Janos Starker: French Album 
          Francois FRANCOEUR (1698-1787) 
          Sonata in E major (arr. A. Trowell) [4:22] 
          Francois Couperin (1668-1733) 
          Pastorale (arr. Cassado) [2:54] 
          Gabriel FAURE (1845-1924) Apres un reve (arr. Casals) [3:09] 
          
          Papillon (for cello) op.77 [2:58] 
          Francis POULENC (1899-1963) 
          Serenade No.8 of ‘Chansons Gaillardes’ (arr. M.Gendron) 
          [2:24] 
          Claude DEBUSSY (1862-1918) 
          Sonata for cello and piano (1915) [11:31] - Prologue-Serenade-Finale 
          
          Maurice RAVEL (1875-1937) 
          Piece en forme de Habanera (arr. Bazeloire) [3:10] 
          Leon Pommers (piano) 
          rec. by Period Recordings 1955 (mono) 
HIGH DEFINITION TAPE TRANSFERS 
          HDCD294 [30:28] 
        
         This is a very worthy tribute to the world-renowned 
          cellist Janos Starker, who died in April this year. Born in Budapest 
          in 1924 into a Jewish family, he took up the cello early in life and 
          became something of a child prodigy. His two brothers meanwhile took 
          up the violin. As a child he heard Casals and later Feuermann, and both 
          were a great source of inspiration to him. He studied at the Franz Liszt 
          Academy. In 1938 he made his professional debut deputizing for an indisposed 
          soloist at six hours notice in the Dvořák Concerto. During 
          the war, due to Hungarian anti-semitism, he was forced to spend three 
          months in a labour camp. Fortuitously he, his wife whom he married in 
          1944 and his parents were spared the fate of his two brothers who perished 
          in the Holocaust. In 1948 he emigrated to the States and worked for 
          a time as an orchestral musician. Perhaps the most high profile job 
          in this role was as principal cellist in the Chicago Symphony Orchestra, 
          where he worked under the tyrannical conductor Fritz Reiner. He later 
          took up a teaching post at Indiana University, where he worked until 
          the end of his life. He was truly the teacher/performer. 
            
          This is a very welcome issue in that this is the only account of four 
          of the works on the disc in Starker’s discography. Of the other 
          works, Fauré’s ‘Après un rêve’ 
          and Ravel’s ‘Pièce en forme de Habañera’ 
          were recorded in 1978 with the pianist Shigeo Neriki. Another recording 
          of the Debussy Sonata exists from 1963 with his life-long collaborator, 
          the pianist Gyorgy Sebok. 
            
          All the salient characteristics of Starker’s cello playing are 
          manifested here. He utilizes a very focused tone, which some would consider 
          lean. Intonation is pinpoint with dead-centre accuracy. Other features 
          include a purity of tone, exquisite phrasing and a contained and not 
          over-indulgent rubato. 
            
          This French Album was recorded by Period Recordings in 1955. The Francoeur 
          is in two movements. Starker employs a rich vibrant tone in the slow 
          movement, with elegant phrasing. There is crisp articulation in the 
          subsequent fast movement. The Couperin is a delightful Pastorale in 
          an arrangement by the Spanish cellist Gaspar Cassadó. In the 
          Fauré pieces, Après un rêve is played 
          with lyrical beauty. Papillon is scintillatingly capricious, 
          but the middle tune has a burnished intensity. The most substantial 
          work in the recital is the Debussy Sonata, a masterpiece noted for its 
          brevity. Starker is able, in eleven minutes to encompass its emotional 
          range and capture its Gallic flavour. It is a work that showcases his 
          magnificent technique, utilizing left-hand pizzicato, spiccato, flautando 
          bowing, false harmonics and portamenti. Finally the Ravel is distinguished 
          with a wonderful sense of line. 
            
          High Definition Tape Transfers are to be commended for their work in 
          sourcing out-of-copyright material mainly from the fifties and sixties, 
          and making it available to the music-loving public. Perusing their catalogue, 
          it is obvious they judiciously select distinguished recordings from 
          the back catalogue which they deem worthy of preservation. The recordings 
          are available as either individual custom-burned CDs or as Flac lossless 
          downloads. The recordings are transferred from the original reel-to-reel 
          tapes, in this case from a Double Track Mono 7.5ips tape, onto a Mitsui 
          Gold Archival CD. I am delighted that the original cover art is included. 
          
            
          Devotees of great cello playing will find this a valuable addition to 
          their collection although at only 30 minutes of music ( the duration 
          of the LP), it leaves one wanting more. 
            
          This is a fitting tribute to a great cellist and I can only thank this 
          company for restoring this valuable document for posterity. 
            
          Stephen Greenbank