RECORDING OF THE MONTH Gustav
MAHLER (1860-1911) Symphony No 7 (1905)
Lucerne Festival Orchestra/Claudio
Abbado rec. live, Lucerne, August 2005 DVD - all regions
EUROARTS 2054629
[78:00][AOz]
One
day the Lucerne concerts will be appreciated
for their role in developing Mahler performance
practice ... see Full
Review
Etienne-Nicolas
MÉHUL
(1763-1817) L’Irato
ou l’Emporté - opéra
comique in one Act (libretto: Benoit-Joseph
Marsollier) (1801) Ouverture du Ballet
de Paris a Grand Orchestre (1793)
Scapin (servant to Lasandre): Miljenko Turk,
(bass) Lysandre (in love with Isabelle): Cyril
Auvity, (tenor) Isabelle (Pandolphe’s daughter):
Pauline Courtin, (soprano) Pandolphe (Uncle
to Lysandre): Alain Buet, (bass) Nérine
(servant to Isabelle): Svenja Hempel, (soprano)
Balouard (Tutor): Georg Poplutz (tenor)
Bonn Chamber Choir L’Arte du Mondo/Werner
Ehrhardt rec. Bonn Bundeskunsthalle, 18 September
2005. DDD
CAPRICCIO 60 128 [64:20] [RW]
Charming
music by Méhul sensitively put across
by all concerned ... see Full
Review
Felix
MENDELSSOHN (1809–1847)
Aus
tiefer Not, Op. 23 No 1. (1830) [12.36]
Ave Maria, Op. 23 No 2. (1839) [6.29]
Mitten wir in Leben sind, Op. 23 No
3. (1830) [7.47] Hör mein Bitten (1844)
[10.54 Warum toben die Heiden, Op.
78 No 1. (1843/44) [7.45] Richte mich Gott,
Op. 78 No 2. (1843/44) [3.37] Zum Abendsegen
[2.41] Kyrie Eleison (1846) [1.25]
Heilig, Heilig (1846) [1.57] Ehre
sei Gott (1846) [1.57] Verleih uns
Frieden (1830) [4.44] Hear my prayer
(1844) [5.27]
Quintin Beer (treble) Allan Clayton (tenor)
John Robinson (organ) Choir of St. John’s
College, Cambridge/David Hill rec. 8-9, 11
July 2005, St. John’s College Chapel, Cambridge
HYPERION CDA67558 [71.35] [RH]
If
the repertoire on this disc appeals, you won’t
go far wrong. Impressive … there is something
quite thrilling, hearing the trebles singing
Mendelssohn’s lovely vocal lines. ... see
Full
Review
Felix
MENDELSSOHN-BARTHOLDY (1809-1847)
Sonata
No. 4 in B flat op. 65 [15:55] Andante Sostenuto
in f minor [4:38] Andante in D (2nd version)
[1:16] Fugue in d minor (1820) [2:01] [Passacaglia]
in c minor (1823) [5:28] Fughetta in D (1834/5)
[3:40] Prelude in c minor (1841) [3:01] Fantasia
in g minor (after August 1823?) [2:29] Fugue
(fragment) [0:39] completion of Fugue by J.
Bate [2:15] Allegretto in d minor (1844) [2:31]
Con moto maestoso in A (1844) [8:47] Andante
Con Moto in A (1844) [3:03] Fugue in C (before
19/12/1844) [3:32] [Chorale] in D (after 19/12/1844)
[1:17] Grave [2:01] Andante con moto in c
minor (1844) [3:26] Moderato in C (1845) [2:22]
Andante in D (fragment, after 23/7/1844) [1:58]
Jennifer Bate (organ) rec. All Saints Church,
Margaret Street, London, St John’s Church,
Upper Norwood, London, St Matthew’s Church,
Bayswater, London, St Stephen’s Church, Bournemouth,
Dorset, The Temple Church, London, Wimborne
Minster, Dorset, November 2003-October 2004.
DDD
SOMM SOMMCD 053 [71:45] [CB]
Bate,
with her leaden performances on bloated instruments,
misses the point badly on both counts. ...
see Full
Review
Bernhard
MOLIQUE (1801-1869) String
Quartets Vol. 1 String Quartet Op. 18 No. 1 in F (1834)
[29.31] String Quartet Op. 18 No. 2 in a minor (1834) [28.48] Mannheimer
String Quartet: (Andreas Krecher (violin 1); Shinkyung Kim
(violin 2); Niklas Schwarz (viola); Armin Framm (cello)) rec.
