Find The Way
Aaron Parks - Piano
Ben Street - Double Bass
Billy Hart - Drums
This is pianist and composer Aaron Parks' second album for ECM and,
in keeping with his other, earlier, recordings for example on Blue
Note with Terence Blanchard or with Joshua Redman, he shows himself
to be a rare talent. In contrast with another recent album, where
he was accompanied by two European jazz musicians, this one
features an all-American trio. Alongside the New York-based Parks,
still in his early thirties, are bassist Ben Street and the
prolific veteran, Billy Hart, on drums. Street arrived in the New
York area in 1991, having studied at the New England Conservatory
of Music in Boston with Miroslav Vitous and Dave Holland. He has
been active on the recording scene since the late 1990s. Hart, now
aged 77, has played on hundreds of albums, of course. By
comparison, Parks is a newcomer but has no difficulty holding his
own.
All the music on the disc is composed by Parks, with the sole
exception of the title track, written by Ian Bernard. The pieces
are relatively brief in duration, the longest lasting just over
seven minutes. Three impress at first hearing. Adrift
shows how technically proficient Parks is (I was reminded of the
young Brad Mehldau). This flowing number also allows us to
appreciate the accomplished performance of Ben Street on bass and
the continued mastery of Billy Hart on drums. Song For Sashou is lyrical and relaxed, altogether a joy
to hear. First Glance is both romantic and mellow and is
delivered with a limpid simplicity and charm by the trio. Not far
behind for sheer quality is Melquiades. There's very much
a Bill Evans flavour to this one, in composition and inflection, so
well worth anyone's time.
Unravel
is marked by a measured, thoughtful approach on piano, underpinned
by bass and drum. The Storyteller is a lilting piece which
holds the attention. Alice, after a quiet start, gathers
momentum. There are shifts of mood which intrigue. Find The Way is delivered with tenderness. It struck me,
as I listened, how often bassist Street strikes just the right
note. Although Hold Music has some interesting
interchanges between these sterling musicians, it probably made the
least impact on this listener, compared to the riches available
elsewhere on the album.
Parks continues to confirm his undoubted promise with this latest
release. I love good jazz piano and Parks certainly hits the spot.
He combines a natural liveliness with a sure touch and a composer's
instinct for what makes for a strong and engaging melody. I'm sure
I'll come back to these soulful and accessible tracks soon. Well
worth a spin (and more).
James Poore