With a new cycle of Joachim Raff's highly idiomatic, 
          imaginative symphonies under way on Chandos (see 
review 
          of volume 1), as well as Tra Nguyen's excellent recording for Grand 
          Piano of the complete solo piano works (
review 
          of latest volume), another aspect of this much underrated composer's 
          considerable output is opened with this very generous recording of some 
          major and minor religious works for choir. A previous release from Sterling 
          focused on Raff's secular choral music (CDS 1089). 
            
          The Swedish voices heard here are of a decent quality, with few real 
          weaknesses, especially in the unaccompanied works. It is a surprise 
          to read that the majority of Karlstads Kammarkör's singers are 
          amateurs. Choirmaster Anders Hörngren does a good job of maintaining 
          discipline and togetherness, with individual voices only rarely standing 
          out where they ought not. As a bonus, it is gratifying to hear the final 
          [r]s of 'Pater Noster' and other Latin words pronounced as they should 
          be, rather than vocalised the way most English singers do. 
            
          The Gothenburg Opera Orchestra is not one of the world's finest, and 
          the playing in the Te Deum is not entirely convincing. The effect is 
          not helped by an unsatisfactory balance that at times threatens to overwhelm 
          the choir who for their part seem in awe of the instrumental forces. 
          There is also a fairly obvious editing join at 1'40 on the first track. 
          On the other hand, the inherent lossiness of Sterling's audio may already 
          have deterred listeners - this is not a disc for audiophiles. Yet sound 
          is not flat by any means, and doubtless many ears will not find all 
          that much to get upset about. 
            
          Raff's music at any rate is undeniably exquisite. The three a cappella 
          works are gentle and serene, neo-Renaissance in spirit, reminiscent 
          in many ways of Brahms. The Te Deum is strikingly lyrical, although 
          it probably needs a more polished performance to do it true justice. 
          The De Profundis is the main focus of the recording and outside the 
          symphonies among Raff's most massive works. At the time of composition 
          Raff was into his prime, embarking on a decade of incredible fertility. 
          De Profundis is a work of great drama and, living up to its title, great 
          solemnity, harking back to the masterly models of previous centuries 
          - Bach, Mozart and Beethoven. All performers are on much better form 
          here - perhaps the Te Deum was recorded afterwards, when everyone was, 
          quite understandably, physically and emotionally drained by the powerful 
          De Profundis. 
            
          The accompanying booklet notes are by Raff scholar Avrohom Leichtling, 
          who also wrote for Chandos in the above-mentioned recording, and are 
          so thorough and detailed as to almost justify the cover price on their 
          own! There is nothing that anyone could want to know about these works 
          that Leichtling omits to discuss. The biographies are thorough in their 
          way, if sometimes too much so: "The Göteborg Opera Orchestra is 
          the only orchestra ever to have received the Opera Prize given by the 
          Swedish newspaper Svenska Dagbladet". Phew.   
          
          
Byzantion 
          Collected reviews and contact at artmusicreviews.co.uk 
          
          
          See also review by 
Rob 
          Barnett