These three Lehár operetta productions have been available 
            separately for some time now. I have reviewed two of them for this 
            site already. I will fully review the remaining one first. The other 
            two operettas I will address as a précis and direct readers, 
            via the usual hyperlinks to my full reviews.  
            
            Zigeunerliebe
            This is, again, a film of an operetta shot mainly outdoors which works 
            well for this somewhat darker, more cynical opus. (Its initial run 
            did not rival that of 
The Merry Widow.) 
Zigeunerliebe 
            anticipates Lehár’s late masterpiece 
Giuditta 
            which is more opera than operetta - 
Zigeunerliebe is an operatic
operetta. 
            Gone is the Parisian gaiety of 
The Merry Widow or 
The 
            Count of Luxembourg. Instead we have a rather more sombre set 
            of circumstances. Young Zorika is unsettled when she meets a dashing 
            gypsy (a moustachioed Ion Buzea looking years too old for her). Zorika 
            cannot decide what love is and what she wants of it. She believes 
            her young, rich suitor might cage her in upper class respectability, 
            whereas she is attracted to what she thinks is the freedom of life 
            with the gypsies After a few too many drinks at her betrothal party 
            she falls asleep and has a nightmare and sees the stark realities 
            of gypsy life: uncommitted, unfaithful and bullying men, and the women 
            being forced to go out and beg and steal. 
              
            This film’s scenery and costumes are lavish - a feast for the 
            eye. But to western eyes and ears there could be an over-preponderance 
            of Hungarian folk music and the really well-known tunes don’t 
            appear until towards the end of the show: the best-known is probably 
            the duet between Zorika’s father, Dragotin and his flighty, 
            brothel-owning girlfriend, in which they celebrate that it’s 
            never too old to love; then there is Józsi’s enthusiastic 
            song in praise of gypsy freedom; and the duet between Zorika and Józsi, 
            ‘Es liegt in blauen Fernen.’ Buzea, in commanding tone, 
            makes a plausible romantic yet ultimately rascally and undependable 
            Józsi Janet Perry’s Zorika is pretty and headstrong and 
            her young, light soprano voice has an attractive timbre even if she 
            is not always pitch-perfect. The choir and dancers shine. 
              
            Not the best of Lehár but worth considering 
              
            
Der Graf von Luxembourg
            One of Lehár’s most popular operettas, this is a delightful 
            film (see full 
review). 
            
            
            The costumes are gorgeous, lighting and sets attractive and the acting, 
            for the most part, good. Operatic singers stiffen the operetta roles. 
            Most of the arias are waltz songs. Hunky Eberhard Wächter in 
            the title role, rises with aplomb to its demanding part, the tessitura 
            of which straddles baritone and tenor registers. Lilian Sukis as Angèle 
            is beautiful and sophisticated, her golden soprano marvellously controlled 
            across her range particularly in its high register. Helga Papouschek 
            pouts sweetly and is a honeyed Juliette. Deep-voiced Erich Kunz makes 
            a dapper and dashing but dignity-affronted Basil and nearly steals 
            every scene in which he appears. 
              
            Enchanting.
            
            
Paganini
            This film version of 
Paganini is a very creditable stab at 
            a glittering operetta. My full review can be read 
here. 
            
Paganini is concerned with an episode from the violinist’s 
            colourful life when he was supposed to have met and stolen the heart 
            of Napoleon’s sister, Princess Anna Elisa of Lucca. 
Paganini’s 
            luscious melodies include: ‘Girls were Made to Love and Kiss’. 
            
              
            Gorgeous melodies, glittering production. 
              
            
Ian Lace    
          Performance details
            Zigeunerliebe (Gypsy Love) (1910) 
            Operetta film (1974) 
            Zorika - Janet Perry 
            Józsi - Ion Buzea 
            Jonet - Adolf Dallapoza 
            Ilona - Colette Lorand 
            Dragotin - Heinz Friedrich 
            Milhàly/Moschu - Kurt Grosskurth 
            Kajetàn - Helmut Wallner 
            Jolàn - Marianne Becker 
            Julcsa - Gaby Banschenbach 
            Peria - Angelika Schütz 
            Münchner Rundfunkorchester and Chorus of the Bayerischer Rundfunk/Heinz 
            Wallberg 
            rec. Munich, 1974
            Available separately as 101599 
          Der Graf von Luxembourg (The Count of Luxembourg) 
            (1909) 
            - Operetta film, 1972
            René, Graf von Luxembourg - Eberhard Wächter
            Angèle Didier - Lilian Sukis
            Fürst Basil Basilowitsch - Erich Kunz
            Armand Brissard - Peter Fröhlich
            Juliette Vermont - Helga Papouschek
            Gräfin Stasa Kokozow - Jane Tilden
            Pélègrin - Kurt Sowinetz
            Pawlowitsch - George Corten
            Mentschikoff - Kut Zips
            Symphony Orchestra Kurt Graunke, Munich/Walter Goldschmidt
            rec. Munich (?) 1972
            PCM Stereo; Picture Format: 4.3; Subtitles: Deutsch, English, French; 
            Region Code: 0
            Available separately as 101626. 
          Paganini (1925) (1973 film of the operetta) 
            Niccolò Paganini - Antonio Theba
            Princess Anna Elisa - Teresa Stratas
            Prince Felice - Johannes Heesters
            Bella Giretti - Dagmar Koller
            Giacomo Pimpinelli - Peter Kraus
            Count Carcasona - Fritz Tillmann
            Count Hédouville - Wolfgang Luckshy
            Bartucci - Klaus Havenstein
            Symphony Orchestra Kurt Graunke, Munich/Wolfgang Ebert
            rec. Munich 1973
            Sound: PCM Stereo
            Picture: NTSC/4:3 Colour
            Region: 0
            Subtitle Languages: DE (original language), GB, FR
            Available separately as 101592.