Disc 1:
   1. Gut Bucket Blues
   2. My Heart
   3. Yes! I’m in a Barrel
   4. Come Back, Sweet Papa
   5. Georgia Grind
   6. Heebie Jeebies
   7. Cornet Chop Suey
   8. Oriental Strut
   9. You’re Next
   10. Muskrat Ramble
   11. Don’t Forget to Mess Around
   12. I’m Gonna Gitcha
   13. Droppin’ Shucks
   14. Who’sit
   15. King of the Zulus
   16. Big Fat Ma and Skinny Pa
   17. Lonesome Blues
   18. Sweet Little Papa
   19. Jazz Lips
   20. Skid-dat-de-dat
   21. Big Butter and Egg Man
   22. Sunset Café Stomp
   23. You Made Me Love You
   24. Irish Black Bottom
   25. Put ’em Down Blues
   26. Ory’s Creole Trombone
   27. The Last Time
   Disc 2:
   1. Struttin’ with Some Barbecue
   2. Got No Blues
   3. Once in a While
   4. I’m Not Rough
   5. Hotter Than That
   6. Savoy Blues
   7. Georgia Bo Bo
   8. Drop That Sack
   9. Drop That Sack
   10. Willie the Weeper
   11. Wild Man Blues
   12. Alligator Crawl
   13. Potato Head Blues
   14. Melancholy
   15. Weary Blues
   16. Twelfth Street Rag
   17. Keyhole Blues
   18. S.O.L. Blues
   19. Gully Low Blues
   20. That’s When I’ll Come Back to You
   21. Chicago Breakdown
   22. Weary Blues
   23. New Orleans Stomp
   24. Wild Man Blues
   25. Wild Man Blues
   Disc 3:
   1. Melancholy
   2. Melancholy
   3. Fireworks
   4. Skip the Gutter
   5. A Monday Date
   6. Don’t Jive Me
   7. West End Blues
   8. Sugar Foot Strut
   9. Two Deuces
   10. Squeeze Me
   11. Knee Drops
   12. No (Papa, No)
   13. Basin Street Blues
   14. No One Else but You
   15. Beau Koo Jack
   16. Save It, Pretty Mama
   17. Muggles
   18. Hear Me Talkin’ to Ya
   19. St. James Infirmary
   20. Tight like This
   21. Weather Bird
   22. Symphonic Raps
   23. Savoyagers Stomp
   24. Mahogany Hall Stomp
   Disc 4:
   1. I Can’t Give You Anything but Love
   2. I Can’t Give You Anything but Love
   3. Knockin’ a Jug
   4. Gambler’s Dream
   5. Sunshine Baby
   6. Adam and Eve Had the Blues
   7. Put It Where I Can Get It
   8. Wash Woman Blues
   9. I’ve Stopped My Man
   10. Static Strut
   11. Stomp off, Let’s Go
   12. He Likes It Slow
   13. Easy Come Easy Go Blues
   14. The Blues Stampede
   15. I’m Goin’ Huntin’
   16. If You Wanna Be My Sugar Papa
   17. You’re a Real Sweetheart
   18. Too Busy
   19. Was It a Dream?
   20. Last Night I Dreamed You Kissed Me
   21. I Can’t Give You Anything but Love
   22. Baby
   23. Sweethearts on Parade
   24. I Must Have That Man
   25. Funny Feathers
   26. How Do You Want It That Way?
   Recording dates vary between Nov. 12, 1925 and July 10, 1929. Precise date for each track is given in the booklet
   Musical Groups:
   Too many different personnel to list all (those for each selection given in the booklet), but Louis Armstrong on all tracks with each of the following
   groups or with the individual:
   Louis Armstrong and His Hot Five
   Louis Armstrong and His Hot Seven
   Louis Armstrong and the Carroll Dickerson Orchestra
   Johnny Dodds Black Bottom Stompers
   Louis Armstrong and Earl Hines (duet)
   Carroll Dickerson’s Savoyagers
   Louis Armstrong and His Orchestra
   Hociel Thomas with Louis Armstrong Jazz Four
   Erskine Tate’s Vendome Orchestra
   Joe “Butterbeans” Edwards and Susie Edwards accompanied by Louis Armstrong Hot Five
   Jimmy Bertrand’s Washboard Wizards
   Lillie Delk Christian with Louis Armstrong Hot Four
   Victoria Spivey (vocalist)
   It seems as if everybody and his brother has had a go at issuing CDs of the Armstrong Hot Fives and Sevens. While not all have professed to be “complete”
   issues, some have, including sets by Columbia, JSP (which includes transfers done by the master John R. T. Davies), and Sony. In between came single CDs
   and CD sets that include Hot Five and Seven recordings, some claiming to be the “Best of Hot Fives and Sevens” or “Best of Louis Armstrong” etc. And some
   have been withdrawn. As if all that were not enough, complicating the matter is that that some of the original 78 recordings, it seems, were of dubious
   speed, resulting in pitch problems that were left uncorrected (perhaps undetected) on the LP reissue, resulting in some tunes appearing to be played in the
   “wrong” key. During the transfers of these LPs to CD there was no immediate correction of the pitch problems, and in addition some were made from 78
   records rather than the master discs, resulting in a good deal of surface noise remaining. So it is a relatively convoluted issue, and if one is interested
in delving more into the subject, he or she can find a good analysis in the blog    The Wonderful World of Louis Armstrong: So You Wanna Buy the Hot Fives and Hot Sevens? at the website <http://dippermouth.blogspot.com/>.
   The blog is that of Ricky Riccardi, the archivist for the Louis Armstrong House Museum in New York City and author of several articles on Armstrong and the
   book
   
       
           What a Wonderful World: The Magic of Louis Armstrong's Later Years
       
       .
   
   Since the blog was written prior to the issuance of this Essential Jazz Classics set, it is not considered therein.
   This latest addition to the Hot Five and Seven list, the “complete” 4-CD set by Essential Jazz Classics, includes all the Hot Five and Seven material
   together with that made under the pseudonym “Lil’s Hot Shots” containing the same personnel, supplemented by other recordings in the same vein from the
   1920s of Armstrong accompanied by four to six other musicians. To fill out the four CDs, included are a few recordings by larger bands, all from the same
   period and featuring Armstrong. No mention is made of the source(s) of the recordings reproduced in this set, and no information is given about any
   remastering, transfers, or of any of the other technicalities.
   As to the music itself, there is not much to say that has not been said already. Armstrong was still in his twenties and his work from this period
   indicates a confidant, mature, extremely talented musician—and vocalist—one who has had arguably the most telling influence on all jazz music and the
   direction it took from then on, solos gaining the emphasis over ensemble . The recordings in these four CDs are iconic, and everyone who considers himself
   or herself a jazz fan should—and probably already does—have them in his or her collection. Lacking such, one will certainly find this set will remedy that
   deficiency. Still, I am left with the question: Why did the Essential Jazz Classic people go to the trouble of issuing this set when the market will be so
   limited and there are so many others, withdrawn or not, still available as a check on eBay or Amazon will reveal?
   Bert Thompson