I Thought About You
Daniela Schächter - Vocals, piano
Mike Tucker - Tenor sax
Michael O'Brien - Acoustic bass
Mark Walker - Drums
Born in Sicily, Daniela Schächter resides these days in New York
City but holds a position as an assistant professor of voice at
Berklee College of Music, her alma mater. As well as being a
vocalist, she is also a gifted pianist, citing influences as
diverse as Keith Jarrett, Thelonious Monk and Maurice Ravel. While
on her initial scholarship at Berklee, she studied with Joanne
Brackeen, never a bad thing! She has long been an admirer of the
music of Jimmy Van Heusen and this album is her tribute to him. She
is joined by the tenor saxophonist, Mike Tucker who is an assistant
professor in the Harmony Department at Berklee and who shows his
mettle at numerous points during the recording. Bass player Michael
O'Brien and drummer Mark Walker provide thoughtful support
throughout.
The album contains an embarrassment of riches, such is the quality
of the material on offer. Nevertheless, one track especially
commends itself, namely Like Someone In Love/Imagination,
where two fine songs are blended into a satisfying whole. I
associate the latter standard with singer June Christy in
particular but whereas Christy sang it in a slow and languid
manner, it receives a faster treatment here, complete with a touch
of scat. Schächter not only sings with relish but contributes a
swinging piano solo, too. I liked Mike Tucker's relaxed and
creative improvisation on Like Someone In Love as well as
Mike O'Brien's noteworthy bowed bass at one stage. Darn That Dream features some splendid tenor from Tucker
and an engagingly off-beat vocal from Schächter. There's a rousing
version of But Beautiful with Schächter on piano swinging
hard and high and Mike Tucker blowing up the proverbial storm.
Schächter's own composition, Vanheusenism, the only
departure from the Van Heusen songbook on the disc, is a ballad
where there is a vocal and a leisurely piano solo from her and a
couple of snatches of Here's That Rainy Day cleverly
worked into Tucker's accomplished performance. The full version of
that song actually forms the opening track of the CD, where it
receives a stylish waltz-time rendition on the piano and a
thoroughly listenable vocal from Schächter. Tucker, for his part,
proves to be a mellow musical partner.
One of the virtues of the album is Daniela's talent for adventurous
arrangements. Sometimes, as with All The Way, I would give
full marks for ambition whilst not sure that the arrangement is
completely successful. But other tracks, such asIt Could Happen To You, Call Me Irresponsible or I Thought About You, have a really distinctive feel about
them. She definitely has a penchant for the unexpected. She has a
fine voice, too, witness her scat singing at some length onPolka Dots And Moonbeams. Contrast that with Come Fly With Me which is sprightly enough but where her
voice is more cabaret-style than jazz. For the most part, though,
she hits the spot. Yet I have to confess a preference for her piano
artistry where she is even better. Apparently, Jimmy Van Heusen
composed over 800 songs, of which 50 have become jazz standards or
at least so the liner notes tell us. Listening to this album, we're
reminded of how important the lyricists were in the creative
process. Daniela Schächter claims a particular fondness for Van
Heusen's collaborations with Sammy Cahn, three of which are to be
found here. For myself, I would opt for Johnny Burke, who supplied
the lyrics for six songs on the disc. However that may be,
Schächter deserves plaudits for doing justice to both words and
music and providing a refreshing listening experience.
James Poore