21-22 July, 26-27 April 2005, Kammermusikstudio des SWR Stuttgart CPO
777 149-2 [58:29] [DB]
A
definite find for those who love Beethoven’s middle quartets. ...
see Full Review
RECORDING
OF THE MONTH Claudio MONTEVERDI
(1567-1643) Vespers
- The complete 1610 publication: Disc 1: Vespers [70:25] Disc
2: Magnificat a 7 [18:15]; Magnificat a 6 [15:47]; Missa In illo tempore
[32:24] Carolyn
Sampson, Rebecca Outram (soprano) Daniel Auchincloss, Nicholas Mulroy
(high tenor) Charles Daniels, James Gilchrist (tenor) Peter Harvey,
Robert Evans, Robert Macdonald (bass) The King’s Consort/Robert King
rec. St. Jude-on-the-Hill, Hampstead Garden Suburb, London, 6-11 February
2006 also available as SACDA67531/2
HYPERION CDA67531/2 [70:25 + 66:40] [DC]
Truly
mind-blowing. Vespers virgins need seek no further. I can’t imagine
it being replaced any time soon. ... see Full
Review
Wolfgang
Amadeus MOZART (1756-1791) The Early
Symphonies Disc 1 No 1 in E-flat, K 16 [13:33] No 4 in D,
K19 [9:31] Symphony in F, K Anh.223 [13:00] No 5 in B-flat K22 [6:16]
Gallimathias musicum, K32 [4:00] No 6 in F K43 [17:00] Disc 2
Symphony in G, K Anh.221 (45a) [12:45] Symphony in B-flat, K Anh.214
(45b) [12:08] No. 8 in D, K48 [12:18] Symphony in C K73 (75a) [11:30]
No 7 in D K45 [11:07] Disc 3 Symphony in D, K100 (62a) [16:18]
No 10 in G, K74 [8:02] No 13 in F, K112 [14:18] No 12 in G, K110 [15:16]
No 14 in A, K114 [17:36] Disc 4 No 15 in G, K124 [11:26] No
16 in C, K128 [10:01] No 17 in G, K129 [10:54] No 18 in F, K130 [19:48]
No 19 in E-flat, K132 [15:19]
I Solisti Veneti/Claudio Scimone rec. Olympic Theatre, Vicenza, Italy,
Sept 1994; 10, 14 June, 29 July, 4 Aug 1991; 29 July –4 Aug 1994
ARTS 47780-2 [4 CDs: 64:09 + 60:52 + 71:38 + 68:46][DB]
A
great value, with great riches for the Mozart lover. Dignified performances
that hold immediacy ... see Full
Review
BARGAIN OF THE MONTH Wolfgang
Amadeus MOZART
(1756-1791)
Overtures: Le nozze di Figaro
K492 [4.17]; Bastien und Bastienne
K50 [1.47]; Der Schauspieldirektor
K486 [4.11]; Lucio Silla K135 [7.38];
Così fan tutte K588 [4.41]; La
finta giardiniera K196 [7.15]; Die
Entführung aus dem Serail K384 [5.24];
Il re pastore K208 [3.28]; Idomeneo
K366 [5.00]; La clemenza di Tito
K621 [5.01]; Don Giovanni K527 [5.47];
Die Zauberflöte K620 [6.50]
Staatskapelle Dresden/Colin Davis rec. Lukaskirche,
Dresden, 1999. DDD
BMG-RCA RED SEAL CLASSIC LIBRARY 82876 762352
[61.22] [JW]
Davis
cleaves to traditional values with his superlative orchestra, splendidly
recorded. Look no further. ... see Full
Review
Wolfgang
Amadeus MOZART
(1756-1791)
Piano Concerto No. 26 in D, K 537 Coronation (1788) [30.17] Piano
Concerto No. 25 in C, K 503 (1786) [32.37]
Jean-Bernard Pommier (piano) Philharmonia Orchestra rec. Snape Maltings
Concert Hall, Aldeburgh, August 1992
WARNER APEX 2564-61985-2 [64.21] [SV]
Pommier's
gentle attack produces tone which is consistently limpid but otherwise
doesn't seem to have much to say. ... see Full
Review
Wolfgang
Amadeus MOZART
(1756-1791) Piano
Concerto No. 13 in C major K. 415 (387b) (1782-3) [32:44] Piano Concerto
No. 20 in D minor K. 466 (1785) [35:57] Bonus: “Bach spiele ich mit
siebzig” [19:52]
Camerata Salzburg/Mitsuko Uchida (piano, conductor) rec. Salzburg, Mozarteum,
2-4 March 2001. DDD DVD: Region 1 only
