The complete package on offer here - booklet and 
          CD - amounts to a readable and listenable encyclopedic entry on Grainger, 
          the man and his music. What’s more we get something like the ‘complete’ 
          man. The many facets of his life and character are addressed. The list 
          is long: his insistence on Anglo-Saxon English, his ‘mother's 
          boy’ devotion, his muscular energy running from concert to concert, 
          his dazzling repute as a piano virtuoso and his staunch friendship with 
          many musicians including Grieg and Delius. Add to this his heightened 
          sense of self-worth, his confident and unconventional sexuality - both 
          in ideas and in sado-masochist practice, his mania for towelling clothing 
          and his dedication to recording things - his museum. All the most famous 
          musical pieces are there though we do not have extracts from the more 
          challenging stuff such as the astonishingly eruptive 
The Warriors 
          and the weird harmonic experimental machine music of the 1940s onwards. 
          
            
          This is very much Damien Beaumont’s baby - his sequence and his 
          concept. Beaumont is used to playing a narrative role. He has been the 
          orator in Strauss's 
Enoch Arden and Britten’s 
Ovid Metamorphoses. 
          He also took that role in two works by Jessica Duchen's 
Franz Liszt 
          - Son of the Father and her 
Songs of Triumphant Love. I have 
          previously had good cause to praise Duchen’s Phaidon book on Korngold. 
          I had not realized that she was a composer and would like to hear these 
          two works. 
            
          Beaumont reads the shortish letter extracts with a sort of innocent 
          wide-eyed clarity yet is quite natural and unstilted. Readings alternate 
          with music - complete works, all fairly brief. David Stanhope draws 
          out and conveys from his orchestra those great slow-surging and sentimental 
          upwashes of warmth as well as a spirit of sheer jollity. Kay Dreyfus 
          provides the annotation. Her 1985 book of Grainger’s letters 
The 
          Farthest North of Humanness is well worth looking out though brace 
          yourself. 
            
          Grainger stylishly presented in Grainger’s own words with his 
          own music. There’s no better place to start but even seasoned 
          Grainger enthusiasts - those who already have the stunning 
Chandos 
          Grainger Edition - will find much of value here. 
            
          
Rob Barnett  
            
          Full tracklist 
            
          1 Mock Morris 
          2 ‘On Thursday afternoon, Dec 6, I’m going to make a sort 
          of short speech’ 
          3 My Robin is to the Greenwood Gone 
          4 ‘Dear “København”!’ 
          5 Colonial Song 
          6 ‘I stand at the moment at a turning point’ 
          7 Dreamery 
          8 ‘My own compositions I undertake largely as a kind of artistic 
          life insurance’ 
          9 Harvest Hymn 
          10 ‘To produce clever overrefined sensual wild types like me’ 
          
          11 The Power of Love 
          12 ‘In 1932 or 1933 my wife and I took up this idea of clothing 
          made of towelling’ 
          13 The Nightingale and The Two Sisters 
          14 ‘Dear Lady Winefride’ 
          15 Irish Tune from County Derry 
          16 ‘My heart & head alarm me’ 
          17 Blithe Bells 
          18 ‘Sorrow is fine & productive for me’ 
          19 Early One Morning 
          20 ‘I love my father so much more since I have lost mother’ 
          
          21 ‘The Duke of Marlborough’ Fanfare 
          22 ‘Do you know, little Karen’ 
          23 The Immovable ‘Do’