JSN (11:20)
TOTAL PLAYING TIME:
[48:30]
Composer and pianist Satoko Fujii has been a creative force
in jazz for many years. Specializing in avant garde and free style,
she has performed as a solo artist and with different ensembles
around the world. Joe Fonda is a composer and bassist who has
also been active in the jazz world for many years, leading his
own ensembles as well as recording with some of the top names
in the U.S., Canada, and Europe. This disc presents their first
collaboration, a live recording of their performance at Woodfords
Congregational Church in Portland, Maine in November, 2015. This
presentation was part of the Dimensions in Jazz Series, a program
associated with the Portland Conservatory of Music and led by
Portland jazz producer Paul Lichter. The tune Paul Bley is
named for the late Canadian jazz pianist, one of Satoko’s early
instructors. It is an intriguing, dynamic free jazz improvisation
piece with sections that vary in tempo, spark and intensity, a
musical dialogue beginning with a bass line that sets the stage
asking questions, and a lively piano that responds, creating and
repeating riffs and phrases over several octaves. The piece is
37 minutes long, wandering between moody listlessness and occasionally
intense dissonance, to an improbable conversation of sound effects;
Satoko scratching, scraping and plucking the piano strings, while
Joe taps and bows the bass accompanied by shimmering piano glissandi.
A short, quiet interlude features Joe playing the flute, before
they resume their conversation between bass and piano. The performers
are technically and artistically well-matched, and play off each
other easily. The duo is joined by Satoko’s husband, Natsuki Tamura,
for the second number, JSN, a name created by using the
first initials of each performer. The tune is an odd, slightly
tense composition with simultaneous piano and bass lines, played
together while each heading in chromatically different directions,
followed by several minutes of obscure trumpet and piano sound
effects, and then ending abruptly, inspiring one to ponder the
wonders of free jazz.
This music was recorded live on 15 November, 2015 by Peter
Nenortas, Satronen Sound at Woodfords Congregational Church in
Portland, Maine. Peter also performed the mastering. There is no
booklet, however liner notes and photos are included on the disc
cover, with comments by Paul Lichter. The sound quality is
excellent.
Bruce McCollum