I first encountered the Gloriæ Dei Cantores
some years ago when I bought a couple of their anthologies of
American choral music, Music of the Americas, 1492-1992 (GDCD
010) and Be Glad Then America (GDCD 008). There are items from
both collections in this collection.
This disc is one of the better types of sampler
in that it presents a useful taster of the very enterprising repertoire
of this choir but, at the same time, it’s a satisfying programme
in its own right. Not surprisingly, several of the pieces are
American but the range of the choir is well illustrated by the
inclusion of music from five different European countries. Chauvinistically
I’m delighted to find an American choir doing music by an
Englishman (Rubbra) and a Welsh composer (Mathias) and doing it
so well. How many comparable British choirs would be so proficient
in American music?
The disc opens arrestingly with a celebratory
anthem by the American composer Dominic Argento. I’d heard
this piece before as it’s on the Music of the Americas CD.
However, much of the music by other American composers was new
to me. Bruce Neswick’s largely extrovert, exuberant I Will
Set His Dominion in the Sea is most enjoyable (there’s a
more reflective central section). It features an exciting organ
accompaniment, which is well done here.
The choir brings a full, rich sound to the German
items. The rich romanticism of Rheinberger’s Mass seems
well suited to them. They also do the Bach-indebted motet by Brahms
very successfully but here there’s an appropriate lightness
of touch.
The performance of the Rachmaninov item (the
sixth section of his All Night Vigil) is hushed and intense for
the most part but rises to a fervent climax. The other Russian
piece, by Sviridov, is also very successful. The choir and the
admirable soprano soloist catch the mood of keening sorrow that
distinguishes this haunting piece very well. Incidentally, I have
had reservations about some previous releases from this source
on the grounds that not all the soloists have been quite up to
the mark. There aren’t many solo contributions in this anthology
but those that there are all done to a very good standard.
As I hope I’ve made clear, as well as a
wide and interesting selection of music there is some fine choral
singing to enjoy here. The choral tone is firm and clear, whether
the singers are flat out or singing quietly (both of which they
do to very good effect). Diction, balance and tuning are all excellent.
The sound quality is consistently good although the recordings
were made over quite a period of time and in a variety of venues.
All texts are provided, together with English translations where
appropriate. The booklet contains a good number of photographs
of the choir. The notes include several personal reflections on
individual pieces by members of the choir.
I admire Gloriæ Dei Cantores for their
committed musicianship but also (indeed, perhaps more so) for
their enterprising repertoire. This CD is an excellent introduction
to their discography. It is extremely enjoyable in its own right
but I hope it will serve its purpose by prompting purchasers to
investigate other recordings by this fine choir.
Recommended.
John Quinn