (1965) [10:50] 
          Of flowers and emeralds sheen (2004)* [5:01] Magnificat and 
          Nunc dimittis (1979) [7:30] As the angels stood (1992)* (No. 
          1 of The First World) [2:04] Apple Blossom (1992)* (No. 
          2 of The First World) [3:08] The Corpus Christi Carol (2001)* 
          (No. 2 of Christ’s Love) 4:39] The song of the creatures (1987)* 
          [12:07] Death be not proud (2005)* [3:52] Come let us pity 
          not the dead (2005)* [5:07] Te Deum (2002)* [6:19] Nunc 
          dimittis (1979, re-arranged 1997)* [3:19] *denotes first recording 
          
 The Choir of Wells 
          Cathedral/David Bednall (organ)/Alan Thomas (trumpet)/Matthew Owens 
          rec. Wells Cathedral, Somerset, 20-23 February 2006. DDD 
 
          HYPERION CDA67567 [72:35][JQ]
        Hyperion 
          has done Geoffrey Burgon proud, providing a splendid and comprehensive 
          introduction to his choral music. ... see Full 
          Review 
        
 
          Ferruccio 
          BUSONI (1866-1924) Violin Concerto 
          in D major, Op. 35a (1897) [24:22] Violin Sonata 
          No. 2*, Op. 36a (1900) [30:01] 
 
          Frank Peter Zimmermann (violin) Orchestra Sinfonica 
          Nazionale della RAI/John Storgards (Violin Concerto) *Enrico 
          Pace (piano) rec. “Auditorium Giovanni Agnelli” 
          del Lingatto, Turin, Italy, 18 April 2003 (Violin Concerto); Bavarian 
          Radio, Studio 1, Munich, Germany, 10 October 2004 (Violin Sonata) 
          
 SONY 
          CLASSICAL SK 94497 [54:23][BB]
        If 
          you are interested in investigating Busoni’s works beyond the Piano 
          Concerto, this disc would be a great place to start.  ... see Full 
          Review 
         
        
        Detailed 
          listing (last 
          five days)]
          [Part 1 New] 
           [Part 
          2 A-B] [Part 3 
          C-L]
          [Part 4 M-R]  
          [Part 5 S-Z]
          [Part 6 Misc A-L][Part 
          7 Misc M-Z] 
          [Recommended 
          recordings]