1. The Lion and Albert (Marriott Edgar;
1932) [3:15]
Rec. 16th March 1932
2. With her head tucked underneath her
arm (R. Harris Weston, Robert Weston,
Bert Lee; 1934) [4:41]
Rec. 7th September 1934
3. The Beefeater (Robert P. Weston,
Bert Lee) [3:50]
Rec.7th September 1934
4. Three ha’pence a foot (Marriott
Edgar) [4:09]
Rec. 16th March 1932
5. Old Sam (No.1) – Part1: Pick oop tha’
musket (Stanley Holloway) [3:50]
Rec.27th October 1930
6. Old Sam (No.1) – Part2:’Alt! Who goes
theer? (Stanley Holloway) [3:59]
Rec. 27th October 1930
7. The Runcorn Ferry (Tuppence per person
per trip) (Marriott Edgar, Wolseley Charles)
[4:42]
Rec.20th July 1933
8. The Parson of Puddle (Greatrex Newman)
[3:27]
Rec. November 1938
9. Gunner Joe (Marriott Edgar) [4:16]
Rec. 20th July 1933
10. Old Sam (No.2) – Part 1: Beat the retreat
on thy drum (R. Harris Weston, Robert
P. Weston, Bert Lee; 1932) [3:29]
Rec. May 1940
11. Old Sam (No.2) – Part 2: One each apiece
all round (Stanley Holloway) [2:34]
Rec. May 1940
12. The ‘ole in the ark (Marriott Edgar)
[3:39]
1st December 1937
13. The recumbent posture (Marriott
Edgar) [4:01]
Rec.16th May 1939
14. Marksman Sam (Marriott Edgar, Stanley
Holloway) [4:11]
Rec. circa March 1935
15. Sam drummed out (Robert P. Weston,
Bert Lee) [4:22]
Rec. circa August 1935
16. My missus (Stanley Holloway, Leo
Conriche) [2:44]
Rec. March 1940
17. Brahn boots (R. Harris Weston,
Robert P. Weston, Bert Lee) [3:32]
Rec. 29th October 1940
18. Yorkshire Pudden (Robert P. Weston,
Bert Lee) [3:34]
Rec. 29th October 1940
19. The Return of Albert (Albert comes
back) (Marriott Edgar) [4:26]
Rec. September 1940
20. Keep smiling (Jerome Kern, Oscar
Hammerstein II: from Three Sisters, 1934
show) [3:08]
Rec. April 1934
Accompanied on piano by Leo Conriche and Wolseley
Charles, and Charles Prentice and the Drury
Lane Theatre Orchestra
Today, Stanley Holloway is
probably best remembered for creating the
role of the redoubtable Alfred P. Doolittle
in My Fair Lady. But that came quite
late in a long career, which began with, of
all things, the aspiration to be an opera
singer. In 1913, aged 23, this took him briefly
to Milan for lessons; but the Great War put
an end to these ambitions, and he became established
as a star of the London West End, and, later,
of numerous films.
The rise of the gramophone
brought him huge success with his famous monologues
and humorous songs, most of which appear in
this entertaining collection. Many of these
routines first saw the light of day in a series
of revues in which Holloway starred in the
1920s called The Co-optimists.
Admirers of this repertoire
might possibly be surprised to know that Stan
was a Londoner by birth, because many of the
numbers are delivered in broad North Country
accents. The most famous is of course the
‘title track’, The Lion and Albert.
Albert Ramsbottom’s parents, angling for a
settlement after their son is eaten by Wallace
the lion, would be comfortable in today’s
‘compensation culture’. Track 19 contains
a splendid sequel, The Return of Albert,
which concerns the Ramsbottoms’ efforts to
claim life insurance, thwarted when the lad
reappears, having been regurgitated by Wallace.
Then of course, there’s soldier
Sam, he of the fallen musket, who spawned
a whole series of entertaining stories, involving
the proudly proletarian Sam and his brushes
with various royals. Holloway’s excellent
range of voices is well show-cased here, as
it is in the enjoyable Parson of Puddle.
There’s a nice smattering
of dewy-eyed sentiment, too, notably in My
missus and Keep smiling. But I
have to say that my favourite (and one I would
thoroughly recommend to all lovers
of England’s greatest county) is Yorkshire
Pudden, the fascinating story of how the
recipe for that delicious comestible was brought
to earth one day by a passing angel.
A totally delightful CD,
this, and a fine tribute to a great British
entertainer.
Gwyn Parry-Jones