1. Bamboleo
2. Seņor Blues
3. Soldier's Things
4. Doha Blues
5. Sunshine Of Your Love
6. Tango
7. Somebody That I Used To Know
8. Afternoon In Puebla
9. Black Coffee
10. Parlour Song
Dominick Farinacci - Trumpet (tracks 1-10), flugelhorn (track 2)
Larry Goldings - Piano (tracks 1, 3-6, 8-10), organ (tracks 1, 5, 9),
celesta (track 10)
Christian McBride - Acoustic bass (tracks 1, 3-6, 8-10)
Steve Gadd - Drums (tracks 1, 3-9)
Dean Parks - Guitar (tracks 1, 3-6, 8, 9)
Jamey Haddad - Percussion (tracks 1, 2, 4, 6, 8)
Gil Goldstein - Accordion (tracks 1, 4, 6, 8)
Jacob Collier - Vocal, electronic instruments (track 2, 7)
Gabe Bolkosky - Violin, section leader
Leah Ferguson - Viola
Sawyer Thomson - Cello
Heidi Ruby-Kushious - Alto Flute
Brianne Sharkey - Bass Flute
Thomas Reed - Bass clarinet (tracks 1, 3, 4, 6, 8, 9)
Mike Massy - Vocals (track 4)
Mark Maudlin - Trombone (track 1)
It would be difficult to describe trumpeter, composer and big band
leader Dominick Farinacci as a 'new kid on the block' even if there
are those to whom he is presently unfamiliar. After all, this is the
ninth album for the Ohio-born, award winning, musician. His debut disc
was issued in 2003 (Manhattan Dreams) and, apart from his music, he
has been building a reputation as a jazz educator and humanitarian.
None other than Wynton Marsalis has named him 'Global Ambassador to
Jazz at the Lincoln Center'. He has actually led the Lincoln Center
expansion in Doha, the capital of Qatar, and is interested in the contribution
music makes to health. Among his early jazz influences were Louis Armstrong
and Harry James and, for my money, it shows in his playing. This is
not to label him a throwback of any kind. Clearly he has assimilated
more modern styles such as Freddie Hubbard and Lee Morgan, too. In fact,
he featured in a tribute concert to those particular stars of jazz trumpet,
held at the Lincoln Center. Among the group playing with him on this
CD are some other fine musicians. They include the vastly experienced
and influential drummer in both jazz and pop music, Steve Gadd, the
pianist and organist, Larry Goldings, and the virtuoso bass player,
Christian McBride. There are also a couple of appearances by a rising
star from the British scene, singer and wizard of electronic music,
Jacob Collier. The arrangements on the disc are shared by Farinacci,
Goldings and Collier respectively, and two of the compositions are by
the trumpet player.
I've mentioned Farinacci's debt to an earlier era. The purity and precision
of the trumpeter prompt the reflection that not many contemporary players
of the instrument perform quite like this. It is a refreshing experience. I
especially liked a composition by the singer Dianne Reeves, entitled Tango.
Early on, there's a definite Iberian flavour about the melody. The whole
thing, though, is played with relaxed finesse by Dominick and the gang,
with Larry Goldings particularly conspicuous. Another highlight is a Burke
and Webster tune that many will associate with Peggy Lee, Black Coffee.
This treatment gives the string section the opportunity to shine (not
always an easy task on a jazz CD) and here they are at their best.
Farinacci's muted trumpet evokes a real taste of the blues, and Goldings
manages to channel the spirit of Earl Hines on piano but also to display a
groovy organ technique. Fabulous. Bamboleo has a distinct New Orleans feel
about it. On Horace Silver's Seņor Blues, Jamey Haddad on percussion is to
the fore. Jacob Collier supplies vocals and electronics very effectively
while Farinacci is on flugelhorn. Appropriately, given the composer, this
recording could have come from the Blue Note stable. The Tom Waits song,
Soldier's Things, is played immaculately by Farinacci whose trumpet
captures the mood of the material well.
Doha Blues reflects not only the link Farinacci has to Qatar but his
interest in music from the Middle East. This seemed to me rather less
successful than other tracks, despite noteworthy contributions from
trumpet, guitar and percussion. Sunshine Of Your Love is marked by discreet
but telling organ from Goldings and some splendid bass from the always
interesting Christian McBride. Farinacci is again first-rate. Somebody That
I Used To Know is quite distinctive. Jacob Collier returns, providing
electronic and vocal sounds, the vocal chorus especially put me in mind of
Weather Report. There is a real lilt to this track, aided in no small part
by the leader's intriguing trumpet style. Afternoon In Puebla has a Latin
flavour. There is much to enjoy, from high register trumpet to a striking
solo from Larry Goldings and imaginative interaction between Steve Gadd on
drums and Jamey Haddad as percussionist. The final piece, Parlour Song, is
endowed with the nostalgia that its title suggests. It is a very brief
curiosity, written by Larry Goldings.
This album will appeal to those who appreciate old school, straight-ahead
jazz played to a high standard. Others who seek a more experimental
approach to the music will still find enough to interest and engage them.
Certainly, Dominick Farinacci seems to
be going places.
James Poore