1. Falling in Love with Love 
          2. Huggin' Higgins 
          3. Overjoyed 
          4. I'm Old Fashioned 
          5. Count Your Blessings (Instead of Sheep) 
          6. Bodhisattva 
          7. NER Blues 
          8. One Less Bell to Answer 
          9. The More I See You 
          10. Crazy Life 
          11. Little Girl 
          12. More Than You Know 
          13. Gotta Get a Hold of Myself 
            
            
          Eddie Metz Jr. - Drums 
          Rossano Sportiello - Piano 
          Nicki Parrott - Bass, vocals 
          Harry Allen - Tenor sax (tracks 2, 5, 6, 8, 13) 
          John Allred - Trombone (tracks 2, 6, 8, 10, 13) 
          
  
          
  
          
The Swinging Jazz Party at Blackpool is sadly a thing 
            of the past, thanks largely to lack of support from the Great (?) 
            British Public. It is a pity, as the Party was a jovial annual event 
            which introduced me to many artists I had never heard in person before. 
            They included the three musicians featured on this delectable CD. 
            I have already reviewed a fine Arbors Jazz album by two of them: pianist 
            Rossano Sportiello and singing bassist Nicki Parrott (http://www.musicweb-international.com/jazz/2007/Parrott_arcd19335.htm) 
            which illustrated the pair's musical togetherness. Drummer Ed Metz 
            Jr. was also a welcome regular at the Swinging Jazz Party: a drummer 
            for all seasons, who accompanied every kind of musician with equal 
            empathy. 
          
The trio might be described as cosmopolitan, because 
            Ed Metz is American, Rossano Sportiello is Italian, and Nicki Parrott 
            comes from Australia. And their repertoire is wide-ranging: from Stevie 
            Wonder's Overjoyed via Steely Dan's Bodhisattva to Gino 
            Vannelli's Crazy Life, alongside a healthy number of jazz standards. 
            As you might expect, the three make beautiful music together - right 
            from the opening Falling in Love with Love, which has an easy 
            bounce. Sportiello's delicate fingering is a delight, as is Nicki 
            Parrott's firm double bass which comes through solidly, with the sort 
            of full sound that one associates with Ray Brown. For a drummer-led 
            group, the drums are recorded somewhat low down in the mix: the only 
            query I have about this recording. But you can hear how well Metz 
            handles the complex rhythms of Bodhisattva. 
          
For variety, the trio is joined on several numbers 
            by two other graduates from the Blackpool School of Jazz: Harry Allen 
            with his smooth, Getzian tenor sax, and John Allred, whose fluent 
            trombone is a distinct asset. Sample how the two men interweave in 
            Huggin' Higgins - a tribute to pianist Eddie Higgins. Harry 
            Allen is also worth hearing for his breathy interpretation of the 
            very slow Count Your Blessings. 
          
I am particularly glad to hear Stevie Wonder's Overjoyed 
            performed by the trio, as this song is not often heard but deserves 
            to be widely known for its memorable grace. NER Blues is an 
            Ed Metz original, with Rossano Sportiello doing a very lifelike impersonation 
            of Count Basie. I had to turn up the volume to hear the drum solos, 
            which reinforces my belief that the drums are recorded too low. 
          
Bacharach & David's One Less Bell to Answer 
            is the only chance we get to hear Nicki Parrott's alluring voice. 
            She is a much better vocalist than many of the upcoming self-proclaimed 
            "jazz singers". Harry Allen and John Allred add sympathetic 
            solos and accompaniment. Little Girl pays homage to pianist 
            Ralph Sutton, with Sportiello appropriately going into stride mode. 
            The concluding Gotta Get a Hold of Myself was written by Ed 
            Metz Jr.'s father and includes a typically unshowy but brilliant drum 
            solo. 
          
The album got its title from the fact that Ed Metz 
            feels he is bridging the gaps between the different kinds of music 
            he heard when he was growing up. As he suggests in his sleeve-note, 
            the gaps are illusory: it is all "good music". 
          
Tony Augarde