DEUTSCHE GRAMMOPHON 00440 073 4129
[72:10][DC]
A
well produced recording of a beautifully played concert ... see Full
Review
Wolfgang
Amadeus MOZART
(1756-1791) Works
for Violin and Piano [394:07] Sonata in C major, KV 6 (1764)
[10:25] Sonata in D major, KV 7 (1764) [9:18] Sonata in B major, KV
8 (1764) [7:03] Sonata in G major, KV 9 (1764) [7:37] Sonata in E flat
major, KV 26 (1766) [5:59] Sonata in G major, KV 27 (1766) [7:07] Sonata
in C major, KVF 28 (1766) [4:57] Sonata in D major, KV 29 (1766) [5:48]
Sonata in F major, KV 30 (1766) [5:59] Sonata in B major KV 31 (1766)
[7:57] Sonata in C major, KV 296 (1778) [15:23] Sonata in G major, KV
301 (1778) [13:57] Sonata in E flat major, KV 302 (1778) [8:25] Sonata
in C major, KV 303 (1778) [8:25] Sonata in E minor, KV 304 (1778) [11:27]
Sonata in A major, KV 305 (1778) [15:15] Sonata in D major, KV 306 (1778)
[19:44] Twelve Variations on a French Song, KV 359 (1781) [12:20] Six
Variations on a French Song, KV 360 (1781) [9:31] Sonata in B major,
KV 372 (1781) [7:30] Sonata in F major, KV 376 (1781) [15:21] Sonata
in F major, KV 377 (1781) [20:02] Sonata in B major, KV 378 (1779) [18:08]
Sonata in G major, KV 379 (1781) [19:57] Sonata in E flat major, KV
380 (1781) [17:02] Sonata in A major, KV 402 (1782) [6:48] Sonata in
C major, KV 403 (1782) [13:03] Sonata in C major, KV 404 (1782) [2:56]
Sonata in B major, KV 454 (1784) [23:11] Sonata in E flat major, KV
481 (1785) [21:32] Sonata in A major, KV 526 (1787) [20:11] Sonata in
F major, KV 547 (1788) [16:26]
Elizabeth Jess-Kropfitsch (violin) Johannes Jess-Kropfitsch (piano)
rec. Konzertsalon, Villa Kaiserstein, Mürzzuschlag, Austria, 23
July-25 September, 2005
GRAMOLA 98777/82 [6 CDs: 72:49 + 61:14 + 64:38 + 73:43 + 63:21 +
58:22][GPu]
Not
the ‘greatest’ performances, but nothing here that is less than highly
accomplished, technically assured and musically intelligent. An excellent
‘library’ collection to have on one’s shelves ... see Full
Review
Wolfgang
Amadeus MOZART
(1756-1791) Inter
natos mulierum, K 72 (1771) [5:09] Misericordias Domini,
K 222 (1775) [6:09] Requiem, K 626 (completed by Franz Xaver
Süssmayr) (1791) [41:03]
Miriam Allen (soprano), Anne Buter (mezzo), Marcus Ullmann (tenor),
Martin Snell (bass) GewandhausKammerchor, Leipziger Kammerorchester/Morten
Schuldt-Jensen rec. 10-12 November 2004, Grosser Saal des Gewandhauses,
Leipzig. Plus bonus disc of ‘Great Choral Classics’ by J.S. Bach, Beethoven,
Berlioz, Handel, Mozart, Rossini, Szymanowski, Tippett, Vanhal
NAXOS 8.557728 [52:21 + 71:29][GPu]
An
energetic, honest performance of the Requiem, but one that lacks the
spark that might make it really special … see Full
Review
RECORDING OF THE MONTH
Wolfgang
Amadeus MOZART (1756–1791) Così fan tutte - Dramma
giocoso in two acts
Fiordiligi … Edita Gruberova (soprano) Dorabella … Delores Ziegler (mezzo-soprano)
Guglielmo … Ferruccio Furlanetto (bass) Ferrando … Luis Lima
(tenor) Despina … Teresa Stratas (soprano) Don
Alfonso … Paolo Montarsolo (bass) Vienna Philharmonic/Nikolaus Harnoncourt
Filmed at Munich, Bavaria Studios, 1-15 June 1988 Sound Recording: Vienna,
Studio Rosenhügel, 25 February – 12 March 1988
DEUTSCHE GRAMMOPHON 00440 073 4237
[90.59 + 84.30][RM]
What
a thought provoking school for lovers … what a superb production. ...
