The art of Samson François is celebrated in this all-Chopin 
                  box, which captures recordings made between 1954 and 1969. He’d 
                  first recorded in the late 1940s, but he was probably at his 
                  very finest in the mid-1950s. These ten CDs offer full value 
                  for money for the admirer and contain performances elevated 
                  and also quixotic, indeed problematic. The unevenness of his 
                  surviving recordings is well-known. 
                    
                  I’ve listened to the whole set, alternately marvelling and frowning, 
                  sometimes within the space of a single work. His was a highly 
                  personalised approach, and unlike, say, Rubinstein who retained 
                  a stylistic consistency and persuasive sovereignty over pretty 
                  much the whole of Chopin’s music, François seems more or less 
                  engaged dependent on form – his Nocturnes are very much better 
                  than his Mazurkas, for instance – and the date of recording; 
                  his earlier recordings are, on average, very much better than 
                  his later ones. 
                    
                  That being the case, in my experience at least, one can take 
                  a few brief looks at some of the repertoire to be found in this 
                  box of ten discs. The Ballades bring out the sense of dynamism 
                  and spontaneity in his playing, certainly in the First, whilst 
                  the calm deceptively tranquil opening of the second barely prepares 
                  one for the torrential outpouring to come. The fourth tends 
                  to rush its bars but it’s still compellingly exciting. The Scherzos 
                  are less good, the first in particular being over-stressed and 
                  somewhat too italicised. The Concertos are the Monte Carlo National 
                  Opera Orchestra/Louis Frémaux traversals, not the – by common 
                  consent – rather superior earlier, mono Georges Tzipine-conducted 
                  set. I certainly don’t find the opening movement of the E minor 
                  Allegro maestoso risoluto; it’s rather more Maestoso ponderosa. 
                  
                    
                  The Etudes, strangely enough, don’t provoke very much seeming 
                  interest from him. He thumps in the first of Op.10, whilst the 
                  second is over-deliberated. The C sharp minor from the Op.25 
                  set is rather too cool. Altogether he evinces a rather phlegmatic 
                  approach and what one assumes would produce in him moments of 
                  grandeur and heroism, tend to hang fire. The Nocturnes I find 
                  uneven. The E flat, Op.9 No.2, is not obviously ingratiating, 
                  and is cool and clear. But Op.15 No.1 is finely done, and for 
                  every rather plodding nocturne there’s another that evinces 
                  an essential integrity, a refusal to indulge the gestural, that 
                  does impress. Op.55 No.1 tends to limp along, though with a 
                  degree of implied intensity, but Op.62 No.2 just plods. His 
                  Op.28 Preludes can be wilful, even idiosyncratic, but his digital 
                  dexterity is never in doubt, indeed is potent. The ‘raindrop’ 
                  is powerfully characterised, whilst the G minor [No.22] is terse, 
                  tense and a true agitato. 
                    
                  The Polonaises vary. The first of the two Op.26 set is pulled 
                  out of shape, whilst the first of Op.40 sounds too effortful, 
                  though the second is much better. His Sonatas offer contrasts. 
                  The Second is rather brittle sounding in both tonal quality 
                  and engineering but has plenty of rich characterisation in recompense, 
                  not least a good funeral march. The companion Third sonata opens 
                  rather ponderously and its Largo is half-hearted. The Mazurkas 
                  really don’t cut the mustard and even the booklet writer can’t 
                  summon any enthusiasm for them. Nevertheless there are some 
                  things that come off; Op.30 No.2 has some rich charm, and the 
                  vocalised registers of Op.33/4 come over well. 
                    
                  I’ve stressed the negatives to give those unfamiliar with the 
                  pianist’s art a fair indication of what they’re getting, or 
                  what I think they’re getting. There are bigger François boxes 
                  out there embracing the whole width of his repertoire, but if 
                  it’s just his Chopin you’re after then you can’t beat this for 
                  price, or space-saving practicality. 
                    
                  Jonathan Woolf  
                    
                  
                    
