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One of Britain and Europe's most renowned opera directors, David Pountney,
is to take up the position of Chief Executive and Artistic Director of Welsh
National Opera in September this year.
David Pountney has had a long association with Welsh National Opera and
knows the company well. He has directed many acclaimed productions over the
years, receiving the Janacek Medal for his series of Janacek's operas,
co-produced by WNO and Scottish Opera. In the spring of 2013, Pountney will
direct Alban Berg's Lulu for the company, under the musical
leadership of Lothar Koenigs, WNO's Music Director.
In an illustrious career, David Pountney has worked as Director of
Productions for both Scottish Opera and English National Opera and since
2003 has been Intendant of the prestigious Bregenz Festival in Austria. He
will continue to act as artistic director of this summer festival until his
present contract ends in 2013, but will be reducing his other freelance
commitments.
Geraint Talfan Davies, chairman of WNO, said that the appointment had come
at the end of an international search that had produced applications from
all over the world. "We are truly
delighted to have found someone of David Pountney's experience and stature
to lead WNO for the next five years. With his substantial track record for
innovation and excellence, he will reinforce the international standards and
the sense of artistic ambition on which the company's reputation has been
built," he said. "His extensive connections
throughout the world of opera will also be an enormous asset to Welsh
National Opera in the years ahead. The whole company is excited at the
prospect of working with him."
David Pountney said: "I am really thrilled to have the chance to
return to lead a company that has long been very close and important to me -
a national and international company that has enormous potential to be a
powerful creative force on the European opera stage. That potential stems
from its secure base in Wales, from which it derives its deeply grounded
musical tradition. I particularly look forward to nurturing that tradition
alongside my friend and colleague, music director, Lothar Koenigs.
"I have long experience of the special needs and challenges of a
touring opera company, and am very aware that WNO is also strongly supported
in England. It is encouraging that, despite the inevitably harsh financial
climate, the value of WNO's work has been fairly recognised by the arts
councils of both Wales and England.
"Opera is the ultimate collaborative art form, and it's through
collaboration that I want to see WNO continue to draw on and give back
strength to the wider cultural community. With that strength and belief
behind us, I look forward to being able to deploy the international
experience I have gained over the last years to lead this flagship company
into a new era of artistic adventure."
Described by one critic as "one of the country's sharpest theatrical
minds" David Pountney has worked in most of the major opera houses in
Europe, as well as the United States and Japan. He has always championed new
work and has directed more than ten world premieres, including three by the
British composer, Sir Peter Maxwell Davies.
An experienced librettist, he collaborated with Sir Peter on The Doctor
of Myddfai for WNO, and in recent weeks a new Maxell Davies work,
Kommilitonem, for the Royal Academy of Music in London and the
Juilliard School in New York. He has also translated many operas from
Russian, Czech, Italian and German. The production of Die Fledermaus,
in WNO's current season is based on a translation by him.