see Full Review
Wolfgang
Amadeus MOZART (1756-1791) Die Zauberflöte –
opera in two acts K620 (1791) [161:00]
Tamino: Stefan Dahlberg (tenor) Pamina: Ann Christine Biel (soprano)
Sarastro: Lászlo Polgár (bass) Queen of the Night:
Birgit Louise Frandsen (soprano) Papageno: Mikael Samuelson (baritone)
Papagena: Birgitta Larsson (soprano) Speaker: Petteri Salomaa (baritone)
Monostatos: Magnus Khyle (tenor) Three Ladies: Anita Soldh (soprano),
Linnea Sallay (soprano), Inger Blom (mezzo) Three Boys: Elisabeth Berg
(soprano), Ann Christine Larsson (soprano), Anna Tomson (mezzo) Priest:
Torbjorn Lillieqvist (tenor) Two Armed Men: Thomas Annmo (tenor), Olle
Skold (bass) Chorus and Orchestra of the Drottningholm Court Theatre/Arnold
Östman Stage Director: Goran Järvefelt TV Director: Thomas Olofsson
rec. Drottningholm Court Theatre, 1989 Sound format: PCM stereo Subtitle
languages: D, F, GB, IT, SP Picture format: 4:3 Region code: 0 (all
regions) ARTHAUS 102013
[161:00][MG]
The
performance has an atmosphere, a spirit of enquiry and adventure,
which draws you in and makes you want to go on experiencing it. …
see Full Review
Wolfgang
Amadeus MOZART (1756–1791)
La clemenza di Tito (1791)
Michael Schade (tenor)
– Tito; Vesselina Kasarova (mezzo) – Sesto; Dorothea Röschmann (soprano)
– Vitellia; Elina Garanča (mezzo) – Annio; Barbara Bonney (soprano)
– Servilia; Luca Pisaroni (bass) – Publio Konzertvereinigung Wiener
Staatsopernchor Wiener Philharmoniker/Nikolaus Harnoncourt Directed
for stage by Martin Kušej; Set Design: Jens Kilian; Costume Design:
Bettina Walter; Lighting: Reinhard Traub; Directed for TV and Video
by Brian Large rec. live, Felsenreitschule, Salzburg, August 2003
TDK DVWW-OPCLETI DVD
(2 discs) [160:00] [GF]
The
present Harnoncourt offering has an integrity
of its own and the singing is absolutely superb.
... see Full
Review
Wolfgang Amadeus MOZART (1756–1791)
La clemenza di Tito (1791)
Stefan Dahlberg (tenor) – Tito; Anita Soldh (soprano) – Vitellia; Lani
Poulson (mezzo) – Sesto; Pia-Marie Nilsson (soprano) – Servilia; Maria
Höglund (soprano) – Annio; Jerker Arvidson (bass) – Publio; Chorus and
Orchestra of the Drottningholm Court Theatre/ Arnold Östman Stage Director:
Göran Järvefelt Costumes: Börje Eldh and Göran Järvefelt br> Lighting:
Yngve Mansvik and Torkel Blomkvist Directed and Produced for TV and
Video by Thomas Olofsson Recorded live at the Drottningholm Court Theatre
in 1987 ARTHAUS MUSIC
102 009 DVD [128:00]
[GF]
While
enjoying the singing in the Harnoncourt/Kušej set as a total experience
that is more in tune with the music this Drottningholm production
takes pride of place in my collection of La clemenza di Tito. ...
see Full Review
Wolfgang
Amadeus MOZART (1756–1791) Le
nozze di Figaro - Opera in four acts Figaro – Paul
Schöffler (baritone) Susanna – Elisabeth Rutgers (soprano)
Il Conte d’Almaviva – Alfred Poell (baritone) La Contessa d’Almaviva – Maria
Reining (soprano) Cherubino - Dora Komarek (soprano)
Marcellina – Olga Levko-Antosch (soprano)
Bartolo – Franz Normann (bass-baritone)
Don Curzio – Anton Arnold (tenor)
Antonio – Victor Madin (bass)
Barbarina – Maria Schober (soprano)
Basilio – Hermann Gallos (tenor) Vienna Philharmonic Orchestra/Hans Knappertsbusch
rec. live, Gebouw voor Kunsten en Wetenschappen, The Hague, 15 October 1940.
