This generously-timed boxed set brings together, for a very 
                  reasonable price, some of Berlin Classics' old recordings of 
                  favourite symphonies and a few works that are outside the charmed 
                  circle. The low cost comes with a caveat, in that there is no 
                  booklet - just five card sleeves in a glossy clamshell, with 
                  basic information printed straight onto the card. Indeed, this 
                  is part of Berlin's 'Basics' range: 'standards in excellent 
                  performances at an unexpectedly low price'. 
                    
                  The quality of the featured symphonies is a given, as are the 
                  star ratings of orchestra and conductor alike, the latter mainly 
                  of a certain vintage - though Masur, Flor and Blomstedt are 
                  still very much alive. All are in action with orchestras they 
                  achieved a well-deserved reputation with, and most have or had 
                  a special place in their hearts or minds for the Romantic works 
                  performed here. 
                    
                  The only odd inclusion is Mendelssohn's G minor Symphony for 
                  strings - there is more than a suspicion that it was the first 
                  thing Berlin Classics found that would fit onto the same disc 
                  as Bruckner's massive Fourth Symphony. Elsewhere there is a 
                  sense that some of these pairings have been decided on timing 
                  alone, but it would be churlish to take that too much into account, 
                  for these are reliably decent recordings that make a thrilling 
                  introduction to the symphony as art form. 'Thrilling' is certainly 
                  a word to describe Heinz Rögner's Bruckner, incidentally 
                  - probably the fastest version ever recorded, certainly in the 
                  Symphony's original 1874 form - a whole quarter of an hour quicker 
                  than more reflective readings. 
                    
                  On the other hand, audio quality is not uniformly impressive. 
                  The digitally re-mastered ADD recordings come mainly from the 
                  1980s, with a couple from the Seventies and the Schumann and 
                  Franck from the Sixties. The trouble with Eighties recordings 
                  in general is that digital technology was never much to write 
                  home about, with flatness and tinniness typical concomitants. 
                  Such is often the case here: only the high-speed Bruckner, the 
                  well-preserved Tchaikovsky and the excellent Saint-Saëns/Dvořák 
                  disc are really good enough for even the most moderate of audiophiles. 
                  For newcomers, though, there are worse places to start a collection. 
                  
                    
                  Byzantion 
                  Collected reviews and contact at artmusicreviews.co.uk 
                  
                    
                
                
                
                  
                  Performance list
                  Joachim Dalitz (organ) Berlin Symphony Orchestra/Claus Peter 
                  Flor (Saint-Saëns) 
                  Dresden Staatskapelle/Herbert Blomstedt (Schubert)
                  Dresden Staatskapelle/Kurt Sanderling (Franck)
                  Berlin Radio Symphony Orchestra/Heinz Rögner (Wagner, Bruckner)
                  Leipzig Gewandhaus Orchestra/Kurt Masur (Mendelssohn)
                  Leipzig Gewandhaus Orchestra/Franz Konwitschny (Schumann)
                  Dresden Philharmonic/Kurt Masur (Tchaikovsky)
                  Berlin Staatskapelle/Otmar Suitner (Brahms, Dvořák)
                
                   
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