The Best Things In Life Are Free
I Must Have That Man
Will You Still Be Mine
How Am I To Know
Don’t Gert Scared
Ain’t Nobody’s Business
We Will Be Together Again
Sometimes I’m Happy
What A Little Moonlight Can Do
Shake It, But Don’t Break It
Scott Hamilton (tenor saxophone): Karin Krog (vocal): Jan Lundgren
(piano): Hans Backenroth (bass): Kristian Leth (drums)
Recorded Copenhagen, July 2015
This was recorded back in July 2015 and teams the great vocalist Karin Krog
with the ever-articulate Scott Hamilton and a front-rank rhythm section led
by Jan Lundgren, whose own playing over the last few years have seen him
join the topmost echelon of great players anywhere – not just Europe.
It’s not indelicate, merely a statement of fact, to note that Karin Krog
was around 78 when she recorded the set, so now has to husband her vocal
resources more obviously than in previous years, as can be heard in The Best Things in Life Are Free. No such observations extend to
her sidemen, where one can hear Lindgren in particular take an especially
crisp, dashing solo.
Hamilton leads off I Must Have That Man, where one finds Krog
coiling and twisting the lyrics enjoying assonances and very slightly
hinting at Billie Holiday. Krog occasionally sits out, so Will You Still Be Mine is a quartet performance, showing the
band’s fluent and fluid playing and neat trades. Further variation comes in
a duo performance – voice and piano – of How Am I To Know, where
Lundgren’s deft and supportive chords and harmonies bring colour and great
sensitivity to an already fine vocal reading.
The Getz-Gullin-Hendricks vocalise (the vocalise was obviously Hendricks’)
of Don’t Get Scared is still pretty hip – at least it is in this
reprise – and it’s never a hardship to hear Richard Rodney Bennett’s
arrangement of that old time standard, Ain’t Nobody’s Business
which, as it should, maintains its slow blues status. It’s Hamilton pretty
much all the way – Krog sits out – on We Will Be Together Again,
his thoughtful ballad playing bringing renewed and welcome variety. Bassist
Hans Backenroth dons his Slam Stewart vocal hat for Sometimes I’m Happy but What a Little Moonlight Can Do is
even better. This is a number very much associated with Billie Holiday but
it’s taken in its own way here – as an up-tempo swinger with fine obbligato
tenor and contained but still sassy vocal. Kristian Leth’s drumming, as
throughout, is crisp. Erroll Garner’s Shake It, But Don’t Break It ends the programme with just the
quartet. Joie de vivre, and even a funky phrase or two, ensures that there
is no autumnal close. There’s plenty of wit and charm in this spirited
album.
Jonathan Woolf