                
Full Track Details
CD 1 
Piano Concerto No.1 in E minor Op.11 [39:41]
Piano Concerto No.2 in F minor Op.21 [31:16]
CD 2 
Polonaise N°1 En Ut Dièse Mineur Op.26 N°1 [6:26]
Polonaise N°2 En Mi Bémol Mineur Op.26 N°2 [7:49]
Polonaise N°3 En La Majeur Op.40 N°1 ''Militaire'' [4:39]
Polonaise N°4 En Ut Mineur Op.40 N°2 [5:53]
Polonaise N°5 En Fa Dièse Mineur Op.44 [1:12]
Polonaise N°6 En La Bémol Majeur Op.53 ''Héroïque'' [7:30]
Polonaise N°7 En La Bémol Majeur Op.61 ''Polonaise Brillante'' [12:23]
Andante Spianato Et Grande Polonaise En Mi Bémol Majeur Op.22 [13:41]
CD 3 
Polonaise Posthume En Re Min Op.71 No.1 [4:38]
Polonaise Posthume En Si Bem Majeur Op.71 No.2 [6:35]
Polonaise Posthume En Fa Min Op.71 No.3 [6:10]
Fantaisie En Fa Mineur Op.49 [13:15]
Tarentelle En La Bemol Majeur Op.43 [3:35]
Barcarolle En Fa Diese Majeur Op.60 [8:26]
Rondo Pour 2 Pianos En Ut Majeur Op.73 [9:12]
CD 4 
Ballade N°1 En Sol Mineur Op.23 [7:37]
Ballade N°2 En Fa Majeur Op.38 [6:45]
Ballade N°3 En La Bémol Majeur Op.47 [7:00]
Ballade N°4 En Fa Mineur Op.52[ 9:15]
Scherzo N°1 En Si Mineur Op.20 [8:23]
Scherzo N°2 En Si Bémol Mineur Op.31[10:70]
Scherzo N°3 En Ut Dièse Mineur Op.39 [6:39]
Scherzo N°4 En Mi Majeur Op.54 [11:51]
CD 5 
Valse N°1 En Mi Bémol Majeur Op.18 ''Grande Valse Brillante'' [4:58]
Valse N°2 En La Bémol Majeur Op.34 N°1 ''Valse Brillante'' [5:20]
Valse N°3 En La Mineur Op.34 N°2 [4:46]
Valse N°4 En Fa Majeur Op.34 N°3 ''Valse Brillante'' [2:31]
Valse N°5 En La Bémol Majeur Op.42 [4:24]
Valse N°6 En Ré Bémol Majeur Op.64 N°1 [1:53]
Valse N°7 En Ut Dièse Mineur Op.64 N°2 [2:54]
Valse N°8 En La Bémol Majeur Op.64 N°3 [4:80]
Valse N°9 En La Bémol Majeur Op.69 N°1 [4:17]
Valse N°10 En Si Mineur Op.69 N°2 [3:23]
Valse N°11 En Sol Bémol Majeur Op.70 N°1 [1:57]
Valse N°12 En Fa Mineur Op.70 N°2 [3:10]
Valse N°13 En Ré Bémol Majeur Op.70 N°3 [1:54]
Valse N°14 En Min Mineur Op. Posthume [3:20]
Impromptu N°1 En La Bémol Majeur Op.29 [3:40]
Impromptu N°2 En Fa Dièse Majeur Op.36 [5:35]
Impromptu N°3 En Sol Bémol Majeur Op.51 [4:18]
Impromptu N°4 En Ut Dièse Mineur Op.66 ''Fantaisie-Impromptu'' [4:18]
CD 6 
Sonate No.2 En Si Bemol Mineur Op.35 [18:42]
Sonate No.3 En Si Mineur Op.58 [25:57]
4 Mazurkas Op.6 
N°1 En Fa Dièse Mineur [1:33]
N°2 En Ut Dièse Mineur [1:36]
N°3 En Mi Majeur [1:33]
N°4 En Mi Bémol Mineur [0:28]
Mazurka No.5 En Si Bemol Majeur Op.7 No.1 [1:10]
Mazurka No.6 En La Mineur Op.7 No.2 [1:23]
Mazurka No.7 En Fa Mineur Op.7 No.3 [2:80]
Mazurka No.8 En La Bemol Majeur Op.7 No.4 [0:50]
Mazurka No.9 En Ut Majeur Op.7 No.5 [0:30]
Mazurka No.10 En Si Bemol Majeur Op.17 No.1 [1:46]
Mazurka No.11 En Ut Majeur Op.17 No.2 [1:55]
Mazurka No.12 En La Bemol Majeur Op.17 No.3 [3:32]
Mazurka No.13 En La Mineur Op.17 No.4 [4:10]
Mazurka No.14 En Sol Mineur Op.24 No.1 [1:42]
Mazurka No.15 En Ut Majeur Op.24 No.2 [1:50]
Mazurka No.16 En Sol Mineur Op.24 No.3 [1:70]
