Johann Sebastian BACH (1685 - 1750)
	  Goldberg Variations
	   John Metz (harpsichord)
 John Metz (harpsichord)
	  20 bit recording.Recording date not available.DDD
	   Soundset Recordings
	  SR1013
	  [69.02]
 Soundset Recordings
	  SR1013
	  [69.02]
	  Amazon
	  USA
	  
	  
	   
	  
	  Everyone must know by now that this year marks the 250th anniversary of the
	  death of J.S.Bach. Record companies everywhere seem to have pulled out all
	  the stops to mark the year and more Bach CDs appear constantly. So, forgive
	  the slightly jaundiced view if the thought of another Goldberg
	  Variations doesn't exactly set the pulse racing. In fact, this particular
	  recording for review was made in 1998 and has just come my way so that little
	  moan isn't valid.
	  
	  This version of the Goldberg is another of the series of discs issued
	  by the Soundset Label of Arizona. Possibly because the U.S. is such a big
	  country the label largely appears to draw on regional talents - in this case
	  John Metz, who is Professor of Harpsichord at Arizona State University as
	  well as having an active career as harpsichord soloist and continuo player
	  throughout the United States.
	  
	  The Goldberg Variations for those who do not know it, is a stated
	  theme, the Aria, (a Sarabande) that is then followed by 30 variations
	  that do everything the mind of man could devise on a keyboard.. There are
	  canons to the left of' 'em, canons to the right of 'em, canons inverted and
	  converted, all based upon the bottom line of the Aria.
	  
	  Dr. Metz is a player of some stature and his performance was one to enjoy.
	  The opening Aria - such a deceptively simple little melody but so
	  utterly absorbing - was taken slowly, almost fastidiously. With repeats
	  throughout the soloist plays in a measured, controlled way but relaxed a
	  little in Variation 7 al Tempo di Giga. The Fugetta (Var 10) was
	  a model of clarity while the penultimate track, Quodlibet (Var 30) has the
	  mind working out the combinations of the two melodies. The sound from the
	  keyboard (a modern instrument) is well captured in an excellent recording
	  - 20 bit for the technically minded.
	  
	  An excellent performance but this is a very crowded section of the market-place.
	  The best advice if you want a recording of the Goldberg Variations
	  played with a harpsichord is to listen to this and as many as you can.
	  
	  Reviewer.
	  
	  Harry Downey
	  
	  