Young at Heart
Where or When
All the Things You Are
Begin the Beguine
I Should Care
Dream
If I Loved You
That Old Black magic
I Only Have Eyes For You
A Ghost of a Chance
The Coffee Song
All Through the Day
Time after Time
Stella by Starlight
Sweet Lorraine
One for My Baby
But Beautiful
Almost like Being In Love
Laura
What’ll I Do?
Mean To Me
All of Me
I’ve Got A Crush On You
Body and Soul
You Do Something To Me
Autumn in New York
One in Love with Amy
Some Enchanted Evening
It All Depends On You
Don’t Cry Joe, Let Her Go
American Beauty Rose
London By Night
Lover
April in Paris
When You’re Smiling
Nevertheless I’m In Love With You
It’s Only A Paper Moon
The Birth of the Blues
My Blue Heaven
Why Try to Change Me Now?
I could Write a Book
Don’t Worry ’bout Me
I’ve Got the World On A String
My One and Only Love
From Here to Eternity
South of the Border
My Funny Valentine
I Get A Kick Out Of You
Rain, Falling from The Skies
Just One Of Those Things
Three Coins In The Fountain
What is there left to say
when another Sinatra compilation hits the
racks? This one spans the years 1945 to 1953
and so just nudges the 50-year copyright date.
And despite the fact that these tracks have
been re-issued so many times and despite their
currency in popular culture there are still
things to be said about them. Collectors should
note firstly that Sinatra is accompanied for
the most part by the bands of Axel Stordahl
and Nelson Riddle though there are isolated
instances of his work with Hugo Winterhalter,
Mitch Miller, George Siravo and Percy Faith.
The arrangements sound crisp
– slick strings and good pizzicati in Young
At Heart and imaginative brass counter
themes in If I Loved You. That Old
Black Magic is here but banish thoughts
of blowsy bleary finger-snapping kitsch; this
is a laid-back and intelligent piece of introspection
and a far cry from glitz and glitter. Then
there’s the relaxed joviality of The Coffee
Song, which adds a little light heartedness
to the love-lorn romanticism heard elsewhere.
Stella by Starlight opens with a big,
burnished string intro but in the context
Sweet Lorraine sounds rather incongruous.
Backed by an all-star jazz group (Coleman
Hawkins, Johnny Hodges et al) it strikes a
rather strange note, welcome though it is
or would be in other contexts.
Talking of jazz however we
get brass obbligatos from Bobby Hackett and
Billy Butterfield and these take the mind
off the very few duds along the way – Why
try To Change Me Now for instance or the
sudsy choir backing on I Could Write A
Book. As if to reinforce the point the
last ten tracks on the second disc consist
of classic after classic after classic.
The notes are concise, the
transfers sympathetic and the package, even
allowing for the classic status of so many
of these tracks, recommended.
Jonathan Woolf
Transfers sympathetic and
even allowing for the classic status of so
many of these tracks, recommended. ... see
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