Bartók’s Dance-Pantomime,
The Wonderful
Mandarin is full of uncompromising and aggressively decadent music
and very modern in idiom. Its storyline is sordid and squalid in the extreme.
Three pimps in a foul backstreet room force a girl to lure men in to be
beaten up and robbed. A new victim appears. It is a Chinese Mandarin.
The girl dances seductively. The pimps rob him and then try to kill him
in so many ways but to no avail. It is only when the girl has given herself
to him that the Mandarin dies of his injuries.
Kempe’s keenly observed, energetic, detailed reading reveals the
pitiless nature and the brutal, ruthless unfeeling violence of the pimps
through unrelenting jagged dissonances and sour jazz figures; plus the
self-loathing of the girl forced to dance so provocatively to a heavy
menacing ostinato before she is moved to show pity and love to the hapless
Mandarin.
The glorious ‘sunrise’ opening of Richard Strauss’s
Also Sprach Zarathustra will always be associated with the beginning
of Kubrick’s film
2001 - A Space Odyssey. Kempe’s opening
is magnificent indeed. Strauss was not interested in attempting to put
Nietzsche’s philosophy into music but rather using it as the basis
for a musical expression of his own sentiments. Kempe’s masterly
reading of this opulent music is very much in the Late-Romantic tradition,
full of drama, expression and atmosphere. Just listen to the sections
marked ‘Of the great Longing’ and ‘Of Joys and Passions’
for instance to appreciate the unrestrained passion and excitement but
at the same time the remarkable clarity and transparency of his readings.
The enigmatic, unresolved closing pages of this work are given such probing
luminosity here.
These recordings have been digitally re-mastered from the original SWR
tapes.
A quite frightening
Mandarin and a
Zarathustra to treasure.
Testimony to the prodigious flair of this great conductor.
Ian Lace
A quite frightening
Mandarin and a
Zarathustra to treasure.
Masterwork Index:
Also
Sprach Zarathustra