Mazurka No.17 En Si Bemol Mineur Op.24 No.4 [3:48]
CD 7 
Mazurka No.18 En Ut Mineur Op.30 No.1 [1:27]
Mazurka No.19 En Si Mineur Op.30 No.2 [1:13]
Mazurka No.20 En Re Bemol Majeur Op.30 No.3 [2:14]
Mazurka No.21 En Ut Diese Mineur Op.30 No.4 [3:21]
Mazurka No.22 En Sol Diese Mineur Op.33 No.1 [1:38]
Mazurka No.23 En Re Majeur Op.33 No.2 [2:19]
Mazurka No.24 En Ut Majeur Op.33 No.3 [1:42]
Mazurka No.25 En Si Majeur Op.33 No.4 [4:41]
Mazurka No.26 En Ut Diese Mineur Op.41 No.1 [3:17]
Mazurka No.27 En Mi Mineur Op.41 No.2 [2:21]
Mazurka No.28 En Si Majeur Op.41 No.3 [1:80]
Mazurka No.29 En La Bemol Majeur Op.41 No.4 [1:42]
Mazurka No.30 En Sol Majeur Op.50 No.1 [1:57]
Mazurka No.31 En La Bemol Majeur Op.50 No.2 [2:16]
Mazurka No.32 En Ut Diese Mineur Op.50 No.3 [4:25]
Mazurka No.33 En Si Majeur Op.56 No.1 [3:32]
Mazurka No.34 En Ut Majeur Op.56 No.2 [1:29]
Mazurka No.35 En Si Majeur Op.56 No.3 [5:45]
Mazurka No.36 En La Mineur Op.59 No.1 [2:50]
Mazurka No.37 En La Bemol Majeur Op.59 No.2 [2:29]
Mazurka No.38 En Fa Diese Mineur Op.59 No.3 [3:18]
Mazurka No.39 En Si Majeur Op.63 No.1 [2:13]
Mazurka No.40 En Fa Mineur Op.63 No.2 [1:32]
Mazurka No.41 En Ut Diese Mineur Op.63 No.3 [1:43]
Mazurka No.42 En Sol Majeur Op.67 No.1 [1:14]
Mazurka No.43 En Sol Mineur Op.67 No.2 [1:20]
Mazurka No.44 En Ut Majeur Op.67 No.3 [1:33]
Mazurka No.45 En La Mineur Op.67 No.4 [1:36]
Mazurka No.46 En Ut Majeur Op.68 No.1 [1:14]
Mazurka No.47 En La Mineur Op.68 No.2 [2:38]
Mazurka No.48 En Fa Majeur Op.68 No.3 [1:19]
Mazurka No.49 En Fa Mineur Op.68 No.4 [1:47]
Mazurka No.50 En La Mineur [2:50]
Mazurka No.51 En La Mineur [3:30]
CD 8 
Etudes Op.10
Etudes Op.25 
Nouvelle Etude No.1 En Fa Mineur [2:00]
Nouvelle Etude No.2 En Re Bemol Majeur [1:46]
Nouvelle Etude No. En La Bemol Majeur [2:16]
CD 9 
Nocturne No.1 En Si Bémol Mineur Op.9 No.1 [5:14]
Nocturne No.2 En Mi Bemol Majeur Op.9 No.2 [4:15]
Nocturne No.3 En Si Majeur Op.9 No.3 [6:18]
Nocturne No.4 En Fa Majeur Op.15 No.1 [3:48]
Nocturne No.5 En Fa Diese Majeur Op.15 No.2 [3:33]
Nocturne No.6 En Sol Mineur Op.15 No.3 [4:40]
Nocturne No.7 En Ut Diese Mineur Op.27 No.1 [4:53]
Nocturne No.8 En Ré Bémol Majeur Op.27 No.2 [5:33]
Nocturne No.9 En Si Majeur Op.32 No.1 [3:59]
Nocturne No.10 En La Bemol Majeur Op.32 No.2 [4:55]
Nocturne No.11 En Sol Mineur Op.37 No.1 [4:56]
Nocturne No.12 En Sol Majeur Op.37 No.2 [5:19]
Nocturne No.13 En Ut Mineur Op.48 No.1 [6:33]
CD 10 
Nocturne No.14 En Fa Dièse Mineur Op.48 No.2 [6:19]
Nocturne No.15 En Fa Mineur Op.55 No.1 [4:25]
Nocturne No.16 En Mi Bemol Majeur Op.55 No.2 [3:59]
Nocturne No.17 En Si Majeur Op.62 No.1 [5:49]
Nocturne No.18 En Mi Majeur Op.62 No.2 [5:21]
Nocturne No.19 En Mi Mineur Op.72 No.1 [3:20]
Preludes Op.28
Samson François (piano)
Monte Carlo National Opera Orchestra/Louis Frémaux
rec. 1954-69
EMI CLASSICS ‘ICON’ 4 55357 2 [10 CDs: 70:48 + 69:32 + 52:14 + 68:14 + 66:44 + 76:22 + 76:22 + 79:09 + 67:08 + 63:28 + 64:48]