ADD TAHRA TAH 573-74 [76.40
+ 78.05] [JW]
A
rude kind of theatrical life … vigour and drama …. the audience
breaks into delighted laughter genuinely enough. ... see Full
Review
Wolfgang
Amadeus MOZART (1756-1791)
The Four Flute Quartets: No. 1 in D, K 285 [14:05]; No. 2 in
G K 285a [9:25]; No. 3 in C K 285c [16:05]; No. 4 in A K 298 [11:34]
Richard Adeney (flute)
Melos Ensemble recording date and venue not indicated
ASV SANCTUARY RESONANCE RSN 3064 [51:39] [DB]
Competent
performances from the seventies, albeit with few frills and rather
chilly playing ... see Full
Review
Clifton
J NOBLE
(b.1961) Violin
Sonata No.2 Spring (1987) [13.23] Violin
Sonata No.3 Summer (2000) [11.45] Violin
Sonata No.4 Autumn (2001) [11.48] Violin
Sonata No.5 (2004) [15.50]
Joel Pitchon (violin) Clifton J. Noble (piano)
rec. Smith College, undated [2005]
GASPARO GSCD-363 [52.48] [JW]
A
clean-limbed, and enjoyable selection of Noble’s
broadly traditional violin works. ... see
Full Review
RECORDING
OF THE MONTH Niccolò PAGANINI
(1782–1840) Twenty-Four Caprices op. 1
(arr. for saxophone) Raaf
Hekkema (alto saxophone; soprano saxophone) rec. 27–31 August 2005,
Hervormde Kerk, Mijnsheerenland, The Netherlands
MUSIKPRODUKTION DABRINGHAUS UND GRIMM MDG 619 1379-2 [81:28][GF]
I
can’t believe that anyone will be disappointed when hearing this – unless
jealousy is a hampering factor. ... see Full
Review
Lorenzo
PALOMO (b.1938) Andalusian
Nocturnes (1995) [40.53]* Spanish Songs (1986) [33.26]** *
Pepe Romero (guitar); ** María Bayo (soprano) Seville Royal
Symphony Orchestra/Rafael Frühbeck de Burgos rec. Sala Apolo,
Seville, 29 August-2 September 2000. DDD NAXOS
8.557135 [74.19] [ED]
Warmly
recommended if tuneful Spanish infused textures are your thing.
... see Full Review
Harry
PARTCH (1901-1974) Enclosure
5 ... On an Ancient Greek Theme [224:55] CD1 [72:51]
1. Ulysses Departs from the Edge of the World (1955) [6:29]
2-8. Revelation in the Courthouse Park, after “The Bacchae” of
Euripides (1960) [38:53] 9. Introduction to “King Oedipus” [7:43]
10-13. King Oedipus (1951, start) [19:39] CD2 [76:13]:
1-15. King Oedipus (conclusion) [61:48] 16. Johann Philipp
Krieger (1649-1725) - Menuet [0:53] 17. Douglas Moore (1893-1969)
- Come Away, Death [3:02] 18. Come Away, Death (1942) [2:46]
19. By the Rivers of Babylon (Psalm 137) (1931, re. 1955) [3:39]
20. Introduction to “The Bewitched” [4:05] CD3 [75:51]
1-12. The Bewitched (1954-5) Ulysses
Departs from the Edge of the World (1971 Orion LP, Jack Logan,
trumpet); Revelation in the Courthouse Park (1960, University
of Illinois, Gate 5 Records, Issue F); Introduction to King
Oedipus (KPFA-FM, 1954); King Oedipus (1952, Allen Louw: Oedipus;
Rudolphine Radil: Jocasta; Mills College premiere with W.B.
Yeats libretto); Johann Krieger: Menuet (1950, Partch + Ben
Johnston); Come Away, Death (from December, 1942); (1997, Didier
Aschour and Vincent Bouchot); By the Rivers of Babylon (137th
Psalm); (1961, Gate Five Records); Introduction to The Bewitched
(A Dance Satire) (1959, WNYC); The Bewitched (1980, WDR-Köln).
Full details in note at end of review. rec. 1942-1997, various
locations. DDD INNOVA
405 [3 CDs: 72:51 + 76:13 + 75:51] [PSe]
Pulling
focus on the influence of Ancient Greece on Partch’s theatrical
philosophy, this is another essential Enclosure for the musically
adventurous. ... see Full
Review
Ernst
PEPPING
(1901-1981)
CD1 Symphony No. 1 (1939) [32:07] Symphony No. 2 (1942)
[41:10] CD2 Symphony No. 3 Tageszeiten (1944)
[38:15] Piano Concerto (1950) [22:02]
Volker Banfield (piano) Nordwestdeutsche Philharmonie/ Werner Andreas
Albert rec. Westdeutscher Rundfunk, Herford, Schützenhofsaal, 27-30
Jan 1992, 24-27 Jan 1994; 22-25 Nov 1993; 3-7 April 1995. DDD
CPO 777 041-2 [73:17 + 60:17] [KS]
No
one should shy away from grabbing this fine release. Gorgeous music
beautifully played in first rate sound ... see Full
Review
Giovanni
Battista PERGOLESI (1710-1736)
Stabat Mater 1,2 [40.51]; Salve Regina in
C minor 1 [16.13]
Jörg Waschinski (soprano) 1 Michael Chance (counter-tenor)
2 Cologne Chamber Orchestra/Helmut Müller-Brühl rec. Deutschland
Radio, Sendesaal des Funkhauses, Köln, Germany, November 2003. DDD Latin
texts with English translations provided
NAXOS 8.557447 [57.05] [ED]
This
Naxos reading is serviceable but ultimately undistinguished when
placed alongside Hogwood ... see Full
Review
Vincent
PERSICHETTI (1915-1987) Music
for Wind Band Divertimento op. 42 (1950) [11:22] Psalm op.
