Carnaval/A Felicidade/Samba De Orfeu [8:00]
Dr. Clare Fischer- Keyboards
Brent Fischer- Percussion, Bass
Peter Erskine- Drums
Mike Shapiro- Drums
Denise Donatelli- Vocals
John Proulx- Vocals
TOTAL PLAYING TIME:
[71:19]
Clare Fischer (1928-2012) was an accomplished keyboardist and
composer, primarily known as a progressive big band and Latin-jazz
stylist. He was arranger and accompanist for the Hi-Los, a close
harmony jazz quartet, before forming his Latin-jazz band, Salsa
Picante. Clare also arranged orchestral music for many pop stars,
including Prince, Michael Jackson, Robert Palmer, Celine Dion
and Paul McCartney. Clare’s son Brent has added backgrounds to
some of Clare’s recordings and produced this set ranging from
solo numbers to quartets. Nuages, composed by Django
Reinhardt, was first recorded by the Quintet of the Hot Club of
France in 1940. Clare plays the piano with a soft touch, swaying
the melody to a slow, sleepy rhythm, with drummer Peter Erskine
delicately keeping time in the background. Alex Malheiros of the
Brazilian band Azymuth composed the Bossa Nova tune Cascade
of the Seven Waterfalls for their 1982 album Cascades.
The song is named for a series of waterfalls located on the
Parana River between Paraguay and Brazil. Clare performs on an
electric keyboard, with drummer Mike Shapiro and Brent Fischer
on electric bass. The song is well-played, but on this, as well
as several other tunes, the keyboard loses the dynamics of the
song and ends up sounding a bit sterile. A piano version of this
number would be a welcome alternative. Another keyboard number
is the flashy Brazilian tune Tema Do Boneco De Palha, a
little-known gem composed by Vera Lelot, again featuring Mike
Shapiro and Brent Fischer. One of my favorite numbers on this
disc is the medley from the soundtrack of the 1959 film Black
Orpheus. Clare performs the medley on piano with rich chords
and dynamics, rhythmically flowing from one song to the next.
Two songs, Samba De Orfeu andManha de Carnaval
(also known as A Day In The Life of a Fool) were composed
by Luiz Bofa and the third, A Felicidade, by Antonio
Carlos Jobim. Clare beautifully demonstrates why they have become
bossa nova standards.
This music was recorded by Matthew Brownlie. Brent Fischer and
Matthew Brownlie performed the editing and mixing. Mastering was
performed by Steve Baughman and Mauricio Iragorri at Next Level
Mastering. The sound quality is excellent. A six page booklet with
credits and line notes by Brent Fischer is included.
Bruce McCollum