This recording has been issued by Brilliant Classics as part 
                  of the celebrations of Schumann Year 2010. 
                    
                  Schumann’s oratorio Das Paradies und die Peri is based 
                  on Persian fairytales – an early break from the Biblical norm. 
                  The music is undulatingly romantic – smooth and suave. The music 
                  is pliable and honeyedly yielding in Schumann’s most warmly 
                  engaging manner in O susses Land. The choir sing most 
                  beautifully as in the wispy wailing seduction of Weh, weh, 
                  weh (tr. 8) and the haloed choral visions of O heil’ge 
                  tranen in Part III. Schmucket die stufen even has 
                  a touch of janissary jingle alongside a most intriguing Mahler 
                  pre-echo. There is climactic grandeur too as at the end of Part 
                  I but the predominant hallmark is a sort of delight in gentle 
                  romance as exemplified by Die Peri weint (tr.13). Operatic 
                  ardour can however be heard in the urgency of O lass mich 
                  sung by Heidi Grant Murphy, Und wie sie niederwarts sich 
                  schwingt in Part III and the final episode Freud’ ew’ge 
                  freude. 
                    
                  Perhaps because of the exigencies of live recording the sound 
                  quality is rather less than ample in the case of the violins; 
                  one soon attunes. It is though not a great surprise that in 
                  1999 DG took down a studio recording from Christoph Prégardien, 
                  Bernarda Fink, Alexandra Coku, Barbara Bonney, Neill Archer, 
                  Gerald Finley, the Monteverdi Choir, Hanover Boys' Choir, Orchestre 
                  Révolutionnaire et Romantique, and John Eliot Gardiner (457660). 
                  
                    
                  The booklet gives the sung words in German only. No English 
                  translation. 
                    
                  The authentic romantic spirit of Schumann is reflected in a 
                  most sensitive and responsive performance but with some compromise 
                  in the violin tone. Interesting that when DG came to choose 
                  a Paradies for the recent 35 CD Schumann Masterworks 
                  box they went for John Eliot Gardiner rather than Sinopoli. 
                  
                    
                  Sinopoli’s Overture, Scherzo and Finale is sensitively 
                  done but fairly buzzes in the Finale. This is a performance 
                  that pays heed to airy buoyancy and avoids a heavily-booted 
                  tread even in the zesty resolve of the Finale. 
                    
                
Rob Barnett
 
                  
                   
                
Track-Listing 
                  Disc: 1 
                  1. Paradise And The Peri, Op.50: Part One - No. 1: 'Vor Edens 
                  Tor im Morgenprangen' (Alto) 
                  2. Paradise And The Peri, Op.50: Part One - No. 2: 'Wie glucklich 
                  sie wandeln, die sel'gen Geister' (The Peri) 
                  3. Paradise And The Peri, Op.50: Part One - No. 3: Rezitativ 
                  - 'Der hehre Engel, der die Pforte des Lichts bewacht' (Tenor) 
                  - 'Dir, Kind des Stamms, schon, doch voll Sunden' (The Angel) 
                  