53 (1952) [8:48] O God Unseen - Chorale Prelude op.
160 (1984) [9:04] Pageant op. 59 (1953) [7:42] Masquerade op.
102 (1965) [13:14] O Cool is the Valley op. 118 (1971)
[6:08] Parable - Poem op. 121 (1972) [18:13] Winds
of the London Symphony Orchestra/David Amos rec. Abbey Road
Studio 1, London, 13-14 April 1993 NAXOS WIND BAND CLASSICS
8.570123 [74:31] [RB]
A
wide-ranging and satisfying conspectus of
Persichetti's windband music both lyrical
and atonal ... see Full
Review
BARGAIN
OF THE MONTH Hans
PFITZNER (1869-1949)
String
Quartet No. 2 in C sharp minor, Op. 36 (1925)
[33'57]. Arnold SCHOENBERG
(1874-1951) String Quartet No. 4, Op.
37 (1936) [33'12].
Wihan String Quartet (Leos Cepicky, Jan Schulmeister,
violins; Jirí Zigmund, viola; Ales
Kasprík, cello). rec. 3-4 (Pfitzner),
7, 20 (Schoenberg) April 2000. DDD
ARCO DIVA UP 0028-2 [67:20] [CC]
An
inspired coupling from Arco Diva. The Pfitzner
is an impressive work ... the recording is
a fine one ... see Full
Review
Franz
Alexander PÖSSINGER (1767-1827) Music
for String Trio Trio concertante Op.36/2 in D major [17.23]
Trio concertante Op.36/1 in E flat major [18.26]
Serenata in Trio concertante Op.10 [24.39] Kontraste
Köln rec. Mandelsloh, Evangelische Kirche, December 2004 CAPRICCIO
67 162 [60.52] [JW]
Biedermeier
chamber music of gentle persuasion. ... see Full
Review
Giacomo
PUCCINI (1858–1924)
Il Tabarro (1918) [58.55]
Michele – Ettore Bastianini (baritone) Giorgetta – Nora de Rosa (soprano)
Luigi – Salvatore Puma (tenor) Il Tinca – Angelo Mercuriali (tenor)
Il Talpa – Eraldo Coda (bass) La Frugola – Ebe Ticozzi (contralto) Il
Venditore – Luigi Alva (tenor) NDR Symphony Orchestra and Chorus/Mario
Cortone rec. 21 June 1954, Hamburg
ANDROMEDA ANDRCD5027 [58.55][RH]
Not
a library recording. Not a classic historic reissue. The opportunity
to hear Bastianini recorded in his prime in a role not otherwise available.
... see Full Review
Henry
PURCELL (1659-1695)
Music for Queen Mary Come ye sons of Art: Ode for the
birthday of Queen Mary (1694) [22:18] Praise the Lord, O Jerusalem
[5:51] Love’s goddess sure was blind: Ode for the birthday
of Queen Mary (1692) [20:04] Music for the funeral of Queen Mary
(1695) [8:08] Funeral Sentences [11:11] Funeral Anthem
of Queen Mary (1695) [2:32]
Kate Royal (soprano); David Hansen, Tim Mead (counter-tenor); Jacques
Imbrailo (bass) Choir of King’s College Cambridge Academy of Ancient
Music/Stephen Cleobury rec. April 2005, King’s College Chapel, Cambridge,
England. DDD EMI CLASSICS
3 44438 2 [70:03] [MG]
Spirited
and well styled performances, with some questionable
practices, but the disc as a whole presents
a unique, generous and contrasted selection
… see Full Review
Twilight
of the Romantics Walter
RABL (1873-1940) Quartet in E-flat
major for clarinet, violin, cello and piano, Op. 1 (1896) [24:20] Josef
LABOR (1842-1924) Quintet in D major for clarinet,
violin, viola, cello and piano, Op 11. (1900)
[33:13] The Orion Ensemble (Jennifer
Marlas, viola; Kathryne Pirtle, clarinet; Florentina Ramniceanu, violin; Diana
Schmück, piano; Judy Stone, cello) rec. February and May 2005, studios WFMT radio,
Chicago CEDILLE
90000088 [57:46]
[KS]
A
highly desirable disc ... I can’t imagine that any lover of romantic
chamber music would find this music anything less than pleasing.
