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Reviewers: Tony Augarde [Editor], Steve Arloff, Nick Barnard, Pierre Giroux, Don Mather, James Poore, Glyn Pursglove, George Stacy, Bert Thompson, Sam Webster, Jonathan Woolf



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JOE VENUTI & EDDIE LANG

The Collection 1926-33

Fabulous FADCD 2041

 

 

CD1

1. Black And Blue Bottom - Joe Venuti & Eddie Lang

2. Idolising - Jean Goldkette & His Orchestra

3. Stringing The Blues - Joe Venuti & Eddie Lang

4. I'm Telling The Birds, I'm Tellling The Bees - Cliff Edwards

5. Wild Cat - Joe Venuti & Eddie Lang

6. Sunshine - Joe Venuti & Eddie Lang

7. Singin' The Blues - Frankie Trumbauer & His Orchestra with Bix & Lang

8. Bugle Call Rag - Red Nichols & His Five Pennies

9. Just The Same - Roger Wolfe Khan & His Orch.

10. Doin' Things - Joe Venuti & Eddie Lang

11. Goin' Places - Joe Venuti & Eddie Lang

12. I Like What You Like - Annette Hanshaw Acc. By The Four Instrumental Stars

13. Beating The Dog - Joe Venuti's Blue Four

14. A Mug Of Ale - Joe Venuti's Blue Four

15. Cheese And Crackers - Joe Venuti's Blue Four

16. Krazy Kat - Frankie Trumbauer & His Orchestra

17. Perfect - Eddie Lang

18. Four String Joe - Joe Venuti's Blue Four

19. Dinah - Joe Venuti's Blue Four

20. Because My Baby Don't Mean Maybe Now - Joe Venuti & His New Yorkers

21. The Man From The South - Joe Venuti's Blue Four

22. Good Little Bad Little You - Cliff Edwards

23. Sensation - Joe Venuti's Blue Four

24. Two Tone Stomp - Lonnie Johnson & Blind Willie Dunn

25. Kitchen Man – Bessie Smith

26. Bullfrog Moan - Lonnie Johnson & Eddie Lang

CD2

1. Anything - Napoleon's Emperors

2. Put And Take - Joe Venuti's Blue Four

3. Georgia On My Mind - Hoagy Carmichael & His Orchestra

4. The Wild Dog - Joe Venuti's Blue Four

5. I've Found A New Baby - Joe Venuti's Blue Four

6. Sweet Sue, Just You - Joe Venuti's Blue Four

7. When Your Lover Has Gone - Ethel Waters

8. There Ought To Be A Moonlight Saving Time – Ruth Etting

9. I'll Never Be The Same (Little Buttercup) - Joe Venuti's Blue Four

10. Little Girl - Joe Venuti's Blue Four

11. It's The Girl - The Boswell Sisters

12. There's No Other Girl - Joe Venuti's Rhythm Boys

13. Now That I Need You, You've Gone - Joe Venuti's Rhythm Boys

14. Oh! Peter (You're So Nice) - Red Nichols & His Five Pennies

15. Beale Street Blues - Joe Venuti/Eddie Lang & Their All Star Orchestra

16. After You've Gone - Joe Venuti/Eddie Lang & Their All Star Orchestra

17. Farewell Blues - Joe Venuti/Eddie Lang & Their All Star Orchestra

18. Someday Sweetheart - Joe Venuti/Eddie Lang & Their All Star Orchestra

19. Yaaka Hula Hickey Dula - Red Nichols & His Five Pennies

20. When We're Alone - Ruth Etting

22. Raggin' The Scale - Joe Venuti/Eddie Lang Blue Five

23. Pink Elephants - Joe Venuti/Eddie Lang Blue Five

24. Jig Saw Puzzle Blues - Joe Venuti/Eddie Lang Blue Five

25. Doin' The Uptown Lowdown - Joe Venuti & His Blue Six

In his book The Best of Jazz, Humphrey Lyttelton says of Eddie Lang: “His reputation among jazz buffs to this day rests largely on great partnerships which he formed – with blues guitarist Lonnie Johnson…and, more especially, with his boyhood friend and fellow Italian, violinist Joe Venuti”.

Joe and Eddie were both born in the early 1900s, and grew up in Philadelphia where they attended the same school. As children, they both studied violin as well as guitar, which must have given them extra insight when they played together, as they often did in the twenties and thirties – until Lang’s death in 1933. They were most famous for the duets they recorded during those years, although they were also in demand to play for some of the major bands of that period. This double CD includes them performing with bands led by Jean Goldkette, Frankie Trumbauer, Red Nichols and Hoagy Carmichael, as well as accompanying such vocalists as Bessie Smith and Annette Hanshaw.

Venuti and Lang were pioneers because they brought the violin and the guitar centre-stage in jazz for the first time. The arrival of electrical recording meant that Lang’s guitar could be heard on records. And Joe Venuti successfully transferred his experience playing classical violin to the context of jazz. It is noticeable that, in the earliest recordings on this album, Lang mostly acts as accompanist to Venuti. Only later did he contribute his own solos. Yet Lang’s accompaniments were often superb. A fine example of this is Bix Beiderbecke’s famous 1927 recording of Singin’ The Blues with Frankie Trumbauer’s Orchestra. Eddie adds perfect backings, both chords and single-note lines, with arpeggios to lift the music.

Although Stéphane Grappelli & Django Reinhardt are often regarded as the classic violin-and-guitar duo, Venuti & Lang were just as capable and telepathic. In fact Lang’s guitar was in some respects less dominating than Reinhardt’s: leaving plenty of space for the music to breathe. Venuti could be more abrasive than Grappelli: in fact you can sometimes regard him as a precursor to Stuff Smith’s style of forceful fiddle. Both Venuti and Lang were capable of playing at breath-taking speeds in such tracks as Wild Cat, Goin’ Places and The Wild Dog.

In addition to the virtuosity of Venuti and Lang, this album contains extra delights in the chance to hear famous musicians like Benny Goodman as they developed. It is also a pleasure to savour Adrian Rollini’s multi-instrumental talents, particularly on the bass saxophone. Jack Teagarden’s younger brother Charlie appears in several tracks on the second CD (tracks 15 to 18). He was an inventive trumpeter who deserves to be better known.

The recording quality is understandably variable, with some early recordings sounding boxy or distant. But in general the transfers are acceptable and they remind us of musicians who should never be forgotten.

Tony Augarde
www.augardebooks.co.uk

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