2000.fi *
Personnel 29.01.16 - 01.02.16
Eero Koivistoinen - Tenor sax, conductor
Jouni Järveiä - Alto sax, flute
Mikko Mäkinen - Alto, soprano sax, flute
Teemu Salminen - Tenor sax, flute, piccolo
Manuel Dunkel - Tenor sax, flute
Petti Päivinen - Baritone sax, bass clarinet
Teemu Mattson, Timo Paasonen - Trumpet, fluegelhorn
Pekka Laukkanen, Jay Kortehisto, Mikko Mustonen - Trombone
Mikko Sinivalo - Bass trombone
Teemo Vinikainen - Guitar
Seppo Kantonen - Piano, synth
Jori Huhtala - Bass, electric bass
Mikko Hassinen - Drums
Mongo Aaltonen - Percussion
Personnel UMO live performance 6.10.05 (marked *)
Eero Koivistoinen - Tenor sax, conductor
Penti Lahti, Mikko Mäkinen - Alto sax, flute
Teemu Salminen - Tenor sax, flute, piccolo
Olli Ojajärvi - Tenor sax, flute
Petti Päivinen - Baritone sax, bass clarinet
Teemu Mattson,Timo Passonen, Mikko Pettinen, Tero Saarti - Trumpet,
fluegelhorn
Markku Veijonsuo, Pekka Laukkanen, Mikko Mustonen - Trombone
Mikael Långbacka - Bass trombone
Teemu Vinikainen - Guitar
Jarmo Savolainen - Piano, synth
Ville Huolman - Bass
Mikko Hassinen - Drums
There are undoubtedly some fine jazz big bands on the European jazz
scene at the present time. In fact, at the Gateshead International
Jazz Festival earlier this year, one of the gigs featured the youth
jazz orchestras from three different countries, in vibrant form,
demonstrating that there is little fear the tradition will die out.
The UMO Jazz Orchestra stands comparison with any. Founded in 1975,
it was originally known as the Finnish Jazz Workshop but soon
became UMO (New Music Orchestra). Over the next fifteen years as a
saxophonist, composer, arranger and conductor, Eero Koivistoinen
was an integral part of the orchestra's growing repuation,
subsequently returning to serve for a couple of years (1996-1998)
as artistic director. After his initial education at the Sibelius
Academy in Helsinki, Eero had studied at the Berklee School of
Music in the States under Herb Pomeroy. This disc substantially
features music composed by Koivistoinen (except for a couple of
pieces by Thelonious Monk). The vast majority of the tracks date
from a studio recording from early 2016 but three of them go back
as long as 2005 and a live recording at the UMO Jazz House.
This two CD set is of consistently high standard with maybe the
second one having a slight edge. For me, the pick of the first disc
is the track Longing, a composition where Koivistoinen
draws on the Finnish folk tradition. He himself is the soloist and
his expansive, warm tone captures the mood of the piece (and the
title) perfectly. On Moz, a title written for an album
whose purpose was to raise money for aid to Mozambique, he is again
a soloist and plays with flair and urgency, buttressed by Tero
Saarti's imaginative yet controlled contribution on trumpet. As so
often on these recordings the clean, cohesive sound of the
orchestra impresses. The title track Arctic Blues is
marked by a potent, driving arrangement and conveys an authentic,
rousing, blues theme, epitomised by the gutsy Teemu Vinikainen on
guitar. Monk's Ruby My Dear lists only Eero on tenor as
soloist on this appealing ballad but also contains some quality
piano and trumpet. Oshumare, written in Benin, reflects
the composer's interest in African music. The well-drilled nature
of the band is again apparent with the reeds particularly strong.
Listen, too, for the effortless fluegelhorn of Mikko Pettinene.
Manuel Dunkel takes centre stage on tenor sax, for this folksy
number. Although Hallanvaara is certainly not without
merit, it will communicate best with free-jazzers, being somewhat
off the wall. The same might be said of Nordisk Samarbete,
a track from the 2005 session, despite the ingenious cocktail of
Nordic and Finnish national anthems. I swear I heard Deck The Halls With Boughs Of Holly somewhere in there!
The highlight of the second disc is undoubtedly Picture In 3 Colours which first saw the light of day in
Koivistoinen's album of the same title, recorded in New York in
1983. It proves to be exceptional material, calling forth
performances to match, especially from Dunkel on tenor sax who
confirms his abilities in a mellow, rich and inventive take on a
distinctive theme. On Rose In A Valley there is a
beautifully judged, wistful and moody alto sax solo from Jouni
Järveiä which reminded me of Art Pepper. Long Way From Home, meanwhile, carries a Latin beat and is
well worth hearing. The remaining two 2005 tracks are Halling and 2000.fi.The former has a jazz/folk
flavour (Scottish jazz trumpeter and leader Colin Steele would feel
right at home) and is based on a Norwegian Hardanger fiddle melody. 2000.fi was commissioned for the Millennium and, with
brass and drums prominent, is a suitably lively finale.
If you like soloists of accomplishment (and who doesn't?) and crisp
ensemble work from your big bands, the UMO will not disappoint. As
for Koivistoinen, he ticks the right boxes on every front, whether
as instrumentalist, conductor, composer or arranger. Bravo!
James Poore