1.
Corner Pocket
2. Stompy Jones
3. Yours is My Heart Alone
4. Sweet Substitute
5. Softly as in a Morning Sunrise
6. Ring Dem Bells
7. Only a Rose
8. Come Sunday
9. Suddenly It's Spring
10. Shim-Me-Sha-Wabble
11. You Stepped Out of a Dream
12. Minute Waltz
13. One, Two, Button Your Shoe
14. Buddy Bolden's Blues
15. Sonny Speaks
Johnny Varro - Piano
Ken Peplowski - Clarinet, alto sax
Scott Robinson - Tenor sax
Randy Sandke - Trumpet
Dan Barrett - Trombone
Frank Tate - Bass
Joe Ascione - Drums
For his Swing Seven, pianist Johnny Varro assembled
some fine musicians who are associated with the Arbors Jazz label.
And Varro has written arrangements which show the musicians at their
best - not only as soloists but as members of an ensemble that sounds
like a genuine band rather than a pick-up group. The band's cohesion
is largely down to Johnny's arrangements which, in their tightness,
remind me of those of Marty Paich and other West Coast musicians like
Shorty Rogers. Varro arranges in such a way as to make the group sound
like a larger ensemble, so that it often recalls the similar richness
of the John Kirby Sextet.
Johnny Varro's choice of material is also discriminiating,
mixing jazz standards like You Stepped Out of a Dream with
older tunes like Jelly Roll Morton's Sweet Substitute and Buddy
Bolden's Blues and such Ellingtonia as the title-track and Come
Sunday. As Michael Steinman's sleeve-note points out, Varro also
includes the two Freddies: Frederic Chopin with the Minute Waltz
and Freddie Green with Corner Pocket. Freddie Green's
composition for the Count Basie band opens this generously long set
(almost 73 minutes) and, like the following Stompy Jones, it's
a tune that virtually swings itself. The former has a shapely solo
from Johnny Varro, a curvaceous alto solo by Ken Peplowski and impeccable
contributions from the rest of the front line. These really are musicians
with whom you can feel confident: you know that they are going to
play well, regardless of the circumstances.
Stompy Jones manifests Varro's appreciation
of Duke Ellington's classic small-group recording with Johnny Hodges
and Harry Edison, capturing the same easy swing and occasionally referring
back to that older performance. Franz Lehar's Yours is My Heart
Alone may seem an unusual choice but it works smoothly, as does
Sweet Substitute, introduced by Dan Barrett's swooping trombone.
Even the hackneyed Softly as in a Morning Sunrise moves easily,
aided by Varro's subtle arrangement and some marvellous playing from
Peplowski.
And so the album continues, with treat following treat.
Highlights include Frank Tate's bass solo in Ring Dem Bells,
the enterprising arrangement of Only a Rose, and the John Kirby-like
Minute Waltz (based on Charlie Shavers' arrangement). The musicians
don't put a foot wrong at any point on this CD, which makes one glad
to be a jazz fan.
Tony Augarde