... see Full Review
Phillip RAMEY
(b.1939)
Color Etudes (1994) [16.41]; Memorial (In
Memoriam Alexander Tcherepnin) 919770 [5.44];
Chromatic Waltz (19610 [1.30]; Piano Sonata
No 1 (19610 [7.36]; Piano Sonata No 2 (1966
rev., 2003) [12.47]; Piano Sonata No 5 - For
the left hand (1989) [10.00]; Four Tangier
Portraits (1991-9) [7.56]; Toccata No 2 (1990)
[4.06]
Stephen Gosling (piano) rec. Recital Hall,
Performing Arts Centre, SUNY, Purchase, New
York, 17-19 March 2003
TOCCATA CLASSICS 0029 [77.41] [GH]
A
CD to which I will return. Pan-European yet brash ... often pulverizes
the listener into submission. ... see Full
Review
Amédée RASETTI (1759-1799)
Trio in F major, Op. 13, No. 1 (1799) [23.24]
Trio in C major, Op. 13, No. 2 (1799) [17.59] Trio in B flat major,
Op. 13, No. 3 (1799) [20.52]
Trio Amédée (Andrea Lieberknecht, flute; Dag Jensen, bassoon; Jan Philip
Schulze, piano) rec. Fürstliche Reitbahn Bad Arolsen, May 2005. DDD
MUSIKPRODUKTION
DABRINGHAUS UND GRIMM SCENE MDG 603 1332-2
[62.40][SV]
Exuberant
playing … persuasive advocacy. ... see Full
Review
Maurice
RAVEL
(1875-1937) String
Quartet in F major (1903) [27.10] Pavel
HAAS (1899-1944) String Quartet
No.3 Op.15 (1937-38) [21.11] Leos
JANÁČEK (1854-1928) String
Quartet No.1 after Tolstoy’s Kreutzer Sonata
(1924) [17.20]
M. Nostitz Quartet rec. June 2000, Domovina
Studios, Prague
ARCO DIVA UP 0037-2 131 [65.58] [JW]
Rather
clever programming … gives pause for thought
about the interconnections between the Ravel
and subsequent Czech quartets ... see Full
Review
Marga
RICHTER
(b. 1926) Variations and Interludes on Themes
from Monteverdi and Bach, “...Besides the still waters” (1992)
[46.16] Howard HARRIS (1945-1996)
Music for dauncing Judicially, proving the true observation of
time and measure in the Authenticall and laudable use of Dauncing
(1996) [27.05] Renata Knific
(violin); Pamela Frame (cello); Robert Weirich (piano) (Richter); Carinthian
Saxophone Quartet (Gilbert Sabitzer, alto saxophone); Polish Radio National
Symphony Orchestra/Joel Suben (Harris) rec. 2004, Katowice, Poland.
DDD Notes in English. LEONARDA
LE 351 [73.21][PSh]
Well
crafted modern music you will enjoy hearing over and over. ... see Full
Review
John
Donald ROBB (1892-1989)
Hispanic Folksongs of New Mexico and Art Songs (orchestrated by Ray
Jannotta) Hispanic Folksongs: Cuando por el oriente [2:18]; De la
real Jerusalen [4:01]; A la ru [2:03]; Vamos todos a Belen [4:50]; Ofreecimento
de los Pastores [9:17]; Sierra Nevada [2:42]; El muchacho alegre [1:51];
Palomita que vienes herida [3:21]; Sandovalito [1:29] Art Songs:
To Electra [1:14]; I am very old tonight [4:19]; Good Night, My
Love [2:47]; Tonight My Heart is on the Hill [2:18]; Tears [2:48]; Cradle
Song [3:28] Leslie Umphrey
(soprano) National Polish Radio SO/David Oberg rec. Poland? circa 2001?
