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 Sound 
              Samples & Downloads   | 
            Kind  
              Traditional  
              Sov, Sov, Liten Gut [2:01]  
              Jaakko MÄNTYJÄRVI (b. 
              1963)  
              Die Stimme des Kindes [4:45]  
              Traditional  
              Bansull [2:06]  
              Per NORGÅRD (b. 1932) 
               
              Wie ein Kind I [3:38]  
              Traditional  
              Bia, Bia Lite Ban [3:43]  
              Per NORGÅRD  
              Wie ein Kind II - Frühlings-Lied [7:35]  
              Traditional  
              Bia, Bia Lite Ban [2:23]  
              Marcus PAUS (b. 1979)  
              The Stolen Child [10:58]  
              Traditional  
              Bansull fra Telemark [2:28]  
              Per NORGÅRD  
              Wie ein Kind III - Trauermarsch Mit Einem Unglücksfall [2:05] 
               
              Traditional  
              Bysjan, Bysjan Lite Bån [2:29]  
                
              Ensemble 96/Kjetil Almenning  
              Nidaros String Quartet  
              rec. January 2010, Uranienborg Church, Norway.  
              Disc 1: Hybrid SACD, MCH 5.0 DSD, Stereo DSD; Disc 2: Pure Audio 
              Blu-ray: DTS HD MA 192kHz/24 bit 5.0, LPCM 192kHz/24 bit STEREO. 
              mShuttle: FLAC 96kHz + MP3. Region: ABC - worldwide.  
                2L 2L076SABD   
                [44:11] 
                
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                  This set is a recording of Scandinavian music for chamber choir, 
                  all dealing with children (“Kind” means “child” 
                  in Norwegian). One track, The Stolen Child, is for chamber 
                  choir and string quartet. The recording intersperses traditional 
                  folk-songs from Norway with more-or-less contemporary compositions 
                  by three Nordic composers.  
                     
                  But first, an overview of what the set contains. There are two 
                  discs: the first a CD, which is a hybrid SACD. The second is 
                  much more complex. It is a Blu-Ray audio disc, which features 
                  pretty much every format you’d ever want to listen to. 
                  Standard playback offers 5.0 and stereo in 24-bit, 192 kHz format. 
                  But if your Blu-Ray player is connected to a network, you can 
                  access audio files on the disc in FLAC 24-bit 96 kHz and 192 
                  kHz formats, 320 kbps MP3, and WAV. So, you can listen to the 
                  CD in standard or SACD format; you can listen to the Blu-Ray 
                  disc in stereo and surround sound; and you can either rip the 
                  CD, or copy the files from the Blu-Ray disc, if you so desire, 
                  in high-resolution FLAC files, compressed MP3 files, or standard 
                  stereo WAV files.  
                     
                  Frankly, all this can get a bit confusing for most listeners 
                  who simply want the music. I had no trouble accessing the files 
                  from my Blu-Ray player, but there may be many people who cannot 
                  do this, and if 2L really wanted to provide easy access to these 
                  files, they should probably have included a DVD containing just 
                  digital files.  
                     
                  But on to the music. This is a brief, yet profound disc of choral 
                  music, which combines, in counterpoint, alternating folk-songs 
                  and modern choral works. The music is, at times, joyous, and, 
                  at others haunting. Marcus Paus’s The Stolen Child, 
                  the only work with the string quartet, and the longest work 
                  on the disc, is perhaps the most impressive. In just over ten 
                  minutes, it presents a sound-world that is astounding and moving, 
                  with hints of medieval Norwegian music. The folk-songs, some 
                  of which are different versions of the same songs from different 
                  regions of Norway, have that timeless character of fine, traditional 
                  folk-music. Jaakko Mäntyjärvi’s Die Stimme 
                  des Kindes is a heartbreakingly sweet work. And the three 
                  songs by Per Norgård are oddly interesting works.  
                     
                  What stands out most about this recording, however, is the recording 
                  itself. In surround-sound, the choir envelops the listener fully 
                  in a sphere of sound. Closing my eyes, I could feel myself to 
                  be among the choir as they sang. The sound is especially impressive 
                  for The Stolen Child, the Paus work for choir and string 
                  quartet.  
                     
                  This disc is brief; just over 44 minutes. Would that it were 
                  longer...  
                     
                  Kirk McElhearn   
                 
                  
                  
                 
                 
             
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