Silver Temple
Chick Corea - Piano with
Chick Corea And Marcus Roberts Duet
Marcus Roberts - Piano (tracks 1, 2)
Wynton Marsalis - Trumpet (track 1)
Chick Corea And Herbie Hancock Duet
Herbie Hancock - Piano (tracks 3 - 5)
The Chick Corea Elektric Band
Dave Wecki - Drums (tracks 6, 7)
John Patitucci - Bass (tracks 6, 7)
Eric Marienthal - Alto sax, tenor sax (tracks 6, 7)
Frank Gambale - Guitar (tracks 6, 7)
What better way for Chick Corea to celebrate the year of his 70 th birthday (2011) than with a month-long residency at
the celebrated Blue Note Jazz Club in New York City? One of the
big-hitters of jazz piano, Corea has put together in these
recordings, only recently released, a series of live sets which
reflects the diversity of his contribution over the years, covering
no less than ten different group settings, all reunited during the
Blue Note dates. He is joined by a host of outstanding musicians,
many of them household names, for a fascinating trip down memory
lane. Spread over three CDs, there's a chance to hear a fresh take
on some famous collaborations. Listeners will, of course, respond
more enthusiastically to some tracks rather than others, according
to individual taste, but can be assured there is something for
everyone to be found here.
So to the first of this trio of CDs. The Return To Forever
Unplugged slot is represented by Captain Marvel and Light As A Feather. In the case of Captain Marvel
, the familiar jazz-rock theme is given a consummate treatment by
the quartet. Bassist Stanley Clarke's composition, Light As A Feather, provides an extended workout for the
group, lasting almost fourteen minutes. The performances are marked
by energy and invention. Next up is the Chick Corea Trio with I Hear A Rhapsody. The line-up of Corea, Gary Peacock on
bass and Brian Blade on drums could hardly be bettered and they
certainly deliver! Incisive and swinging, to a man. The Five Peace
Band reunites Corea with guitar great, John McLaughlin. Of the two
tracks on offer, the intoxicating and adventurous Special Beings edged it for me, McLaughlin, Corea and the
impassioned Kenny Garrett, all on form. The first CD concludes with I've Got The World On A String and Spain. For
these, Corea teams up with that maestro of vocalese, Bobby
McFerrin. Spain, of course, is one of Corea's most
distinctive compositions, incorporating as it does at least three
musical genres as well as obliquely referencing Rodrigo's Concierto de Aranjuez. Unsurprisingly, it's a version full
of interest here with McFerrin constantly pushing the boundaries of
what is possible with the human voice.
The second disc opens with a couple of tracks featuring the
Corea/Gary Burton partnership, augmented by the Harlem String
Quartet. Burton is flawless and there is some stirring interplay
between the duo and the string quartet on Overture.
Chick's wife, Gayle Moran Corea gives a dramatic rendition of Your Eyes Speak To Me which is also marked by a beautiful
introduction from the strings. A couple of numbers from a
star-studded quartet, in tribute to Miles Davis, follow. If I Were A Bell is a lengthy exploration of the show
tune. Although it is hard to beat the orginal, there are some fine
solos from the likes of Wallace Roney, taking the Miles part on
trumpet and giving his considerable all. The estimable Eddie Gomez
on bass and an energetic Gary Bartz on saxophone supplement a
bustling Jack De Johnette and, of course, Corea himself to complete
a high octane line-up. Chick Corea has been associated throughout
his career with Latin rhythms and it is his Flamenco Heart group
who complete the second CD. The audience clearly found the vibrant Zyryab exciting and it's a judgement I endorse. There's a
rich vein of improvisation apparent here from a group of musicians
at home in each other's company. I was even more impressed by Mi Nina Lola. Vocalist Concha Bisika's powerful voice
features alongside Corea's masterly playing and the fervent and
questing flute of Jorge Pardo. The audience response is even more
ecstatic for this one.
The final CD pairs up Chick with fellow pianists Marcus Roberts and
Herbie Hancock respectively while the final couple of tracks
reconstitute his Elektric Band. Although familiar material is at
hand, as well as congenial collaborators, I found this disc the
least satisfying of the three. It does boast one outstanding track,
though, CC's Birthday Blues. It takes us right to the
roots of jazz. Corea and Marcus Roberts inspire one another to
fresh heights of performance and guest Wynton Marsalis on trumpet
is a blast. The blues are delivered with attitude and bite. A
further session with Roberts allows the couple to explore the Duke
Ellington favourite, Caravan, which is played with zest
and a sense of adventure. I'm an admirer of both Corea and Herbie
Hancock but confess to being a shade disappointed with the three
pieces they share. Maybe the classic status of the material
concerned arouses expectations difficult to meet. As for the
Elektric Band numbers, despite the quality of musicianship, full
appreciation, I suspect, depends on the listener's reaction to that
phase of Corea's work (mid 1980's/early '90's). Nevertheless,
rousing stuff.
Overall, admirers of Corea's ability to explore, innovate and
create will be reminded of his achievements over many years,
together with his appetite for collaboration with other giants of
the genre. Along the way, they will get to hear some exceptional
music from what was surely an unforgettable residency at the Blue
Note. Incidentally, it's worth mentioning that in addition to the 3
CD or Blu-ray set, there's a package available which includes a
feature length documentary on Chick's life and musical career.
James Poore