- Drumology
- The Continental
- Puddle Wump
- Pussy Willow
- The Hucklebuck
- Summertime
- I Get a kick Out Of You
- Comin’ Through the Rye
- Birmingham Bounce
- The Song is You
- Come Rain or Come Shine
- Hollywood hat
- Then I’ll Be Happy
- Tom Foolery
- Bingo, Bango, Boffo
- At Sundown
- How are Things in Glocca Morra?
- Trombonology
These recordings were made between 1946 and 1950,
they are not arranged in chronological order. Many of the tracks have
Louis Bellson on drums, so there is never any doubt as to whether
the band will swing. These are some of the most swinging tracks I
have heard from the Tommy Dorsey Band, whose leader often preferred
sweet to swing. On these selections the dynamics and general balance
of the band are very good and the arrangements would represent quite
a challenge to most bands around today. It all has a modern feel about
it and you would not guess that all these tracks are at least 50 years
old. Charley Shavers is for the most part the lead trumpet and he
plays superbly throughout. Tommy Dorsey leads the bones with great
style.
Shavers provides the vocal on The Hucklebuck, before
playing an excellent trumpet solo, this is the second solo feature,
Louis Bellson is featured on track 1. There is a good arrangement
of Summertime, on which the whole band swings easily and pleasantly.
On I get a Kick Out of You, Buddy Rich takes over the drum chair and
Dorsey plays the first part of the melody, which is taken up by the
excellent trombone section. The trumpets on Comin’ Through the Rye
include Doc Severinson and Billy Butterfield. The band is in fact
very comparable to the Ted Heath Band of the period, which is a back
handed complement to the Heath Band! Birmingham Bounce features the
trumpets with Shavers back in the lead chair and a good tenor solo
from Boomie Richmond, Shavers again handles the vocal and the high
notes!
The Song is You is taken at mid-tempo, on this track
Ziggy Elman has joined the trumpets and Buddy De Franco the saxes,
both have short features. Arranger and pianist Sy Oliver takes the
vocal on Come Rain or Come Shine. The next 4 tracks all come from
the April 1946 session, all are well played and contain more interesting
solos, Shavers is outstanding throughout and Alvin Stoller proves
that he can swing the band as well. Many of the arrangements have
the Bill Finnegan feel about them, but there are no credits to him
in the sleeve. The last track Trombology is a tremendously impressive
bone solo, presumable from the leader,
For big band fans this is a very impressive album
at a low price and I recommend it without any reservation.
Don Mather