                  4. Paradise And The Peri, Op.50: Part One - No. 4: 'Wo find' 
                  ich sie? Wo bluht, wo liegt die Gabe' (The Peri) 
                  5. Paradise And The Peri, Op.50: Part One - No. 5: 'So sann 
                  sie nach und schwang die Flugel' (Tenor) - 'O susses Land! O 
                  Gotterpracht!' (Vocal Quartet) 
                  6. Paradise And The Peri, Op.50: Part One - No. 6: 'Doch seine 
                  Strome sind jetzt rot' 
                  7. Paradise And The Peri, Op.50: Part One - No. 7: 'Und einsam 
                  steht ein Jungling noch' (Tenor) - 'Komm, kuhner Held, und huld'ge 
                  mir' (Gazna) - 'Du schlugst des Landes Burger' (The Young Man, 
                  Gazna) 
                  8. Paradise And The Peri, Op.50: Part One - No. 8: 'Weh, weh, 
                  weh, er fehlte das Ziel' 
                  9. Paradise And The Peri, Op.50: Part One - No. 9: 'Die Peri 
                  sah das Mal der Wunde' (Tenor) - 'Sei dies, mein Geschenk, willkommen 
                  dorten' (The Peri, Vocal Quartet) 
                  10. Paradise And The Peri, Op.50: Part Two - No. 10: 'Die Peri 
                  tritt mit schuchterner Gebarde vor Edens Tor' (Tenor) - 'Gern 
                  grussen wir, die so gegangen' (The Angel) 
                  11. Paradise And The Peri, Op.50: Part Two - No. 11: 'Ihr erstes 
                  Himmelshoffen schwand' (Tenor) - 'Hervor aus den Wassern geschwind' 
                  - 'Ach Eden, ach Eden' (The Peri) 
                  12. Paradise And The Peri, Op.50: Part Two - No. 12: 'Fort streift 
                  von hier das Kind der Lufte' (Tenor) - 'Fur euren ersten Fall' 
                  (The Peri) 
                  13. Paradise And The Peri, Op.50: Part Two - No. 13: 'Die Peri 
                  weint' (Tenor, Vocal Quartet) 
                  14. Paradise And The Peri, Op.50: Part Two - No. 14: 'Im Waldesgrun 
                  am stillen See' (Alto) - 'Ach, einen Tropfen nur aus der See' 
                  (The Young Man) 
                  15. Paradise And The Peri, Op.50: Part Two - No. 15: 'Verlassener 
                  Jungling' (Mezzosoprano) - 'Doch sieh, wer naht dort leise schleichend' 
                  (Tenor) - 'Du hier?' (The Young Man) 
                  16. Paradise And The Peri, Op.50: Part Two - No. 16: 'O lass 
                  mich von der Luft derchdringen' (The Maiden) - 'Sie wankt - 
                  sie sinkt' (Tenor) 
                  17. Paradise And The Peri, Op.50: Part Two - No. 17: 'Schlaf 
                  nun und ruhe in Traumen voll Duft' (The Peri) 
                    
                  Disc: 2 
                  1. Das Paradies und die Peri: Part Three - No. 18: 'Schmucket 
                  die Stufen zu Allahs Thron' - Auch der Geliebten vergesset nicht' 
                  (Vocal Quartet) - 'Seht da, die Bahn zum ew'gen Licht' 
                  2. Das Paradies und die Peri: Part Three - No. 19: 'Dem Sang 
                  von Ferne lauschend' (Tenor) - 'Noch nicht! Treu war die Maid' 
                  (The Angel) 
                  3. Das Paradies und die Peri: Part Three - No. 20: 'Verstossen! 
                  Verschlossen aufs neu das Goldportal!' (The Peri) 
                  4. Das Paradies und die Peri: Part Three - No. 21: 'Jetzt sank 
                  des Abends goldner Schein' (Baritone) 
                  5. Das Paradies und die Peri: Part Three - No. 22: 'Und wie 
                  sie niederwarts sich schwingt' (Tenor) - 'Peri, ist's wahr, 
                  dass du in den Himmel willst?' (Vocal Quartet) - 'Mit ihrer 
                  Schwestern Worten wachst ihr Schmerz' (Baritone) 
                  6. Part Three - No. 23: 'Hinab zu jenem Sonnentempel!' (The 
                  Peri) - 'Sie schwebt herab im frohen Hoffen' (Tenor) - 'Doch 
                  horch, wie Vesperruf zum Beten' (Mezzosoprano) - 'Und was fuhlt 
                  er, der sund'ge Mann' (Tenor) - 's war eine Zeit, du selig Kind' 
                  (The ... 
                  7. Das Paradies und die Peri: Part Three - No. 24: 'O heil'ge 
                  Tranen inn'ger Reue' (Vocal Quartet) 
                  8. Das Paradies und die Peri: Part Three - No. 25: 'Es fallt 
                  ein Tropfen aufs Land Agypten' (The Peri) - 'Und sieh, demutig 
                  betend kniet der Mann' (Tenor) 
                  9. Das Paradies und die Peri: Part Three - No. 26: 'Freud', 
                  ew'ge Freude, mein Werk ist getan' - 'Willkommen, willkommen 
                  unter den Frommen!' (The Peri) 
                  10. Ouverture, Scherzo und Finale: I. Ouverture. Andante con 
                  moto - Allegro 
                  11. Ouverture, Scherzo und Finale: II. Scherzo. Vivo 
                  12. Ouverture, Scherzo und Finale: III. Finale. Allegro molto 
                  vivace