1
|
Fidgety
Feet
|
12
|
Krazy
Kat
|
2
|
Tiger
Rag
|
13
|
Clementine
|
3
|
Flock
O’Blues
|
14
|
At The
Jazz Band Ball
|
4
|
I’m
Glad
|
15
|
Jazz
Me Blues
|
5
|
Toddlin’
Blues
|
16
|
Since
My Best Gal Turned Me Down
|
6
|
Davenport
Blues
|
17
|
San
|
7
|
Singin’
The Blues
|
18
|
From
Monday On
|
8
|
I’m
Coming, Virginia
|
19
|
Mississippi
Mud
|
9
|
Way
Down Yonder In New Orleans
|
20
|
Deep
Down South
|
10
|
Ostrich
Walk
|
21
|
For
No Reason At All In C
|
11
|
Riverboat
Shuffle
|
22
|
In A
Mist
|
This
compilation features original Mono recordings made by the Bix Beiderbecke
between 1924 and 1930, from his earliest with the Wolverines to one
of his last recordings with his own orchestra. Some of the finest
musicians of the period are to be heard and they include Frankie Trumbauer,
Benny Goodman, Adrian Rollini, Jimmy Dorsey, Tommy Dorsey, Don Murray,
Eddie Lang, Miff Mole and Joe Venuti. Bix was a very lyrical player
and possessed a clear unmistakable tone coupled with a great understanding
of harmony. When required he could also employ a hard attack to his
swinging solos. It is well documented that when it came to composing
he was one of the first jazz musicians to be drawn to the harmonic
ideas of Debussy. So, for anyone who is not already familiar with
Bix’s work there could not be a better introduction than ‘At The Jazz
Band Ball.’
Whilst
Bix’s relationship with Paul Whiteman was often far from amicable
some of his best solo work came about when he was with Whiteman
– especially on ‘San’ and ‘From Monday On.’ Unfortunately
there is only one track featuring the superb line-up that made
up the Biederbecke Orchestra in 1930 - ‘Deep Down South.’
The final track is certainly Bix’s most famous composition
‘In A Mist’ which, as Vic Bellerby says in his accompanying
notes, ‘was to have an influence on many jazz experiments to follow.’
Jack Ashby