DDD OPUS ONE CD191
[49:38][RB]
Should
appeal to any student of 1940s Americana and
to those who rejoice in the orchestral songs
of Canteloube and Copland. ... see Full
Review
BARGAIN
OF THE MONTH Ned ROREM (b.1923) Pilgrims (1958) [7:14]
Flute Concerto (2002) [31:21] Violin Concerto (1985) [24:07] Jeffrey
Khaner (flute) Philippe Quint (violin) Royal Liverpool Philharmonic
Orchestra/José Serebrier rec. Philharmonic Hall, Liverpool, June
2005. DDD NAXOS
AMERICAN CLASSICS 8.559278 [62:42] [PCW]
Just
click on the “Buy Now” link right away … see Full
Review
Gioacchino
ROSSINI (1792-1868) Overtures Tancredi
(1813) [6:06] L’Italiana in Algeri (1813) [8:04] L’inganno felice (1812)
[5:59] La scala di sete (1812) [6:07] Il barbiere de Siviglia (1816)
[7:39] Il signor Bruschino (1813) [5:11] La cambiale di matrimonio
(1810) [5:16] Il Turco in Italia (1814) [8:53] Introduction, theme and
variations for clarinet and orchestra, in E flat major (1810) [13:04]
* Charles Neidich (clarinet),
Orpheus Chamber Orchestra. rec. Performing Arts Centre, State University
of New York, Purchase, December 1994, * April, 1991.
Deutsche Grammophon ENTRÉE
00289 477 5012 [66:18][GPu]
An
enjoyable collection of early overtures, played with sure-footed understanding
of their idiom ... see Full
Review
Gioachino
ROSSINI
(1792-1868) Bianca
e Falliero - operatic melodrama in two acts (1819) Bianca, the
daughter of Contareno, María Bayo (sop); Falliero, a Venetian
general, Daniela Barcellona (mezzo); Contareno, a Venetian senator,
Francesco Meli (ten); Capellio, a Venetian senator in love with Bianca,
Carlo Lepore (bass); Costanza, Bianca’s nurse, Ornella Bonomelli (sop);
Priuli, Doge of Venice, Danio Benini (bass); Pisani, a member of The
Council of Three, Stefan Cifolelli (ten);
Chorus da Camera di Praga; Orchestra Sinfonica de Galicia/Renato
Palumbo DYNAMIC CDS
501/1-3 [3 CDs: 63.25 + 42.55 + 73.01] [RF]
Lovers
of Rossini’s works now have a live Bianca
e Falliero with that extra frisson and few
of the drawbacks of a stage event ... see
Full Review
Gioachino
ROSSINI (1792-1868) L’occasione
fa il Ladro, (Opportunity Makes the Thief) -
Burletta per musica in one act (1812) Berenice,
Susan Patterson (sop); Don Parmenione, Natale de Carolis (bass);
Conte Alberto, Robert Gambill (ten); Ernestina, Monica Bacelli
(sop); Martino, Alessandro Corbelli (bass); Don Eusebio, Stuart
Kale (ten) Radio Symphony Orchestra of Stuttgart, Germany/Gianluigi
Gelmetti. Stage production of the Oper der Stadt Köln and Opera
de Montpellier from the Schwetzingen Festival rec. live, Rokotheater
Schwetzingen 1-3 May 1992 Stage production and design: Michael
Hempe. Costumes: Chiara Donato Directed for TV: Claus Villar
Picture format NTSC 4:3. Colour. Sound Formats: PCM stereo;
DD 5.1; DTS 5.1. Subtitles in English, German, Spanish, Italian
and French First performed: Teatro San Moise, Venice, 24 November
1812 EURO
ARTS DVD 2054998 [94:00]
[RJF]
This
staging and performance can hardly be bettered. I can thoroughly
recommend its purchase for an enjoyable aural and visual operatic
experience of a work too rarely seen. ... see Full
Review
John
RUTTER (b. 1945) Mass of the
Children (2002) [35:43] Shadows (1979) [25:06] Wedding
Canticle (2004) [5:55]
Angharad Gruffydd-Jones (soprano) Jeremy Huw Williams (baritone) Stewart
French (guitar) Daniel Pailthorpe (flute) James McVinnie (organ) Farnham
Youth Choir Clare Chamber Ensemble The Choir of Clare College, Cambridge/Timothy
Brown rec. Chapel of Tonbridge School, Kent, 19 July 2005
NAXOS 8.557922 [66:45] [JQ]
I’m
sure this disc will sell well, and I hope it does. Most purchasers
will probably be attracted by the Mass but I hope they’ll enjoy
Shadows as well. That, for me, is the strongest reason to recommend
this disc. ... see Full Review
Detailed listing (last two days)]
[Part
1 New] [Part
2 A-B] [Part
3 C-L]
[Part
4 M-R] [Part
5 S-Z]
[Part
6 Misc A-L][Part
7 Misc M-Z]