When The World Was New
Audrey Silver - Vocals
Bruce Barth - Piano (tracks 1-7, 9-12)
Paul Beaudry - Bass
Lewis Nash - Drums (tracks 1-7, 9-12)
Alex Pope Norris - Trumpet (tracks 2, 3, 6, 10)
Gary Versace - Accordion (tracks 6, 12)
Ron Affif - Guitar (track 9)
Tom Beckham - Vibes (tracks 7, 8, 12)
The New York City based jazz vocalist, Audrey Silver, is a new name
to me. This is her third album and I can only say that I wish I'd
come across this gifted chanteuse earlier. She shows impeccable
taste in her choice of material which is a beguiling mixture of
show tunes, jazz standards from the pens of Bobby Troup, Bill Evans
and Mose Allison, and an eclectic batch of original pieces. Her
supporting cast is impressive, too. Musicians such as pianist Bruce
Barth, who has fourteen albums under his own name, and drummer
Lewis Nash, for instance, are vastly experienced and would enhance
any recording. Equally significant are the creative arrangements of
Steven Santoro, jazz singer and a professor at the Berklee School
of Music.
Goodbye New York
is one of several standout tracks. The lyrics are actually a poem
by Deborah Garrison, an erstwhile classmate from Silver's college
days, who is now a poet, writer and editor. They provide the text
for a hymn to one of the world's great cities, warts and all.
Silver has collaborated with Dominique Gagné to provide the tune
and the relish and flair she brings to singing it is notable. The
increasingly popular French song Jardin D'Hiver seems to
have been around a long time but was actually only written in the
year 2000. It's a fine tune, stylishly rendered in excellent French
by Silver. I liked the trumpet solo by Alex Norris and the bass
input from Paul Beaudry on this one. Bobby Troup's Lemon Twist is a long time favourite of mine and Audrey
Silver does justice to the wry, witty lyrics. Tom Beckham's
accomplished vibes interact with Silver's scat singing to provide a
satisfying listening experience. Beckham impresses, too, as does
Beaudry on the Bill Evans ballad, Very Early, supplied
with lyrics by Carol Hall. What's With You, a Mose Allison
classic, is indisputably a jazz vehicle. Guitarist Ron Affif, who
guests on this track is downright
funky and Silver scats to telling effect, neither mannered nor
self-conscious. One of the musicians is heard to remark at the very
end 'Nobody wanted to stop'. The listener will share that feeling.
The show tunes, Surrey With The Fringe On Top and Getting To Know You, benefit from interesting
arrangements. Alex Norris on trumpet, Lewis Nash's nimble drumming
and the bass solo of Beaudry complement the warm and relaxed vocal
rendition by Silver of Surrey. I've always thought Getting To Know You was rather twee but Audrey Silver
succeeds in taking the cheesiness out of the lyrics whilst adding,
of all things, a touch of menace. The rhythm section as a whole
deserve commendation for their contribution here and Norris, as
ever, is good value. Lucky To Be Me from the musicalOn The Town receives a lively treatment. Sting's Until goes with a swing and features another confident
vocal performance. Gary Versace on accordion, an instrument
guaranteed to evoke a nostalgic atmosphere, guests, as he does also
on the bittersweet ballad When The World Was New.
Audrey Silver has a voice to savour and a gift for unforced scat.
She has chosen a mixture of the familiar and the unusual, in terms
of material for this album, and her accompanying musicians are
uniformly excellent. I mean it as a sincere compliment when I say
that this is easy listening of a high order. This is, I believe,
only her third disc. I hope we hear from her again very soon.
James Poore