From Me To You
Derrick Hodge - Bass, drums, instrumentation, vocals
Keyon Harrold - Trumpet (track 9)
Corey King - Trombone (track 9)
Marcus Strickland - Tenor sax (track 9)
Mark Colenburg - Drums (tracks 1, 7, 11)
Philadelphia-born but these days resident in Denver, Derrick Hodge
is a by-word for versatililty. This multi-instrumentalist,
primarily a bass player, has shown himself at ease on both the
electric and upright forms of that instrument. In addition, he is a
composer and music producer and director. His numerous film music
credits include those for such directors as Spike Lee, for
instance. He has been a Grammy winner on two occasions and is known
for his work with the genre-bending Robert Glasper Experiment, as
well as for the likes of Terence Blanchard and Terell Stafford. He
has also recorded with rappers and rhythm and blues artistes and
even had a commission from the Chicago Symphony Orchestra. His
first album as a leader for the renowned Blue Note label, Live Today, was released in 2013 and his follow-up is
appropriately named The Second. He plays numerous
instruments on the recording to telling effect, assisted only by
drummer Mark Colenburg on three tracks and a classy trumpet,
trombone and tenor sax line-up for one of the others.
For me, For Generations was the outstanding track because
of the excellent and cohesive ensemble playing of a strong, bluesy
theme. This produced a classic jazz sound. My only grumble was that
I wanted it to last longer! Yet Song 3 is almost as
winning. Here we have an attractive theme played with tenderness
and grace. Going is out of the same stable. There's an
interesting vocal from Hodge on the ballad From Me To You,
revealing that his sense of musicianship extends to his voice.
Tracks such as The Second, You Believed and Don Blue are examples of the insistent grooves that can be
heard throughout the disc. World Go Round, meanwhile, is
a quirky item with a hint of country music about it (I could almost
hear that train coming!). Heart Of A Dreamer offers the
kind of atmospheric soundscape that would be ideal for a certain
kind of film. Transitions is pensive and brief. I was less
engaged by the repetitive Underground Rhapsody and for
that matter, Clock Strike Zero, though the latter had an
intriguing eastern feel about it at times.
Still in his thirties, Derrick Hodge has already made his mark and
the good news is there's much more we can anticipate from this
musician of all the talents. He has his own distinctive sound but
you can also catch snatches of the electric bass greats on this
disc so he's steeped in the tradition. More than that, he's a
consummate all-rounder. It'll be fascinating to see how the future
opens up for him.
James Poore