Disc 1 (1918-1931) Playing time: 78m. 10s.
1. My Blue Heaven
2. How Ya Gonna Keep ‘Em down on the Farm?
3. My Buddy
4. Carolina in the Morning
5. My Best Girl
6. Yes, Sir, That’s My Baby
7. I Wonder Where My Baby Is Tonight?
8. That Certain Party
9. After I Say I’m Sorry
10. But I Do, You Know I Do!
11. Where’d You Get Those Eyes?
12. It Made Me Happy When You Made Me Cry
13. There Ain’t No Maybe in My Baby’s Eyes
14. Thinking of You
15. At Sundown
16. Sam, the Old Accordion Man
17. Changes
18. Because My Baby Don’t Mean Maybe Now
19. Just like a Melody out of the Sky
20. Out of the Dawn
21. Love Me or Leave Me
22. Makin’ Whoopee
23. My Baby Just Cares for Me
24. Little White Lies
25. Without That Man
26. You’re Driving Me Crazy
Disc 2 (1931-1962) Playing Time: 77m. 32s.
1. My Blue Heaven
2. That’s What I Like about You
3. An Evening in Caroline
4. You’ve Got Everything
5. Sleepy Head
6. Riptide
7. Clouds
8. I’ve Had My Moments
9. It’s Been So Long
10. You
11. Did I Remember?
12. Cuckoo in the Clock
13. At Sundown
14. My Buddy
15. Mister Meadowlark
16. My Heart and I Decided
17. My Mammy
18. Little White Lies
19. The Daughter of Rosie O’Grady
20. Love Me or Leave Me
21. After I Say I’m Sorry
22. ‘Tain’t No Sin
23. My Baby Just Cares for Me
24. You’re Driving Me Crazy
25. My Little Bimbo
26. My Blue Heaven
Among the musical groups are those of
Paul Whiteman
The Dorsey Brothers
Benny Goodman
Muggsy Spanier
Chris Barber
Among the vocalists are
Ruth Etting
The Boswell Sisters
Billie Holiday
Bing Crosby
Ella Fitzgerald
Despite writing over 600 songs, many of them “hits,” as the booklet notes
inform us, Walter Donaldson never seemed to become a household name. This
two-CD compilation presents us with many of these compositions but not
quite the “52 finest” of the set’s subtitle, as several of the tracks are
different versions of the same song, such as “My Blue Heaven” which has
three (disc 1-1; disc 2-1 and 26) and some others with a couple each.
Donaldson wrote almost all of his songs during the period between the two
world wars, his work becoming less relevant, it seems, as the swing period
advanced. His domain was Tin Pan Alley, just about all of his songs aimed
at the Great American Songbook audience. One exception from the collection
here might be “Changes” (1-17), but it, too, was given lyrics, sung here by
The Rhythm Boys (who included the then-unknown Bing Crosby) accompanied by
the Paul Whiteman Orchestra (which included Bix Beiderbecke and the Dorsey
Brothers). This tune, along with several others, has become something of a
jazz standard with traditional jazz bands.
Some of the cuts in this set are played by traditional jazz bands, most
featuring a singer, such as Ottilie Patterson with the Chris Barber Jazz
Band (“’Tain’t no Sin to Take off Your Skin” [2-22]) or Whispering Paul
MacDowell with The Temperance Seven (“You’re Driving Me Crazy” [2-24]). We
also hear from a young Billie Holiday and a young Ella Fitzgerald. An
exception to having a vocal on a track is “At Sundown” (2-13) in a 1939
performance by Muggsy Spanier and his Ragtime Band.
For the most part, the first disc contains renditions of the songs close to
their date of publishing, the majority being in the twenties to early
thirties; the second disc has more “modern” renditions, from the thirties
and through the early sixties. We thus get a sense of what they sounded
like at the time of initial issuance on disc one and then later with swing
and jazz treatments on disc two. Both discs attest to the durability of
these compositions and perhaps shine a light on an otherwise fairly obscure
tunesmith, who produced some wonderful material. Probably disc two will
hold more appeal for jazz lovers, containing as it does a number of tunes
which have been taken up and are played here by jazz groups.
Bert Thompson