1. Seventy-Six
   2. Jigsaw
   3. The Long Waiting
   4. Canter No.1
   5. Sly Eyes
   6. 1076
   7. Old Time
   8. Pretty Liddle Waltz
   9. Nonetheless
   Kenny Wheeler - Flugelhorn
   Stan Sulzmann - Tenor saxophone
   John Parricelli - Guitar
   Chris Laurence - Bass
   Martin France - Drums
   Recorded in December, 2013 at Abbey Road Studios, nine months before the legendary Canadian trumpeter and composer's death at the age of 84, this CD is
   Kenny Wheeler's last recording. It also serves as a tribute from producer Manfred Eicher to the whole body of work (listed in an accompanying booklet) that
   Wheeler recorded for ECM. The four musicians joining him on this date were four of his closest musical associates in recent years. All the compositions are
   by Wheeler including several that have been recorded by other Wheeler line-ups in the past, for example The Long Waiting, which is the title track
   of the magnificent big band recording from 2012 on Cam Jazz, Canter No. 1 from that same recording and Nonetheless from one of Kenny's
   finest recordings, the 1997 `Angel Song'.
   In the last few years of his life, Wheeler preferred to play the flugelhorn with its mellower sound and suitability for reflective solos. Inevitably, given
   the fragility of his physical state, his playing on this recording is not without occasional fluffs. It will be appreciated by Wheeler aficionados but
   perhaps less so by listeners unfamiliar with his work.
   Wheeler's fragility on this date has the effect of galvanising the other musicians to new heights. In particular, Sulzmann, always thoroughly professional,
   plays quite magnificently throughout as if he were trying to breathe new life into his old friend's frail physique. Parricelli, too, contributes a number
   of excellent guitar solos - there's a particularly fluent one on Seventy-Six - and the commanding support provided by bassist Laurence and drummer
   France could hardly be bettered.
   The tango-influenced Sly Eyes has an authoritative solo by Sulzmann whilst Wheeler sounds more secure when playing in unison with the saxophonist.
   On Pretty Liddle Waltz, a typically attractive Wheeler tune, Kenny plays a haunting solo over Parricelli's gentle riffs.
   There are many moments of melancholic beauty on this CD as well as a powerful sense of collective creativity that speaks movingly of the great affection in
   which this gentle and modest musical genius was held.
   George Stacy