1. Wind Song
2. Georgia on my Mind
3. The Other Man's Grass is Always Greener
4. Down Here on the Ground
5. Up and At It
6. Goin' on to Detroit
7. I Say a Little Prayer for You
8. When I Look in your Eyes
9. Know It All
10. The Fox
Wes Montgomery - Guitar
Ron Carter - Bass
Grady Tate - Drums
Herbie Hancock - Piano
Bobby Rosengarden, Ray Barretto - Percussion
Mike Mainieri - Vibes
Gene Orloff, Raoul Poliakin - Violin
Emanuel Vardi - Viola
George Ricci - Cello
Hubert Laws, George Marge, Romeo Penque - Flute, oboe
Reissued in Verve's "Originals" series, this album was
originally issued on the A & M label. It was recorded in December
1967 and January 1968 - only a few months before Wes Montgomery died.
By this time, Wes was well established as a popular guitarist who
disappointed hardcore jazz fans with what they regarded as his move
into "easy listening" music. The album's producer was Creed
Taylor, who was famous for smoothing out the rough edges of jazz and
thereby widening its appeal.
Nonetheless, Wes Montgomery remained a significant jazz musician,
with an instantly recognisable sound characterized by his use of the
thumb (instead of a plectrum) for picking the guitar and the frequency
with which he played in octaves. Sure, he was backed on this album
by strings as well as jazz rhythm but he retains a sure jazz sensibility.
Most of the arrangements are by Don Sebesky (with the exception of
the title-track and Know It All, arranged by Eumir Deodato)
and they put Montgomery at the centre of sympathetic backings.
Nearly all ten tracks are short, with only one exceeding four minutes,
giving an album which lasts for barely 32 minutes. Yet the music is
distinguished by its relaxed classiness. The repertoire includes pop
songs like the Tijuana Brass's Wind Song and Burt Bacharach's
I Say a Little Prayer, but there are also two film themes by
Lalo Schifrin and a couple of bluesy originals (tracks 5 and 6) by
Montgomery. Perhaps Wes gets closest to his jazz roots in these items
and his laid-back interpretation of Georgia on my Mind. His
accompanists include some fine jazzmen: notably pianist Herbie Hancock
and drummer Grady Tate (whose drums spice up Goin' on to Detroit).
You can pigeonhole this album as "easy listening" if you
wish but it's jazz which is easy to listen to, and I have no complaint
with that.
Tony Augarde