The Luckiest
Amir Farid - Piano
Lachlan Bramble - Violin
Ewen Bramble - Cello
The Benaud Trio was formed in Melbourne, Australia in early 2005,
since when the group members have built a considerable reputation
as performers of classical music and of newly-commissioned works by
modern Australian composers. In addition, they also feature music
with a pop/jazz twist, specially arranged by Nicholas Buc. This
album belongs in the latter category and is a romp through pop
music's most familiar themes. Over half the tracks are themed
compilations, a kind of 'greatest hits' tribute to a particular
band, era or genre.
Video Killed The Radio Star
became a huge international hit following its release in 1979. The
opening track on the album, it has attack and vigour from all three
musicians to commend it but particularly pianist Amir Farid whose
solo has an authentic jazz feel about it. Scandinavian Invasion (An ABBA Tribute) touches
on four ABBA favourites. There's a pounding version ofMamma Mia, Waterloo, a neo-classical take onMoney, Money, Money and a slow beginning to Dancing Queen before the tune gathers momentum, with
violin and cello prominent. Farid runs a rich gamut of styles. Lullabye (Goodnight My Angel) is a Billy Joel
composition, given an interpretation marked by tenderness and
lyricism. 80s Mixtape has no less than six hit songs from
that decade. The most interesting are Eye Of The Tiger
(powerful piano here), You Can Call Me Al (complete with
township vibe), and Thriller (a thoughtful, ambitious
approach).
Simon and Garfunkel's Bridge Over Troubled Water gets a
reverent rendition, played straight. Shaken Not Stirred,
as you may guess, is a collection of music from James Bond movies.
The pick of the bunch are a bold and inventive version of Goldfinger, a Latin style From Russia With Love
and a stirring James Bond Theme. The next track celebrates
the songs of Crowded House, a rock group formed in
Melbourne in 1985. Although the three tunes here are unfamiliar to
me, they are strong melodies, handled impeccably but, once more,
without significant embellishment. Led Zeppelin's Stairway to Heaven is an out-and-out treat, as performed
by the Benaud Trio. They have some fun with the (Michael) Jackson
canon on Jacksomania!, themes interweaving at times and
with a lively finale. The concluding track of the album, The Luckiest, comes from the pen of the American
singer/songwriter, Ben Folds, and reflects the good taste of the
Benaud Trio when it comes to the selection of material.
If the essence of jazz is improvisation (though who can be
definitive about that, these days) then most of this album falls
outside that definition. What we do have here is a trio of fine
musicians unafraid to launch out across genres, bringing pleasure
to the listener as they do so. Their approach puts me in mind of
groups such as The Brodsky Quartet who have been similarly
adventurous in the past and perhaps even The String Trio Of New
York during the time Regina Carter was with them. Maybe they just
defy neat categorisation. Their quirky approach, though, lingers in
the mind.
James Poore